Arranged by Paul Lavender. Series One Marching Band. 12 pages. Published by Hal Leonard.

Grade 2

SKU: CL.058-2624-00

Arranged by A. Clark. Marching Band. Score and set of parts. Composed 1994. C.L. Barnhouse #058-2624-00. Published by C.L. Barnhouse (CL.058-2624-00).

Grade 2

SKU: CL.050-1734-00

Composed by Johns. Marching Band. Score and set of parts. Composed 1983. C.L. Barnhouse #050-1734-00. Published by C.L. Barnhouse (CL.050-1734-00).

Arranged by David Samuel. For marching band. Original / Competition Charts. Medium easy. Score and parts. Published by Jalen Publishing

Grade 2

SKU: CL.052-1829-00

Composed by Wakefield & Jackson. Arranged by Sochinski. Marching Band. Score and set of parts. Composed 1985. C.L. Barnhouse #052-1829-00. Published by C.L. Barnhouse (CL.052-1829-00).

Rock From the Jackson's Victory Tour Album.

Arranged by Paul Lavender. Series One Marching Band. Size 7x11.2 inches. 112 pages. Published by Hal Leonard.

Anglo Music Concert Band CD. CD only. Size 9x12 inches. 36 pages. Published by Hal Leonard.

Band Bass Clarinet, Bass Drum, Bassoon, Chimes, Clarinet 1, Clarinet 2, Euphonium, Euphonium T.C., Flute, Flute 2, Glockenspiel, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Tambourine, Timpani, Triangle and more. - Grade 1.5

SKU: CF.FPS87F

Composed by Alan Lee Silva. SWS. Carl Fischer First Plus Performance Series. Full score. With Standard notation. 16 pages. Duration 2 minutes, 17 seconds. Carl Fischer Music #FPS87F. Published by Carl Fischer Music (CF.FPS87F).

ISBN 9780825873942. UPC: 798408073947. 9x12 inches.

Sparkling fanfare gestures and celebratory music are the theme of this dynamic new piece from composer Alan Lee Silva. Open harmonies are used with memorable melodies in this exciting new work for developing bands. You can hear Silva's influences with his truly American style in this winning new piece.

Grade 2

SKU: CL.MB142

March. Composed by K. Harris. Marching Band. Score and set of parts. C.L. Barnhouse #MB142. Published by C.L. Barnhouse (CL.MB142).

Marching band - Grade 2

SKU: CL.058-2624-01

Arranged by A. Clark. Marching Band. Extra score. Composed 1994. C.L. Barnhouse #058-2624-01. Published by C.L. Barnhouse (CL.058-2624-01).

Composed by Sondra K. Tucker. Eastertide, Sacred. Handbell/organ score. Lorenz Publishing Company #20/1501L. Published by Lorenz Publishing Company (LO.20-1501L).

Composed by Sondra K. Tucker. Eastertide, Sacred. Handbell part. Lorenz Publishing Company #20/1507L. Published by Lorenz Publishing Company (LO.20-1507L).

By Conaway. Concert band. Young Band. Rising Band Series for Developing Bands!. Audio recording available separately (item CL.WFR374). Grade 1.5. Score and set of parts. Composed 2011. Duration 2 minutes, 10 seconds. Published by C.L. Barnhouse

By West Chester University of Pennsylvania Concert Choir; West Chester University of Pennsylvania Mastersingers; West Chester University of Pennsylvania Chamber Ensemble. Release date: 2015. Mark Records. Listening CD. Published by Mark Custom Music (MK.51849-MCD).

Concert band - Grade 4

SKU: MH.0-931329-53-1

Composed by Gregory B.Rudgers. Suitable for high school, community, and college bands. Conductor score and set of parts. Duration 7:30. Published by Manhattan Beach Music (MH.0-931329-53-1).

ISBN 9780931329531.

