30 Songs in Authentic
Styles with Accompaniment
Tracks. Composed by
Mark Contreras Gómez.
Solo/Ensemble collection.
Kendor Music Inc #SB2307.
Published by Kendor Music
Inc (KN.SB2307).
12 x
9 inches.
The Latin
American String
Collection is an
authentic resource for
the modern string room.
As a Latin American
Composer, Mark Contreras
Gómez brings a wealth
of experience to this
collection –
making it a trusted
choice for your students.
Explore Latin American
styles and learn about
their unique histories
with information included
by the composer on each
and every solo. The
accompanying tracks have
been carefully curated
and performed by the
composer, and include
click count-offs,
performance versions, and
performance demos for use
while practicing each
distinctive style. The
book itself, is laid out
with a strong focus on
pedagogic sequencing,
introducing new styles
and dances as the
musician progresses. The
book is divided into
sections: Open Strings,
First Finger, Second
Finger, Third Finger,
Fourth Finger and
Chromatic Changes.
Perfect for fun,
performance, or festival
adjudication –
this new collection is a
must-have for your string
solo library.
Variation On The Chiacona Of Giuseppe Colombia. Composed by Rolf Wallin (...(+)
Variation On The
Chiacona Of Giuseppe
Colombia. Composed by
Rolf Wallin (1957-).
Music Sales America.
Classical. Book
[Softcover]. 1 pages.
Chester Music
#MUSCH77528. Published by
Chester Music
(HL.14043784).
0.5
Abschied. (for Cello). By Bertold Hummel (1925-2002). For Cello. Cello-Bibliothe...(+)
Abschied. (for Cello). By
Bertold Hummel
(1925-2002). For Cello.
Cello-Bibliothek (Cello
Library). 8 pages. Schott
Music #CB176. Published
by Schott Music
Violoncello SKU: BA.BA05278 Composed by Johann Sebastian Bach. Edited by ...(+)
Violoncello
SKU:
BA.BA05278
Composed
by Johann Sebastian Bach.
Edited by Andrew Talle.
This edition: Facsimile,
Urtext edition.
Paperback. Barenreiter
Urtext. Urtext from the
New Bach Edition -
Revised (NBArev).
Performance score,
anthology, Facsimile. BWV
1007-1012. Baerenreiter
Verlag #BA05278_00.
Published by Baerenreiter
Verlag (BA.BA05278).
ISBN 9790006569625.
32.5 x 25.5 cm inches.
Preface: Talle,
Andrew.
When we
think of the cello, we
automatically think of
Bach’s immortal
cello suites. They are
the very core of cello
literature, their
timeless beauty
accompanying cellists
from their student years
throughout the height of
their professional
careers.
Consideri
ng the works’
significance, the great
number of editions in
existence is not
surprising. However, the
composer’s
autograph has not been
preserved and is
considered lost. This
circumstance creates an
exceptional challenge
many editors faced over
the years. The four
autograph sources still
in existence and the
first print from 1824
show numerous small
deviations, especially in
terms of articulation
markings and
phrasing.
In this
two-volume edition of
Bach’s cello
suites, Andrew Talle now
presents an entirely new
view of the relationships
between existing sources.
The first volume contains
the edited musical text,
which comes as close to
the composer’s
original intention as the
surviving source material
allows: “This
edition does not
constitute a perfect
reconstruction of the
lost autograph; that is
something no editor could
claim to accomplish.
Instead, I have attempted
to supply musicians and
researchers with a
reliable version of the
surviving musical text of
the six cello suites, and
to convey a sense of the
many possibilities Bach
encouraged his musicians
to explore.â€The
second volume presents,
for the first time,
synoptically arranged
facsimiles of the
handwritten sources as
well as the first print
(with Suite No. V also
including Bach’s
own arrangement for
lute), allowing readers
to compare any specific
section in all sources at
one glance. This allows
for a straightforward and
immediate consideration
of all sources, making
editorial decisions
transparent and
self-evident.
Andr
ew Talle’s edition
is supplemented by a
comprehensive discussion
of the instrument for
which the suites were
created, as well as
information regarding
musical interpretation
during Bach’s
time.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding