En plus de l'accompagnement jouables à la fois sur votre lecteur de CD et l'ordinateur, ces CD améliorés incluent un logiciel de réglage de tempo pour utilisation de l'ordinateur de CD-ROM seulement. / Clarinette Et Piano / 8 pages / Cd

Les Fantasiestücke du compositeur danois Niels Wilhelm Gade qui portent le même titre que l'op. 73 de Robert Schumann, sont un incontournable du répertoire de tout clarinettiste. Gade, qui vécut longtemps à Leipzig et fut un ami intime de Schumann, contribua en 1864 avec cette 'oeuvre soeur' profondément romantique à établir la clarinette comme instrument solo de musique de chambre. Les quatre pièces du recueil peuvent parfaitement être exécutées séparément et sont idéales pour l'enseignement de l'instrument. L'éditeur et clarinettiste Nicolai Pfeffer s'est servi non seulement des premières éditions allemande et danoise, mais également du manuscrit autographe aujourd'hui conservé à Copenhague. Il parvint ainsi à écarter un certain nombre d'incohérences des éditions plus anciennes. / Clarinette Et Piano

Par PROUST PASCAL. For B flat clarinet and piano./ Répertoire / Clarinette en Sib et Piano

Par PUSCOIU COSTEL. Contains more than 60 pieces from the Classical, Romantic, and Modern periods, adapted and arranged for the B-flat clarinet with piano accompaniment. A convenient pull-out folio is included for the soloist. These compositions by Bach, Beethoven, Bordin, Brahms, Handel, Haydn, Lully, Mozart, Praitorius, Purcell, Rameau, Tchaikovsky, Telemann and others range from the very easy to the moderately difficult. This collection makes an excellent sourcebook for recital repertoire and can be used as an engaging supplement to any clarinet method book or private course of study. / Niveau : Débutant à Intermédiaire / Classic - Solos / Méthode / Clarinette

Par STAMITZ JOHANN WENZEL. Part for Clarinet in B flat/ Répertoire / Clarinette et Piano

Par SCHUBERT FRANZ. The Shepherd On The Rock Op. post. 129 D 965 (Der Hirt auf dem Felsen Op. post. 129 D 965). High voice, Piano, Clarinet (in B-flat). Vocal score with separate Clarinet part. The New Schubert Edition is a scholarly-critical complete edition reflecting current knowledge of the sources and the latest research findings. It is thus indispensable for the study and authentic performance of Schubert 's music./ Répertoire / Voix Hautes, Clarinette et Piano

A great collection of classical music arranged for Clarinet, specially graded from easy-to-play tunes to more challenging pieces. This book is specially bound to help the pages to lie flat while you are playing. / Clarinette

Sonates pour clarinette op. 120 Editeur: Johannes Behr, Egon Voss Doigtés: Klaus Schilde Edition Urtext, reliure paperback pour clarinette en Si bémol édition révisée remplace HN 274 Pages: 87 (VIII, 59, 20), Dimension 23,5 x 31,0 cm N° d'article HN 987 · ISMN M-2018-0987-8 En 1894, Johannes Brahms proposa au clarinettiste Richard Mühlfeld de lui rendre visite à Ischl, son lieu de villégiature préféré, en ajoutant: «ce serait formidable si vous pouviez apporter votre clarinette en si bémol et si vous n'étiez pas trop pressé» ' car les deux Sonates op. 120 étaient prêtes à être testées. Les premières exécutions dans un cadre privé suivirent immédiatement, ce que la presse relata élogieusement: «Les Sonates [...] sont merveilleuses et feront sensation». Avec notre édition de ces 'uvres majeures du répertoire des clarinettistes, nous poursuivons notre révision des sonates en duo de Brahms d'après la nouvelle édition complète des 'uvres de Brahms.

Debussy's Première Rhapsodie is one of two concertante works completed, premiered and published during his lifetime. He was commissioned to write it in 1909 for the final examination at the Paris Conservatoire in 1910. Debussy orchestrated it in the summer of 1911. While transferring the clarinet part from the already published version for clarinet and piano, he made a few subtle changes, particularly in m. 201, which has been a bone of contention among clarinettists for over a century. The present scholarly-critical publication is the first Urtext edition of the orchestral version. It draws on every known source and takes into account a previously ignored source that sheds new light on the piece. - First Urtext edition of the orchestral version - First scholarly-critical edition of a pioneering work for clarinet - Trilingual Foreword (Eng/Fr/Ger) with Critical Commentary (Eng) / Clarinette Et Piano

Par SAINT-SAENS CAMILLE. Camille Saint-Saëns composed this Romance, Op. 51, in 1877, originally in the key of D major for cello and piano. The form of the piece is relatively simple, opening with a lyrical melody over a repetitive and somewhat rhythmic accompaniment. The middle section modulates to the key of the flattened 6th scale degree (B-flat major), using this to arrive at the dominant chord, in which there are some pseudo cadenza-like moments. Following this, a return to the opening melody with a slightly modified accompaniment, and subsequently a brief coda. To better accommodate the bass clarinet, the entire piece has been transposed up a half-step from the original version into a morecomfortable key of E-flat major. Additionally, for much of the piece, the solo part has been lowered by an octave, as to make the piece generally more accessible to students. Should there be a desire to hear the piece more in the range of the original version, one could simply play it on a standard B-flat clarinet to achieve this effect. Though only about four minutes in length, this relatively short vignette captures much of the true essence of Saint-Saëns, not only through the harmonic progressions and accompanimental figures used, but also demonstrating his gift of turning a 'simple' melody into something extraordinary. Camille Saint-Saëns composed this Romance, Op. 51, in 1877, originally in the key of D major for cello and piano. The form of the piece is relatively simple, opening with a lyrical melody over a repetitive and somewhat rhythmic accompaniment. The middle section modulates to the key of the flattened 6th scale degree (B-flat major), using this to arrive at the dominant chord, in which there are some pseudo cadenza-like moments. Following this, a return to the opening melody with a slightly modified accompaniment, and subsequently a brief coda. To better accommodate the bass clarinet, the entire piece has been transposed up a half-step from the original version into a morecomfortable key of E-flat major. Additionally, for much of the piece, the solo part has been lowered by an octave, as to make the piece generally more accessible to students. Should there be a desire to hear the piece more in the range of the original version, one could simply play it on a standard B-flat clarinet to achieve this effect. Though only about four minutes in length, this relatively short vignette captures much of the true essence of Saint-Saëns, not only through the harmonic progressions and accompanimental figures used, but also demonstrating his gift of turning a 'simple' melody into something extraordinary./ Répertoire / Clarinette Basse et Piano

in B-Dur / Bb Major. Par STAMITZ CARL. German composer Carl Stamitz wrote more than 60 concertos for Violin, Viola, Viola d'amore, Cello, Clarinet, Basset Horn, Flute, Bassoon and other instruments. Some of the Clarinet and Viola concertos that Stamitz composed are considered to be among the finest available from the period. Stylistically, Stamitz 's music is not too far removed from the works of the young Mozart, or those of Haydn's middle period. The Clarinet Concerto No. 3 was likely written around 1785, which was the same year that Stamitz was appointed the lead Violin of the Duc de Noailles in Paris. The style of thisconcerto reflects the usual orchestration found in the mid-eighteenth century, where most of the important musical material was given to the strings, while the winds were left to fill in the harmony. Carl Stamitz 's style is pleasant and free-flowing as nicely illustrated in this concerto. / Classique / Répertoire / Clarinette et Piano

E-flat Major / Mi bémol Majeur / Es-Dur. Par WEBER CARL MARIA VON. Le Concertino Op. 26 en mi bémol Majeur de Carl Maria von Weber fait partie du répertoire de chaque clarinettiste. Cette édition permet au musicien de travailler systématiquement le morceau. Les enregistrements d'accompagnement sur trois tempos d?entraînement différents, ainsi qu'une version de concert, sont disponibles en ligne au format MP3. Nous espérons que vous prendrez du plaisir à jouer nos éditions « DOWANI 3 Tempi Play Along » ! / Date parution : 2023-06-01/ Répertoire / Clarinette et Piano

Par WEBER CARL MARIA VON / LEFEBVRE. French clarinetist, Cyrille Rose (1830-1902) superbly arranged Carl Maria Von Weber 's (1786-1826) Clarinet Quintet in B flat major, for Clarinet and Piano. Having studied under Hyacinthe Klosé at the Paris Conservatoire, Rose won many prizes at the institution and went on to teach many prolific clarinetists. The Fantaisie Et Rondo, extracted from Weber 's original Clarinet Quintet, and arranged for Clarinet and Piano by Rose has frequently been included in the set works list at the Paris Conservatoire. Suitable for advanced clarinetists, Fantaisie Et Rondo exploits theinstrument through uses of flourishing semiquaver passages, complex rhythms, varied articulation, ornamentation and use of a wide tessitura, among other aspects. For all advanced, aspiring clarinetists, Rose 's arrangement of Fantaisie Et Rondo for Clarinet and Piano is an exciting addition to the repertoire./ Répertoire / Clarinette en Sib et Piano

for 2 Clarinets and Orchestra. 2 Clarinets and Piano reduction / Ensemble de Clarinettes