Jour ney back to ancient Greece and view a place of long-gone legend. Follow the trail to the Kingdom of Ithaca, from the heroic palace, to a place of tranquility, to a reckless dance of abandon, to the return of Odysseus. The melodic material used in 200 B.C. is from a two thousand year old Greek hymn to Apollo. The legendary adventures of Odysseus as described by Homer in the Odyssey (ca. 700 B.C.) provide the programmatic material. The music is freely based upon the First Delphic Hymn (or Paen to Apollo), composed ca. 200 B.C. The source is a transcription appearing on pages 363 - 367 of Ancient and Oriental Music, Edited by Egon Wellesz (Oxford University Press: London, 1957). Each movement of the work depicts a key event in the epic Homeric poem, as described below. Movement I: Intrada - The first four notes of this movement, C - Bb - G - Bb, are the melodic and harmonic foundation for the entire work. These pitches, introduced in a simple and direct manner, are subsequently developed in more complex fashions throughout the suite. Following this stately introduction is a militaristic fanfare that introduces the dotted-eighth and sixteenth-note figure later reprised in the second and fourth movements. Indeed, all the musical ideas which will be central to the remaining movements first appear in the Intrada. This movement depicts the grandeur of Odysseus and his kingdom in Ithaca, and establishes the heroic mood of the entire work. Movement II: Ballad - After a brief restatement of the opening dotted-eighth-and-sixteen th fanfare, the second movement extracts the falling third (Bb to G) from the C - Bb - G - Bb motif and extends it and expands it into a haunting solo for alto saxophone. The C - Bb - G - Bb motif appears again (see measures 23 - 33 in trumpets) as counterpoint to this melody, now pulsing through the thick texture of the band. Many performers have come to view the Ballad as the emotional epicenter of the entire suite; my conception of the Ballad is to achieve a union of pathos and strength. Programmatically, this movement depicts Odysseus's son, Telemachos, as he both longs for Odysseus's return and stoically defends his father's kingdom. Movement III: Dance - It will take Odysseus twenty years to return to Ithaca. During his absence, noblemen besiege his palace, violating the sanctity of the household and seeking the hand of his wife, Penelope. This movement depicts the wanton revelries that result. The original four-note motif is chromatically altered and the meter is made irregular. The rapid tempo, driving percussion, and angular meter and melodies combine in an explosion of reckless abandon. Movement IV: March Building from a delicate woodwind ensemble accompanied by finger cymbals to a fully orchestrated statement replete with thundering percussion, this is a resounding march of victory. Odysseus has returned in triumph to restore dignity to his household and to reclaim the throne of the Kingdom of Ithaca. Ensemble instrumentation: 1 Piccolo, 8 Flute 1 - 2, 2 Oboe 1 - 2, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 1 Eb Alto Clarinet, 3 Bb Bass Clarinet, 2 Bassoon 1 - 2, 3 Eb Alto Saxophone 1, 3 Eb Alto Saxophone 2, 2 Bb Tenor Saxophone, 1 Eb Baritone Saxophone, 3 Bb Trumpet 1, 3 Bb Trumpet 2, 3 Bb Trumpet 3, 2 F Horn 1-2, 2 F Horn 3-4, 2 Trombone 1, 2 Trombone 2, 2 Trombone 3, 3 Euphonium (B.C.), 2 Euphonium T.C., 4 Tuba, 1 Timpani, 2 Mallet Percussion: Bells, Xylophone, 2 Percussion 1: Snare Drum, Tambourine, 2 Percussion 2: Crash Cymbals, Suspended Cymbal, Tom-Tom, Finger Cymbals, 1 Percussion 3: Bass Drum.

Chamber Music Bass Drum, Crash Cymbals, Horn 1, Horn 2, Horn 3, Horn 4, Percussion 1, Percussion 2, Snare Drum, Trombone 1, Trombone 2, Trombone 3, Trumpet 1, Trumpet 2, Trumpet 3, Trumpet 4, Tuba

SKU: CF.W2695

Composed by John Stafford Smith. Arranged by Sean O'Loughlin. Set of Score and Parts. 12+1+1+1+1+1+1+1+1+1+1+1+ 1+2+1 pages. Carl Fischer Music #W2695. Published by Carl Fischer Music (CF.W2695).

ISBN 9781491159958. UPC: 680160918546.

