Orchestra SKU: HL.14021044 Composed by Sir Peter Maxwell Davies. Music Sa...(+)
Orchestra
SKU:
HL.14021044
Composed
by Sir Peter Maxwell
Davies. Music Sales
America. Classical.
Studyscore. Composed
2002. 114 pages. Chester
Music #CH61797. Published
by Chester Music
(HL.14021044).
ISBN
9780711984813.
Roma
, Amor, Labyrinthos for
orchestra was
commissioned by the Royal
Philharmonic Orchestra
and first performed on
2nd May 2000 at the
Barbican Hall, London.
The Independent, May
2000: Roma, Amor,
Labyrinthus captures the
composers recollections
of Rome as a student in
the late '50s under
Goffredo Petrassi, to
whom the work is
dedicated... [this is]
one of Sir Peter's most
spectacular scores,
evoking the might of the
ancient city from a very
personal viewpoint.
Duration 43 minutes.
Conductor's score and
orchestral parts are
available on hire.
Composed by Doug Spata.
Masterworks; Performance
Music Ensemble; Single
Titles; String Orchestra.
Highland/Etling String
Orchestra. Masterwork
Arrangement. Score and
Part(s). 128 pages.
Duration 4:50.
Highland/Etling
#00-48096. Published by
Highland/Etling
(AP.48096).
ISBN
9781470656676. UPC:
038081550954.
English.
The
mystical atmosphere of
Greece's coastal caves,
which shine with dazzling
iridescent blue light
through crystal-clear
waters, is the
inspiration of this rich,
cinematic selection.
Students will be
challenged to maintain a
balanced, warm tone
throughout, with a slow
tempo and increased part
independence. But they'll
adore the flowing,
interlocking streams of
dreamlike melody in all
the parts and an ominous
sense of tension and
release that builds to a
rewarding conclusion. An
optional harp part is
included. The Blue Caves
of Zakynthos, by Doug
Spata, is a great way for
advanced orchestras to
work on higher-level
musicianship skills, and
it will be a stunning
showpiece in any concert
program. (4:50).
Composed by Doug Spata.
Masterworks; Performance
Music Ensemble; Single
Titles; String Orchestra.
Highland/Etling String
Orchestra. Masterwork
Arrangement. Score. 12
pages. Duration 4:50.
Highland/Etling
#00-48096S. Published by
Highland/Etling
(AP.48096S).
ISBN
9781470656683. UPC:
038081550961.
English.
The
mystical atmosphere of
Greece's coastal caves,
which shine with dazzling
iridescent blue light
through crystal-clear
waters, is the
inspiration of this rich,
cinematic selection.
Students will be
challenged to maintain a
balanced, warm tone
throughout, with a slow
tempo and increased part
independence. But they'll
adore the flowing,
interlocking streams of
dreamlike melody in all
the parts and an ominous
sense of tension and
release that builds to a
rewarding conclusion. An
optional harp part is
included. The Blue Caves
of Zakynthos, by Doug
Spata, is a great way for
advanced orchestras to
work on higher-level
musicianship skills, and
it will be a stunning
showpiece in any concert
program. (4:50).
Orchestra SKU: FG.55011-588-0 Composed by Einojuhani Rautavaara. Score. F...(+)
Orchestra
SKU:
FG.55011-588-0
Composed by Einojuhani
Rautavaara. Score.
Fennica Gehrman
#55011-588-0. Published
by Fennica Gehrman
(FG.55011-588-0).
ISBN
9790550115880.
I
wrote my First Symphony
while studying in the
United States in 1955,
but the work has since
undergone two substantial
changes. The original
four-movement structure
changed into a
two-movement structure in
1988, with an expansive,
Romantic and pathos-laden
principal movement
followed by a grotesque
and ironic scherzo. This
version seems to owe
something to Dmitri
Shostakovich, one of the
idols of 1950s Modernism
in Finland. Later I found
that the structure was
out of balance, and in
2003 I added a lyrical
slow movement (Poetico)
between the two existing
ones. In order to
preserve the 1950s spirit
of the original work, I
based the slow movement
on solo song written
around the same time
(third movement from the
song cycle Die
Liebenden).
Orchestra SKU: HL.14000910 Composed by Hans Abrahamsen. Music Sales Ameri...(+)
Orchestra
SKU:
HL.14000910
Composed
by Hans Abrahamsen. Music
Sales America. Classical.
Score. Composed 2002. 52
pages. Edition Wilhelm
Hansen #WH29721.
Published by Edition
Wilhelm Hansen
(HL.14000910).
ISBN
9788759858875.
12.0x16.5x0.52
inches.
Nacht Und
Trompeten by Hans
Abrahamsen (1981).
Programme note: The piece
is dedicated to Hans
Werner Henze, from whose
request the piece arose.
The music unfolds in a
space, in which the
memory of the earlier
music has the same
reality as the music of
today. But the music of
the memory is naturally
distant and vague,
whereas the music of
today is present and
gesticulated. In the
opening section the past
and the present are
clearly separated, but
during the piece, this
balance is lifted, as the
music of the past
(trumpet signals,
Sicilian melodicity,
romantic Pathos,
strawinskian
neo-classicism) in a
dynamic and often
dramatic surrealistic
play with minimalism and
modernism oftoday is
unravelled.
Orchestration:
2.2.2.2/2.3.0.0/5perc/pf/
str. Parts are for hire:
hire@ewh.dk.
