Composed by Georg Philipp Telemann (1681-1767). Edited by Friedrich Noack. For s...(+)
Composed by Georg Philipp
Telemann (1681-1767).
Edited by Friedrich
Noack. For string
orchestra. This edition:
Urtext edition. Stapled.
Score. TWV 55:G 1.
Duration 10 minutes.
Published by Baerenreiter
Verlag
Theme and variations g minor : for string orchestra. Composed by Aleksand...(+)
Theme and variations g
minor : for string
orchestra. Composed
by Aleksandr
Konstantinovich Glazunov.
Orchestral music. Score
and set of 16 parts.
Published by Noten Roehr
(NR.94547).
Composed by Ludwig van Beethoven (1770-1827). Arranged by Ben Clinesmith. Ear...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Arranged by Ben
Clinesmith.
Early Achievement Series.
A
charming string orchestra
arrangement of the last
movement of Beethoven's
Trio
in G Major. Classical.
Score
and Parts. Wingert-Jones
Publications #3036091.
Published by
Wingert-Jones
Publications
(Christmas Concerto) Composed by Arcangelo Corelli (1653-1713), edited by Waldem...(+)
(Christmas Concerto)
Composed by Arcangelo
Corelli (1653-1713),
edited by Waldemar Woehl.
Opus 6, #8. For violin
concertato I, II, cello
solo, violin di ripieno
I, II, viola, contra bass
and keyboard. Urtext.
Format: full score (parts
not included). With
introductory text.
Baroque. G Minor. 19
pages. 9x12 inches.
Published by C.F. Peters.
The Bachaneer Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Belwin
Inspired by Minuet in G Major. Masterworks; Part(s); Score; SmartMusic; S...(+)
Inspired by Minuet in
G Major. Masterworks;
Part(s); Score;
SmartMusic; String
Orchestra. Belwin
Intermediate String
Orchestra. Baroque;
Masterwork Arrangement.
72 pages. Published by
Belwin Music (AP.40496).
Serenade in G Major. By Wolfgang Amadeus Mozart. Arranged by Dieter Rexroth. (S...(+)
Serenade in G Major. By
Wolfgang Amadeus Mozart.
Arranged by Dieter
Rexroth. (Study Score).
Schott. Size 5.25x7.5
inches. 32 pages.
Published by Eulenburg.
Sonata in G Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire FJH
By Georg Philipp Telemann (1681-1767). Arranged by Robert D. McCashin. For orche...(+)
By Georg Philipp Telemann
(1681-1767). Arranged by
Robert D. McCashin. For
orchestra. FJH String
Orchestra. Full set
(score and parts). Score
only also available:
ST6084S. Grade 3.5. Score
and set of parts.
Composed 2005
By Matt Turner. For string orchestra (violin I, violin II, violin III (viola T.C...(+)
By Matt Turner. For
string orchestra (violin
I, violin II, violin III
(viola T.C.), viola,
cello, bass, drums,
piano). Score and parts.
Duration 3 minutes, 06
seconds. Published by
Carl Fischer
Waterloo Station Orchestre à Cordes - Intermédiaire Carl Fischer
Orchestra String Orchestra - Grade 4 SKU: CF.CAS44 Composed by Alan Lee S...(+)
Orchestra String
Orchestra - Grade 4
SKU: CF.CAS44
Composed by Alan Lee
Silva. FS-SWS. Carl
Fischer Concert String
Orchestra Series. Score
and Parts. With Standard
notation.
24+24+4+10+10+5+10+16
pages. Carl Fischer Music
#CAS44. Published by Carl
Fischer Music (CF.CAS44).
ISBN 9780825867118.
UPC: 798408067113. 8.5 X
11 inches. Key: G
minor.
This is a
tour-de-force for the
advancing string
orchestra. Beautiful,
dramatic, and flowing,
Waterloo Station is very
fresh and contemporary.
Students will love it for
the lush harmonic
textures and rhythmic
drive that this composer
is so noted
for. Composed as a
characterization of the
fast-paced atmosphere of
London’s Waterloo
Train Station, this
fast-slow-fast piece
combines technical
excitement with heartfelt
simplicity.The fast
section in G minor
consists of two main
parts: the intense,
emotional A section at m.
