Choral (SATB) SKU: HL.303828 By The Temptations. Arranged by Mark A. Brym...(+)
Choral (SATB)
SKU:
HL.303828
By The
Temptations. Arranged by
Mark A. Brymer. Pop
Choral Series. Broadway,
Medley, Motown, Musicals,
Pop, R&B, Show Choir.
Octavo. Duration 440
seconds. Published by Hal
Leonard (HL.303828).
UPC: 888680969042.
6.75x10.5x0.062
inches.
The 2019,
Tony Award-winning
jukebox musical Ain't Too
Proud: The Life and Times
of The Temptations is
making waves on Broadway
by infectiously telling
the origin story of the
chart-topping, R&B
hitmakers from Detroit's
famed Motown Records
label. Told from the
perspective of founder
and frontman Otis
Williams, this dazzling
medley features the hits
you love, including:
Ain't Too Proud to Beg,
Get Ready, Just My
Imagination (Running Away
with Me), My Girl and
Papa Was a Rollin'
Stone.
Regina Coeli Chorale SATB SATB, Orgue [Octavo] Faber Music Limited
By VladimÃr Godár. Choir Sacred. For with Organ (SATB choir). Choral (Sacr...(+)
By VladimÃr Godár.
Choir Sacred. For with
Organ (SATB choir).
Choral (Sacred); Choral
Octavo; Masterworks;
Worship Resources. Faber
Edition: Choral Signature
Series. 20th Century;
Masterwork; Sacred.
Published by Faber Music
(God's Promises Choral Series). Composed by R. Kelso Carter. Edited by Cherry T....(+)
(God's Promises Choral
Series). Composed by R.
Kelso Carter. Edited by
Cherry T. Garasi.
Arranged by Ken Berg. For
Choral (SATB). Fred Bock
Publications. 10 pages.
Fred Bock Music Company
#BG2545. Published by
Fred Bock Music Company
Composed
by Johann Pachelbel.
Edited by Thomas
Röder. This edition:
Edition of selected
works, Urtext edition.
Linen. Johann Pachelbel.
Complete Vocal Works,
Volume 7. Edition of
selected works, Score,
anthology. Baerenreiter
Verlag #BA10557_00.
Published by Baerenreiter
Verlag (BA.BA10557).
ISBN 9790006553068. 33
x 25.8 cm inches.
Language:
German.
The
Complete Vocal Works
Johann Pachelbel is known
today as a composer of
organ music and of a
world-famous instrumental
canon which frequently
features in concert
programmes and recording
catalogues. However, the
same can be said of only
a few of his vocal
compositions. At most,
the motets appear
occasionally in church
music repertoire.
Pachelbelâ??s arias,
vocal concerti and
large-scale Magnificats
have received little
attention up to now.
Church musicians and
musicologists have long
wished for a critical
edition of these
important works, which
survive in Pachelbelâ??s
manuscript and were
largely composed in his
main places of work,
Erfurt and Nuremberg . As
always with such
ventures, new discoveries
are to be expected
regarding the body of
works, source material
and the context of the
works. This concerns not
only beautiful music, but
rather a deepening of our
understanding of
Pachelbel as a key figure
between southern and
central German
traditions, and the
recognition of an oeuvre
which has all too often
been pushed into the
shadows by the mighty
Bach.
The
Critical Edition
The edition aims to make
available all of Johann
Pachelbelâ??s surviving
vocal works in the best
possible form. It is
edited by the Institut
für Musikwissenschaft
at the University of
Erlangen-Nuremberg and
the Institut für
Kirchenmusik at the
Kunstuniversität
Graz.
Two
volumes per year are
planned.
As a
chronological order is
not possible in many
cases, the individual
works have been arranged
according to scoring
within their groups.
Fragments and works where
Johann Pachelbelâ??s
authorship is doubtful
appear at the end of the
respective group.
