Version
for choir and
orchestra. Composed
by Gabriel Faure. Edited
by Jean-Michel Nectoux.
Cantique De Jean
Racine.Sinfon.Orch.
Sacred vocal music,
Hymns. Single Part,
Violin 2. Composed 1865.
Op. 11. 4 pages. Duration
6 minutes. Carus Verlag
#CV 70.303/12. Published
by Carus Verlag
(CA.7030312).
ISBN
9790007228927. Key: D
flat major. Text
language:
German/French.
Caru
s 70.301/10, which is
part of the material
associated with this
piece, can be used as the
choral score. Gabriel
Faure composed the
Cantique de Jean Racine
in 1865, the prizewinning
work for the completion
of his musical training.
The composer expanded the
original scoring for
choir and organ by adding
a string accompaniment;
the version with
orchestra was first
performed in 1906. As a
text Faure chose a French
adaptation by Jean Racine
of the Latin hymn Consors
paterni luminis. The
Cantique already displays
the characteristics of an
expressive choral setting
typical for Faure, as
well as the finely worked
out orchestral
accompaniment, and
together with the
Requiem, composed
considerably later, it is
among the most popular
works of the composer.
Score and part available
separately - see item
CA.7030300.
Version
for choir and
orchestra. Composed
by Gabriel Faure. Edited
by Jean-Michel Nectoux.
Cantique De Jean
Racine.Sinfon.Orch.
Sacred vocal music,
Hymns. Single Part,
Cello. Composed 1865. Op.
11. 4 pages. Duration 6
minutes. Carus Verlag #CV
70.303/14. Published by
Carus Verlag
(CA.7030314).
ISBN
9790007228941. Key: D
flat major. Text
language:
German/French.
Caru
s 70.301/10, which is
part of the material
associated with this
piece, can be used as the
choral score. Gabriel
Faure composed the
Cantique de Jean Racine
in 1865, the prizewinning
work for the completion
of his musical training.
The composer expanded the
original scoring for
choir and organ by adding
a string accompaniment;
the version with
orchestra was first
performed in 1906. As a
text Faure chose a French
adaptation by Jean Racine
of the Latin hymn Consors
paterni luminis. The
Cantique already displays
the characteristics of an
expressive choral setting
typical for Faure, as
well as the finely worked
out orchestral
accompaniment, and
together with the
Requiem, composed
considerably later, it is
among the most popular
works of the composer.
Score and part available
separately - see item
CA.7030300.
Version
for choir and
orchestra. Composed
by Gabriel Faure. Edited
by Jean-Michel Nectoux.
Cantique De Jean
Racine.Sinfon.Orch.
Sacred vocal music,
Hymns. Single Part, 2
Horns. Composed 1865. Op.
11. 4 pages. Duration 6
minutes. Carus Verlag #CV
70.303/31. Published by
Carus Verlag
(CA.7030331).
Key: D
flat major. Text
language:
German/French.
Caru
s 70.301/10, which is
part of the material
associated with this
piece, can be used as the
choral score. Gabriel
Faure composed the
Cantique de Jean Racine
in 1865, the prizewinning
work for the completion
of his musical training.
The composer expanded the
original scoring for
choir and organ by adding
a string accompaniment;
the version with
orchestra was first
performed in 1906. As a
text Faure chose a French
adaptation by Jean Racine
of the Latin hymn Consors
paterni luminis. The
Cantique already displays
the characteristics of an
expressive choral setting
typical for Faure, as
well as the finely worked
out orchestral
accompaniment, and
together with the
Requiem, composed
considerably later, it is
among the most popular
works of the composer.
Score and part available
separately - see item
CA.7030300.
Version
for choir and
orchestra. Composed
by Gabriel Faure. Edited
by Jean-Michel Nectoux.
Cantique De Jean
Racine.Sinfon.Orch.
Sacred vocal music,
Hymns. Single Part,
Viola. Composed 1865. Op.
11. 4 pages. Duration 6
minutes. Carus Verlag #CV
70.303/13. Published by
Carus Verlag
(CA.7030313).
ISBN
9790007228934. Key: D
flat major. Text
language:
German/French.
Caru
s 70.301/10, which is
part of the material
associated with this
piece, can be used as the
choral score. Gabriel
Faure composed the
Cantique de Jean Racine
in 1865, the prizewinning
work for the completion
of his musical training.
The composer expanded the
original scoring for
choir and organ by adding
a string accompaniment;
the version with
orchestra was first
performed in 1906. As a
text Faure chose a French
adaptation by Jean Racine
of the Latin hymn Consors
paterni luminis. The
Cantique already displays
the characteristics of an
expressive choral setting
typical for Faure, as
well as the finely worked
out orchestral
accompaniment, and
together with the
Requiem, composed
considerably later, it is
among the most popular
works of the composer.
Score and part available
separately - see item
CA.7030300.
Version
for choir and
orchestra. Composed
by Gabriel Faure. Edited
by Jean-Michel Nectoux.
Cantique De Jean
Racine.Sinfon.Orch.
Sacred vocal music,
Hymns. Single Part, 2
Bassoon. Composed 1865.
Op. 11. 4 pages. Duration
6 minutes. Carus Verlag
#CV 70.303/24. Published
by Carus Verlag
(CA.7030324).
Key: D
flat major. Text
language:
German/French.
Caru
s 70.301/10, which is
part of the material
associated with this
piece, can be used as the
choral score. Gabriel
Faure composed the
Cantique de Jean Racine
in 1865, the prizewinning
work for the completion
of his musical training.
The composer expanded the
original scoring for
choir and organ by adding
a string accompaniment;
the version with
orchestra was first
performed in 1906. As a
text Faure chose a French
adaptation by Jean Racine
of the Latin hymn Consors
paterni luminis. The
Cantique already displays
the characteristics of an
expressive choral setting
typical for Faure, as
well as the finely worked
out orchestral
accompaniment, and
together with the
Requiem, composed
considerably later, it is
among the most popular
works of the composer.
Score and part available
separately - see item
CA.7030300.
Version
for choir and
orchestra. Composed
by Gabriel Faure. Edited
by Jean-Michel Nectoux.
Cantique De Jean
Racine.Sinfon.Orch.
Sacred vocal music,
Hymns. Single Part, Harp.
Composed 1865. Op. 11. 4
pages. Duration 6
minutes. Carus Verlag #CV
70.303/48. Published by
Carus Verlag
(CA.7030348).
ISBN
9790007228972. Key: D
flat major. Text
language:
German/French.
Caru
s 70.301/10, which is
part of the material
associated with this
piece, can be used as the
choral score. Gabriel
Faure composed the
Cantique de Jean Racine
in 1865, the prizewinning
work for the completion
of his musical training.
The composer expanded the
original scoring for
choir and organ by adding
a string accompaniment;
the version with
orchestra was first
performed in 1906. As a
text Faure chose a French
adaptation by Jean Racine
of the Latin hymn Consors
paterni luminis. The
Cantique already displays
the characteristics of an
expressive choral setting
typical for Faure, as
well as the finely worked
out orchestral
accompaniment, and
together with the
Requiem, composed
considerably later, it is
among the most popular
works of the composer.
Score and part available
separately - see item
CA.7030300.
Version
for choir and
orchestra. Composed
by Gabriel Faure. Edited
by Jean-Michel Nectoux.
Cantique De Jean
Racine.Sinfon.Orch.
Sacred vocal music,
Hymns. Single Part,
Double Bass. Composed
1865. Op. 11. 4 pages.
Duration 6 minutes. Carus
Verlag #CV 70.303/15.
Published by Carus Verlag
(CA.7030315).
ISBN
9790007228958. Key: D
flat major. Text
language:
German/French.
Caru
s 70.301/10, which is
part of the material
associated with this
piece, can be used as the
choral score. Gabriel
Faure composed the
Cantique de Jean Racine
in 1865, the prizewinning
work for the completion
of his musical training.
The composer expanded the
original scoring for
choir and organ by adding
a string accompaniment;
the version with
orchestra was first
performed in 1906. As a
text Faure chose a French
adaptation by Jean Racine
of the Latin hymn Consors
paterni luminis. The
Cantique already displays
the characteristics of an
expressive choral setting
typical for Faure, as
well as the finely worked
out orchestral
accompaniment, and
together with the
Requiem, composed
considerably later, it is
among the most popular
works of the composer.
Score and part available
separately - see item
CA.7030300.
Version
for choir and
orchestra. Composed
by Gabriel Faure. Edited
by Jean-Michel Nectoux.
Cantique De Jean
Racine.Sinfon.Orch.
Sacred vocal music,
Hymns. Single Part, 2
Oboes. Composed 1865. Op.
11. 4 pages. Duration 6
minutes. Carus Verlag #CV
70.303/22. Published by
Carus Verlag
(CA.7030322).
Key: D
flat major. Text
language:
German/French.
Caru
s 70.301/10, which is
part of the material
associated with this
piece, can be used as the
choral score. Gabriel
Faure composed the
Cantique de Jean Racine
in 1865, the prizewinning
work for the completion
of his musical training.
The composer expanded the
original scoring for
choir and organ by adding
a string accompaniment;
the version with
orchestra was first
performed in 1906. As a
text Faure chose a French
adaptation by Jean Racine
of the Latin hymn Consors
paterni luminis. The
Cantique already displays
the characteristics of an
expressive choral setting
typical for Faure, as
well as the finely worked
out orchestral
accompaniment, and
together with the
Requiem, composed
considerably later, it is
among the most popular
works of the composer.
Score and part available
separately - see item
CA.7030300.
Version
for choir and
orchestra. Composed
by Gabriel Faure. Edited
by Jean-Michel Nectoux.
Cantique De Jean
Racine.Sinfon.Orch.
Sacred vocal music,
Hymns. Single Part, 2
Flutes. Composed 1865.
Op. 11. 4 pages. Duration
6 minutes. Carus Verlag
#CV 70.303/21. Published
by Carus Verlag
(CA.7030321).
Key: D
flat major. Text
language:
German/French.
Caru
s 70.301/10, which is
part of the material
associated with this
piece, can be used as the
choral score. Gabriel
Faure composed the
Cantique de Jean Racine
in 1865, the prizewinning
work for the completion
of his musical training.
The composer expanded the
original scoring for
choir and organ by adding
a string accompaniment;
the version with
orchestra was first
performed in 1906. As a
text Faure chose a French
adaptation by Jean Racine
of the Latin hymn Consors
paterni luminis. The
Cantique already displays
the characteristics of an
expressive choral setting
typical for Faure, as
well as the finely worked
out orchestral
accompaniment, and
together with the
Requiem, composed
considerably later, it is
among the most popular
works of the composer.
Score and part available
separately - see item
CA.7030300.
Composed by Gabriel
Faure. Edited by
Christina M. Stahl and
Michael Stegemann. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Version of 1900.
Choral score. Opus 48. 19
pages. Baerenreiter
Verlag #BA09461_91.
Published by Baerenreiter
Verlag (BA.BA09461-91).
ISBN 9790006565474. 27
x 19 cm inches. Text
Language:
Latin.
TheMesse de
Requiemis probably the
internationally
best-known and most
frequently performed work
by Gabriel Faure . The
composer's first version
was limited to just five
movements and small-scale
forces with low strings,
harp and organ. The work
was then expanded several
times culminating in the
version for large
orchestra of 1900. This
orchestral version forms
the basis of this
edition.
Despite
its comparatively long
period of gestation, the
Requiem forms a stylistic
unity. Unlike other
requiem settings, the
composer foregoes any
theatrical gestures in
this work. A restrained
dynamic range together
with graceful melodic
writing for both soloists
and choir give the work a
gentle and optimistic
character.
The
choral score just as the
vocal score are based on
the volume of the
Complete Works of Gabriel
Faure (BA 9461) published
in 2010. It is important
to note that this choral
score is also compatible
with the first
small-scale version as
well as the second
chamber orchestra
version.
-
High-quality Urtext
edition based on
theComplete Works of
Gabriel Faure - First
systematic evaluation of
all sources - Based on
the large orchestral
version of 1900 -
Choral score suitable for
all versions of the
Requiem
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
A Sprig Of Thyme Chorale SATB SATB, Piano [Vocal Score] Oxford University Press
The Sprig of Thyme by John Rutter (1945-). For SATB choir/unison/male voices and...(+)
The Sprig of Thyme by
John Rutter (1945-). For
SATB choir/unison/male
voices and piano/chamber
ensemble/orchestra
(flute, oboe, clarinet
(in Bb and A), bassoon,
harp, strings). Mixed
Voices. Contemporary,
Choral Works. Vocal
score. 48 pages. Duration
35'. Published by Oxford
University Press
SATB choir; orchestra SKU: HP.C5875O Composed by Mary McDonald. Piano Acc...(+)
SATB choir; orchestra
SKU: HP.C5875O
Composed by Mary
McDonald. Piano
Accompaniment with
Optional Orchestra.
General Worship, Sacred.
Set of Instrumental
Parts. Hope Publishing
Company #C5875O.
Published by Hope
Publishing Company
(HP.C5875O).
UPC:
763628258757. Words by
Charles H. Gabriel.
Isaiah 53:4, Matthew
26:39, Mark 2:12, Mark
14:36, Luke 5:26, Luke
22:39, Luke 22:40, Luke
22:41, Luke 22:42, Luke
22:43, Luke 22:44, 1
Corinthians 13:12, 2
Corinthians 5:21,
Ephesians 2:4, Ephesians
5:2, 1 Peter 2:24, 1 John
3:1.
Original
anthem with words by
Charles H. Gabriel Charles Gabriel
penned the words I stand
amazed in the presence of
Jesus the Nazarene in
1905, and did so as an
expression of his own awe
and amazement of Jesus'
love. Mary McDonald has
taken that hymn text and
expertly crafted a new
melody befitting of
soaring choral lines that
more adequately express
How marvelous! How
wonderful! my song shall
ever be.
>The
Orchestration includes a
Conductor's Score and
parts for: 2 flutes,
oboe, 2 clarinets in
B-flat, bassoon, 3
trumpets in B-flat, 2
trombones, tuba, timpani,
percussion, harp, piano,
2 violins, viola, cello,
and string bass.
SATB choir and piano or full orchestra (Orchestra Parts include: Two Flutes, Two...(+)
SATB choir and piano or
full orchestra (Orchestra
Parts include: Two
Flutes, Two Oboes, Two
Clarinets in B-flat, Two
Bassoons, Four Horns in
F, Three Trumpets in
B-flat, Two Tenor
Trombones, Bass Trombone,
Tuba, Timpani, Harp, and
Strings) - Early
Intermediate
SKU:
MN.50-4069
Composed
by Terre Johnson. Easter
Vigil, Funeral.
MorningStar Music
Publishers #50-4069.
Published by MorningStar
Music Publishers
(MN.50-4069).
UPC:
688670540691. English.
Psalm 42:1-2;
43:3-4.
A flowing
and soothing setting of
Psalm 42. Appropriate for
use in Easter Vigil
services or many other
times throughout the
year.
Composed by
Marie Stultz. Christmas,
21st Century. Octavo.
Duration 15 minutes.
MorningStar Music
Publishers #70-106.
Published by MorningStar
Music Publishers
(MN.70-106).
UPC:
688670701061.
English.
Movement
VI from the Suite on the
Nativity
Based on
14th and 15th century
German carol tunes for
SATB chorus, SA voices
(children's chorus) and
chamber orchestra (Fute,
Oboe, Clarinet, Bassoon,
Trumpet in C, Harp,
Timpani, Chimes,
Glockenspiel, Triangle,
and Strings) in six
movements. Performance
time of entire suite
approximately 15
minutes.
SATB choir a cappella, descant - Intermediate SKU: MN.70-105 Composed by ...(+)
SATB choir a cappella,
descant - Intermediate
SKU: MN.70-105
Composed by Marie Stultz.
Christmas, 21st Century.
Octavo. Duration 15
minutes. MorningStar
Music Publishers #70-105.
Published by MorningStar
Music Publishers
(MN.70-105).
UPC:
688670701054.
German.
Movement V
from the Suite on the
Nativity
Based on
14th and 15th century
German carol tunes for
SATB chorus, SA voices
(children's chorus) and
chamber orchestra (Fute,
Oboe, Clarinet, Bassoon,
Trumpet in C, Harp,
Timpani, Chimes,
Glockenspiel, Triangle,
and Strings) in six
movements. Performance
time of entire suite
approximately 15
minutes.
SATB choir, 2-part or SSA/SSAA choir, organ - Intermediate SKU: MN.70-102 ...(+)
SATB choir, 2-part or
SSA/SSAA choir, organ -
Intermediate
SKU:
MN.70-102
Composed by
Marie Stultz. Catholic
Year A Ordinary32;
Catholic Year A
Ordinary32. Christmas,
21st Century. Octavo.
Duration 15 minutes.
MorningStar Music
Publishers #70-102.
Published by MorningStar
Music Publishers
(MN.70-102).
UPC:
688670701023.
English.
Movement
II from the Suite on the
Nativity
Based on
14th and 15th century
German carol tunes for
SATB chorus, SA voices
(children's chorus) and
chamber orchestra (Flute,
Oboe, Clarinet, Bassoon,
Trumpet in C, Harp,
Timpani, Chimes,
Glockenspiel, Triangle,
and Strings) in six
movements. Performance
time of entire suite
approximately 15
minutes.
Orchestra 2Percussion, Clarinet, Flute(Piccolo alto Flute), French Horn, Harp, P...(+)
Orchestra 2Percussion,
Clarinet, Flute(Piccolo
alto Flute), French Horn,
Harp, Piano, SATB choir,
Strings, solo soprano
voice
SKU:
PR.416412000
Composed
by Jan Krzywicki. With
Standard notation.
Composed 1997. Duration
20 minutes. Theodore
Presser Company
#416-41200. Published by
Theodore Presser Company
(PR.416412000).
Composed by Ralph Vaughan Williams (1872-1958). Edited by Julian Rushton. For SA...(+)
Composed by Ralph Vaughan
Williams (1872-1958).
Edited by Julian Rushton.
For SATB choir
(wordless), viola solo,
and orchestra
(flute/piccolo, oboe,
clarinet, bassoon, horn,
trumpet, 2 percussion,
celeste, strings). Level
D (difficult). Study
score. 76 pages. Duration
18 minutes. Published by
Oxford University Press