Orchestra SKU: CF.PO192S On We Wish You a Merry Christmas. Compose...(+)
Orchestra
SKU:
CF.PO192S
On We
Wish You a Merry
Christmas. Composed
by Robert B. Brown.
Condensed score. Carl
Fischer Music #PO192S.
Published by Carl Fischer
Music (CF.PO192S).
ISBN 9781491157367.
UPC:
680160915927.
Progr
am note: Christmas Fugue,
like the charming English
folk tune on which it is
based, is full of the
spirit and fun that is
Christmas. After a slow
shimmering introduction
which imparts an
impression of Christmas
morning, the fugue
subject is abruptly
introduced. The fugue
subject: We Wish You a
Merry Christmas. The work
develops through a series
of playful musical
episodes which afford
satisfying opportunities
for the various sections
of the orchestra. The
fugue culminates in a
combination of motifs
which find the brass
heralding the
unmistakable arrival of
Christmas. The Composer:
Dr. Robert Bennett Brown
has devoted much of his
professional teaching
career to musical
compositions and
arrangements for young
orchestral enthusiasts.
Christmas Fugue, like
other of Dr. Drown's
published works, was
written in and for the
actual teaching
situation. At the present
time, Robert Bennett
Brown is District
Supervisor of Music for
the Levittown, N.Y.
Public Schools.
Previously, for some
nineteen years, he taught
in Bronxville, N.Y.
where, as Chairman of
Music, he brought about
an extremely high level
of school orchestral
achievement. he was
educated at New York
University and Teachers
College, Columbia
University. He has served
as a field supervisor of
student teaching for New
York University and as a
general music consultant.
For the past two years he
has been a member of the
New York State Music
Regents Committee. To the
Conductor: You will find
this work to be the
conductor's dream. Parts
are easy but impressive
sounding. The total
effect will give your
orchestra that typical
classical sound so
satisfying to performer
and listener alike. Full
or exact instrumentation
is not a must; cross-cues
will carry critical areas
where a specified
instrument may be
lacking. Piano, tuba, and
saxophone parts are
written to accommodate
those players where they
exist. These parts are
not essential to the
instrumentation. Though
Christmas Fugue is well
suited to the interests
of high school orchestra
pursuits, its grade of
difficulty is easily
handled by any junior
high school group of
average ability.
 . Program
note:Christmas Fugue,
like the charming English
folk tune on which it is
based, is full of the
spirit and fun that is
Christmas. After a slow
shimmering introduction
which imparts an
impression of Christmas
morning, the fugue
subject is abruptly
introduced. The fugue
subject: We Wish You a
Merry Christmas. The work
develops through a series
of playful musical
episodes which afford
satisfying opportunities
for the various sections
of the orchestra. The
fugue culminates in a
combination of motifs
which find the brass
heralding the
unmistakable arrival of
Christmas.The
Composer:Dr. Robert
Bennett Brown has devoted
much of his professional
teaching career to
musical compositions and
arrangements for young
orchestral enthusiasts.
Christmas Fugue, like
other of Dr. Drown's
published works, was
written in and for the
actual teaching
situation.At the present
time, Robert Bennett
Brown is District
Supervisor of Music for
the Levittown, N.Y.
Public Schools.
Previously, for some
nineteen years, he taught
in Bronxville, N.Y.
where, as Chairman of
Music, he brought about
an extremely high level
of school orchestral
achievement. he was
educated at New York
University and Teachers
College, Columbia
University. He has served
as a field supervisor of
student teaching for New
York University and as a
general music consultant.
For the past two years he
has been a member of the
New York State Music
Regents Committee.To the
Conductor:You will find
this work to be the
conductor's dream. Parts
are easy but impressive
sounding. The total
effect will give your
orchestra that typical
classical sound so
satisfying to performer
and listener alike. Full
or exact instrumentation
is not a must; cross-cues
will carry critical areas
where a specified
instrument may be
lacking. Piano, tuba, and
saxophone parts are
written to accommodate
those players where they
exist. These parts are
not essential to the
instrumentation. Though
Christmas Fugue is well
suited to the interests
of high school orchestra
pursuits, its grade of
difficulty is easily
handled by any junior
high school group of
average ability. .
Orchestra SKU: CF.PO192F On We Wish You a Merry Christmas. Compose...(+)
Orchestra
SKU:
CF.PO192F
On We
Wish You a Merry
Christmas. Composed
by Robert B. Brown. Full
score. Carl Fischer Music
#PO192F. Published by
Carl Fischer Music
(CF.PO192F).
ISBN
9781491157374. UPC:
680160915934.
Progr
am note: Christmas Fugue,
like the charming English
folk tune on which it is
based, is full of the
spirit and fun that is
Christmas. After a slow
shimmering introduction
which imparts an
impression of Christmas
morning, the fugue
subject is abruptly
introduced. The fugue
subject: We Wish You a
Merry Christmas. The work
develops through a series
of playful musical
episodes which afford
satisfying opportunities
for the various sections
of the orchestra. The
fugue culminates in a
combination of motifs
which find the brass
heralding the
unmistakable arrival of
Christmas. The Composer:
Dr. Robert Bennett Brown
has devoted much of his
professional teaching
career to musical
compositions and
arrangements for young
orchestral enthusiasts.
Christmas Fugue, like
other of Dr. Drown's
published works, was
written in and for the
actual teaching
situation. At the present
time, Robert Bennett
Brown is District
Supervisor of Music for
the Levittown, N.Y.
Public Schools.
