Voice and piano SKU: VD.ED14208 Italienische Originalfassung und franz...(+)
Voice and piano
SKU:
VD.ED14208
Italienische
Originalfassung und
franzosische
Ubersetzung. Composed
by Gioachino Rossini.
Edited by Guido Johannes
Joerg. Classical. Score.
With Text Language:
Italian. 14 S. pages.
Verlag Dohr #ED14208.
Published by Verlag Dohr
(VD.ED14208).
Composed by Franz Schubert (1797-1828). Edited by Christine Martin and Walther...(+)
Composed by Franz
Schubert
(1797-1828). Edited by
Christine Martin and
Walther
Durr. This edition:
complete
edition, urtext edition.
LN.
Franz Schubert. Neue
Ausgabe
samtlicher Werke III/3a
b.
Complete edition, vocal
score, anthology.
Baerenreiter Verlag
#BA05574-01. Published by
Baerenreiter Verlag
Composed by Charles Francois Gounod (1818-1893), Franz Schubert (1797-1828), Joh...(+)
Composed by Charles
Francois Gounod
(1818-1893), Franz
Schubert (1797-1828),
Johann Sebastian Bach
(1685-1750). For high
voice, medium voice, low
voice, piano
(accompaniment and solo)
and organ (accompaniment
and solo). Format:
Vocal/piano/organ book.
With vocal melody, vocal
text, piano
accompaniment, organ
accompaniment, piano
solo, organ solo and
introductory text.
Baroque and classical
period. 80 pages. 9x12
inches.
(To Music) Composed by Franz Schubert (1797-1828). For voice and piano. Format: ...(+)
(To Music) Composed by
Franz Schubert
(1797-1828). For voice
and piano. Format:
piano/vocal single. With
vocal melody, piano
accompaniment and lyrics
(English, German).
Romantic period and
classical period. D
Major. 3 pages. 9x12
inches. Published by
Schirmer.
Op. 52, #6. Composed by Franz Schubert (1797-1828). Edited by transcr. Robert Sc...(+)
Op. 52, #6. Composed by
Franz Schubert
(1797-1828). Edited by
transcr. Robert Schultz.
Masterworks; Piano Solo;
Solo; Solo Small
Ensembles. Classical
Period. Single piece.
With vocal melody, piano
accompaniment and lyrics
(English). 4 pages.
Belwin Music #00-PA02498.
Published by Belwin Music
Low Voice. By Franz Schubert. Edited by Walther Durr. For Tisti, Piano. Collecti...(+)
Low Voice. By Franz
Schubert. Edited by
Walther Durr. For Tisti,
Piano. Collection;
Playing Score; Urtext
Edition (paperbound).
Published by
Baerenreiter-Ausgaben
(German import).
Composed by Franz Joseph Haydn (1732-1809), edited by Ludwig Landshoff. Collecti...(+)
Composed by Franz Joseph
Haydn (1732-1809), edited
by Ludwig Landshoff.
Collection for voice solo
and piano accompaniment.
81 pages. Published by
C.F. Peters.
Voice and Piano SKU: BT.EMBZ13980 Lieder der französischen Romantik...(+)
Voice and Piano
SKU:
BT.EMBZ13980
Lieder der
französischen Romantik
und Spätromantik.
By Aurel Kern. By Adam
Jenö, Dr. Imre Molnar.
Classical. Book Only.
Composed 1994. 72 pages.
Editio Musica Budapest
#EMBZ13980. Published by
Editio Musica Budapest
(BT.EMBZ13980).
By Franz Schubert. Voice and piano. Selected by SERGIUS KAGEN. German with liter...(+)
By Franz Schubert. Voice
and piano. Selected by
SERGIUS KAGEN. German
with literal English
translations and notes by
G. Contains all the
cycles plus 42 selected
songs. Published by
International Music Co.
Voice and piano - advanced SKU: HL.49006892 Composed by Carl Orff. This e...(+)
Voice and piano -
advanced
SKU:
HL.49006892
Composed
by Carl Orff. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. 56 pages.
Schott Music #ED 7024.
Published by Schott Music
(HL.49006892).
ISBN
9790001073875. UPC:
196288107538.
9.0x12.0x0.203 inches.
German.
Voice and piano (solo: T - 2(picc.A-fl).2(ob.d'am[ad lib.].cor ang.muha).2(B-cla...(+)
Voice and piano (solo: T
-
2(picc.A-fl).2(ob.d'am[ad
lib.].cor
ang.muha).2(B-clar.S-sax.
muha).2(kfg.muha) -
1.1(corn [ad lib.]).1.0 -
timp.perc(3) -
acc(windmachine
I).hp(rainmaker.windmachi
ne
II).guit(rainmaker.windma
chine III) - str:
1.1.2.1.1)
SKU:
BR.EB-9394
A
Composed
Interpretation.
Composed by Hans Zender.
Voice; Softbound. Edition
Breitkopf. World
premiere: Frankfurt am
Main, September 21, 1993.
Song; Music post-1945.
Piano/Vocal Score.
Composed 1993. 120 pages.
Duration 85'. Breitkopf
and Haertel #EB 9394.
Published by Breitkopf
and Haertel (BR.EB-9394).
ISBN 9790004188682. 9
x 12 inches.
My
lecture of the
Winterreise does not
demand a new expressive
interpretation, but
instead systematically
exercises the freedom
which all interpreters
allow themselves
intuitively, such as:
instrumental dilation i.
e. acceleration of the
pace, transposition into
other keys and
elaboration of
characteristic color
timbres. In addition,
there are further ways of
reading; the music;
jumping around in the
text, repeating certain
lines, interrupting the
continuity, comparing
different expressions of
the same phrase ... All
these new possibilities
are subjected to my
compositional discipline
and form autonomous
formal processes which
are imposed on Schuberts
original. The
transformation of the
piano tones into a
multifaceted orchestra
full of resonance is only
one of many aspects.(Hans
Zender)CDs:Hans Peter
Blochwitz (Tenor),
Ensemble Modern,
Conductor: Hans Zender CD
BMG 9026-68067-2
Christoph Pregardien
(Tenor), Klangforum Wien,
Conductor: Sylvain
Cambreling CD Kairos
0012002KAIJulien
Pregardien (Tenor),
Deutsche Radio
Philharmonie
Kaiserslautern,
Conductor: Robert Reimer2
CD's P.RHEI
(2016)Bibliography:Adam-S
chmidmeier, Eva-Maria
von: Schubert
interpretieren. Hans
Zender: Schuberts
Winterreise. Eine
komponierte
Interpretation im
Unterricht, in: Musik und
Unterricht Heft 96
(2009), pp. 50-56.Gruhn,
Wilfried: Wider die
asthetische Routine. Hans
Zenders Version von
Schuberts Winterreise,
in: Neue Zeitschrift fur
Musik 1/1997.Hebling,
Harald: Kompositorische
Schubertrezeption im 20.
Jahrhundert,
Magisterarbeit
Universitat Wien 2003,
especially pp.
148-157.Nonnenmann,
Rainer: Vom Nutzen und
Nachteil der
Musikhistorie fur das
Musikleben. Zur Kritik
aktualisierender
Interpretation am
Beispiel von Hans Zenders
Schuberts ,Winterreise,
in: Musik und Asthetik 7,
Heft 26 (April 2003), pp.
65-90.ders.: Schuberts
,Winterreise .
Komponierte
Interpretation von Hans
Zender / Ballett von John
Neumeier, in:
Osterreichische
Musikzeitung 60 (2005),
Heft 3, p. 42f.ders.:
Fremd bin ich eingezogen,
fremd zieh ich wieder
aus. Versuch zur Rettung
der Vergangenheit
Schuberts Winterreise.
Eine komponierte
Interpretation fur Tenor
und kleines Orchester
(1993) von Hans Zender,
in ders.: Winterreisen.
Komponierte Wege von und
zu Franz Schuberts
Liederzyklus aus zwei
Jahrhunderten, 2 Bande (=
Taschenbucher zur
Musikwissenschaft, Band
150/151), Wilhelmshaven:
Florian Noetzel 2006, pp.
143-205.Petersen, Birger:
Neue Musik. Analysen,
Berlin: Simon Verlag fur
Bibliothekswissen 2013,
pp. 11-24.Revers, Peter:
... Schnee, du weisst von
meinem Sehnen. Aspekte
der Schubert-Rezeption in
Hans Zenders Winterreise
(1993), in: Dialekt ohne
Erde. Franz Schubert und
das 20. Jahrhundert,
hrsg. von Otto
Kolleritsch, Wien-Graz
1998 (Studien zur
Wertungsforschung, Band
34), pp.