This celebratory and dramatic rendition of The Star-Spangled Banner arranged for brass and percussion by Sean O'Loughlin has become a favorite of both the Oregon Symphony and Baltimore Symphony brass players, being played at sporting events including Portland Trailblazers NBA basketball games, Baltimore Orioles baseball games, and Baltimore Ravens football games.With fanfare flourishes and colorful touches, this grand arrangement gives each section an opportunity to play the melody, making for a truly dynamic experience.
In the winter of 2009 my good friend David Bamonte, who is the assistant principal trumpet in the Oregon Symphony, asked if I had written an arrangement of The Star-Spangled Banner for brass. The result is this version of The Star-Spangled Banner that was premiered at a Portland Trailblazers NBA basketball game at the Rose Garden in Portland, Oregon. It has enjoyed several performances at those games over the years, and the team has been led to victory after each performance. Coincidence? Over the past decade, this same arrangement has gone on to performances by the Baltimore Symphony brass and percussion at the Baltimore Orioles baseball games and the Baltimore Ravens football games.The arrangement itself was written to showcase the extraordinary talent and sound of the Oregon Symphony Brass players. Percussion parts were added later for an expanded performance. A brief opening and closing fanfare was added to set the stage for the tone and grandeur of the music. Throughout the arrangement, each section gets the opportunity to play the melody while adding some interesting colors to support the iconic anthem. It is instantly majestic and celebratory in nature and a fitting tribute to our great nation.

(Technique and Artistry, Book 1). By Nancy Faber and Randall Faber. For Piano. Faber Piano Adventures®. Methods. SMP Level 1 (Elementary). Softcover. 64 pages. Faber Music #FF1420. Published by Faber Music

Handbells 3-5 octave handbell choir - Level 3

SKU: HP.2269

Composed by Cynthia Dobrinski. General Worship, Sacred. Handbell score. 8 pages. Hope Publishing Company #2269. Published by Hope Publishing Company (HP.2269).

UPC: 763628122690.

An original composition This original composition, subtitled Song of Victory, captures a joyous mood from the opening dotted rhythm and continues to build in energy up to a middle section, which introduces a more melodic and flowing feel. The fanfare returns for a marvelous ending, making this an ideal celebratory piece for worship services or concerts.

By Michael D. Costello. For organ/brass quartet/timpani/congregat ion (SATB). Easter. Medium-Easy. Octavo. Published by MorningStar Music Publishers

(C Edition) For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Series: Hal Leonard Fake Books. 856 pages. 9x12 inches. Published by Hal Leonard.

Concert Band/Harmonie/Fanfare/Bra ss Band - Grade 2

SKU: HL.44002419

Composed by George Frideric Handel. Arranged by Jan de Haan. De Haske Concert Band. Concert Piece. Score Only. Composed 1995. De Haske Publications #950646. Published by De Haske Publications (HL.44002419).

UPC: 073999024197. 6.75x10.5 inches.

Tochter Zion, also known as See the Conquering Hero Comes, is the most famous chorus from the oratorio Judas Maccabaeus (1746) by the composer George Frideric Handel (1685-1759). The heroic epic based on the Biblical story about commander-in-chief Judas Maccabaeus, was used by Handel to celebrate the English victory over the rebellious Scottish. The first performance of this patriotic work - written in the pleasing, rich baroque style that Handel's music is known for - was conducted by himself; the success was huge. The chorus See the Conquering Hero Comes was added later, in 1748, drawn from another oratorio (Joshua).

< I>Tochter Zion, ook bekend als See the Conquering Hero Comes, is het beroemdste koor uit het oratorium Judas Maccabaeus (1746) van de componist Georg Friedrich Handel (1685-1759). Het op het Bijbelse verhaal overlegeraanvoerder Judas de Maccabeeer gebaseerde heldenepos werd door Handel gebruikt om de overwinning van de Engelsen op de in opstand gekomen Schotten te vieren. De premiere van dit patriottische werk - geschreven in de aangename,rijke barokstijl waar Handels muziek om bekendstaat - werd door hemzelf gedirigeerd, het succes was enorm. In 1748 is het koor See the Conquering Hero Comes toegevoegd, dat afkomstig was uit een ander oratorium (Josua).

Tochter Zion, auch als See the Conquering Hero Comes bekannt, ist der beruhmteste Choral aus dem Oratorium Judas Maccabaeus von Georg Friedrich Handel. Dieses Werk - das im gefalligen, uppig barocken Stil, der fur Handels Musik typisch ist, geschrieben wurde - arrangierte der zeitgenossische niederlandische Komponist Jan de Haan fur Blechblaserquartett und Orgel.

Tochter Zion (A Toi la gloire) est le plus celebre chœur de l'oratorio Judas Macchabee de Georg Friedrich Haendel (1685-1759). La creation de cette œuvre patriotique a eu lieu sous la direction du compositeur. Ecrite dans le style baroque, elle deploie toute la richesse et la subtilite de la musique d'Haendel. Judas Macchabee est couronne de succes.