Swing and Thereabouts Clarinette [Partition + Accès audio] Libreria Musicale Italiana
Clarinet; Piano Accompaniment (Score and Solo Part) SKU: HL.50601139 E...(+)
Clarinet; Piano
Accompaniment (Score and
Solo Part)
SKU:
HL.50601139
Easy
Pieces for Clarinet and
Piano. Composed by
Gianantonio Mutto.
Woodwind Solo. Classical,
Swing. Softcover Audio
Online. 44 pages.
Libreria Musicale G.
Zanibon #GZ00651100.
Published by Libreria
Musicale G. Zanibon
(HL.50601139).
9.0x12.0
inches.
15 easy
pieces for clarinet and
piano. Swing and
thereabouts answers the
needs of the young
instrumentalist by
providing: -newly written
music that is a delight
to play and listen to -a
wide range of genres:
swing, habanera, mambo,
cha-cha-cha, bossa nova,
hully gully, dixieland
and blues -audio tracks
giving two different
versions of the music:
one with sax/clarinet,
piano, bass and drums;
the other with just the
accompanying instruments
-a complete piano score
for live performance -the
possibility of working
with or without a
teacher.
By Marie Therese Sokol; Joan Woodard. For C Instrument (Violin, Oboe, Flute); pl...(+)
By Marie Therese Sokol;
Joan Woodard. For C
Instrument (Violin, Oboe,
Flute); plus optional
Harp, Violin, Cello,
Bass. Instrumental.
Includes guitar chord
names. Sacred. Level:
easy. 8 pages. Published
by GIA Publications.
Narrator & Orchestra SKU: SU.94010890 For Narrator & Orchestra. Co...(+)
Narrator & Orchestra
SKU: SU.94010890
For Narrator &
Orchestra. Composed
by James Lee III.
Orchestra. Narrator.
Study Score. Subito Music
Corporation #94010890.
Published by Subito Music
Corporation
(SU.94010890).
TETHERED
VOICES, a work for
narrator and orchestra is
inspired by the words of
conductor and poet Kalena
Bovell.narr; [2(1) 2(1)
2(1) 2(1); 4221; timp
3perc, hp, pno; stgs
Duration: ca. 10'
Composed: 2020 Published
by: Subito Music
Publishing Performance
materials available on
rental:.
(fur Kaiserin Marie Therese). By Franz Joseph Haydn (1732-1809). Edited by Kirch...(+)
(fur Kaiserin Marie
Therese). By Franz Joseph
Haydn (1732-1809). Edited
by Kircher, Armin. For
SATB Choir, Flute, 2
Oboes, 2 Bassoons, 2
Horns, 3 C trumpet, 3
Trombones, Timpani, 2
Violins, Viola, Basso
Continuo. This edition:
paperbound. XXIIIc:2.
Praise and thanks. Score.
Language: Latin. 60
pages. Duration 12 min
Composed by Jaromir Hruska. Arranged by Maria Theresa Vizconde-Roldan. Sheet m...(+)
Composed by Jaromir
Hruska.
Arranged by Maria Theresa
Vizconde-Roldan. Sheet
music.
Pavane Secular. Octavo.
12
pages. Pavane Publishing
#P1588. Published by
Pavane
Publishing
Piano solo SKU: HH.HH491-SOL Composed by Franz Joseph Haydn. Edited by Sa...(+)
Piano solo
SKU:
HH.HH491-SOL
Composed
by Franz Joseph Haydn.
Edited by Sarah Jenner.
Arranged by C.D.
Stegmann. Playing score.
Edition HH Music
Publishers #HH491-SOL.
Published by Edition HH
Music Publishers
(HH.HH491-SOL).
ISBN
9790708185017.
Hayd
n’s Symphony No.
48 was long thought to
have been written for,
and performed in honour
of the state visit of
Empress Maria Theresia to
Eszterháza in 1773.
However, research by
Robbins Landon has shown
that the symphony should
be redated to 1770.
Landon rightly comments
that although the
accepted soubriquet may
be mistaken, the message
is right, for in its
magnificence it is a
‘Symphony for
Queens and
Emperors’.
By Liam Lawton. Arranged by Paul Tate. For SATB Choir, assembly, C Instrument. B...(+)
By Liam Lawton. Arranged
by Paul Tate. For SATB
Choir, assembly, C
Instrument. Bible
Reference: Matthew 18:20.
Celebration Series.
Sacred, Easter. Easy. 12
pages. Published by GIA
Publications
Chamber Music cello, piano SKU: PR.114413830 Reflections On A Memorial...(+)
Chamber Music cello,
piano
SKU:
PR.114413830
Reflections On A
Memorial Service At The
Riverside. Composed
by Robert Maggio.
Premiere: cellist
Michelle Djokic and
pianist Gail Niwa, Martin
W. Luther memorial
service. Contemporary.
Set of Score and Parts.
With Standard notation.
Composed 5-Mar. 16+4
pages. Duration 9
minutes. Theodore Presser
Company #114-41383.
Published by Theodore
Presser Company
(PR.114413830).
UPC:
680160587315. 8.5 x 11
inches.
Maggio was
moved during a riverside
memorial service to write
his new cello solo, using
the hymn At the River as
his basis. Subtitled
Reflections on a Memorial
Service at the Riverside,
We Gathered At the River
is a powerful tribute and
a moving memorial in its
own right.
Mixed choir a cappella with bass-solo - advanced SKU: HL.49044128 Zwei...(+)
Mixed choir a cappella
with bass-solo - advanced
SKU: HL.49044128
Zwei Gesange nach
Texten von Friedrich
Hebbel und Gerda von
Robertus. Composed by
Rudi Stephan. Arranged by
Clytus Gottwald. This
edition: Saddle
stitching. Sheet music.
Choral. Octavo. Composed
1908/1911. 16 pages.
Duration 7'. Schott Music
#SKR20060. Published by
Schott Music
(HL.49044128).
ISBN
9790001168915.
German.
He was
regarded as the German
hope among the composers
of his generation and as
'next man of New Music',
but his early death
quashed all such hopes of
the music scene: Rudi
Stephan died at the early
age of 28, leaving behind
instrumental works as
well as some songs in
which he admitted
expressionist concepts of
art, as were later
expressed mainly by the
Viennese School. Clytus
Gottwald has taken up the
cause of transcribing two
of the songs by this
composer, who died in the
First World War, for
nine-part mixed a
cappella choir
(SSAATTBBB) with solo
bass in his honour. In
spite of the Latin title,
Memento vivere is a
German-language secular
song based on a text by
Friedrich Hebbel which is
permeated by harmonies
sharpened with
dissonances. The music of
Kythere to words by Gerda
von Robertus is
characterized by the
excessive use of harmonic
shifts in the style of
Debussy.
By Johann Michael Haydn. Edited by Sherman, Charles H. For Soli SATB, SATB Choir...(+)
By Johann Michael Haydn.
Edited by Sherman,
Charles H. For Soli SATB,
SATB Choir, 2 Oboes, 2
Trumpets, Timpani, 2
Violins, Viola, Basso
continuo. MH 797. Full
score available
separately - see item
CA.5032800. Masses,
Latin. Score (Linen
Envelope). Language:
Latin. Composed 1801. 160
pages. Duration 40 min.
Published by Carus Verlag
(German import).
Piano - Level 2 SKU: LM.27280 Composed by Hans Gunter Heumann. Classical....(+)
Piano - Level 2
SKU:
LM.27280
Composed by
Hans Gunter Heumann.
Classical. Score.
Editions Henry Lemoine
#27280. Published by
Editions Henry Lemoine
(LM.27280).
ISBN
9790230972802.
TRAD
ITIONNEL : Down by the
Riverside - BACH :
Prelude en fa majeur BWV
927 - BAROUH / LAI : Un
Homme et une femme -
BEETHOVEN : Pathetique
(theme de la Sonate n. 8,
Op.13) - BORODINE : Danse
Polovtsienne - BREL : Ne
me quitte pas - CABREL :
Je l'aime a mourir -
CARMEN : All by Myself -
EBB / KANDER : New York,
New York - FRANCK : Les
Plaintes d'une poupee -
FREED / BROWN : Singin'
in the Rain - GAINSBOURG
: Elisa - GRIEG : La
Chanson de Solveig -
HAENDEL : L'Harmonieux
forgeron - HANDY : St.
Louis Blues - HEUMANN :
Piano Dreams - Walking
Blues Shoes - JARRE :
Chanson de Lara (Docteur
Jivago) - JENNINGS /
HORNER : My heart will go
on (Titanic) - LENNON :
Imagine - MANCINI : The
Pink Panther Theme (La
Panthere Rose) - MASSENET
: Aragonaise - MOZART :
Cavatine de Figaro -
PACHELBEL : Canon -
PLANTE / AZNAVOUR : La
Boheme - VIVALDI : Le
Printemps.
Swing and Thereabouts Saxophone Alto et Piano [Partition + Accès audio] Libreria Musicale Italiana
Alto Saxophone; Piano Accompaniment (Score and Solo Part) SKU: HL.50601138(+)
Alto Saxophone; Piano
Accompaniment (Score and
Solo Part)
SKU:
HL.50601138
Easy
Pieces for Alto Sax and
Piano. Composed by
Gianantonio Mutto.
Woodwind Solo. Classical,
Swing. Softcover Audio
Online. 44 pages.
Libreria Musicale G.
