Viola and Piano - intermediate SKU: BT.SLB-02032701 Pour alto & piano<...(+)
Viola and Piano -
intermediate
SKU:
BT.SLB-02032701
Pour alto & piano.
Composed by Johann
Christian Bach.
Classical. Book and
Part(s). Composed 2021.
40 pages. Editions
Salabert #SLB 02032701.
Published by Editions
Salabert
(BT.SLB-02032701).
230
X 305 inches.
French-English-Italian.
Henri Casadesus was
passionate about early
instruments, as we know
from a number of
photographs showing him
with viola
d’amore, the
subject of a manual he
wrote entitled Tecnique
de la viole
d’amour. The
Concerto en Ut mineur was
first published in 1947
by Mica Salabert. The
first edition gives the
so-called
“originalâ€
part for solo violocello
together with the score
which, according to the
preface, has been adapted
for viola or cello or
violin by Casadesus.
However, stylistic
analysis of the piece,
together with some
musicological research
carried out after the
appearance of the first
edition reveals that the
“originalâ€
version for violoncello,
on which the adaptation
was supposed to be based,
cannot be attributed to
Johann Christian Bach,
but is rather a work
imitating his style
written two centuries
later. In spite of this,
Concerto en Ut mineur
encountered considerable
success and continues to
be studied and performed
by both violinists and
violoncellists
today.
Viola and Piano SKU: HL.14027120 Composed by Per Norgard. Arranged by Ste...(+)
Viola and Piano
SKU:
HL.14027120
Composed
by Per Norgard. Arranged
by Steen Pade. Music
Sales America. Piano
Reduction. Edition
Wilhelm Hansen #KP00117.
Published by Edition
Wilhelm Hansen
(HL.14027120).
Danish.
Piano
reduction for Per
Norgard's Remembering
Child - Viola Concerto
No. 1 (1985-86/rev
1987), by Steen Pade.
Piano reduction for
Per
Nørgård's
Remembering Child
- Viola Concerto No.
1
(1985-86/rev 1987), by
Steen
Pade. <
/p>
Piano Reduction - with Comments in English. By Max Bruch. Edited by N. Gertsch. ...(+)
Piano Reduction - with
Comments in English. By
Max Bruch. Edited by N.
Gertsch. Viola. Pages:
Score = IV and 12 * Va
Part = 4. Urtext edition
(Paper-bound). Published
by G. Henle.
Piano Reduction. By Franz Anton Hoffmeister. Edited by N. Gertsch, J. Ronge. Vio...(+)
Piano Reduction. By Franz
Anton Hoffmeister. Edited
by N. Gertsch, J. Ronge.
Viola. Pages: Score = VI
and 23 * Va Part = 16.
Urtext edition
(Paper-bound). Published
by G. Henle.
Composed by Carl Stamitz (1745-1801), edited by A. Weibezahn, N. Gertsch. Single...(+)
Composed by Carl Stamitz
(1745-1801), edited by A.
Weibezahn, N. Gertsch.
Single piece and set of
performance parts for
Viola and piano. With
introductory text,
performance notes,
bowings and fingerings.
Urtext edition
(Paper-bound). 48 pages.
Published by G. Henle.
Viola and Piano SKU: BT.EMBZ627 Composed by Gyula David. Book Only. Compo...(+)
Viola and Piano
SKU:
BT.EMBZ627
Composed
by Gyula David. Book
Only. Composed 1952. 52
pages. Editio Musica
Budapest #EMBZ627.
Published by Editio
Musica Budapest
(BT.EMBZ627).
Gyula Dávid
(1913-1977) was one of
the most important
members of the generation
of Hungarian composers
who followed Bartók
and Kodály. His ?uvre
includes stage,
orchestral, oratorial,
chamber, and solo
instrumental works.
Although he rarely quoted
folk material directly in
his music, folksong,
popular music and the
spirit of the Hungarian
musical tradition
permeates his works. In
the last two decades of
his life he wrote atonal
and twelve-tone
compositions. With his
Wind Quintet (composed
1949) he created a genre
which plays an important
role in the new Hungarian
music. Gyula Dávid
studied composition with
Albert Siklós and
Zoltán Kodály at
the Academy of Music in
Budapest,graduating in
1938. Between 1938 and
1945 he worked in several
orchestras as viola
player. From 1945 to 1949
he was conductor at
Hungarian National
Theatre, than he became
leader of the Ensemble of
the Hungarian Army. From
1961 to his retirement he
was professor at the
Teacher Training Faculty
of the Academy of Music
in Budapest. Between 1951
and 1960 he taught wind
chamber music, music
theory and wind
orchestration at the
Academy of Music. He was
one of the founders of
the Hungarian Artists'
Union. He was awarded the
Erkel Prize (1952, 1955)
and the Kossuth Prize
(1957).