Each volume includes
an introduction (Ger/Eng)
and a Critical Commentary
(Ger). Format 25.5 x 32.5
cm; cloth-bound
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Johann
Pachelbel. Edited by
Wolfgang Hirschmann. This
edition: Edition of
selected works, Urtext
edition. Linen. Johann
Pachelbel. Complete Vocal
Works, Volume 10. Edition
of selected works, Score,
anthology. Baerenreiter
Verlag #BA10560_00.
Published by Baerenreiter
Verlag (BA.BA10560).
ISBN 9790006553099. 33
x 26 cm inches. Language:
German/English. Preface:
Hirschmann, Wolfgang /
Paech, Katharina Larissa
/ Röder,
Thomas.
The
Complete Vocal Works
Johann Pachelbel is known
today as a composer of
organ music and of a
world-famous instrumental
canon which frequently
features in concert
programmes and recording
catalogues. However, the
same can be said of only
a few of his vocal
compositions. At most,
the motets appear
occasionally in church
music repertoire.
Pachelbel’s arias,
vocal concerti and
large-scale Magnificats
have received little
attention up to now.
Church musicians and
musicologists have long
wished for a critical
edition of these
important works, which
survive in
Pachelbel’s
manuscript and were
largely composed in his
main places of work,
Erfurt and Nuremberg . As
always with such
ventures, new discoveries
are to be expected
regarding the body of
works, source material
and the context of the
works. This concerns not
only beautiful music, but
rather a deepening of our
understanding of
Pachelbel as a key figure
between southern and
central German
traditions, and the
recognition of an oeuvre
which has all too often
been pushed into the
shadows by the mighty
Bach.
The
Critical Edition
The edition aims to make
available all of Johann
Pachelbel’s
surviving vocal works in
the best possible form.
It is edited by the
Institut für
Musikwissenschaft at the
University of
Erlangen-Nuremberg and
the Institut für
Kirchenmusik at the
Kunstuniversität
Graz.
Two
volumes per year are
planned.
As a
chronological order is
not possible in many
cases, the individual
works have been arranged
according to scoring
within their groups.
Fragments and works where
Johann Pachelbel’s
authorship is doubtful
appear at the end of the
respective group.
Each volume includes
an introduction (Ger/Eng)
and a Critical Commentary
(Ger). Format 25.5 x 32.5
cm; cloth-bound
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Johann
Pachelbel. Edited by
Katharina Larissa Paech.
This edition: Edition of
selected works, Urtext
edition. Linen. Johann
Pachelbel. Complete Vocal
Works, Volume 5. Edition
of selected works, Score,
anthology. Baerenreiter
Verlag #BA10555_00.
Published by Baerenreiter
Verlag (BA.BA10555).
ISBN 9790006553044. 33
x 26 cm inches. Text
Language: Latin. Preface:
Hirschmann, Wolfgang /
Paech, Katharina Larissa
/ Röder,
Thomas.
The
Complete Vocal Works
Johann Pachelbel is known
today as a composer of
organ music and of a
world-famous instrumental
canon which frequently
features in concert
programmes and recording
catalogues. However, the
same can be said of only
a few of his vocal
compositions. At most,
the motets appear
occasionally in church
music repertoire.
Pachelbel’s arias,
vocal concerti and
large-scale Magnificats
have received little
attention up to now.
Church musicians and
musicologists have long
wished for a critical
edition of these
important works, which
survive in
Pachelbel’s
manuscript and were
largely composed in his
main places of work,
Erfurt and Nuremberg . As
always with such
ventures, new discoveries
are to be expected
regarding the body of
works, source material
and the context of the
works. This concerns not
only beautiful music, but
rather a deepening of our
understanding of
Pachelbel as a key figure
between southern and
central German
traditions, and the
recognition of an oeuvre
which has all too often
been pushed into the
shadows by the mighty
Bach.
The
Critical Edition
The edition aims to make
available all of Johann
Pachelbel’s
surviving vocal works in
the best possible form.
It is edited by the
Institut für
Musikwissenschaft at the
University of
Erlangen-Nuremberg and
the Institut für
Kirchenmusik at the
Kunstuniversität
Graz.