98-120.Schafer-Lembeck,
Hans-Ulrich:
Gegenstrebige Fugungen.
Hans Zenders Musik und
seine komponierte
Interpretation von
Schuberts Winterreise,
in: Neue Musik
vermitteln. Analysen
Interpretationen -
Unterricht, hrsg. von
Hans Bassler, Ortwin
Nimczik und Peter W.
Schatt, Mainz: Schott,
2004, pp.
295-307.Stahmer, Klaus
Hinrich: Bearbeitung als
Interpretation - Zur
Schubertrezeption Gustav
Mahlers, Hans Zenders und
Friedhelm Dohls, in:
Franz Schubert und Gustav
Mahler in der Musik der
Gegenwart, Mainz
1998.Zender, Hans: warum
wieder die Winterreise?
Hartmut Regitz im
Gesprach mit dem
Komponisten, in:
ballet.tanz -
international.aktuell,
Heft 12 (2001), p.
18.
World
premiere: Frankfurt am
Main, September 21,
1993.
3 Voices [Alto, Baritone and Bass] and Piano (Voice and Piano) SKU: HL.140156...(+)
3 Voices [Alto, Baritone
and Bass] and Piano
(Voice and Piano)
SKU:
HL.14015640
Music
Sales America. Exam
Material. Book
[Softcover]. Composed
1990. 56 pages. Music
Sales #PAT00603.
Published by Music Sales
(HL.14015640).
ISBN
9780853606314. UPC:
884088433413.
9.0x12.0x0.194 inches.
English.
A superb
collection of standard
repertoire for the
classical singer. Titles
range from Baroque to
late 19th century and
titles often appear on
the ABRSM singing
syllabus.
(Vocal Score). By Franz Lehar (1870-1948), Franz LehÌÁr, and Franz Leh. Edited...(+)
(Vocal Score). By Franz
Lehar (1870-1948), Franz
LehÌÁr, and Franz Leh.
Edited by Jeremy Sams.
For Piano, Voice. Schott.
142 pages. Glocken Verlag
#GL00200. Published by
Glocken Verlag
Walzer aus der Operette Die lustige Witwe. By Franz Lehar. Edited by Franz Huber...(+)
Walzer aus der Operette
Die lustige Witwe. By
Franz Lehar. Edited by
Franz Huber. Various
Sacred. For mixed choir
and piano. Vocal
score/piano reduction.
Published by Doblinger
(Austrian import).
Voice and piano SKU: BR.EB-8882 Repertoire Collection. Composed by...(+)
Voice and piano
SKU:
BR.EB-8882
Repertoire
Collection. Composed
by Peter Anton Ling.
Edited by Peter Anton
Ling. Voice; Softbound.
Edition Breitkopf.
If
only we'd had something
like that ... an album
for practice, a guide for
professional singers as
well as for opera
enthusiasts.(Franz
Mazura, Patron
Bass)
Aria; Opera; Classical;
Late-romantic.
Piano/Vocal Score. 144
pages. Breitkopf and
Haertel #EB 8882.
Published by Breitkopf
and Haertel (BR.EB-8882).
ISBN 9790004184721. 9
x 12 inches. German /
English.
