Score. By Taylor Swift. By Liz Rose and Taylor Swift. Arranged by Robert Lon...(+)
Score. By Taylor Swift.
By Liz
Rose and Taylor Swift.
Arranged by Robert
Longfield.
Discovery Concert Band.
Concert, Pop. Softcover.
Duration 220 seconds.
Published by Hal Leonard
You Belong with Me Orchestre d'harmonie [Conducteur et Parties séparées] Hal Leonard
Score and Parts Concert Band (Score and Parts) - Level 1.5 SKU: HL.4008524(+)
Score and Parts Concert
Band (Score and Parts) -
Level 1.5
SKU:
HL.4008524
By Taylor
Swift. By Liz Rose and
Taylor Swift. Arranged by
Robert Longfield.
Discovery Concert Band.
Concert, Pop. Softcover.
Duration 220 seconds.
Published by Hal Leonard
(HL.4008524).
UPC:
196288177104.
9.0x12.0x0.334
inches.
One of the
early hits for Taylor
Swift, “You Belong With
Me” continues to be
popular with its tuneful
melody and upbeat style.
This fun arrangement is
effectively scored for
second year players.
Rosa Gallica Orchestre d'harmonie De Haske Publications
Concert Band (SCORE+PARTS) - Level 3.5 SKU: HL.4006429 Composed by Jacob ...(+)
Concert Band
(SCORE+PARTS) - Level 3.5
SKU: HL.4006429
Composed by Jacob De
Haan. De Haske Concert
Band. Concert. Softcover.
Duration 510 seconds. De
Haske Publications #DHP
1206227. Published by De
Haske Publications
(HL.4006429).
UPC:
888680989880. 9.0x12.0
inches.
Rosa
Gallica has been written
to commemorate the
centenary of the First
World War. The work
focuses largely on France
as a lot of the fighting
took place there. With
the title Rosa Gallica
(French rose), the
composer wishes to
emphasize the poetic
image of the rose. The
stem represents the years
gone by - such as those
taken up by the First
World War - and the
thorns refer to the
conflict and the pain
that the victims had to
endure. The rose itself
forms the picture of
beauty - and symbolizes
opening up to a peaceful
world. The piece depicts
France from the end of
the 19th century through
to its role at the heart
of the First World War
and beyond. A spectacular
and dramatic new work by
Jacob de Haan.
Rosa Gallica Orchestre d'harmonie De Haske Publications
Concert Band (SCORE) - Level 3.5 SKU: HL.4006430 Composed by Jacob De Haa...(+)
Concert Band (SCORE) -
Level 3.5
SKU:
HL.4006430
Composed
by Jacob De Haan. De
Haske Concert Band.
Concert. Softcover.
Duration 510 seconds. De
Haske Publications #DHP
1206227. Published by De
Haske Publications
(HL.4006430).
UPC:
888680989897.
Rosa
Gallica has been written
to commemorate the
centenary of the First
World War. The work
focuses largely on France
as a lot of the fighting
took place there. With
the title Rosa Gallica
(French rose), the
composer wishes to
emphasize the poetic
image of the rose. The
stem represents the years
gone by - such as those
taken up by the First
World War - and the
thorns refer to the
conflict and the pain
that the victims had to
endure. The rose itself
forms the picture of
beauty - and symbolizes
opening up to a peaceful
world. The piece depicts
France from the end of
the 19th century through
to its role at the heart
of the First World War
and beyond. A spectacular
and dramatic new work by
Jacob de Haan.
Move to the Groove Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1125260-010 Composed by Peter...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1125260-010
Composed by Peter Kleine
Schaars. Applause Series.
Original Light Music. Set
(Score & Parts). Composed
2011. De Haske
Publications #DHP
1125260-010. Published by
De Haske Publications
(BT.DHP-1125260-010).
9x12 inches.
English-German-French-Dut
ch.
In this
three-part piece, Peter
Kleine Schaars uses the
initials of the German
concert band association
otherwise known as the
Bund Deutscher
Blasmusikverbände
(BDB). With
‘B’ equating
to a B flat, various
themes based on this
sequence of notes follow
one another: a funky
fanfare, a comical waltz
and a soulful set in a
Mowtown style. With this
much variety your
audience will soon be in
the groove!
B, D
en B? Dat zijn de
initialen van de Bund
Deutscher
Blasmusikverbände, de
opdrachtgever van dit
werk! Maar we vinden deze
letters natuurlijk ook
terug op de notenbalk.
Peter Kleine Schaars
gebruikte ze in deze
driedelige compositieals
volgt: Bes-D-Bes. U hoort
achtereenvolgens een
funky fanfare, een
komische wals en een
‘motownachtigeâ€
™ soul. Voer uw publiek
mee in diverse
‘grooves’
met deze compositie vol
afwisseling!
Peter
Kleine Schaars verwendete
in dieser dreiteiligen
Komposition die Initialen
seines Auftraggebers, dem
Bund Deutscher
Blasmusikverbände
(BDB). Auf dieser
Tonfolge beruhend
erklingen nacheinander
eine funkige Fanfare, ein
komischer Walzer und ein
souliger Satz im
Motown-Stil“. Viel
Abwechslung, die das
Publikum sich bald im
Groove“ bewegen
lässt!
Per questo brano
in tre movimenti, Peter
Kleine Schaars ha
utilizzato le iniziali
della societ
commissionante, la Bund
Deutscher
Blasmusikverbaende (BDB).
Una sequenza melodica che
si sviluppa attorno alle
tre note BDB (vale a dire
si-re-si), in uno stile
quasi funky, per
proseguire con un valzer
molto particolare, e poi
terminare con un motivo
soul & blues. Un brano
che delizier il vostro
pubblico.
Move to the Groove Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1125260-140 Composed by Peter...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1125260-140
Composed by Peter Kleine
Schaars. Applause Series.
Original Light Music.
Score Only. Composed
2011. 24 pages. De Haske
Publications #DHP
1125260-140. Published by
De Haske Publications
(BT.DHP-1125260-140).
9x12 inches.
English-German-French-Dut
ch.
In this
three-part piece, Peter
Kleine Schaars uses the
initials of the German
concert band association
otherwise known as the
Bund Deutscher
Blasmusikverbände
(BDB). With
‘B’ equating
to a B flat, various
themes based on this
sequence of notes follow
one another: a funky
fanfare, a comical waltz
and a soulful set in a
Mowtown style. With this
much variety your
audience will soon be in
the groove!
B, D
en B? Dat zijn de
initialen van de Bund
Deutscher
Blasmusikverbände, de
opdrachtgever van dit
werk! Maar we vinden deze
letters natuurlijk ook
terug op de notenbalk.
Peter Kleine Schaars
gebruikte ze in deze
driedelige compositieals
volgt: Bes-D-Bes. U hoort
achtereenvolgens een
funky fanfare, een
komische wals en een
‘motownachtigeâ€
™ soul. Voer uw publiek
mee in diverse
‘grooves’
met deze compositie vol
afwisseling!
Peter
Kleine Schaars verwendete
in dieser dreiteiligen
Komposition die Initialen
seines Auftraggebers, dem
Bund Deutscher
Blasmusikverbände
(BDB). Auf dieser
Tonfolge beruhend
erklingen nacheinander
eine funkige Fanfare, ein
komischer Walzer und ein
souliger Satz im
Motown-Stil“. Viel
Abwechslung, die das
Publikum sich bald im
Groove“ bewegen
lässt!
Per questo brano
in tre movimenti, Peter
Kleine Schaars ha
utilizzato le iniziali
della societ
commissionante, la Bund
Deutscher
Blasmusikverbaende (BDB).
Una sequenza melodica che
si sviluppa attorno alle
tre note BDB (vale a dire
si-re-si), in uno stile
quasi funky, per
proseguire con un valzer
molto particolare, e poi
terminare con un motivo
soul & blues. Un brano
che delizier il vostro
pubblico.
The Eve of the War Orchestre d'harmonie - Intermédiaire/avancé Music Sales
Concert Band/Harmonie - Grade 4 SKU: BT.1373-06-140-MS From The War of...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.1373-06-140-MS
From The War of the
Worlds. Composed by
Jeff Wayne. Arranged by
Ed Keeley. De Haske Pop
Collection. Pop & Rock.
Score Only. Composed
2006. Music Sales
#1373-06-140 MS.
Published by Music Sales
(BT.1373-06-140-MS).
9x12 inches.
English-German-French-Dut
ch.
When Jeff
Wayne’s musical
adaptation
H.G.Wells’ novel
The War of the Worlds was
originally released, no
one would have believed
that it would become so
popular. The Eve of the
War, the stunning opening
scene of Wayne’s
show, became a huge
international hit single
in its own right. This
new arrangement by the
highly respected British
composer/arranger Ed
Keeley retains all the
drama and tension of the
original atmospheric
opening. A joy to perform
and a pleasure to listen
to.
Toen Jeff
Wayne’s muzikale
bewerking van The War
of the Worlds - H.G.
Wells’ roman uit
1898 - eind jaren
zeventig werd
uitgebracht, had niemand
kunnen denken dat deze zo
populair zou worden. Met
Richard Burton, David
Essexen Phil Lynott
(beiden van Thin Lizzy),
Julie Covington, Chris
Thompson en Justin
Hayward bestormde het
dubbelalbum meteen de
Britse hitlijsten, waar
het jarenlang bleef
staan. The Eve of the
War, de verbluffende
openingsscène,werd als
single een enorme
internationale hit. Een
feest der herkenning voor
uw
publiek.
Krieg
der Welten ist wohl
jedem ein Begriff, sei es
in Form von
H.G.Wells’ Roman
aus dem Jahr 1898, Orson
Welles‘
Radioadaption, Jeff
Waynes innovativem
Rockmusical oder
jüngst von Steven
Spielbergs Kinofilm aus
dem Jahr 2005. The Eve
of the War, die
atemberaubende
Eröffnungsmelodie von
Waynes Musikversion wurde
ein großer
internationaler Hit. Das
Album ist die bekannteste
Musikaufnahme aller
Zeiten und wurde mehrfach
ausgezeichnet. Grund
genug für Edwin H.
Keely, diese Bearbeitung
für Blasorchester zu
schreiben, die dem
Original absolut gerecht
wird.
The War
of the Worlds (La
guerra dei mondi) è
universalmente noto come
romanzo di H.G. Wells del
1898,
nell’adattamento
radiofonico di Orson
Welles, come musical rock
firmato Jeff Waynes, e
anche per il film di
Steven Spielberg del
2005. L’album è
uno dei più grandi
successi mondiali,
premiato numerose volte.
Queste ragioni hanno
spinto Edwin H. Keeley a
comporre questo
arrangiamento per banda
molto fedele
all’originale.
The Eve of the War Orchestre d'harmonie - Intermédiaire/avancé Music Sales
Concert Band/Harmonie - Grade 4 SKU: BT.1373-06-010-MS From The War of...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.1373-06-010-MS
From The War of the
Worlds. Composed by
Jeff Wayne. Arranged by
Ed Keeley. De Haske Pop
Collection. Concert
Piece. Set (Score &
Parts). Composed 2006.
Music Sales #1373-06-010
MS. Published by Music
Sales
(BT.1373-06-010-MS).
9x12 inches.
English-German-French-Dut
ch.
When Jeff
Wayne’s musical
adaptation
H.G.Wells’ novel
The War of the Worlds was
originally released, no
one would have believed
that it would become so
popular. The Eve of the
War, the stunning opening
scene of Wayne’s
show, became a huge
international hit single
in its own right. This
new arrangement by the
highly respected British
composer/arranger Ed
Keeley retains all the
drama and tension of the
original atmospheric
opening. A joy to perform
and a pleasure to listen
to.
Toen Jeff
Wayne’s muzikale
bewerking van The War
of the Worlds - H.G.
Wells’ roman uit
1898 - eind jaren
zeventig werd
uitgebracht, had niemand
kunnen denken dat deze zo
populair zou worden. Met
Richard Burton, David
Essexen Phil Lynott
(beiden van Thin Lizzy),
Julie Covington, Chris
Thompson en Justin
Hayward bestormde het
dubbelalbum meteen de
Britse hitlijsten, waar
het jarenlang bleef
staan. The Eve of the
War, de verbluffende
openingsscène,werd als
single een enorme
internationale hit. Een
feest der herkenning voor
uw
publiek.
Krieg
der Welten ist wohl
jedem ein Begriff, sei es
in Form von
H.G.Wells’ Roman
aus dem Jahr 1898, Orson
Welles‘
Radioadaption, Jeff
Waynes innovativem
Rockmusical oder
jüngst von Steven
Spielbergs Kinofilm aus
dem Jahr 2005. The Eve
of the War, die
atemberaubende
Eröffnungsmelodie von
Waynes Musikversion wurde
ein großer
internationaler Hit. Das
Album ist die bekannteste
Musikaufnahme aller
Zeiten und wurde mehrfach
ausgezeichnet. Grund
genug für Edwin H.
Keely, diese Bearbeitung
für Blasorchester zu
schreiben, die dem
Original absolut gerecht
wird.
The War
of the Worlds (La
guerra dei mondi) è
universalmente noto come
romanzo di H.G. Wells del
1898,
nell’adattamento
radiofonico di Orson
Welles, come musical rock
firmato Jeff Waynes, e
anche per il film di
Steven Spielberg del
2005. L’album è
uno dei più grandi
successi mondiali,
premiato numerose volte.
Queste ragioni hanno
spinto Edwin H. Keeley a
comporre questo
arrangiamento per banda
molto fedele
all’originale.
Concert band SKU: GI.G-M3MS Sing Drum and Play. Composed by James ...(+)
Concert band
SKU:
GI.G-M3MS
Sing
Drum and Play.
Composed by James
Froseth. Band Method.
Other Band Methods. Music
Education. Full score. 68
pages. GIA Publications
#M3MS. Published by GIA
Publications (GI.G-M3MS).
English.
For the
teacher of instrumental
music classes, individual
differences among
students are inevitable.
Unfortunately, the lack
of flexible materials
frequently forces
teachers to adopt a
quasi-instructional
procedure best described
as lockstep, where all
students in the class
rehearse each exercise
until the slow members of
the class succeed or
until the teacher gives
up. The Individualized
Instructor was designed
with the expectation that
students are different.
With this method, high-,
average-, and
low-achieving students in
a class are able to
progress simultaneously
at their own rate
according to their
interest and ability. In
addition, the flexibility
of the instructional
format often allows
twelve or more students
to perform different
musical material
simultaneously, thereby
eliminating the
“follow the
leader†approach to
music learning. All study
materials in the series
are musical. Nonmusical
exercises are excluded in
favor of folk song
literature, musical
rounds, and musical
ensembles. Furthermore,
The Individualized
Instructor encourages
students to think about
their music: to analyze
unfamiliar material,
generalize previously
learned concepts and
skills, and synthesize
all elements into a
musically proficient
performance. In addition,
this series develops many
fundamentals (tonality,
phrasing, tempo, and
musical style) through
the use of the singing
voice. Singing best
provides the
“musicalâ€
experience that,
subsequently, can be
applied to the
development of musically
sensitive instrumental
performance. Books 1, 2,
and 3 and the
supplementary books
ensure that these
fundamental ideas are
carried well beyond the
first year of
instruction.
Concert band SKU: GI.G-MPS Introducing the Instruments. Composed b...(+)
Concert band
SKU:
GI.G-MPS
Introducing the
Instruments. Composed
by James Froseth. Band
Method. Other Band
Methods. Music Education.
Full score. 233 pages.
GIA Publications #MPS.
Published by GIA
Publications (GI.G-MPS).
English.
For the
teacher of instrumental
music classes, individual
differences among
students are inevitable.
Unfortunately, the lack
of flexible materials
frequently forces
teachers to adopt a
quasi-instructional
procedure best described
as lockstep, where all
students in the class
rehearse each exercise
until the slow members of
the class succeed or
until the teacher gives
up. The Individualized
Instructor was designed
with the expectation that
students are different.
With this method, high-,
average-, and
low-achieving students in
a class are able to
progress simultaneously
at their own rate
according to their
interest and ability. In
addition, the flexibility
of the instructional
format often allows
twelve or more students
to perform different
musical material
simultaneously, thereby
eliminating the
“follow the
leader†approach to
music learning. All study
materials in the series
are musical. Nonmusical
exercises are excluded in
favor of folk song
literature, musical
rounds, and musical
ensembles. Furthermore,
The Individualized
Instructor encourages
students to think about
their music: to analyze
unfamiliar material,
generalize previously
learned concepts and
skills, and synthesize
all elements into a
musically proficient
performance. In addition,
this series develops many
fundamentals (tonality,
phrasing, tempo, and
musical style) through
the use of the singing
voice. Singing best
provides the
“musicalâ€
experience that,
subsequently, can be
applied to the
development of musically
sensitive instrumental
performance. Books 1, 2,
and 3 and the
supplementary books
ensure that these
fundamental ideas are
carried well beyond the
first year of
instruction.