Previously, for some
nineteen years, he taught
in Bronxville, N.Y.
where, as Chairman of
Music, he brought about
an extremely high level
of school orchestral
achievement. he was
educated at New York
University and Teachers
College, Columbia
University. He has served
as a field supervisor of
student teaching for New
York University and as a
general music consultant.
For the past two years he
has been a member of the
New York State Music
Regents Committee. To the
Conductor: You will find
this work to be the
conductor's dream. Parts
are easy but impressive
sounding. The total
effect will give your
orchestra that typical
classical sound so
satisfying to performer
and listener alike. Full
or exact instrumentation
is not a must; cross-cues
will carry critical areas
where a specified
instrument may be
lacking. Piano, tuba, and
saxophone parts are
written to accommodate
those players where they
exist. These parts are
not essential to the
instrumentation. Though
Christmas Fugue is well
suited to the interests
of high school orchestra
pursuits, its grade of
difficulty is easily
handled by any junior
high school group of
average ability.
 . Program
note:Christmas Fugue,
like the charming English
folk tune on which it is
based, is full of the
spirit and fun that is
Christmas. After a slow
shimmering introduction
which imparts an
impression of Christmas
morning, the fugue
subject is abruptly
introduced. The fugue
subject: We Wish You a
Merry Christmas. The work
develops through a series
of playful musical
episodes which afford
satisfying opportunities
for the various sections
of the orchestra. The
fugue culminates in a
combination of motifs
which find the brass
heralding the
unmistakable arrival of
Christmas.The
Composer:Dr. Robert
Bennett Brown has devoted
much of his professional
teaching career to
musical compositions and
arrangements for young
orchestral enthusiasts.
Christmas Fugue, like
other of Dr. Drown's
published works, was
written in and for the
actual teaching
situation.At the present
time, Robert Bennett
Brown is District
Supervisor of Music for
the Levittown, N.Y.
Public Schools.
Previously, for some
nineteen years, he taught
in Bronxville, N.Y.
where, as Chairman of
Music, he brought about
an extremely high level
of school orchestral
achievement. he was
educated at New York
University and Teachers
College, Columbia
University. He has served
as a field supervisor of
student teaching for New
York University and as a
general music consultant.
For the past two years he
has been a member of the
New York State Music
Regents Committee.To the
Conductor:You will find
this work to be the
conductor's dream. Parts
are easy but impressive
sounding. The total
effect will give your
orchestra that typical
classical sound so
satisfying to performer
and listener alike. Full
or exact instrumentation
is not a must; cross-cues
will carry critical areas
where a specified
instrument may be
lacking. Piano, tuba, and
saxophone parts are
written to accommodate
those players where they
exist. These parts are
not essential to the
instrumentation. Though
Christmas Fugue is well
suited to the interests
of high school orchestra
pursuits, its grade of
difficulty is easily
handled by any junior
high school group of
average ability. .
Orchestra (Study Score) SKU: HL.51489061 Orchestra Study Score. Co...(+)
Orchestra (Study Score)
SKU: HL.51489061
Orchestra Study
Score. Composed by
Franz Joseph Haydn.
Edited by Robert v. Zahn.
Henle Study Scores.
Classical. Softcover. 58
pages. G. Henle #HN9061.
Published by G. Henle
(HL.51489061).
UPC:
840126932836.
6.75x9.5x0.22
inches.
The twelve
“London
Symphoniesâ€
comprise the sublime
final statement of
Haydn's symphonic ouvre.
They were written for the
London impresario Johann
Peter Salomon, and Haydn
himself conducted their
premieres during his
lengthy stays in the
English metropolis in
1791/92 and 1794/95.
Probably composed in the
winter of 1791/92, the
Symphony in D major no.
93 was, with its easily
accessible (butby no
means simple!) musical
structure, perfectly
tailored to London
tastes, which demanded
melodic clarity and
expressive pathos. The
Baroque echoes of Handel
in the slow introduction
to the first movement and
in the festive mood of
the finale with its
timpani and trumpets
would have been well
received - no wonder the
symphony had to be
repeated multiple times
in the same season after
its performance in 1792!
This study edition adopts
the musical text of the
Haydn Complete Edition,
thereby guaranteeing the
highest scholarly
quality. An informative
preface and a brief
Critical Report make the
handy score an ideal
companion for all current
and soon-to-be Haydn
fans.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Orchestra (Study Score) SKU: HL.51489063 Orchestra Study Score. Co...(+)
Orchestra (Study Score)
SKU: HL.51489063
Orchestra Study
Score. Composed by
Franz Joseph Haydn.
Edited by Robert v. Zahn.
Henle Study Scores.
Classical. Softcover. 55
pages. G. Henle #HN906.
Published by G. Henle
(HL.51489063).
UPC:
840126932867.
6.75x9.5x0.204
inches.
The twelve
“London
Symphoniesâ€
comprise the sublime
final statement of
Haydn's symphonic ouvre.
They were written for the
London impresario Johann
Peter Salomon, and Haydn
himself conducted their
premieres during his
lengthy stays in the
English metropolis in
1791/92 and 1794/95.
Probably composed in the
winter of 1791/92, the
Symphony in D major no.
93 was, with its easily
accessible (butby no
means simple!) musical
structure, perfectly
tailored to London
tastes, which demanded
melodic clarity and
expressive pathos. The
Baroque echoes of Handel
in the slow introduction
to the first movement and
in the festive mood of
the finale with its
timpani and trumpets
would have been well
received - no wonder the
symphony had to be
repeated multiple times
in the same season after
its performance in 1792!