21 and the legato,
sweeping B section at m.
59. The syncopated tutti
figures in the high
strings coupled with the
fiery cello and bass
lines propel the fast
sections. The phrase in
mm. 1–8 recurs
throughout. Making four-
to eight-measure
exercises of this section
below tempo in the
violins and viola,
focusing on rhythmic
clarity, will help to
lock in the syncopation.
Similarly, the cello and
bass should rehearse this
slowly as well as mm.
9–16 to gain
fluidity and insure a
solid foundation.The
cellos carry the tune at
m. 71, and the ensemble
builds from mm.
79–86 to the
transition at m. 87. An
abrupt change to half
tempo here slows the
momentum and transitions
to a quiet, melancholy
tone in m. 91. The middle
section (ABA) begins in G
minor with a somber
quality, highlighted by
the Violin I solo. It
gradually builds to a
beautiful, uplifting
setting as it moves to G
major in m. 100.
Returning back to the
hushed G minor tonality,
it then speeds up again
and transitions back to
Tempo I for a brief
recapitulation of the
fast section. Measure 117
marks the return to
vigorous playing,
beginning softly and
building to a thrilling
ride to the end.
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
Character Orchestre à Cordes - Débutant Carl Fischer
Orchestra String Orchestra - Grade 1.5-2 SKU: CF.FAS21 Composed by Larry ...(+)
Orchestra String
Orchestra - Grade 1.5-2
SKU: CF.FAS21
Composed by Larry Clark.
Edited by Amy Rosen. SWS
- FS. Carl Fischer First
Plus String Orchestra
Series. Classical. Score
and Parts. With Standard
notation. 8+8+2+5+5+5+2+8
pages. Carl Fischer Music
#FAS21. Published by Carl
Fischer Music (CF.FAS21).
ISBN 9780825853067.
UPC: 798408053062. 8.5 X
11 inches. Key: B
minor.
Characte
r was composed to
introduce young string
players to contemporary
harmonic techniques while
still being within the
technical limitations of
the developing student.
Quartal and quintal
harmonies open the
composition with a
fanfare gesture that ties
the piece together. This
is followed by an
ostinato in the first
violins that contains a
tricky figuration between
G and A that will work
the pinky finger on the
D-string. Players who are
not capable of
maneuvering their pinky
at this brisk tempo
should play the lower
part. The main theme is
given to the inner voice
for a change! After the
main theme there is a
development section that
combines fragments of the
fanfare material with
fragments of the main
theme. A grand pause and
then a stronger statement
of the main theme then
follow this with the
first violins up an
octave. The piece is then
completed with a short
coda containing fragments
of the ostinato and
fanfare material. It
feels natural for the
tempo to speed up
slightly at this point in
the piece. As with all of
my pieces at this level,
the tempo is merely a
suggestion and should be
adjusted slower or faster
to fit the needs of your
students and the
performance situation. It
has been my pleasure to
have the opportunity to
write this piece. I hope
you and your students
enjoy it and find it
useful for your program.
-Larry Clark New York, NY
2003. Character was
composed to introduce
young string players to
contemporary harmonic
techniques while still
being within the
technical limitations of
the developing student.
Quartal and quintal
harmonies open the
composition with a
fanfare gesture that ties
the piece together. This
is followed by an
ostinato in the first
violins that contains a
tricky figuration between
G and A that will work
the pinky finger on the
D-string. Players who are
not capable of
maneuvering their pinky
at this brisk tempo
should play the lower
part. The main theme is
given to the inner voice
for a change! After the
main theme there is a
development section that
combines fragments of the
fanfare material with
fragments of the main
theme. A grand pause and
then a stronger statement
of the main theme then
follow this with the
first violins up an
octave. The piece is then
completed with a short
coda containing fragments
of the ostinato and
fanfare material. It
feels natural for the
tempo to speed up
slightly at this point in
the piece. As with all of
my pieces at this level,
the tempo is merely a
suggestion and should be
adjusted slower or faster
to fit the needs of your
students and the
performance situation. It
has been my pleasure to
have the opportunity to
write this piece. I hope
you and your students
enjoy it and find it
useful for your program.