The
OperAria repertoire
anthology was much
applauded when it came on
stage with three baritone
volumes in 2015. The
successful baritone debut
was followed in 2017/18
by the appearance of the
four soprano volumes,
also conquering hearts in
no time. Now, another
performance: The curtain
rises on the bass
volumes, the foundation
of the vocal family for
heavier, darker voices,
though nevertheless
brilliant and full of
radiance. The
protagonists have such
well-known names as
Bartolo, Don Basilio,
Colline, Don Pasquale,
Falstaff, Figaro, Kecal,
Osmin, Sarastro. Other
heroes less often in the
limelight, such as
Dulcamara, Sancho Pansa,
Phanuel, and Sir Morosus,
can certainly also count
on much applause. It is
my aim to give students a
modern, systematically
structured, well-informed
vocal coach that meets
the demands of
present-day stage
practice. And, of course,
a cohesive repertoire and
logical presentation of
audition arias for every
vocal genre.(Peter Anton
Ling)OperAria is the
ideal vocal coach for all
voice types. Edited by
Peter Anton Ling, the
books address all singers
and are conceived above
all for training and
auditions. In addition,
through their careful
selection, they offer
valuable inspiration for
opera recitals. OperAria
- repertoire anthology of
opera arias according to
vocal criteria (range,
tessitura, specifics,
type of aria) with due
regard to practical
aspects of musical and
theatrical nature (style,
era, role type, national
provenance)with comments
on the ariasinformation
on the composer, the
librettist, the work, the
range and of versions or
casting a short synopsis
of the contents
illuminating the basic
dramatic constellation in
the context of the
opera's plot an
evaluation from the
singer's point of
viewwith phonetic
assistant and text
assistantaria texts in
the original language
spoken by native speakers
as an audio file
(mp3)aria texts in German
and English translations
as a text file
(pdf)available for
download
If only
we'd had something like
that ... an album for
practice, a guide for
professional singers as
well as for opera
enthusiasts. (Franz
Mazura, Patron Bass).
Voice and Piano SKU: BT.EMBZ20017A New Liszt Edition, Series IX. Vol.2...(+)
Voice and Piano
SKU:
BT.EMBZ20017A
New
Liszt Edition, Series IX.
Vol.2.. By David
Trippett. By Franz Liszt.
EMB New Listz Edition.
Classical. Book
Hardcover. Composed 2019.
180 pages. Editio Musica
Budapest #EMBZ20017A.
Published by Editio
Musica Budapest
(BT.EMBZ20017A).
English-German-Hungari
an.
In 1845 Franz
Liszt embarked on a
project to compose an
Italian opera based on
Lord Byron’s
tragedy, Sardanapalus
(1821). It was central to
his ambition to attain
status as a major
European composer, with
premieres variously
planned for Milan,
Vienna, Paris and London.
But he abandoned it half
way through, and the
music he completed has
lain silently for 170
years.
Liszt’s difficulty
in obtaining a libretto
meant that composition
only began in April 1850.
He completed virtually
all the music for Act 1
in an annotated
piano-vocal score of 111
pages, contained within
his N4 music
‘sketch
book’. The unnamed
librettist was an Italian
poet and political
prisoner, seemingly
living under house
arrest, and a close
acquaintance of Cristina
Belgiojoso. His libretto
survives as underlay in
the N4 sketchbook and has
been critically
reconstructed and
translated.
Sardanapalo is
Liszt’s only
mature opera. While he
consistently referred to
it in French, as
Sardanapale, the
published title of the
Italian opera would
almost certainly have
used the Italian name,
hence this forms the
title of the first
edition. There are three
solo roles and a chorus
of concubines. The
manuscript was previously
thought to be fragmentary
and partially illegible,
but it was finally
deciphered to
international acclaim in
March 2017.
Liszt’s score
offers a richly melodic
style, with elements from
Bellini and Verdi
alongside glimmers of
Wagner and the symphonic
poems ahead: a unique
mixture of Italianate
pastiche and mid-century
harmonic innovation. It
remains quintessentially
Lisztian. The opera sets
Byron’s tragedy
about war and peace in
ancient Assyria: the last
King, effeminate in his
tastes, is drawn to wine,
concubines and feasts
more than politics and
war: his subjects find
him dishonourable (a
‘man queen’)
and military rebels seek
to overthrow him, but are
pardoned, for the King
rejects the ‘deceit
of glory’ built on
others’ suffering:
this leads only to a
larger uprising, the
Euphrates floods its
banks, destroying the
castle’s main
defensive wall, and
defeat is inevitable: the
King sends his family
away and orders that he
be burned alive with his
lover, amid scents and
spices in a grand
inferno. As Byron put it:
‘not a mere pillar
formed of cloud and
flame, but a light to
lessen ages.’ For
his part, Liszt told a
friend that his finale
‘will even aim to
set fire to the entire
audience!’
This critical edition
includes a detailed study
on the genesis of
Liszt’s
Sardanapalo in English,
German, and Hungarian,
the libretto in the
original Italian as well
as in English, German,
and Hungarian
translation, several
facsimile pages of
Liszt’s
manuscript, and a
detailed Critical
Report.