This study edition adopts
the musical text of the
Haydn Complete Edition,
thereby guaranteeing the
highest scholarly
quality. An informative
preface and a brief
Critical Report make the
handy score an ideal
companion for all current
and soon-to-be Haydn
fans.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Composed by Erica
Donahoe. Performance
Music Ensemble; Single
Titles; String Orchestra.
Highland/Etling String
Orchestra. Patriotic.
Score. Duration 2:20.
Highland/Etling
#00-49932S. Published by
Highland/Etling
(AP.49932S).
ISBN
9781470657833. UPC:
038081575698.
English.
With
driving bass lines and
sweeping melodies, this
piece captures the
warrior ethos of our many
service members and
veterans of the United
States Air Force.
Students will love the
rhythmic drive of the low
string parts, and all
performers get a chance
to shine in the melodic
sections. Written by USAF
veteran (and veteran
orchestra director) Erica
Donahoe, Air Warriors is
a great way to honor the
veterans in your
community! (2:20).
Study score.
Composed by Friedhelm
Dohl. Softbound.
Partitur-Bibliothek
(Score Library). World
premiere Hannover, 1984.
Music post-1945. Study
Score. Composed 1984. 72
pages. Duration 16'.
Breitkopf and Haertel #PB
5153-07. Published by
Breitkopf and Haertel
(BR.PB-5153-07).
ISBN
9790004208953. 14 x 11.5
inches.
Die
Komposition entstand Juli
bis November 1984 im
Auftrag des Norddeutschen
Rundfunks fur die Tage
der Neuen Musik Hannover
1985. Der Titel ,,Passion
ist in seinem
mehrdeutigen Sinn zu
verstehen, wie ich ihn
einerseits in Bachs
Matthaus-Passion
widergespiegelt finde,
hier besonders im letzten
Choral in der Zeile
,,wenn mir am
allerbangsten, auf die
mich einst Uwe Rohl
aufmerksam machte,
andererseits in Trakls
Gedicht ,,Passion (s.
u.).Meine Musik ist
primar ,,Medium der
Selbstbegegnung. Dass sie
sich hier zugleich auf
Bach und Trakl bezieht,
ist kein Widerspruch.
Auch Bach und Trakl sind
fur mich ,,aktuell - als
Medium der
Selbstbegegnung. Die
Perspektiven von Bachs
und Trakls ,,Passion
bedingen sich,
vertauschen sich (Trakls
,,Passion - Bachs Traum?
Bachs ,,Passion - Trakls
Er-Innerung, wie der
Orpheusmythos? Bach - der
Expressionist? Trakl -
der Mystiker?). In der
Wechselbeziehung beider
erkenne ich mich, meine
,,Umwelt, unsere
Betroffenheit: ,,wenn mir
am allerbangsten,
,,wandelnd an den
schwarzen Ufern,
,,schauen wir uns am
Kreuzweg ... (Friedhelm
Dohl)CDs:Nordwestdeutsche
Philharmonie, cond. Klaus
BernbacherMusik in
Deutschland 1950-2000CD
RCA 74321 73613
2Rundfunkorchester
Hannover des NDR, cond.
Othmar MagaCD Dreyer
Gaido 21042
Composed by Erica
Donahoe. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Patriotic.
Score and Part(s).
Duration 2:20.
Highland/Etling
#00-49932. Published by
Highland/Etling
(AP.49932).
ISBN
9781470657826. UPC:
038081575681.
English.
With
driving bass lines and
sweeping melodies, this
piece captures the
warrior ethos of our many
service members and
veterans of the United
States Air Force.
Students will love the
rhythmic drive of the low
string parts, and all
performers get a chance
to shine in the melodic
sections. Written by USAF
veteran (and veteran
orchestra director) Erica
Donahoe, Air Warriors is
a great way to honor the
veterans in your
community! (2:20).
Orchestra SKU: HH.HH094-FSC Composed by Nicolas Gilbert. Orchestral. Full...(+)
Orchestra
SKU:
HH.HH094-FSC
Composed
by Nicolas Gilbert.
Orchestral. Full score.
Duration 9 minutes.
Edition HH Music
Publishers #HH094-FSC.
Published by Edition HH
Music Publishers
(HH.HH094-FSC).
ISBN
9790708041252.
Tcha
l Kouyrouk, the trusty
steed of Toshtuk, Giant
of the Steppes, is going
to recover his
master’s soul,
which has been stolen,
then bring Toshtuk back
to his wife Kenjeke, who
is pregnant with his
child. In those far off
days when Toshtuk,
Kenjeke and Tchal
Kouyrouk were living, the
twelve tone row was
evidently already a
historical necessity. The
rules surrounding its
worship were to be
respected: never
interrupt the twelve tone
row, never make
irreverent remarks about
it, never look at another
system of pitch
organization, apply the
model of the twelve tone
row to everything in the
world to which it might
be applicable.
ISBN 9790006575213. 33
x 24 cm inches. Text
Language: French. Louis
de Cahusac.
This
collection of the
instrumental numbers from
Zoroastre, a Tragdie in
five acts includes the
movements and dances of
all the original
versions, i.e. those of
January and February 1756
(found in the Opera Omnia
Rameau volume IV.26,
BA08867-01) as well as
those of 1749. Orchestras
can compile a suite to
meet precisely their own
needs. For this purpose,
the index includes a
separate overview sorted
by key. The performance
material of the
Symphonies is available
on hire reflecting the
high standard of Opera
Omnia.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra SKU: AP.31608S Variations on Yankee Doodle. Composed by ...(+)
Orchestra
SKU:
AP.31608S
Variations on Yankee
Doodle. Composed by
Henri Vieuxtemps.
Arranged by Rick England.
Masterworks; Performance
Music Ensemble; Single
Titles; String Orchestra.
Highland/Etling String
Orchestra. 4th of July;
Light Concert; Masterwork
Arrangement; Novelty;
Patriotic; Romantic;
Summer. Score. 20 pages.
Duration 3:20.
Highland/Etling
#00-31608S. Published by
Highland/Etling
(AP.31608S).
UPC:
038081353883.
English.
On a tour
of America in 1833 and
1834, the Franco/Flemish
violin virtuoso Henri
Vieuxtemps heard Yankee
Doodle. On returning to
Europe, he produced the
violin and piano
barnburner that was the
inspiration for this
string orchestra
arrangement. Everyone in
the orchestra gets a
crack at the melody and
some alternate notes are
provided for those with
acrophobia. This is a
must-have for those who
enjoy programming
patriotic music where the
fireworks are in the
string parts. (3:20).
Orchestra (Full Score) SKU: HL.285007 For Orchestra (Oversize Full Sco...(+)
Orchestra (Full Score)
SKU: HL.285007
For Orchestra
(Oversize Full
Score). Composed by
Eric Ewazen. Southern
Music Orchestra.
Classical. Softcover. 32
pages. Duration 540
seconds. Hal Leonard
#XR200FS. Published by
Hal Leonard (HL.285007).
UPC: 888680878818.
11.0x14.0x0.43
inches.
After
witnessing the tragic
aftermath of the
September 11, 2001 attack
on New York firsthand,
Ewazen composed this as a
memorial to those who
lost their lives, and as
a tribute to the
resilience and
determination of those
left behind. Available
for band, orchestra, and
solo trumpet with piano.
(2002) Ca. 9'.
Himmel Punk Orchestre SATB, Orchestre Fennica Gehrman
Orchestra SKU: FG.55011-652-8 Composed by Antti Auvinen. Study score. Fen...(+)
Orchestra
SKU:
FG.55011-652-8
Composed by Antti
Auvinen. Study score.
Fennica Gehrman
#55011-652-8. Published
by Fennica Gehrman
(FG.55011-652-8).
ISBN
9790550116528.
Himm
el Punk was born out of
social commentary. It
addresses
narrow-mindedness
manifesting itself in the
rejection of particular
values on religous
grounds. Piety turns to
hypocrisy as those who
think otherwise are
branded as an inferior
caste, thereby even
justifying the denial of
human rights to them.
Orchestra SKU: LO.30-2893L Composed by Phill McHugh. Arranged by Greg Nel...(+)
Orchestra
SKU:
LO.30-2893L
Composed
by Phill McHugh. Arranged
by Greg Nelson. Choral.
Sacred Anthem, General,
Holy Week, Lent,
Palm/Palm-Passion Sunday.
Orchestral score and
parts. Lorenz Publishing
Company #30/2893L.
Published by Lorenz
Publishing Company
(LO.30-2893L).
UPC:
000308132908.
This
contemporary Christian
classic, made popular in
the 1980s by singer Steve
Green, receives a
brilliant setting by Mary
McDonald. We are reminded
by the lyrics that the
love shown by Christ on
the cross still reaches
out to those in need
today. Orchestration by
Michael Lawrence for 2
Fl, Ob, 2 Cl, Bsn, 2 Hn,
3 Tpt, 2 Tbn, Tuba, Harp,
Pno, Perc, Timp, 2 Vln,
Vla, Cello, Bass.
Orchestra SKU: LO.30-2894L Composed by Phill McHugh. Arranged by Greg Nel...(+)
Orchestra
SKU:
LO.30-2894L
Composed
by Phill McHugh. Arranged
by Greg Nelson. Choral.
Sacred Anthem, General,
Holy Week, Lent,
Palm/Palm-Passion Sunday.
Orchestral score and CD
with printable parts.
Lorenz Publishing Company
#30/2894L. Published by
Lorenz Publishing Company
(LO.30-2894L).
UPC:
000308132915.
This
contemporary Christian
classic, made popular in
the 1980s by singer Steve
Green, receives a
brilliant setting by This
contemporary Christian
classic, made popular in
the 1980s by singer Steve
Green, receives a
brilliant setting by Mary
McDonald. We are reminded
by the lyrics that the
love shown by Christ on
the cross still reaches
out to those in need
today. Orchestration by
Michael Lawrence for 2
Fl, Ob, 2 Cl, Bsn, 2 Hn,
3 Tpt, 2 Tbn, Tuba, Harp,
Pno, Perc, Timp, 2 Vln,
Vla, Cello, Bass.
Orchestra SKU: LO.30-2423L The followers of Jesus reflect on His final...(+)
Orchestra
SKU:
LO.30-2423L
The
followers of Jesus
reflect on His final
days. Composed by
Lloyd Larson. Choral,
cantatas. Eastertide,
Lent, Sacred. Orchestral
score and parts. Lorenz
Publishing Company
#30/2423L. Published by
Lorenz Publishing Company
(LO.30-2423L).
UPC:
000308120899.