Two
volumes per year are
planned.
As a
chronological order is
not possible in many
cases, the individual
works have been arranged
according to scoring
within their groups.
Fragments and works where
Johann Pachelbel’s
authorship is doubtful
appear at the end of the
respective group.
Each volume includes
an introduction (Ger/Eng)
and a Critical Commentary
(Ger). Format 25.5 x 32.5
cm; cloth-bound
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Laudate Pueri Chorale SATB SATB A Cappella Music Distribution Services
Mixed choir (SATB) a cappella SKU: M7.DOHR-17633 Psalm 112. Compos...(+)
Mixed choir (SATB) a
cappella
SKU:
M7.DOHR-17633
Psalm 112.
Composed by Walter
Gleissner. Sheet music.
Choral score. 8 pages.
MDS (Music Distribution
Services) #DOHR 17633.
Published by MDS (Music
Distribution Services)
(M7.DOHR-17633).
ISBN
9790202036334.
Latin.
Lobt froh
den Herrn, ihr
jugendlichen Chöre! So
lautet der Text eines
einst gern gesungenen
Liedes. Er könnte auch
als freie Ãœbersetzung
des Anfangs dieser
Psalmmotette gelten. Die
Aufforderung des
Psalmisten, Laudate
pueri, ist ein Leitmotiv
kirchlicher Chorarbeit
mit Kindern und
Jugendlichen. Diese
Intention regte mich an,
vorliegende Komposition
zu schaffen. Während
meiner beruflichen
Tätigkeit als
Kirchenmusiker boten sich
immer wieder
Gelegenheiten, mich auf
dem Gebiet der Ausbildung
junger Sänger
weiterzubilden.
Schließlich konnte ich
die Aschaffenburger
Stifts-Chorknaben ins
Leben rufen. Den sehr
engagierten jungen
Sängern widmete ich
diese Psalmvertonung
für ihren
regelmäßigen Dienst
in Liturgie und Konzert.
(Walter Gleißner).
Symphonic Fragments -
2nd Suite. Composed
by Maurice Ravel. Great
Classics. Set (Score and
Parts). Composed 2011. 8
pages. De Haske
Publications #DHP
1115074-050. Published by
De Haske Publications
(BT.DHP-1115074-050).
Eyesight Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB choir, piano SKU: PR.342402070 Composed by Steven Stucky. -. ...(+)
Choral SATB choir, piano
SKU: PR.342402070
Composed by Steven
Stucky. -. Ars Nova
Chamber Singers, Boulder
CO. Performance Score.
With Standard notation.
Composed 7-Feb. 8 pages.
Duration 3 minutes.
Theodore Presser Company
#342-40207. Published by
Theodore Presser Company
(PR.342402070).
ISBN
9781491111253. UPC:
680160643226. Octavo
inches. Text: Archibald
R. Ammons. Archibald
Ammons. Text by A.R.
Ammons.
To benefit
Chorus America, Stucky
allowed himself to be
auctioned off as a prize
- the high bidder would
receive a new work from
the composer. After a few
years and not really
hearing anything, Stucky
suddenly found himself up
against a deadline. He
reached back to a
favorite poem by A.R.
Ammons, Eyesight, which,
he says, Won't let...his
reader rest till the very
last word...one of those
sudden insights that
leave us
breathless.. This
piece has an odd history.
A few years ago, I agreed
to be one of
the“prizesâ€
in an auction to benefit
Chorus America: the
highest bidder wouldget a
new piece from me, while
their money went to the
organization. Thewinning
bid came from a
collection of several
professional choruses
anddirectors. But I was
always a little vague
about the details, and,
hearingnothing more about
it for a few years,
forgot the whole
thing.One day I received
a message from Thomas
Edward Morgan, directorof
the Ars Nova Chamber
Singers in Boulder: they
had scheduled thepremiere
of my new piece for a few
weeks later, and could
they have themusic,
please? I needed a text,
quickly, and (as usual) I
was in a Los Angeleshotel
room, not at home with my
books. So I turned to the
internet andsoon tracked
down my favorite poet,
A.R. Ammons
(1926-2001).Once I
stumbled on
“Eyesight,†I
remembered having loved
the poemyears before.