Zanibon #GZ00652700.
Published by Libreria
Musicale G. Zanibon
(HL.50601138).
9.0x12.0
inches.
15 easy
pieces for alto sax and
piano. Swing and
thereabouts answers the
needs of the young
instrumentalist by
providing: newly written
music that is a delight
to play and listen to; a
wide range of genres:
swing, habanera, mambo,
cha-cha-cha, bossa nova,
hully gully, dixieland
and blues; audio tracks
giving two different
versions of the music:
one with sax/clarinet,
piano, bass and drums;
the other with just the
accompanying instruments;
a complete piano score
for live performance; the
possibility of working
with or without a
teacher.
Composed by Franz Joseph Haydn (1732-1809). Edited by Andreas Friesenhagen, Chri...(+)
Composed by Franz Joseph
Haydn (1732-1809). Edited
by Andreas Friesenhagen,
Christin Heitmann. For
orchestra. This edition:
Urtext edition. Stapled.
Score. Text Language:
German/English. Hob.
I:48. Duration 27
minutes. Published by
Baerenreiter Verlag
Choral SSA choir SKU: CF.CM9770 Composed by Traditional African-American ...(+)
Choral SSA choir
SKU:
CF.CM9770
Composed by
Traditional
African-American
Spiritual. Arranged by
Lee R. Kesselman.
Duration 2 minutes, 17
seconds. Carl Fischer
Music #CM9770. Published
by Carl Fischer Music
(CF.CM9770).
ISBN
9781491164419. UPC:
680160923311. Key: G
major.
English.
There is a
Balm in Gilead is a
well-known, traditional
African-American
spiritual. The
“balm in
Gilead†is a
reference from the Old
Testament, but the lyrics
of this spiritual refer
to the New Testament
concept of salvation. The
balm of Gilead is
interpreted as a
spiritual medicine that
is able to heal Israel
(and sinners in general).
In the Old Testament, the
balm of Gilead is taken
most directly from
Jeremiah chapter 8 v. 22:
Is there no balm in
Gilead? Is there no
physician there? Why then
is there no healing for
the wounds of my [God's]
people?This a cappella
arrangement stays close
to the simple, emotional
source material. The
words and the music
embody weariness,
resignation and hope, as
the realities of slavery
are met with the hope of
salvation. There is a
Balm in Gilead was
originally part of a
larger work, entitled,
Mpaka simba watapo, for
treble chorus, African
drums and
piano.  .
Choral TBB choir, piano SKU: CF.CM9594 Composed by Greg Gilpin. Fold. Per...(+)
Choral TBB choir, piano
SKU: CF.CM9594
Composed by Greg Gilpin.
Fold. Performance Score.
8 pages. Duration 2
minutes, 50 seconds. Carl
Fischer Music #CM9594.
Published by Carl Fischer
Music (CF.CM9594).
ISBN 9781491154168.
UPC: 680160912667. 6.875
x 10.5 inches. Key: Bb
major. English. Alfred
Tennyson. Alfred, Lord
Tennyson
(1809-1892).
The
text of Alfred, Lord
Tennyson's There is
Sweet Music Here is
a wonderful example of
word painting. Keep this
in mind while learning to
sing the music and try to
capture the different
scenes created through
these famous words. The
first two measures of
accompaniment outline the
opening chord in the
voices. Crescendo to the
word music every time it
occurs. In mm. 710, the
vocals cascade gently
into a dissonance that
develops into a full,
rich sound. Allow the
piano to support the
unison lines in mm. 1417
as well as those that
contain three-part
singing. The piano
establishes a consistent
undulating tempo in mm.
2225, as if lulling
someone to sleep. Be
intentional with
word/syllabic stress when
singing through the
quarter notes. Maintain a
consistent tempo when
singing the eighth notes
in mm. 3336. The chord
progression helps
establish the coolness of
the mosses and ivies.
Notice the melodic
movement in mm. 3738
reflecting the craggy
ledge and hanging poppy
followed by the unison
sleep which ushers in the
return of the original
melody within the
accompaniment. Linger
with quiet, full and
supported singing during
the last three
measures. The text of
Alfred, Lord Tennyson'sA
There is Sweet Music
HereA is a wonderful
example of word painting.
Keep this in mind while
learning to sing the
music and try to capture
the different scenes
created through these
famous words. The first
two measures of
accompaniment outline the
opening chord in the
voices. Crescendo to the
word music every time it
occurs. In mm. 7a10, the
vocals cascade gently
into a dissonance that
develops into a full,
rich sound. Allow the
piano to support the
unison lines in mm. 14a17
as well as those that
contain three-part
singing. The piano
establishes a consistent
undulating tempo in mm.
