By Nigel Hess (1953-). For Violin. Part(s); Score; Solo; String - Violin and Pia...(+)
By Nigel Hess (1953-).
For Violin. Part(s);
Score; Solo; String -
Violin and Piano. Faber
Edition. 20th Century;
Masterwork; Movie.
Advanced; Intermediate.
Published by Faber Music
Violin and Piano. Composed by Jakob Dont. Edited by Dominik Rahmer. Henle Musi...(+)
Violin and Piano.
Composed by
Jakob Dont. Edited by
Dominik
Rahmer. Henle Music
Folios.
Classical. Softcover. 50
pages. G. Henle #HN1175.
Published by G. Henle
Chamber Music violin, piano SKU: CF.B3475 Composed by Martin Bresnick. Pe...(+)
Chamber Music violin,
piano
SKU:
CF.B3475
Composed by
Martin Bresnick.
Performance Score. 32+12
pages. Carl Fischer Music
#B3475. Published by Carl
Fischer Music (CF.B3475).
ISBN 9781491162026.
UPC:
680160920709.
This
work for violin and piano
by Martin Bresnick is a
play on the words suite
and bittersweet. Each of
the four movements is
based on a Yiddish folk
song, which in English
translate to On the Road,
My Resting Place, Black
Cat, and Dona, Dona. Each
of the four pieces is
primarily based on a
Jewish folk song, but
re-envisions them in a
modern context, akin to
Bartok and Kodaly. The
composer noted, I found
it a very challenging,
yet touching way to
remain in contact with
some part of my own past
that I don't usually
reveal. The title
references the difficult
(bitter) and pleasant
(sweet) aspects of
experiencing the
tumultuous history of a
people through their folk
music. This work for
violin and piano by
Martin Bresnick is a play
on the words suite and
bittersweet. Each of the
four movements is based
on a Yiddish folk song,
which in English
translate to On the Road,
My Resting Place, Black
Cat, and Dona, Dona. Each
of the four pieces is
primarily based on a
Jewish folk song, but
re-envisions them in a
modern context, akin to
Bartok and Kodaly. The
composer noted, “I
found it a very
challenging, yet touching
way to remain in contact
with some part of my own
past that I don’t
usually reveal.â€
The title references the
difficult (bitter) and
pleasant (sweet) aspects
of experiencing the
tumultuous history of a
people through their folk
music.
Chamber Music violin, piano SKU: PR.114419280 Composed by Chen Yi. Arrang...(+)
Chamber Music violin,
piano
SKU:
PR.114419280
Composed
by Chen Yi. Arranged by
Wong Tak Chiu.
Performance Score. 32+12
pages. Duration 20
minutes. Theodore Presser
Company #114-41928.
Published by Theodore
Presser Company
(PR.114419280).
ISBN
9781491132357. UPC:
680160676125.
Inspi
red by Chinese tradition,
this concerto-like dance
suite includes: 1. Lion
Dance, 2. YangKo, and 3.
Muqam. Each movement
draws from melodies and
rhythms characteristic of
various regions of China
many centuries ago.
CHINESE FOLK DANCE SUITE
is available for violin
with full orchestra, or
as a recital work with
piano. Supported by a
major commissioning award
from the Serge
Koussevitzky Music
Foundation in the Library
of Congress, Chinese Folk
Dance Suite is written
for solo violin and
orchestra; it was
premiered by The
Women’s
Philharmonic with violin
soloist Terrie Baune,
conducted by Apo Hsu, on
March 10, 2001, at Yerba
Buena Center For the Arts
Theater in San
Francisco.Inspired by
various Chinese
traditional folk dances,
the suite has three
movements:I. Lion Dance.
Traditionally, people
dance with richly
decorated hand-made
lions, accompanied by
percussion ensemble, to
celebrate happy occasions
and major festivals
throughout the country.
In this composition, I
use Chinese drum and
other percussion
instruments in the
background, to form a
dynamic and rhythmic
texture responding to the
solo part, which imitates
the tunes played on the
suona (traditional
Chinese trumpet). The
pitch materials came from
the traditional Guangdong
tune “Dragon Boat
Racing,†and the
Chaozhou tune “Lion
Playing Ball.â€II.
YangKo. Originating in
northern China, this is a
major folk dance form in
mass performance
popularized in the
country. In YangKo
performance, people play
rhythmic patterns on the
drums hung around their
waists while singing and
dancing. In the second
movement, I imagined a
warm scene of YangKo
dancing in distance. The
solo violin plays a sweet
and gracious melodic line
while all members of the
orchestra sing
non-pitched syllables in
different layers as the
soft background, to
imitate the percussion
sound which produces the
ever-going pulse.III.
Muqam. This large-scale
music and dance form,
from the Uygur
nationality in Xinjiang
province, originated in
the 15th century. My
third movement use a 7/8
meter and the melodic
style of Muqam music. The
fiery dancing gesture
culminates in the
sustained climax section
at the end of the work,
after a colorful violin
cadenza in both
improvisational singing
style and polyphonic
writing with woven
lines.
Edited by Florence Titmus. Arranged by Daniel Kelley. For Violin and Piano. Solo...(+)
Edited by Florence
Titmus. Arranged by
Daniel Kelley. For Violin
and Piano. Solos.
Recital. Level:
Intermediate/Advanced.
Piano Score and Solo
Part. Published by Last
Resort Music Publishing.
Kurt Weill Songs Violon et Piano [Partition + CD] Universal Edition
(Violin and Piano with CD of Performance and Play-Along Tracks Book/CD). By Kurt...(+)
(Violin and Piano with CD
of Performance and
Play-Along Tracks
Book/CD). By Kurt Weill
(1900-1950). Arranged by
Martin Reiter. For
Violin, Piano
Accompaniment. String
Solo. Book with CD. 56
pages. Universal Edition
#UE34324. Published by
Universal Edition
Urtext edition by Donald Burrows, composed by Edward Elgar (1857-1934). Opus 15....(+)
Urtext edition by Donald
Burrows, composed by
Edward Elgar (1857-1934).
Opus 15. Set of
performance parts for
violin and piano
accompaniment. With
bowings, fingerings,
introductory text and
critical commentary. 17
pages. Published by C.F.
Peters.
For Solo and Ensemble. By Donald Miller. For Violin. Ensemble (Mixed). Christmas...(+)
For Solo and Ensemble. By
Donald Miller. For
Violin. Ensemble (Mixed).
Christmas. Level:
Beginning. Book. 50
pages. Published by Mel
Bay Publications, Inc.
Violin, Piano SKU: HU.F0571537316 For Violin and Piano. Composed by Nigel Hess....(+)
Violin, Piano
SKU: HU.F0571537316
For Violin and Piano.
Composed by Nigel Hess.
Strings, Repertoire,
Solos. Ladies in
Lavender: Fantasy.
Softcover Book. 12 pages.
Faber Music #F0571537316.
Published by Faber Music
25 popular opera melodies. Edited by Wolfgang Birtel. Arranged by Wolfgang B...(+)
25 popular opera
melodies.
Edited by Wolfgang
Birtel.
Arranged by Wolfgang
Birtel.
This edition:
Paperback/Soft
Cover. Sheet music.
Edition
Schott. Classical, Opera.
Softcover. 188 pages.
Schott
Music #ED 22873.
Published
by Schott Music
Two is a Team Violon et Piano [Partition + CD] - Facile De Haske Publications
Composed by Ed Wennink and Nettie Vening. Two is a team. Book with CD. Compo...(+)
Composed by Ed Wennink
and
Nettie Vening. Two is a
team.
Book with CD. Composed
2013.
44 pages. De Haske
Publications #DHP
1125296-
400. Published by De
Haske
Publications
(From "String Quartet Op.11"). Composed by Peter Ilyich Tchaikovsk...(+)
(From "String
Quartet
Op.11"). Composed by
Peter
Ilyich Tchaikovsky
(1840-
1893). For violin, piano.
Score and part. 7+2
pages.
Published by Universal
Edition
SKU: HL.49046626 For Violin and Piano. Composed by Samuel Coleridg...(+)
SKU: HL.49046626
For Violin and
Piano. Composed by
Samuel Coleridge-Taylor.
String. Softcover. 14
pages. Schott Music
#ED14074. Published by
Schott Music
(HL.49046626).
UPC:
842819114628.
9.0x12.0x0.07
inches.
Samuel
Coleridge-Taylor was paid
three guineas for the
publishing rights to his
Suite de Pièces by
Schott & Co. London
on 24 December 1892 when
the composer was just 17
years old. In the
following year the work
was published by Schott
Music's German office in
versions for both violin
with piano and violin
with organ.
Coleridge-Taylor was born
in London and brought up
in Croydon. He learnt to
play the violin, was
recognized as a child
prodigy and at 15 was
awarded a scholarship to
study at the Royal
College of Music with
Charles Villiers
Stanford, where he was a
contemporary of Holst and
Vaughan Williams.
Coleridge-Taylor
described himself
Anglo-African and,
despite support from his
colleagues, faced racism
throughout his whole
career. In spite of this
prejudice and his
tragically early death in
1912 aged just 37, he
enjoyed great success
during his lifetime and
his music was performed
at the Proms no less than
116 times between 1898
and 1939. In contrast,
since 1940 his music has
only been heard there on
eleven occasions. Like
many works, at some point
in the past Suite de
Pièces became out of
print. Schott Music is
very proud to present
this new modern
performing edition of the
version for violin and
piano. Errors and
inconsistencies from the
first edition have now
been corrected.
Violin-solo, piano (Violin solo, Piano) SKU: BA.BA09099-92 First Versi...(+)
Violin-solo, piano
(Violin solo, Piano)
SKU: BA.BA09099-92
First Version
1844. Composed by
Felix Bartholdy
Mendelssohn. Edited by R.
Larry Todd. This edition:
urtext edition. Stapled.
Barenreiter Urtext. Early
version 1844. Piano
reduction, Part. Opus 64.
Duration 12 hours.
Baerenreiter Verlag
#BA09099_92. Published by
Baerenreiter Verlag
(BA.BA09099-92).
ISBN
9790006565733. 31 x 24.3
cm inches. Key: E minor.
Preface: Larry R.
Todd.
Mendelssohn's
Violin Concerto op. 64,
is a key work of the 19th
century, adhering to the
classical style of
Beethoven while pointing
the way to the romantic
ethos of Brahms. It has
long been known that
Mendelssohn performed the
work with three soloists
in succession: Ferdinand
David, who worked closely
with the composer during
its composition and
played it at the
premiere; the 'child
prodigy' Joseph Joachim;
and Hubert Leonard, a
young Belgian virtuoso
about whom little is
known.
As proof
sheets for the Violin
Concerto in E minor were
long considered lost, it
could be described as
somewhat of a sensation
when proofs for the solo
violin part resurfaced
together with a letter
from Mendelssohn to
Leonard.
The
letter informs us that
the composer invited
Leonard to his home in
Frankfurt in order to
make his acquaintance. It
was already known that
Mendelssohn had given
proof sheets to David;
now we know that he also
gave some to
Leonard.
The
recently discovered
proofs reveal how Leonard
played the concerto with
Mendelssohn on that
memorable evening in
February 1845. Besides
containing bowing marks
and fingering, they also
show how Leonard executed
shifts of position and
where he employed open
strings. Furthermore
modifications made to
dynamic markings and
additional legato bowing
are shown.
It is
safe to assume that all
of this was done with
Mendelssohn's approval.
That the young violinist
made a positive
impression on the
composer is confirmed in
the latter's
correspondence following
their joint performance.
Mendelssohn is full of
praise for Leonard's
playing and offers to
lend his support in
finding employment in
Germany.
This
revised edition of the
Mendelssohn Violin
Concerto (only the
orchestral parts remain
unchanged) includes a
separate booklet on
performance practice.
The editor, Clive
Brown, is an acknowledged
expert on Romantic
performance
practice.
- New
source situation owing to
recently rediscovered
proofs - Revised
Urtext edition - With
a separate booklet on
performance practice
(Eng/Ger).
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
B�¤renreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composer�s
intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
(Violin Solo Arrangements of Favorite Hymns with Piano Accompaniment). By Don Wh...(+)
(Violin Solo Arrangements
of Favorite Hymns with
Piano Accompaniment). By
Don Whitman. String
ensemble. For violin,
piano. Moderately easy.
Published by Lillenas
Publishing Company
Violin and Piano. By Hilary Hahn. By Various. Boosey and Hawkes Chamber M...(+)
Violin and Piano.
By Hilary Hahn. By
Various. Boosey and
Hawkes Chamber Music.
Classical, Contemporary.
Softcover. 340 pages.
Boosey and Hawkes
#M051107933. Published by
Boosey and Hawkes
(HL.48023059).
Violin and Piano (Violin) SKU: HL.14004213 Composed by Lennox Berkeley. M...(+)
Violin and Piano (Violin)
SKU: HL.14004213
Composed by Lennox
Berkeley. Music Sales
America. Classical. Book
[Softcover]. Composed
2002. 56 pages. Chester
Music #CH55778. Published
by Chester Music
(HL.14004213).
9.0x12.0x0.175
inches.
Five Pieces
for Violin and Orchestra
was commissioned by
Frederick Grinke and
completed on 20 December
1961. The BBC Symphony
Orchestra with Frederick
Grinke (violin) and
conducted by the
composer, gave the first
performance on 31 July
1962 at the Royal Albert
Hall, London during the
BBC Proms season. This
work is so constructed
that each piece is
complete in itself and
can be played separately,
while at the same time
the whole set of five
constitutes a structural
unit. A basic motif
consisting of a rising
semitone followed by a
falling tone, and its
inversion plays an
important part in every
piece. Thus the first
piece, which is of a slow
and meditative character,
begins with this theme in
the bass. It is also
heard in the first entry
of the solo part, and
thereafter every episode
is in some way derived
from it. The next piece,
a vigorous and strongly
marked 'allegro', uses
the semitone of the
original figure as its
starting point. A second
theme appears, first on
the horns and is later
taken up by the solo
violin, while a third
section has the initial
idea as its
accompaniment. Next comes
an extended scherzo in
free form very closely
based on initial motif.
The fourth is a purely
melodic piece containing
allusions in its middle
section to the basic
figure. Here the strings
only are used for
accompaniment. In the
first section, violas and
cellos are divided in the
middle section, and all
the strings are used in
the last, which is
otherwise an almost exact
repetition of the
opening. The Finale is a
lighter movement than the
others, concerned mainly
with giving the soloist
material for display, but
not unconnected with what
has gone before.
Gidon Kremer Edition. Composed by Ludwig van Beethoven (1770-1827). Edite...(+)
Gidon Kremer
Edition. Composed by
Ludwig van Beethoven
(1770-1827). Edited by
Shin Augustinus Kojima.
Henle Music Folios.
Classical. Softcover. 168
pages. G. Henle #HN1148.
Published by G. Henle
(HL.51481148).
Violin, Piano SKU: HU.HN688 Composed by Wolfgang Amadeus Mozart. Edited by Wolf...(+)
Violin, Piano
SKU: HU.HN688
Composed by Wolfgang
Amadeus Mozart. Edited by
Wolf-Dieter Seiffert.
Strings, Repertoire,
Solos. Violin Concerto
No. 3 G major K. 216.
Classical. Softcover
Book. 62 pages. G. Henle
#HN688. Published by G.
Henle (HU.HN688).
Eighteen Easy Pieces for Violin and Piano. By Wolfgang Amadeus Mozart. Arranged ...(+)
Eighteen Easy Pieces for
Violin and Piano. By
Wolfgang Amadeus Mozart.
Arranged by Andrew
Watkin. Fentone Play
Along Books. Softcover
with CD. 66 pages.
Published by Fentone
Music.
Starter Solos Violon et Piano [Partition + CD] - Facile Anglo Music
Violin and Piano - easy SKU: BT.AMP-345-400 20 Progressive Pieces with...(+)
Violin and Piano - easy
SKU:
BT.AMP-345-400
20
Progressive Pieces with
Piano Accompaniment.
Composed by Philip
Sparke. Starter Solos.
Tuition. Book with CD.
Composed 2013. 32 pages.
Anglo Music Press #AMP
345-400. Published by
Anglo Music Press
(BT.AMP-345-400).
ISBN
9789043138635. 9x12
inches.
English-German-French-Dut
ch.
Philip
Sparke’s
Starter Solos is
the first volume of a
progressive series of
books that takes the
young wind player from
beginner to accomplished
musician. Specifically
tailored for each
instrument, this
collection of 20 solos
starts with pieces based
on only a handful of
notes and carefully
introduces new musical
elements, such as
articulation, dynamics
and key signatures, in a
structured progression to
speed the learning
process. The books
provide invaluable
additional material to
complement any teaching
method.Starter
Solos comes with a
play-along CD. The
advantages of playing
either with piano or CD
accompaniment are that
the beginning player can
nowexperience the
important aspects of
ensemble playing from
their earliest lessons,
thus developing the
essential skills of
listening while they play
and maintaining strict
tempo, which is not
always a factor when
playing alone.
Philip
Sparke’s
Starter Solos is
het eerste deel van een
serie boeken met muziek
voor jonge blazers. Deze
bundel van twintig
solo’s begint met
stukken die op een
handvol noten zijn
gebaseerd. Nieuwe
muzikale elementen
(articulatie,
dynamiek,enz.) worden op
een doordachte,
gestructureerde manier
toegevoegd. Dit
studiemateriaal vult elke
leermethode aan en is
steeds toegesneden op het
betreffende
instrument.Uitgave met
cd: De voordelen van het
spelen met begeleiding -
hetzij op de piano,hetzij
op de cd - zijn dat de
beginnende speler de
belangrijke aspecten van
het ensemblespel kan
ervaren vanaf de eerste
lessen en essentiële
vaardigheden kan
aanleren: het luisteren
tijdens het spelen en het
handhaven van een strak
tempo. Bij hetalleen
spelen komen deze
factoren minder aan de
orde.