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1094718-140 Les Anges dans...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1094718-140
Les Anges dans nos
campagnes. Arranged
by Roland Kernen.
Christmas Collection.
Concert Piece. Score
Only. Composed 2009. 20
pages. De Haske
Publications #DHP
1094718-140. Published by
De Haske Publications
(BT.DHP-1094718-140).
9x12 inches.
The
title of this clever
arrangement reveals the
Christmas song it is
based on. The melody can
be traced back to a
French folksong from the
18th century which is now
known around the world.
In France it is called
Les anges dans nos
campagnes, in Germany
it is most widely known
as Engel auf den
Feldern singen and in
England it was originally
called Angels From the
Realms of Glory but
it often known as
Angels We Have Heard
on High. Everyone
will rejoice upon hearing
the ‘Gloria in
excelsis Deo’
refrain!
Hinter
diesem Titel verbirgt
sich eine neue
Bearbearbeitung des alten
französischen
Weihnachtsliedes Les
anges dans nos
campagnes aus dem
Frankreich des 18.
Jahrhunderts. In
Deutschland kennt man es
(u. a.) als Engel auf
den Feldern singen,
in England existiert
neben dem oben genannten
Titel auch die Version
Angels We Have Heard
on High. Allen
gemeinsam ist der
markante Refrain Gloria
in excelsis Deo“
der dem Lied seinen
besonders erhabenen,
festlichen Charakter
verleiht.
Angel
s from the realms of
Glory è uno dei
più celebri e dei
più bei canti
natalizi. Questo
splendido arrangiamento
inizia su
un’introduzione
festiva che accompagna
verso
l’esposizione del
tema in forma di corale.
Segue un intermezzo dalle
sonorit ampie e generose,
che precede le riprese
del corale di apertura
dagli accenti gioiosi. Il
brano si conclude in modo
maestoso per
rappresentare
l’atmosfera
meravigliosa e incantata
che caratterizza il
Natale.
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1094718-010 Les Anges dans...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1094718-010
Les Anges dans nos
campagnes. Arranged
by Roland Kernen.
Christmas Collection.
Christmas. Set (Score &
Parts). Composed 2009. De
Haske Publications #DHP
1094718-010. Published by
De Haske Publications
(BT.DHP-1094718-010).
9x12 inches.
The
title of this clever
arrangement reveals the
Christmas song it is
based on. The melody can
be traced back to a
French folksong from the
18th century which is now
known around the world.
In France it is called
Les anges dans nos
campagnes, in Germany
it is most widely known
as Engel auf den
Feldern singen and in
England it was originally
called Angels From the
Realms of Glory but
it often known as
Angels We Have Heard
on High. Everyone
will rejoice upon hearing
the ‘Gloria in
excelsis Deo’
refrain!
Hinter
diesem Titel verbirgt
sich eine neue
Bearbearbeitung des alten
französischen
Weihnachtsliedes Les
anges dans nos
campagnes aus dem
Frankreich des 18.
Jahrhunderts. In
Deutschland kennt man es
(u. a.) als Engel auf
den Feldern singen,
in England existiert
neben dem oben genannten
Titel auch die Version
Angels We Have Heard
on High. Allen
gemeinsam ist der
markante Refrain Gloria
in excelsis Deo“
der dem Lied seinen
besonders erhabenen,
festlichen Charakter
verleiht.
Angel
s from the realms of
Glory è uno dei
più celebri e dei
più bei canti
natalizi. Questo
splendido arrangiamento
inizia su
un’introduzione
festiva che accompagna
verso
l’esposizione del
tema in forma di corale.
Segue un intermezzo dalle
sonorit ampie e generose,
che precede le riprese
del corale di apertura
dagli accenti gioiosi. Il
brano si conclude in modo
maestoso per
rappresentare
l’atmosfera
meravigliosa e incantata
che caratterizza il
Natale.