-Larry Clark New York, NY
2003. Character was
composed to introduce
young string players to
contemporary harmonic
techniques while still
being within the
technical limitations of
the developing student.
Quartal and quintal
harmonies open the
composition with a
fanfare gesture that ties
the piece together. This
is followed by an
ostinato in the first
violins that contains a
tricky figuration between
G and A that will work
the pinky finger on the
D-string. Players who are
not capable of
maneuvering their pinky
at this brisk tempo
should play the lower
part. The main theme is
given to the inner voice
for a change! After the
main theme there is a
development section that
combines fragments of the
fanfare material with
fragments of the main
theme. A grand pause and
then a stronger statement
of the main theme then
follow this with the
first violins up an
octave. The piece is then
completed with a short
coda containing fragments
of the ostinato and
fanfare material. It
feels natural for the
tempo to speed up
slightly at this point in
the piece.As with all of
my pieces at this level,
the tempo is merely a
suggestion and should be
adjusted slower or faster
to fit the needs of your
students and the
performance situation.It
has been my pleasure to
have the opportunity to
write this piece. I hope
you and your students
enjoy it and find it
useful for your
program.-Larry ClarkNew
York, NY 2003.
The Sprint Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Carl Fischer
(Full Score and Parts). By Alan Lee Silva. String orchestra. For String Orchestr...(+)
(Full Score and Parts).
By Alan Lee Silva. String
orchestra. For String
Orchestra. Carl Fischer
Concert String Orchestra
Series. Classical. Medium
Easy/Medium. Score and
Parts. Standard notation.
16 pages. Published by
Carl Fischer . Score and
Parts. classical.
Gospel Suite Orchestre à Cordes [Conducteur et Parties séparées] Editions Marc Reift (Swiss import)
By John G. Mortimer. For strings orchestra (suvre pour cordes / pas de solo). Sw...(+)
By John G. Mortimer. For
strings orchestra (suvre
pour cordes / pas de
solo). Swiss import.
Score and parts.
Published by Editions
Marc Reift. (EMR 4572)
The Song Of The Dolphin Orchestre à Cordes [Conducteur et Parties séparées] Editions Marc Reift (Swiss import)
By John G. Mortimer. For strings orchestra (suvre pour cordes / pas de solo). Sw...(+)
By John G. Mortimer. For
strings orchestra (suvre
pour cordes / pas de
solo). Swiss import.
Score and parts.
Published by Editions
Marc Reift. (EMR 4567)
Holiday Suite Orchestre à Cordes [Conducteur et Parties séparées] Editions Marc Reift (Swiss import)
By John G. Mortimer. For strings orchestra (suvre pour cordes / pas de solo). Sw...(+)
By John G. Mortimer. For
strings orchestra (suvre
pour cordes / pas de
solo). Swiss import.
Score and parts.
Published by Editions
Marc Reift. (EMR 4570)
Orchestra string orchestra - Grade 3 SKU: KJ.SO313F Composed by Michael S...(+)
Orchestra string
orchestra - Grade 3
SKU: KJ.SO313F
Composed by Michael
Senturia. Score. Neil A.
Kjos Music Company
#SO313F. Published by
Neil A. Kjos Music
Company (KJ.SO313F).
UPC:
8402703096.
Mozart'
s simple, charming melody
sung by Don Giovanni in
Act I of the opera Don
Giovanni invites
amplification by
variation! Variations
feature different string
techniques including
legato, spiccato, and
detache. G Major with a
taste of G minor thrown
in. A delightful
work.
Critter Crawl Orchestre à Cordes [Conducteur et Parties séparées] - Facile Belwin
By Carol J. Johnson. Orchestra. String Orchestra. Belwin Beginning String Orches...(+)
By Carol J. Johnson.
Orchestra. String
Orchestra. Belwin
Beginning String
Orchestra. Grade 2.5.