Archie must have loved
it, too, because he
included it bothin his
Collected Poems 1951-1971
and in the later Selected
Poems. It haseverything
you want in an Archie
Ammons poem: what Edward
Hirschcalled his
“offbeat, sideways,
unpredictable
radiance,†his
“homespunglory.â
It has one of his
trademark conversations
with a mountain
(perhapsfrom his native
North Carolina), it has
the fluid motion from one
line tothe next
(enjambment, if you want
to get technical) that
won’t let him
orhis reader rest till
the very last word of the
very last line, and it
has in thatlast line one
of those sudden insights
that leave us breathless:
“some thingsthat go
are gone.â€I miss
Archie, but he’s
not gone. I’m
grateful for the
wonderful poems heleft
us, and I’m
grateful that he was
always generous and kind
when I hadthe chutzpah to
add my music to his.
Choir Secular (SATB choir) SKU: AP.48841 Composed by Bill Withers and Ski...(+)
Choir Secular (SATB
choir)
SKU:
AP.48841
Composed by
Bill Withers and Skip
Scarborough. Arranged by
Robert T. Gibson.
Performance Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Classic Pop; Gospel; Pop;
Radio; Secular. Choral
Octavo. 16 pages. Alfred
Music #00-48841.
Published by Alfred Music
(AP.48841).
UPC:
038081561653.
English.
Recorded
by GRAMMY winner Bill
Withers in the 70s, this
optimistic song has
become a beloved and
respected favorite.
Robert T. Gibson's
groovin' arrangement
stays true to the R&B
style of the original
while employing some
gospel techniques
designed to show off your
SATB singers. Optional
electric bass and drumset
parts fill out the sound,
or perform with the
super-charged SoundTrax
accompaniment.
SATB choir, keyboard accompaniment, trumpet 1 in B-flat, trumpet 1 in C, trumpet...(+)
SATB choir, keyboard
accompaniment, trumpet 1
in B-flat, trumpet 1 in
C, trumpet 2 in B-flat,
trumpet 2 in C, horn in
f, trombone 1, trombone
2, tuba, timpani - Early
intermediate
SKU:
GI.G-7508
Composed by
Carlton R. Young.
Eastertide. Choral.
Sacred. Octavo. 8 pages.
GIA Publications #7508.
Published by GIA
Publications (GI.G-7508).
UPC: 785147750802.
English. Text Source:
Inspired by a speech of
Martin Luther King Jr.,
about the Montgomery
march. Text by Shirley
Erena Murray.
If
this text, inspired by
Martin Luther King's
speech about the
Montgomery march, doesn't
sufficiently summon one's
attention, then combining
it with this musical
setting will quite
certainly accomplish that
goal. “Truth
pressed to the earth . .
. Justice trampled down .
. . Love nailed to a
Cross . . . through these
resurrections we have
hope.†A piece with
much gravitas. Brass
quartet or quintet and
timpani part is optional
Tuba part is optional
Horn in F can be
substituted for Trombone
I.
Choir Secular (SATB choir) SKU: AP.50250 Composed by Julian R. Fleisher. ...(+)
Choir Secular (SATB
choir)
SKU:
AP.50250
Composed by
Julian R. Fleisher.
Arranged by Lisa DeSpain.
Performance Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Christmas; Holiday Pops;
Jazz; Secular. Choral
Octavo. 16 pages. Alfred
Music #00-50250.
Published by Alfred Music
(AP.50250).
UPC:
038081574202.
English.
Broadway
veteran and comedian Ana
Gasteyer's holiday album
is filled with clever
gems like this nifty
novelty number. Can you
think of a rhyme for the
word Christmas? It's
nearly impossible. After
several failed attempts,
grins, chuckles, and
one-liners throughout the
jazzy tune, the lyrics
conclude that we don't
need a rhyme for
Christmas, only you!