(From the Renaissance to the Romantic Periods). Arranged by William Ryden. For C...(+)
(From the Renaissance to
the Romantic Periods).
Arranged by William
Ryden. For Cello/Bass.
Mixed Instruments -
Flexible Instrumentation.
Sacred Instrumental
Ensembles for All. 24
pages. Published by
Alfred Publishing.
A Sequenced Guide to American Fiddling (Cello/Bass). Composed by Crystal Plohm...(+)
A Sequenced Guide to
American
Fiddling (Cello/Bass).
Composed by Crystal
Plohman
Wiegman, Renata Bratt,
and
Bob Phillips. Book; CD;
Method/Instruction;
String
Orchestra
Method/Supplement.
Folk; Traditional. 48
pages.
Published by Alfred Music
(Instrumental Play-Along Series Book with Online Audio for Cello). By Mannhe...(+)
(Instrumental Play-Along
Series Book with Online
Audio
for Cello). By Mannheim
Steamroller. For Cello.
Instrumental Folio.
Softcover
Audio Online. 24 pages.
Published by Hal Leonard
A note reading book for CELLO students. Composed by Joanne Martin. String - (Suz...(+)
A note reading book for
CELLO students. Composed
by Joanne Martin. String
- (Suzuki) Supplementary;
Suzuki. Book. 108 pages.
Alfred Music #00-0429.
Published by Alfred Music
Cello - Grade 1.5-3.5 SKU: XC.SB2221 22 Quartets for Any Combination o...(+)
Cello - Grade 1.5-3.5
SKU: XC.SB2221
22 Quartets for Any
Combination of String
Instruments. Composed
by Matthew R. Putnam and
Tyler Arcari. Edited by
Diana Traietta. Solo and
Ensemble Music. Adaptable
Series. Ensemble,
Collection, Book.
Excelcia Music Publishing
#SB2221. Published by
Excelcia Music Publishing
(XC.SB2221).
ISBN
9781644021316. 9 x 12
inches.
Adaptable
Quartets for Christmas
contains 22 newly
arranged quartets written
at grades 1.5 to 3. Since
it’s creation in
2019, Tyler Arcari and
Matthew R.
Putnam’s Adaptable
Ensemble series has
emerged as a leading
resource in flexible
instrumentation and this
new addition to the
series for Christmastime
is no exception. Designed
to be used with any
combination of four
instruments, the possible
combinations are endless!
Play these quartets as
traditional four
instrument chamber works,
or expand your
instrumentation to
include the entire
ensemble. Tyler and
Matthew use their
experience as music
educators to craft
quartets that are fun to
play, and musically
stimulating.
Cello - Grade 1.5-3 SKU: XC.SB2103 27 Trios for any Three String Instr...(+)
Cello - Grade 1.5-3
SKU: XC.SB2103
27 Trios for any Three
String Instruments.
Composed by Various.
Arranged by Matthew R.
Putnam and Tyler Arcari.
Adaptable Ensemble
Series. Christmas.
Ensemble, Collection,
Book. Excelcia Music
Publishing #SB2103.
Published by Excelcia
Music Publishing
(XC.SB2103).
ISBN
9781644020678. UPC:
812598038545. 9 x 12
inches.
Adaptable
Trios for Christmas
contains 27 newly
arranged trios written at
grades 1.5 to 3. Since
it’s creation in
2019, Tyler Arcari and
Matthew R.
Putnam’s Adaptable
Ensemble series has
emerged as a leading
resource in flexible
instrumentation and this
new addition to the
series for Christmastime
is no exception. Designed
to be used with any
combination of three
string instruments, the
possible combinations are
endless! Play these trios
as traditional three
instrument chamber works,
or expand your
instrumentation to
include the entire
ensemble. Tyler and
Matthew use their
experience as music
educators to craft trios
that are fun to play, and
musically
stimulating.
(Cello and Bass). By Andrew H. Dabczynski and Bob Phillips. Orchestra. For Cello...(+)
(Cello and Bass). By
Andrew H. Dabczynski and
Bob Phillips. Orchestra.
For Cello and Bass.
String Orchestra
Collection. Book and CD.
48 pages. Published by
Alfred Music Publishing
Cello SKU: BO.B.3726 Composed by Melani Mestre. Published by Editorial de...(+)
Cello
SKU:
BO.B.3726
Composed by
Melani Mestre. Published
by Editorial de Musica
Boileau (BO.B.3726).
Written in
2001, this work was
conceived by the need to
enlarge the repertoire of
works for solo cello, an
important goal since the
repertoire of such works
is limited. Most cellists
are limited to
performances of such
well-known solo works as
the Suites of Bach,
written almost 300 years
ago, as well as other
classics of the genre by
Max Reger, Zoltan Kodaly,
Benjamin Britten, Gaspar
Cassado, Enric Casals,
etc.
The
intention of the Suite
Exotique is to
revolutionize the concept
of the Baroque suite by
transforming the suite
into a collection of
modern dances, which are
both contemporary and
widely recognized today.
Thus, the dances of the
Baroque suite, such as
Allemande, Courante,
Sarabande are substituted
for the Tango, Milonga,
Blues in such a way that
the traditional formal
structure of six
movements of Baroque
dances is modernized by
rhythms and contemporary
styles which coexist in
the Modern world, but are
separate from and do not
pertain to those works
which are normally
considered to belong to
the realm of cultured
music.
Apart
from the fusion
represented by the
mixture of a Baroque
genre with modern, urban
musical language found in
this work, the subtitle
exotica is appropriate
due to the originality of
writing such a work for
cello solo. This work
allows the interpreter to
explore and take full
advantage of their
technical, artistic and
expressive
abilities.
This
work establishes a total
symbiosis between the
instrument and the
evolutionary
transformation of its
musical language which in
turn creates a style
adapted to the expressive
requirements of the work
itself. The specific
techniques and qualities
of the cello are placed
in service of the
required style and
concept of each movement
of the Suite. At the same
time those stylistic
characteristics are
transformed and adapted
to the particular
characteristics of the
cello and taking full
advantage of the
instruments polyphonic,
sonic, aesthetic
qualities as well as its
timbre.
The
Suite Exotique was
premiered in August, 2003
during the International
Music Festival of Ibiza
by the Russian cellist
Svetlana Tovstukha.
(Cello and Bass). By Andrew H. Dabczynski and Bob Phillips. Orchestra. For Cello...(+)
(Cello and Bass). By
Andrew H. Dabczynski and
Bob Phillips. Orchestra.
For Cello and Bass.
String Orchestra
Collection. Book and CD.
40 pages. Published by
Alfred Music Publishing
Cello solo SKU: BR.EB-9074 (Plainte sur la perte de la reflexion music...(+)
Cello solo
SKU:
BR.EB-9074
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Edited by
Michael Bach. Arranged by
Michael Bach. Solo
instruments; stapled.
Edition Breitkopf. You
will need a copy of BG
1002 for each player to
perform the version for
variable instrumentation
(BG 1004). Music
post-1945; New music
(post-2000). Score.
Composed 1972. 12 pages.
Duration 20'. Breitkopf
and Haertel #EB 9074.
Published by Breitkopf
and Haertel (BR.EB-9074).
ISBN 9790004179499. 9
x 12 inches.
World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109
World
premiere: VIII version
for violoncello Tokyo:
October 14, 1989.
(Traditional Carols with a Popular Twist). By Ed Hogan. For Cello Solo. This edi...(+)
(Traditional Carols with
a Popular Twist). By Ed
Hogan. For Cello Solo.
This edition: Paperback.
Instrumental Collections
& Church Orchestras.
Preludes, offertories,
recitals, talent
contests, personal
worship, and instruction.
Multicultural and Sacred.
Book with CD-ROM.
Published by Lillenas
Publishing Company