By Bruce Neswick. For SATB choir, Brass quartet, timpani and organ. Choral, Easter. Medium Difficult. Choral octavo. Published by Paraclete Press

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Glockenspiel, Gong, Horn, Mallet Percussion 1, Mallet Percussion 2, Oboe, Percussion 1, Percussion 2, Snare Drum and more. - Grade 2

SKU: CF.YPS214F

Composed by George Sweet. Young Band (YPS). Full score. With Standard notation. 16 pages. Carl Fischer Music #YPS214F. Published by Carl Fischer Music (CF.YPS214F).

ISBN 9781491153017. UPC: 680160910519.

This new piece from composer George Sweet is a delightful combination of Scotland the Brave and Amazing Grace. Each tune on its own is wonderful, but in Sweet's setting, they are masterfully layered to reflect the composer's Scottish-American heritage. This presentation of a Scottish melody with Americana-inspired harmonies is a stunning example of compositional craft.
Bravery and Grace is a setting of the unofficial Scottish national anthem, Scotland the Brave. While the melody is taken from Scotland the Brave, the accompaniment and harmony both have a “Western Americana” feel, reminiscent of composers like Roy Harris and Aaron Copland.  This combination of a Scottish melody with American harmony is a reflection of the composer’s Scottish-American Heritage.The piece begins with a fragment of Scotland the Brave presented in a lush and reflective context. The main theme is performed in full by the upper voices at m. 9. The middle voices perform the material at m. 17, and the lower voices perform it again at m. 33. This results in a loud passage representing pipers at m. 46. The traditional spiritual Amazing Grace appears suddenly at m. 51 in a somewhat polytonal setting. This is, once again, reminiscent of practices of the aforementioned American composers.  After this lyrical presentation, a fragment of the main theme returns at m. 66. This is followed by a broad restatement of the theme at m. 70 and a brisk conclusion with a final flair of polytonality.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Glockenspiel, Gong, Horn, Mallet Percussion 1, Mallet Percussion 2, Oboe, Percussion 1, Percussion 2, Snare Drum and more. - Grade 2

SKU: CF.YPS214

Composed by George Sweet. Young Band (YPS). Set of Score and Parts. With Standard notation. 8+2+4+4+2+2+5+2+2+4+4+4+6 +3+3+1+1+1+2+3+16+2 pages. Duration 2 minutes, 49 seconds. Carl Fischer Music #YPS214. Published by Carl Fischer Music (CF.YPS214).

ISBN 9781491152331. UPC: 680160909834. Key: Bb major.

This new piece from composer George Sweet is a delightful combination of Scotland the Brave and Amazing Grace. Each tune on its own is wonderful, but in Sweet's setting, they are masterfully layered to reflect the composer's Scottish-American heritage. This presentation of a Scottish melody with Americana-inspired harmonies is a stunning example of compositional craft.
Bravery and Grace is a setting of the unofficial Scottish national anthem, Scotland the Brave. While the melody is taken from Scotland the Brave, the accompaniment and harmony both have a “Western Americana” feel, reminiscent of composers like Roy Harris and Aaron Copland.  This combination of a Scottish melody with American harmony is a reflection of the composer’s Scottish-American Heritage.The piece begins with a fragment of Scotland the Brave presented in a lush and reflective context. The main theme is performed in full by the upper voices at m. 9. The middle voices perform the material at m. 17, and the lower voices perform it again at m. 33. This results in a loud passage representing pipers at m. 46. The traditional spiritual Amazing Grace appears suddenly at m. 51 in a somewhat polytonal setting. This is, once again, reminiscent of practices of the aforementioned American composers.  After this lyrical presentation, a fragment of the main theme returns at m. 66. This is followed by a broad restatement of the theme at m. 70 and a brisk conclusion with a final flair of polytonality.

Composed by James Biery. Church Anniversary, 21st Century, Community/Fellowship, Justice/Peace/Social Concerns. Instrumental part. MorningStar Music Publishers #50-6123. Published by MorningStar Music Publisher

By Pepper Choplin. For SATB Choir, a cappella. A Cappella, Arrangements, General Use, Baptism and Sacred. Sheet Music. Published by GlorySound.

Arranged by Jon Nicholas, Mike Menefee, Theo Hicks, Wayne Grimmer. Barbershop Harmony Society. A Cappella, Barbershop, Disney. Octavo. 64 pages. Barbershop Harmony Society #212660. Published by Barbershop Harmony Society

By Paul Simon. Arranged by Alan Baylock. Jazz Ensemble. Jazz Ensemble; Part(s); Score. Jazz Band Series. Jazz. Grade 3.5. 62 pages. Published by Alfred Music

By Stevie Wonder. Arranged by Mike Menefee. BARBERSHOP HARMONY SOCIETY. Octavo. 12 pages. Published by Barbershop Harmony Society

An Intermediate Guide to Jazz Concepts, Improvisation, Technique and Theory. Keyboard instruction. Book and CD Package. Size 9x12 inches. 128 pages. Published by Hal Leonard.

Composed by Ron Kean and Walker's Southern Harmony. Arranged by Ron Kean. Pavane Choral. Choral, Folk. Octavo. 12 pages. Pavane Publishing #P1650. Published by Pavane Publishing

Solo Alto Voice , 3 Oboes, English horn, organ, 2 Violinl, Viola, Basso continuo

SKU: CA.3103509

Cantata for the 12th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. 1x 31.035/21 oboe 1, 1x 31.035/22 oboe 2, 1x 31.035/23 taille. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas, Trinity, Praise and thanks. Set of Orchestra Parts. Composed 1726. BWV 35. Duration 31 minutes. Carus Verlag #CV 31.035/09. Published by Carus Verlag (CA.3103509).

ISBN 9790007205621. Language: German/English.

The alto cantata Geist und Seele wird verwirret has seven movements; in the opening movements of the two parts of the cantata, a lost concerto by Bach survives in its original form, which he had arranged for organ. There is also an obbligato organ part in all the three arias, sometimes including virtuosic writing. Lehms takes the Gospel reading for the 12th Sunday after Trinity, which deals with the healing of a deaf and dumb person, and makes it apply more universally: God wants to open the ears of the faithful soul and loosen its tongue, so that it can praise his wonderful works. Unlike most of the other cantatas, in line with the text model Bach avoids the use of a choir for the concluding movement of the work. The cantata was written for the 12th Sunday after Trinity which fell on 8 September 1726 in the year of its first performance. The text comes from the collection Gottgefalliges Kirchen-Opffer by Georg Christian Lehms, who was court poet and court librarian in Darmstadt. From his Weimar period onwards, Bach set several texts from this collection. Score and parts available separately - see item CA.3103500.

SATB Chorus & Organ

SKU: SU.91480570

For SATB Chorus & Organ. Composed by Dan Locklair. Vocal/Choral, Sacred Choral. Accompanied by organ. Choral Octavo. Composed 2010. Duration 7'. Subito Music Corporation #91480570. Published by Subito Music Corporation (SU.91480570).

Text: Angier Brock.

SATB Chorus, Organ Duration: 7' Text: Angier Brock Composed: 2010 Published by: Subito Music Publishing YouTube: Ms. Brock’s moving poem is lyrical throughout. Even in its beautiful originality, the poem invokes The Book of Common Prayer and biblical scripture (the latter through references to dust and breath from Genesis 2 to the final line of the poem invoking the opening of Psalm 62). Ms. Brock’s poetry is also filled with wonderful twists on traditional texts (such as in the creative and reverse naming of the Trinity in speaking of Inventing Wind, Generous Christ, and Luminous God). Musically, the main melodic material of the piece is immediately heard on a solo organ color accompanied by organ strings over a recurring pedal pulse on the pitch C. The chorus soon enters with the first stanza of the text. As this stanza unfolds, the harmony starts to gradually change as the pulsing pedal rhythm begins to move upward by step. An organ interlude, reflective of the opening introduction, soon emerges (though now over a C-sharp recurring pedal pulse), and leads to a similar choral setting as found in stanza one. As the poem’s second stanza moves forward, it eventually folds into the more harmonically rich stanza three. A fast, dance-like section evolves at Inventing Wind, what a lively dance your energy creates! eventually bringing the work to its climax point. The spirit of dance soon subsides and leads to a quiet and gentle close on the words …for you alone my soul in silence waits.


Minimum order quantity: 8 copies. To order quantities fewer than 8, please email customer service at sales@subitomusic.com.

Arranged by Fred Bock. Fred Bock Publications. Published by Fred Bock Music Company.