22a25, as if lulling
someone to sleep. Be
intentional with
word/syllabic stress when
singing through the
quarter notes. Maintain a
consistent tempo when
singing the eighth notes
in mm. 33a36. The chord
progression helps
establish the coolness of
the mosses and ivies.
Notice the melodic
movement in mm. 37a38
reflecting the craggy
ledge and hanging poppy
followed by the unison
sleep which ushers in the
return of the original
melody within the
accompaniment. Linger
with quiet, full and
supported singing during
the last three
measures. The text of
Alfred, Lord Tennyson'sA
There is Sweet Music
HereA is a wonderful
example of word painting.
Keep this in mind while
learning to sing the
music and try to capture
the different scenes
created through these
famous words. The first
two measures of
accompaniment outline the
opening chord in the
voices. Crescendo to the
word music every time it
occurs. In mm. 7a10, the
vocals cascade gently
into a dissonance that
develops into a full,
rich sound. Allow the
piano to support the
unison lines in mm. 14a17
as well as those that
contain three-part
singing. The piano
establishes a consistent
undulating tempo in mm.
22a25, as if lulling
someone to sleep. Be
intentional with
word/syllabic stress when
singing through the
quarter notes. Maintain a
consistent tempo when
singing the eighth notes
in mm. 33a36. The chord
progression helps
establish the coolness of
the mosses and ivies.
Notice the melodic
movement in mm. 37a38
reflecting the craggy
ledge and hanging poppy
followed by the unison
sleep which ushers in the
return of the original
melody within the
accompaniment. Linger
with quiet, full and
supported singing during
the last three
measures. The text of
Alfred, Lord Tennyson's
There is Sweet Music
Here is a wonderful
example of word painting.
Keep this in mind while
learning to sing the
music and try to capture
the different scenes
created through these
famous words. The first
two measures of
accompaniment outline the
opening chord in the
voices. Crescendo to the
word music every time it
occurs. In mm. 7-10, the
vocals cascade gently
into a dissonance that
develops into a full,
rich sound. Allow the
piano to support the
unison lines in mm. 14-17
as well as those that
contain three-part
singing. The piano
establishes a consistent
undulating tempo in mm.
22-25, as if lulling
someone to sleep. Be
intentional with
word/syllabic stress when
singing through the
quarter notes. Maintain a
consistent tempo when
singing the eighth notes
in mm. 33-36. The chord
progression helps
establish the coolness of
the mosses and ivies.
Notice the melodic
movement in mm. 37-38
reflecting the craggy
ledge and hanging poppy
followed by the unison
sleep which ushers in the
return of the original
melody within the
accompaniment. Linger
with quiet, full and
supported singing during
the last three
measures. The text of
Alfred, Lord Tennyson's
There is Sweet Music Here
is a wonderful example of
word painting. Keep this
in mind while learning to
sing the music and try to
capture the different
scenes created through
these famous words. The
first two measures of
accompaniment outline the
opening chord in the
voices. Crescendo to the
word music every time it
occurs. In mm. 7-10, the
vocals cascade gently
into a dissonance that
develops into a full,
rich sound. Allow the
piano to support the
unison lines in mm. 14-17
as well as those that
contain three-part
singing. The piano
establishes a consistent
undulating tempo in mm.
22-25, as if lulling
someone to sleep. Be
intentional with
word/syllabic stress when
singing through the
quarter notes. Maintain a
consistent tempo when
singing the eighth notes
in mm. 33-36. The chord
progression helps
establish the coolness of
the mosses and ivies.
Notice the melodic
movement in mm. 37-38
reflecting the craggy
ledge and hanging poppy
followed by the unison
sleep which ushers in the
return of the original
melody within the
accompaniment. Linger
with quiet, full and
supported singing during
the last three
measures. The text of
Alfred, Lord
Tennyson's There is
Sweet Music Here is a
wonderful example of word
painting. Keep this in
mind while learning to
sing the music and try to
capture the different
scenes created through
these famous words.The
first two measures of
accompaniment outline the
opening chord in the
voices. Crescendo to the
word music every time it
occurs. In mm.
7–10, the vocals
cascade gently into a
dissonance that develops
into a full, rich sound.
Allow the piano to
support the unison lines
in mm. 14–17 as
well as those that
contain three-part
singing.The piano
establishes a consistent
undulating tempo in mm.
22–25, as if
lulling someone to sleep.
Be intentional with
word/syllabic stress when
singing through the
quarter notes.Maintain a
consistent tempo when
singing the eighth notes
in mm. 33–36. The
chord progression helps
establish the coolness of
the mosses and ivies.
Notice the melodic
movement in mm.
37–38 reflecting
the craggy ledge and
hanging poppy followed by
the unison sleep which
ushers in the return of
the original melody
within the
accompaniment.Linger with
quiet, full and supported
singing during the last
three measures.