This
compelling reflection
upon Jesus’ final
days is viewed through
His eyes and the eyes of
those surrounding Him:
Mary, sister of Martha;
an officer to Caiaphas;
Judas; Peter; Jesus
Himself; Pilate; Mary,
the mother of Jesus; Mary
Magdalene; and Thomas. A
sequence of dramatic,
scripture-based
monologues tells the
story, alternating with
Lloyd Larson’s
masterfully inspired
music as the “voice
of the believerâ€
responds. Flexibly
conceived, this work may
be presented as simply or
as elaborately as you
wish, depending upon your
resources and
preferences. Performance
options range from use as
a source of single
anthems for your seasonal
service needs to a short
worship program with
monologues and choruses
or a special, fully
staged production. It is
our hope that this work
will prompt your own
reflections upon the
great wonder and mystery
of the Incarnate God Who,
for the love of His
people, humbled Himself,
dying for our salvation
and triumphing over
death.
ISBN
9790006558285. 33 x 24 cm
inches. Preface: Sylvie
Bouissou. Text: Louis
Fuzelier.
The new
scholarly-critical
edition of the score of
Rameau’s
“ballet
hroïque†Les
Indes galantes finally
clears up its convoluted
source history. At the
first performance, on 23
August 1735, it consisted
of a prologue and three
acts: Le Turc gnreux, Les
Incas du Prou and Les
Fleurs. But Les Fleurs
already proved
controversial in the
early performances, and
from 11 September of that
same year it was given a
wholly new form. For the
revival on 10 March 1736
Rameau and Fuzelier added
an entirely new act Les
Sauvages, and in the
years that followed, the
“ballet
hroïque†was
presented either complete
(1743, 1751 and 1761) or
abridged with a prologue,
Les Incas du Prou and Les
Sauvages
(1751–73).
With regard to the
instrumental movements
(dances and descriptive
pieces), the present
publication is based on
the complete edition
Opera Omnia Rameau (OOR)
volumes IV/2 and IV/7
edited by Sylvie Bouissou
which are currently in
preparation. It includes
not only the orchestral
pieces in the version
deemed valid by Rameau in
1736 (with version 2 of
Les Fleurs and Les
Sauvages), but also those
from the first version of
Les Fleurs (1735) as well
as its 1743 and 1773
revisions. Performers are
thus given a complete
selection of all the
orchestral numbers from
one of Rameau’s
central stage works for
use also in concert
performance.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
New music
(post-2000). Full score.
Composed 2016/17/20. 48
pages. Duration 8'.
Breitkopf and Haertel #PB
5432. Published by
Breitkopf and Haertel
(BR.PB-5432).
ISBN
9790004212790. 10 x 12.5
inches.
Marche
fatale is an incautiously
daring escapade that may
annoy the fans of my
compositions more than my
earlier works, many of
which have prevailed only
after scandals at their
world premieres. My
Marche fatale has,
though, little
stylistically to do with
my previous compositional
path; it presents itself
without restraint, if not
as a regression, then
still as a recourse to
those empty phrases to
which modern civilization
still clings in its daily
utility music, whereas
music in the 20th and
21st centuries has long
since advanced to new,
unfamiliar soundscapes
and expressive
possibilities. The key
term is banality. As
creators we despise it,
we try to avoid it -
though we are not safe
from the cheap banal even
within new aesthetic
achievements.Many
composers have
incidentally accepted the
banal. Mozart wrote Ein
musikalischer Spass [A
Musical Jape], a
deliberately amateurishly
miscarried sextet.
Beethoven's Bagatellen
op. 119 were rejected by
the publisher on the
grounds that few will
believe that this minor
work is by the famous
Beethoven. Mauricio Kagel
wrote, tongue in cheek,
so to speak, Marsche, um
den Sieg zu verfehlen
[Marches for being
Unvictorious], Ligeti
wrote Hungarian Rock; in
his Circus Polka
Stravinsky quoted and
distorted the famous, all
too popular Schubert
military march, composed
at the time for piano
duet. I myself do not
know, though, whether I
ought to rank my Marche
fatale alongside these
examples: I accept the
humor in daily life, the
more so as this daily
life for some of us is
not otherwise to be
borne. In music, I
mistrust it, considering
myself all the closer to
the profounder idea of
cheerfulness having
little to do with humor.
However: Isn't a march
with its compelling claim
to a collectively martial
or festive mood absurd, a
priori? Is it even music
at all? Can one march and
at the same time listen?
Eventually, I resolved to
take the absurd seriously
- perhaps bitterly
seriously - as a
debunking emblem of our
civilization that is
standing on the brink.
The way - seemingly
unstoppable - into the
black hole of all
debilitating demons: that
can become serene. My old
request of myself and my
music-creating
surroundings is to write
a non-music, whence the
familiar concept of music
is repeatedly re-defined
anew and differently, so
that derailed here -
perhaps? - in a
treacherous way, the
concert hall becomes the
place of mind-opening
adventures instead of a
refuge in illusory
security. How could that
happen? The rest is -
thinking.(Helmut
Lachenmann, 2017)CD
(Version for
Piano):Nicolas Hodges CD
Wergo WER 7393 2
Bibliography:Ich bin
nicht ,,pietistisch
verformt. Ein Gesprach
[von Jan Brachmann] mit
dem Komponisten Helmut
Lachenmann, in: FAZ vom
7. Juni 2018, p.
15.
World premiere
of the piano version:
Mito/Japan, June 17,
2017, World premiere of
the orchestral version:
Stuttgart, January 1,
2018, World premiere of
the ensemble version:
Frankfurt, December 9,
2020.
(Rapsodie Espangnole, Mother Goose Suite, Valses Nobles et Sentimentales, and Pa...(+)
(Rapsodie Espangnole,
Mother Goose Suite,
Valses Nobles et
Sentimentales, and Pavane
for a Dead Princess).
Composed by Maurice Ravel
(1875-1937). Orchestra.
Full Orchestra (Full
Score); Larger Works;
Masterworks; Score. Dover
Edition. Impressionistic;
Masterwork. Published by
Dover Publications
Composed by Gustav
Mahler. Edited by
Christian Rudolf Riedel.
Voice; stapled.
Orchester-Bibliothek
(Orchestral Library).
Symphony; Late-romantic.
Set of parts. 1116 pages.
Duration 65'. Breitkopf
and Haertel #OB 5641-60.
Published by Breitkopf
and Haertel
(BR.OB-5641-60).
ISBN
9790004348833. 10.5 x 14
inches.
The Song of
the Earth, composed in
the summer of 1908, is
Mahler's best-known and
most personal work.
Reflecting drastic
changes in his life, its
immense emotional density
is very moving. Until the
very end, Mahler
continued to refine the
extremely differentiated
instrumentation, as is
evident in numerous
retouchings in the
autograph score and
engraver's model. It is
therefore all the more
regrettable that he was
neither able to perform
his Symphony in Songs
himself nor that he was
involved in its printing.
Unfortunately, in the
posthumously published
first edition of 1912 and
the subsequent editions
edited by Erwin Ratz and
Karl Heinz Fussl, many
questions remained
unanswered, while other
were answered in a
dubious way.The edition
is the first
text-critical one of the
work on a scientifically
sound basis. It offers
not only a more reliable
musical text, but also
systematically and
lucidly prepared
information on the
sources, their
transmission and
evaluation. All editorial
decisions have been
documented in a
transparently
comprehensible manner -
in particular those
leading to new audible
results. Work-related
notes on performance
practice, which for the
first time include
Mahler's conducting
indications, offer
valuable, indispensable
interpretive aids. In
addition to the regular
five clarinet parts, the
set of parts includes two
additional parts (3rd
clarinet/Eb clarinet,
bass clarinet/3rd
clarinet in places where
the latter plays Eb
clarinet) to allow
performances with only
four clarinets.The
completely revised piano
reduction reproduces the
orchestral texture true
to the score without
losing sight of
playability. Both
Mahler's piano autograph
and the piano reduction
by Woss, which was
commissioned by the
composer himself, served
as an inspiration for
this.
Orchestra SKU: LO.30-2972L Embracing the passion of those who lived th...(+)
Orchestra
SKU:
LO.30-2972L
Embracing the passion
of those who lived the
story. Composed by
Pepper Choplin. Arranged
by Michael Lawrence.
Choral, cantatas.
Christmas. Full score and
parts, plus CD with
printable parts. Lorenz
Publishing Company
#30/2972L. Published by
Lorenz Publishing Company
(LO.30-2972L).
UPC:
000308136685.
Orchestrated by Michael
Lawrence.
This
product includes the full
orchestral score, printed
parts, and digital parts
(delivered on a CD) for
The Heart of Christmas.
The parts include 2
Flutes, Piccolo, Oboe, 2
Clarinets, Bassoon
(substitute Bass
Clarinet), 3 Trumpets, 2
Horns (substitute Alto
Saxophone), 2 Trombone
(substitute Tenor
Saxophone), Tuba,
Percussion, Harp, 2
Violins, Viola, Cello,
Bass, and Digital String
Reduction.
Orchestra (String) SKU: IS.OR7575EM Composed by Peter Knockaert. Ensemble...(+)
Orchestra (String)
SKU: IS.OR7575EM
Composed by Peter
Knockaert. Ensembles -
Orchestra. Metropolis
Music Publishers
#OR7575EM. Published by
Metropolis Music
Publishers (IS.OR7575EM).
ISBN
9790365075751.
The
future of our fragile
world is in our hands. As
Sir David Attenborough
stated on the Climate
Conference in Glasgow on
November, 1st, 2021: ...
We are already in
trouble. The stability we
all depend on is
breaking. This story is
one of inequality, as
well as instability.
Today, those
who’ve done the
least to cause this
problem, are being the
hardest hit. Ultimately,
all of us will feel the
impact, some of which are
now unavoidable. ...
We’re going to
have to learn together,
how to achieve this,
ensuring none are left
behind. We must use this
opportunity to create a
more equal world and our
motivation should not be
fear, but hope. ... . We
must be more caring about
the wonderful place we
live in... our unique
home: Planet Earth. This
music is both a shoutout
to take care of our
planet and a hymn to the
beauty of this place. The
composition is suited for
stage as well as for the
enjoyment in music school
orchestral practice.
Orchestra SKU: SU.91580100 For Orchestra. Composed by Steven Mercu...(+)
Orchestra
SKU:
SU.91580100
For
Orchestra. Composed
by Steven Mercurio.
Vocal/Choral, Opera. CD
(Audio). Subito Music
Corporation #91580100.
Published by Subito Music
Corporation
(SU.91580100).
A Grateful Tail
- Movement by Movement
Siriusly, Dog Star
Sirius, the brightest
star in the night sky,
has been used by
travelers and navigators
for thousands of years as
a guiding star and so it
is here as the opening
movement for the
symphony. Sirius, the
cornerstone to the
constellation Canis
Maggiore or Big Dog sits
at the foot of Orion, the
hunter, leading the way.
Highly cinematic, the
movement evokes both a
musical and visual sense
of the mythological and
mysterious elements of
Sirius and its Dog
Godstar secrets. From the
clarion call of the
opening, Sirius theme,
the sound is buoyant and
frisky emulating the
nature of doggy playtime.