By Ludwig van Beethoven. Arranged by Donald Moore. For Opt. Flute. (2-Part Mixed). Choral Octavo. Masterwork; Peace/Brotherhood. Level: Level 2 (grade L2). Choral Octavo. 8 pages. Published by Alfred Publishing.

Concert Band Concert Band - Grade 1.5

SKU: XC.HCB2004

March. Composed by Matthew R. Putnam. Harmony Band Series. Concert and Contest. Concert and contest. Set of parts. Excelcia Music Publishing #HCB2004. Published by Excelcia Music Publishing (XC.HCB2004).

UPC: 812598033311. 9 x 12 inches.

A brilliant new addition to the traditional march family. Matthew R. Putnam has crafted a wonderful new march for developing bands that is perfect for teaching and reinforcing proper march style. The melodic material at the trio is engaging, lyrical, and pairs beautifully with a throw-back break strain that will have your audience itching for the final push!

Concert Band - Grade 1.5

SKU: XC.HCB2004FS

March. Composed by Matthew R. Putnam. Harmony Band Series. Concert and Contest. Concert and contest. Score. Excelcia Music Publishing #HCB2004FS. Published by Excelcia Music Publishing (XC.HCB2004FS).

UPC: 812598033953. 9 x 12 inches.

A brilliant new addition to the traditional march family. Matthew R. Putnam has crafted a wonderful new march for developing bands that is perfect for teaching and reinforcing proper march style. The melodic material at the trio is engaging, lyrical, and pairs beautifully with a throw-back break strain that will have your audience itching for the final push!

(The Complete Jazz Keyboard Method) Written by Noah Baerman. For keyboard. Format: instructional book. With introductory text, instructional text, black and white photos, standard notation, fingerings and chord names. Instructional and Jazz. Series: National Keyboard Workshop. 95 pages. 9x12 inches. Published by Alfred Publishing.

Volume 126 - Randy Brecker by Jamey Aebersold. For any C, Eb, Bb, bass instrument or voice. Play-Along series with accompaniment CD. Jamey Aebersold Play-A-Long series. Advanced. Book and CD. 84 pages. Published by Jamey Aebersold Jazz

Edited by James Douglas Esmond. For Guitar. Guitar. Softcover with CD. Guitar tablature. 40 pages. Published by Centerstream Publications

Concert Band Concert Band - Grade 1.5

SKU: XC.HCB1901FS

Composed by Tyler Arcari. Harmony Band Series. Concert and Contest. Classical, Acoustic. Score. Excelcia Music Publishing #HCB1901FS. Published by Excelcia Music Publishing (XC.HCB1901FS).

UPC: 812598031263. 9 x 12 inches.

Have you ever wondered how everything in the world seems to be both chaotic and organized all at once? Composer Tyler Arcari brings this idea to life with Tempt the Machine. Every new day we have we tempt the machine, I wonder who will win today. This piece is packed with challenges for the young musicians!

Concert Band Concert Band - Grade 1.5

SKU: XC.HCB1901

Composed by Tyler Arcari. Harmony Band Series. Concert and Contest. Classical, Acoustic. Set of parts. Excelcia Music Publishing #HCB1901. Published by Excelcia Music Publishing (XC.HCB1901).

UPC: 812598031881. 9 x 12 inches.

Have you ever wondered how everything in the world seems to be both chaotic and organized all at once? Composer Tyler Arcari brings this idea to life with Tempt the Machine. Every new day we have we tempt the machine, I wonder who will win today. This piece is packed with challenges for the young musicians!

Composed by Greg Gilpin. Sing! Winter, Holiday. Octavo. Published by Chorister's Guild (LO.CGE118).

Jazz Ensemble - Grade 3.5

SKU: AP.40363S

Composed by Paul Simon. Arranged by Alan Baylock. Jazz Ensemble; Performance Music Ensemble; Single Titles. Jazz Band Series. Form: Ballade. Jazz. Score. 12 pages. Alfred Music #00-40363S. Published by Alfred Music (AP.40363S).

UPC: 038081459479. English.

Arranger Alan Baylock delivers his distinctive, lush, and in-demand ballad style to this wonderful song in a more contemporary setting. At 92 BPM, there are no individual solos, just delicious harmony throughout. The trumpet section frequently carries the melody and lead trumpet range is to written high C. There are the usual optional parts included plus vibraphone. Sensational ballad!