Das frühe
Lernstadium ist, neben
einem guten Lehrer im
Unterricht, für jedes
Instrument zweifellos das
Wichtigste. Von großer
Bedeutung ist aber auch
motivierendes
Lehrmaterial. Für
diese zwei Solobücher
beriet sich Philip Sparke
mit vielen Lehrern, wie
man am besten neue Noten
einführt und zugleich
einen Rahmen schafft, in
den sich neue
musikalische Elemente in
sinnvoller Reihenfolge
einfügen lassen.
Unterstützt von
diesenSoli und Etüden
in drei verschiedenen
Schwierigkeitsstufen
können
Instrumentalschüler
schnell zu richtigen
Musikern heranreifen.
Jedes Buch ist genau auf
die Bedürfnisse und
Anforderungen des
einzelnen Instrumentes
zugeschnitten.
STARTER SOLOS und
SKILFUL SOLOS können
dank der im Buch und auf
der CD enthaltenen
Begleitungen auch gut
alleine oder mit einem
Pianisten einstudiert und
aufgeführt werden. Der
Vorteil dabei ist, dass
Anfänger so nicht nur
die wichtigsten Aspekte
desEnsemblespiels
erfahren sondern auch von
Anfang an die
Fähigkeit entwickeln,
zu hören während
sie spielen und das Tempo
zu halten.
Inhalt:
Follow me •Best
Foot Forward •Folk
Song •My Homeland
•Missing You
•Russian Winter
•On a Carousel
•Rush Hou •A
Dynamic Start
•Short but Sweet
•Ballad
•London Bridge
•Summer Breezes
•Modal Melody
•Toon Tune
•In a Balloon
•Yankee Doodle
•SadSong
•Count Me In
•Ragtime
March
Accanto
ad un buon insegnante, il
materiale da studio
valido è senza dubbio
la cosa più importante
al fine di un buon
apprendimento. E’
quindi importante mettere
a disposizione
dell’allievo
materiale motivante.
Nello scrivere questi
soli, PhilipSparke si
è consultato a più
riprese con insegnanti ed
allievi per mettere a
punto brani che
consentono anche ai
più inesperti di
suonare in modo
soddisfacente. Gli
accompagnamenti al piano
sono inclusi nel CD.
Piano Accompaniment; Violin SKU: HL.14041762 Violin and Piano. Com...(+)
Piano Accompaniment;
Violin
SKU:
HL.14041762
Violin
and Piano. Composed
by Helen Grime. Music
Sales America. Classical.
Softcover. Composed 2011.
12 pages. Chester Music
#CH79508. Published by
Chester Music
(HL.14041762).
9.0x12.0x0.071
inches.
'Romanc
e for violin and piano is
a short, reflective piece
that exploits the lyrical
qualities inherent in the
combination. Originally
written for a very young
but talented violinist,
Romance travels through
numerous moods andcolours
within a continuous
musical development of
the opening material. At
first gentle and
reflective with
increasing dramatic
outbursts outlined by the
violin sforzandi and
parallel sixths in the
piano writing, numerous
shortsolo passages in
both instruments
culminate in a fiery
climax. Quickly subsiding
into the calmer yet now
more melancholy strains
of the earlier stages of
the piece, the ending is
somewhat incomplete. This
seems to suggest
acontinuous turn of
events alluded to in the
music.' <
em> &nbs
p;  
;
- Helen
Grime
Born in 1981,
Helen studied oboe with
JohnAnderson and
composition with Julian
Anderson and Edwin
Roxburgh at the Royal
College of Music. She
graduated from the BMus
course with First Class
Honours and completed her
Masters with Distinction
in 2004. From 2005-07,
Helenwas a Legal &
General Junior Fellow at
the Royal College of
Music. In 2003 she won a
British Composer Award
for her Oboe Concerto,
and was awarded the
intercollegiate Theodore
Holland Composition Prize
in 2003 as well as allthe
major composition prizes
in the RCM. In 2008 she
was awarded a Leonard
Bernstein Fellowship to
study at the Tanglewood
Music Center where she
studied with John
Harbison, Michael
Gandolfi, Shulamit Ran
and Augusta Read
Thomas.Helen has had
works commissioned by
some of the most
established performers
and organisations
including ENO, London
Symphony Orchestra, BCMG,
Britten Sinfonia, BBC
Scottish Symphony
Orchestra and the
Tanglewood Music
Center.Conductors who
have performed her work
include Daniel Harding,
Oliver Knussen, Pierre
Boulez and Yan Pascal
Tortelier. Helen is the
2010 recipient of the
Lili Boulanger Memorial
Fund and Associate
Composer of The Halle
from the.