Puppy pleasures abound as
a doggy four-step, my
turn on the traditional
American two-step dance,
is introduced. The
movement transforms into
an actual orchestrated
frolic of small, large
and medium dog barks
beginning with the winds
(smaller dogs) and
ultimately, the big dog,
brass. The movement
climaxes with the coda
or, Dog Park, where the
winds and the brass bark
and play together over
the, doggy ostinato
four-step rhythm,
culminating with the
final call of the Sirius
theme. Let Sleeping Dogs
Lie, Peacefully It's all
in a dog's day and life.
Tranquility presides over
this supremely gentle,
intermezzo-like movement.
After a day of play,
every dog needs rest. Let
Sleeping Dogs Lie, is a
lyrical andante inspired
by the profound serenity
and beauty of a dog at
rest. The Last Will and
Testament of Silverdene
Emblem O'Neill Based on a
powerful piece of prose
written by the American
playwright, Eugene
O'Neill this text was
intended as a consolation
piece for Carlotta, his
wife, who had become
grief-stricken over the
loss of their beloved
dog, the Dalmatian known
as Blemie.Written for a
singing actor who
personifies the role of
Blemie, a dog at the end
of his life, the movement
plays like a one act,
musical drama as we
follow Blemie through a
wonderfully
three-dimensional,
emotional and
psychological journey
writing his Last Will and
Testament, for those who
have loved him. Wagging
the Tail: Ossia Fido's
Lament A life-affirming
rumba/samba using
Blemie's final words from
O'Neill's text, this
final movement employs
the most unique American
musical invention, the
gospel choir. In order to
make the dances come
alive, this movement also
calls upon the colors of
a rhythm section.
Creating the spirit of an
Irish Funeral, the
movement is a joyful and
revival-like celebration
of a dog's life as its
spirit lives on forever
in the hearts and minds
of dog lovers everywhere.
Remember Me, remember me!
My spirit is wagging a
grateful tail. Published
by: Subito Music
Publishing Release Date:
July 9, 2013.
Trumpet Overture -
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Ralf Wehner.
Orchestra.
Orchester-Bibliothek
(Orchestral Library).
Overture; Romantic. Part.
8 pages. Duration 10'.
Breitkopf and Haertel #OB
5623-23. Published by
Breitkopf and Haertel
(BR.OB-5623-23).
ISBN
9790004348758. 10 x 12.5
inches.
Certainly
Robert Schumann was right
when he stated soon after
Beethoven's death that
the latter's conception
of the symphony as a
great, universal
confessional work was
hardly to be continued by
the next generation of
composers. He saw a
solution to the dilemma
in the creation of
autonomous concert
overtures, such as those
written, for instance, by
Felix Mendelssohn
Bartholdy: Four of his
overtures were printed
during his lifetime, and
others were extant in
manuscript, though
frequently and
successfully performed by
the composer. Belonging
to the latter group is
the Trumpet Overture,
begun in 1825 and
performed three times
between 1828 und 1833 on
prominent occasions in
Berlin, Dusseldorf, and
London.
Orchestra (Soprano) SKU: PE.EP72932 For Soprano and Chamber Orchestra<...(+)
Orchestra (Soprano)
SKU: PE.EP72932
For Soprano and
Chamber Orchestra.
Composed by Sally
Beamish. Chamber
Orchestra. Peters
Contemporary Library.
Contemporary. Score. 56
pages. Edition Peters
#98-EP72932. Published by
Edition Peters
(PE.EP72932).
ISBN
9790577017945.
F
lodden by Sally Beamish
is a 28-minute work for
soprano and chamber
orchestra with texts by
R.S. Craig, Jean Elliot
and J.B. Selkirk, with
two interludes in
between. It was written
in 2013 for the 500th
anniversary of the
tragedy at Flodden Field,
a battle which led to
casualties and losses of
historic proportions.
Sally Beamish decided to
set the texts and to
write for soprano to
express the grief of
those left behind --
particularly the women
and children. The
orchestration throughout
the work is spare and
angular; characterized by
stark exposed solo lines,
nervy ornamentation, and
blurred string
textures.
Flodden
was commissioned by the
Scottish Chamber
Orchestra, supported with
funds from the PRS for
Music Foundation, RVW
Trust, Cruden Foundation
and Hope Scott Trust. It
was first performed in
September 2013 at
Hamilton Town House by
the Scottish Chamber
Orchestra, conducted by
Joseph Swensen, with
soprano soloist Shuna
Scott Sendall, and was
shortlisted for both a
Royal Philharmonic
Society and a British
Composer Award.
The
full score (EP 72932) is
available for sale as
part of the Peters
Contemporary Library. The
performance material can
be hired.
This
product is Printed on
Demand and may take
several weeks to fulfill.
Please order from your
favorite
retailer.
Orchestra (Score) - advanced SKU: HL.49002109 Set of Parts. Compos...(+)
Orchestra (Score) -
advanced
SKU:
HL.49002109
Set of
Parts. Composed by
Carl Philipp Emanuel
Bach. Edited by Walter
Lebermann. Sheet music.
Concertino (Chamber
Orchestra). Classical.
Set of Parts. Composed
1773. 74 pages. Duration
11'. Schott Music
#CON8-70. Published by
Schott Music
(HL.49002109).
ISBN
9790001021050. UPC:
073999473391.
8.5x11.75x0.2
inches.
Among his
orchestral works, the
symphonies (Wq 182) are
certainly those with
which C.Ph.E. Bach
advances farthest into
new ground in music.
Contrast and surprise as
well as the permanent
change of affections are
the essential principles
of this music.