Conductor Score and
Parts. 72 pages.
Published by Belwin
Publishing
Composed by William
Hofeldt. Score only. Neil
A. Kjos Music Company
#SO348F. Published by
Neil A. Kjos Music
Company (KJ.SO348F).
UPC:
084027043653.
This
gorgeous and gentle
ballad is written for and
dedicated to Ms. Dorothy
Straub, whose lifelong
career in music education
has touched students and
educators worldwide for
many years. Includes an
optional (and highly
recommended) harp part. G
Minor & G
Major.
Orchestra strings - Grade 3 SKU: KJ.SO313C Composed by Michael Senturia. ...(+)
Orchestra strings - Grade
3
SKU: KJ.SO313C
Composed by Michael
Senturia. Arranged by
Michael Senturia. Music
book. Neil A. Kjos Music
Company #SO313C.
Published by Neil A. Kjos
Music Company
(KJ.SO313C).
UPC:
8402703095.
Mozart'
s simple, charming melody
sung by Don Giovanni in
Act I of the opera Don
Giovanni invites
amplification by
variation! Variations
feature different string
techniques including
legato, spiccato, and
detache. G Major with a
taste of G minor thrown
in. A delightful
work.
Mississippi Cakewalk Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Alfred Publishing
By Mark Williams. Music by Mark Williams. For String Orchestra. String Orchestra...(+)
By Mark Williams. Music
by Mark Williams. For
String Orchestra. String
Orchestra. Strictly
Strings Series. Conductor
Score and Parts. 1 pages.
Published by Alfred
Publishing.
Composed by Erica
Donahoe. Contest.
Intermezzo. Contest.
Score and set of parts.
Excelcia Music Publishing
#ISO2206. Published by
Excelcia Music Publishing
(XC.ISO2206).
12 x 9
inches.
Written in
G minor and using
primarily the pentatonic
scale, students will love
the dark and brooding
sound of this piece.
Cello and bass players
are featured throughout
with exciting bass lines
that define the piece.
The entire orchestra will
have lots of opportunity
to work on articulations
and string crossings, in
addition to the more
complex finger patterns
required by G minor.
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS27 Composed by Alan L...(+)
Orchestra String
Orchestra - Grade 2-2.5
SKU: CF.YAS27
Composed by Alan Lee
Silva. Carl Fischer Young
String Orchestra Series.
Classical. Score and
Parts. With Standard
notation. 12 pages. Carl
Fischer Music #YAS27.
Published by Carl Fischer
Music (CF.YAS27).
ISBN
9780825858345. UPC:
798408058340. 8.5 X 11
inches. Key: G
major.
From the
Rocky Mountains to the
Pacific Ocean, Path to
the Pacific reflects the
open, airy and
picturesque qualities of
the American West. These
textures are painted
through the use of light
syncopation, key
modulations and triplets
that will certainly
ch. From the opening
driving cello melody to
the final ensemble
flourish, Path to the
Pacific is an exciting
and rewarding piece for
young players to play.The
accents in the cello
during the lively
introduction at m. 1 are
integral to the feel of
the melodic line and
provide an engaging
technical challenge. The
AAB form begins as the
piece decrescendos to the
quiet ‘A’
section at m. 9,
featuring violin 1 with a
singing, lyrical
melody.The robust, joyous
‘B’ section
is played with intensity,
but still legato. The
return to the
‘A’ material
at m. 37 features the
Cello. The 2nd statement
of the ‘B’
material at m. 45 is
highlighted by a
refreshing tonal shift to
the key of E then back to
the key of
‘G’ before
the crescendo to the
fermata in m. 58.The
active cello theme from
the introduction returns
in the A Tempo section at
m. 59 at a piano dynamic.
This begins the build to
the maestoso section at
m. 71. Measures 63-70 are
the most aggressive bars
of the composition.
Strive for rhythmic
precision when
approaching the quintal
harmony in m. 63-64, the
accented figures in m.
65-67, and the triplet
figures in m. 68-69. A
rich, resonant tone from
the full ensemble will
make the maestoso section
in m. 71 move powerfully
to the final bar.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels