Flute, piano SKU: BR.EB-4757 Composed by Julius Rietz. Solo instruments; ...(+)
Flute, piano
SKU:
BR.EB-4757
Composed
by Julius Rietz. Solo
instruments; Softcover.
Edition Breitkopf.
Sonata; Romantic. Score.
48 pages. Breitkopf and
Haertel #EB 4757.
Published by Breitkopf
and Haertel (BR.EB-4757).
ISBN 9790004163146. 9
x 12 inches.
Julius
Rietz succeeded Felix
Mendelssohn Bartholdy as
conductor in Dusseldorf
in 1835, and was also
stylistically indebted to
Mendelssohn as a composer
as well. Rietz began
working in Leipzig in
1847, heading not only
the Singakademie there,
but also the Gewandhaus
concerts beginning in
1848. He also taught
composition at the
Leipzig Conservatory. In
1860 Rietz moved to
Dresden, where he was
active as court
Kapellmeister and later
also assumed the
directorship of the
Conservatory. One finds
works of all genres in
his oeuvre. The Sonata in
G minor op. 42 for flute
and piano was originally
published by Breitkopf
& Hartel in 1876.
(Set of Parts). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Ernst Hert...(+)
(Set of Parts). By Felix
Bartholdy Mendelssohn
(1809-1847). Edited by
Ernst Herttrich. For
String Quintet (Parts).
Henle Music Folios.
Softcover. G. Henle
#HN908. Published by G.
Henle
Orchestra (2.2.2.2.dble
bsn.serp - 2.2.3.0 - timp
- str)
SKU:
BR.PB-5581
Urtext
based on the Leipzig
Mendelssohn Complete
Edition. Composed by
Felix Bartholdy
Mendelssohn. Edited by
Thomas Schmidt.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library).
Symphony; Romantic. Full
score. 140 pages.
Duration 30'. Breitkopf
and Haertel #PB 5581.
Published by Breitkopf
and Haertel (BR.PB-5581).
ISBN 9790004213919. 10
x 12.5 inches.
A
Programmatic Declaration
of BeliefFelix
Mendelssohn Bartholdy
composed his Reformation
Symphony for the
celebrations marking the
300th anniversary of the
Confessio Augustana, the
Protestant declaration of
faith. Owing to various
and only partially
explained reasons, there
was no performance in
1830, the year in
question; it was only two
years later that the
composer conducted the
premiere of his work, now
heavily revised, in
Berlin. There was only
one more performance in
Mendelssohn's lifetime,
this one conducted by
Julius Rietz in
Dusseldorf; the composer
had since distanced
himself from his
opus.Conceived for the
concert hall, the
symphony formulates its
theological references
through the integration
of various motives. This
occurs in the finale, for
example, in which
Mendelssohn quotes the
Luther chorale Ein feste
Burg in the flute, from
where it builds up to a
triumphant principal
theme. The strong
extra-musical aspect must
have been one of the
reasons for the
composer's later
avoidance of this score,
especially since
Mendelssohn was becoming
increasingly skeptical
about explicitly
programmatic music in the
instrumental domain. Next
to the Dusseldorf
performance material of
1837, two scribal copies
have been examined for
the first time; they
transmit the main stages
of the version of
1830.
Violin 2 (2.2.2.2.dble
bsn.serp - 2.2.3.0 - timp
- str)
SKU:
BR.OB-5581-16
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Thomas Schmidt.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Symphony; Romantic. Part.
20 pages. Duration 30'.
Breitkopf and Haertel #OB
5581-16. Published by
Breitkopf and Haertel
(BR.OB-5581-16).
ISBN
9790004343210. 10 x 12.5
inches.
A
Programmatic Declaration
of BeliefFelix
Mendelssohn Bartholdy
composed his Reformation
Symphony for the
celebrations marking the
300th anniversary of the
Confessio Augustana, the
Protestant declaration of
faith. Owing to various
and only partially
explained reasons, there
was no performance in
1830, the year in
question; it was only two
years later that the
composer conducted the
premiere of his work, now
heavily revised, in
Berlin. There was only
one more performance in
Mendelssohn's lifetime,
this one conducted by
Julius Rietz in
Dusseldorf; the composer
had since distanced
himself from his
opus.Conceived for the
concert hall, the
symphony formulates its
theological references
through the integration
of various motives. This
occurs in the finale, for
example, in which
Mendelssohn quotes the
Luther chorale Ein feste
Burg in the flute, from
where it builds up to a
triumphant principal
theme. The strong
extra-musical aspect must
have been one of the
reasons for the
composer's later
avoidance of this score,
especially since
Mendelssohn was becoming
increasingly skeptical
about explicitly
programmatic music in the
instrumental domain. Next
to the Dusseldorf
performance material of
1837, two scribal copies
have been examined for
the first time; they
transmit the main stages
of the version of
1830.
Piano SKU: BR.EB-8319 Composed by Felix Bartholdy Mendelssohn. Edited by ...(+)
Piano
SKU:
BR.EB-8319
Composed
by Felix Bartholdy
Mendelssohn. Edited by
Julius Rietz. Solo
instruments; Softbound.
Edition Breitkopf.
Romantic period. Score.
112 pages. Breitkopf and
Haertel #EB 8319.
Published by Breitkopf
and Haertel (BR.EB-8319).
Violoncello (2.2.2.2.dble
bsn.serp - 2.2.3.0 - timp
- str)
SKU:
BR.OB-5581-23
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Thomas Schmidt.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Symphony; Romantic. Part.
16 pages. Duration 30'.
Breitkopf and Haertel #OB
5581-23. Published by
Breitkopf and Haertel
(BR.OB-5581-23).
ISBN
9790004343234. 10 x 12.5
inches.
A
Programmatic Declaration
of BeliefFelix
Mendelssohn Bartholdy
composed his Reformation
Symphony for the
celebrations marking the
300th anniversary of the
Confessio Augustana, the
Protestant declaration of
faith. Owing to various
and only partially
explained reasons, there
was no performance in
1830, the year in
question; it was only two
years later that the
composer conducted the
premiere of his work, now
heavily revised, in
Berlin. There was only
one more performance in
Mendelssohn's lifetime,
this one conducted by
Julius Rietz in
Dusseldorf; the composer
had since distanced
himself from his
opus.Conceived for the
concert hall, the
symphony formulates its
theological references
through the integration
of various motives. This
occurs in the finale, for
example, in which
Mendelssohn quotes the
Luther chorale Ein feste
Burg in the flute, from
where it builds up to a
triumphant principal
theme. The strong
extra-musical aspect must
have been one of the
reasons for the
composer's later
avoidance of this score,
especially since
Mendelssohn was becoming
increasingly skeptical
about explicitly
programmatic music in the
instrumental domain. Next
to the Dusseldorf
performance material of
1837, two scribal copies
have been examined for
the first time; they
transmit the main stages
of the version of
1830.
Orchestra (2.2.2.2.dble
bsn.serp - 2.2.3.0 - timp
- str)
SKU:
BR.PB-5598-07
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library).
Symphony; Romantic. Study
Score. 132 pages.
Duration 30'. Breitkopf
and Haertel #PB 5598-07.
Published by Breitkopf
and Haertel
(BR.PB-5598-07).
ISBN
9790004214954. 6.5 x 9
inches.
A
Programmatic Declaration
of BeliefFelix
Mendelssohn Bartholdy
composed his Reformation
Symphony for the
celebrations marking the
300th anniversary of the
Confessio Augustana, the
Protestant declaration of
faith. Owing to various
and only partially
explained reasons, there
was no performance in
1830, the year in
question; it was only two
years later that the
composer conducted the
premiere of his work, now
heavily revised, in
Berlin. There was only
one more performance in
Mendelssohn's lifetime,
this one conducted by
Julius Rietz in
Dusseldorf; the composer
had since distanced
himself from his
opus.Conceived for the
concert hall, the
symphony formulates its
theological references
through the integration
of various motives. This
occurs in the finale, for
example, in which
Mendelssohn quotes the
Luther chorale Ein feste
Burg in the flute, from
where it builds up to a
triumphant principal
theme. The strong
extra-musical aspect must
have been one of the
reasons for the
composer's later
avoidance of this score,
especially since
Mendelssohn was becoming
increasingly skeptical
about explicitly
programmatic music in the
instrumental domain. Next
to the Dusseldorf
performance material of
1837, two scribal copies
have been examined for
the first time; they
transmit the main stages
of the version of
1830.
Piano SKU: BR.EB-8317 Composed by Felix Bartholdy Mendelssohn. Edited by ...(+)
Piano
SKU:
BR.EB-8317
Composed
by Felix Bartholdy
Mendelssohn. Edited by
Julius Rietz. Solo
instruments; Softbound.
Edition Breitkopf.
Romantic period. Score.
112 pages. Breitkopf and
Haertel #EB 8317.
Published by Breitkopf
and Haertel (BR.EB-8317).
Piano SKU: BR.EB-8316 Composed by Felix Bartholdy Mendelssohn. Edited by ...(+)
Piano
SKU:
BR.EB-8316
Composed
by Felix Bartholdy
Mendelssohn. Edited by
Julius Rietz. Solo
instruments; Softbound.
Edition Breitkopf.
Romantic period. Score.
124 pages. Breitkopf and
Haertel #EB 8316.
Published by Breitkopf
and Haertel (BR.EB-8316).
Chorus a cappella (solos:
SATBB - choir: SSAATB -
2.2.2.2.dble bsn.serp -
4.2.3.0 - timp - org -
str)
SKU:
BR.CHB-5297-02
Oratorio on Words from
the Holy Scriptures -
Urtext. Composed by
Felix Bartholdy
Mendelssohn. Edited by
Michael Marker. Choir;
Softbound.
Chor-Bibliothek (Choral
Library).
Marker's
Urtext edition is based
on the first edition of
the score from 1835.
Oratorio/passion;
Romantic. Choral score.
84 pages. Duration 130'.
Breitkopf and Haertel
#ChB 5297-02. Published
by Breitkopf and Haertel
(BR.CHB-5297-02).
ISBN
9790004412237. 7.5 x 10.5
inches.
One can
truly say that
Mendelssohn's St. Paul
oratorio is a genuine
work in progress - such
as one finds repeatedly
in the composer's works.
After the world premiere
in Dusseldorf in 1836,
the composer sighed:
Since I changed a number
of things after the
performance, notably in
the recitatives, and
omitted a few pieces
entirely, I really don't
know how these changes
can be made in the
quartet parts that have
already been
engraved.Luckily, the
score had not yet been
printed at this point in
time. It was published
not long afterwards
(1837) and served as the
basis for the old
Complete Edition, where,
however, it was mixed
together with other
sources.Michael Marker's
present Urtext edition
uses the first edition of
the score as the main
source for the first
time. Its inconsistencies
were emended by the
editor in agreement with
other contemporary
sources.By forgoing the
version transmitted by
Julius Rietz (1878), on
which all later
reprintings were based,
in favor of the score of
the first edition of
1835, which was
personally supervised by
the composer, a new
Paulus has come to light:
freed from a number of
conventionalizing,
adulterating retouchings,
at times more angular in
detail and thus more
characteristic. (Michael
Marker about his New
Edition,
1997)
Marker's
Urtext edition is based
on the first edition of
the score from 1835.
By Felix Bartholdy Mendelssohn (1809-1847). Edited by Julius Rietz. For mixed ch...(+)
By Felix Bartholdy
Mendelssohn (1809-1847).
Edited by Julius Rietz.
For mixed choir, vocal
solo(s), orchestra. This
edition: paperback.
Edition Breitkopf. Piano
reduction. 56 pages.
Published by Breitkopf
and Haertel Reduction
Double bass (2.2.2.2.dble
bsn.serp - 2.2.3.0 - timp
- str)
SKU:
BR.OB-5581-27
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Thomas Schmidt.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Symphony; Romantic. Part.
16 pages. Duration 30'.
Breitkopf and Haertel #OB
5581-27. Published by
Breitkopf and Haertel
(BR.OB-5581-27).
ISBN
9790004343241. 10 x 12.5
inches.
A
Programmatic Declaration
of BeliefFelix
Mendelssohn Bartholdy
composed his Reformation
Symphony for the
celebrations marking the
300th anniversary of the
Confessio Augustana, the
Protestant declaration of
faith. Owing to various
and only partially
explained reasons, there
was no performance in
1830, the year in
question; it was only two
years later that the
composer conducted the
premiere of his work, now
heavily revised, in
Berlin. There was only
one more performance in
Mendelssohn's lifetime,
this one conducted by
Julius Rietz in
Dusseldorf; the composer
had since distanced
himself from his
opus.Conceived for the
concert hall, the
symphony formulates its
theological references
through the integration
of various motives. This
occurs in the finale, for
example, in which
Mendelssohn quotes the
Luther chorale Ein feste
Burg in the flute, from
where it builds up to a
triumphant principal
theme. The strong
extra-musical aspect must
have been one of the
reasons for the
composer's later
avoidance of this score,
especially since
Mendelssohn was becoming
increasingly skeptical
about explicitly
programmatic music in the
instrumental domain. Next
to the Dusseldorf
performance material of
1837, two scribal copies
have been examined for
the first time; they
transmit the main stages
of the version of
1830.
Viola (2.2.2.2.dble
bsn.serp - 2.2.3.0 - timp
- str)
SKU:
BR.OB-5581-19
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Thomas Schmidt.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Symphony; Romantic. Part.
16 pages. Duration 30'.
Breitkopf and Haertel #OB
5581-19. Published by
Breitkopf and Haertel
(BR.OB-5581-19).
ISBN
9790004343227. 10 x 12.5
inches.
A
Programmatic Declaration
of BeliefFelix
Mendelssohn Bartholdy
composed his Reformation
Symphony for the
celebrations marking the
300th anniversary of the
Confessio Augustana, the
Protestant declaration of
faith. Owing to various
and only partially
explained reasons, there
was no performance in
1830, the year in
question; it was only two
years later that the
composer conducted the
premiere of his work, now
heavily revised, in
Berlin. There was only
one more performance in
Mendelssohn's lifetime,
this one conducted by
Julius Rietz in
Dusseldorf; the composer
had since distanced
himself from his
opus.Conceived for the
concert hall, the
symphony formulates its
theological references
through the integration
of various motives. This
occurs in the finale, for
example, in which
Mendelssohn quotes the
Luther chorale Ein feste
Burg in the flute, from
where it builds up to a
triumphant principal
theme. The strong
extra-musical aspect must
have been one of the
reasons for the
composer's later
avoidance of this score,
especially since
Mendelssohn was becoming
increasingly skeptical
about explicitly
programmatic music in the
instrumental domain. Next
to the Dusseldorf
performance material of
1837, two scribal copies
have been examined for
the first time; they
transmit the main stages
of the version of
1830.
Piano SKU: BR.EB-8318 Composed by Felix Bartholdy Mendelssohn. Edited by ...(+)
Piano
SKU:
BR.EB-8318
Composed
by Felix Bartholdy
Mendelssohn. Edited by
Julius Rietz. Solo
instruments; Softbound.
Edition Breitkopf.
Romantic period. Score.
96 pages. Breitkopf and
Haertel #EB 8318.
Published by Breitkopf
and Haertel (BR.EB-8318).
Woodwinds (2.2.2.2.dble
bsn.serp - 2.2.3.0 - timp
- str)
SKU:
BR.OB-5581-30
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Thomas Schmidt.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
Symphony; Romantic. Set
of parts. 168 pages.
Duration 30'. Breitkopf
and Haertel #OB 5581-30.
Published by Breitkopf
and Haertel
(BR.OB-5581-30).
ISBN
9790004343258. 10 x 12.5
inches.
A
Programmatic Declaration
of BeliefFelix
Mendelssohn Bartholdy
composed his Reformation
Symphony for the
celebrations marking the
300th anniversary of the
Confessio Augustana, the
Protestant declaration of
faith. Owing to various
and only partially
explained reasons, there
was no performance in
1830, the year in
question; it was only two
years later that the
composer conducted the
premiere of his work, now
heavily revised, in
Berlin. There was only
one more performance in
Mendelssohn's lifetime,
this one conducted by
Julius Rietz in
Dusseldorf; the composer
had since distanced
himself from his
opus.Conceived for the
concert hall, the
symphony formulates its
theological references
through the integration
of various motives. This
occurs in the finale, for
example, in which
Mendelssohn quotes the
Luther chorale Ein feste
Burg in the flute, from
where it builds up to a
triumphant principal
theme. The strong
extra-musical aspect must
have been one of the
reasons for the
composer's later
avoidance of this score,
especially since
Mendelssohn was becoming
increasingly skeptical
about explicitly
programmatic music in the
instrumental domain. Next
to the Dusseldorf
performance material of
1837, two scribal copies
have been examined for
the first time; they
transmit the main stages
of the version of
1830.
Violin 1 (2.2.2.2.dble
bsn.serp - 2.2.3.0 - timp
- str)
SKU:
BR.OB-5581-15
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Thomas Schmidt.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Symphony; Romantic. Part.
20 pages. Duration 30'.
Breitkopf and Haertel #OB
5581-15. Published by
Breitkopf and Haertel
(BR.OB-5581-15).
ISBN
9790004343203. 10 x 12.5
inches.
A
Programmatic Declaration
of BeliefFelix
Mendelssohn Bartholdy
composed his Reformation
Symphony for the
celebrations marking the
300th anniversary of the
Confessio Augustana, the
Protestant declaration of
faith. Owing to various
and only partially
explained reasons, there
was no performance in
1830, the year in
question; it was only two
years later that the
composer conducted the
premiere of his work, now
heavily revised, in
Berlin. There was only
one more performance in
Mendelssohn's lifetime,
this one conducted by
Julius Rietz in
Dusseldorf; the composer
had since distanced
himself from his
opus.Conceived for the
concert hall, the
symphony formulates its
theological references
through the integration
of various motives. This
occurs in the finale, for
example, in which
Mendelssohn quotes the
Luther chorale Ein feste
Burg in the flute, from
where it builds up to a
triumphant principal
theme. The strong
extra-musical aspect must
have been one of the
reasons for the
composer's later
avoidance of this score,
especially since
Mendelssohn was becoming
increasingly skeptical
about explicitly
programmatic music in the
instrumental domain. Next
to the Dusseldorf
performance material of
1837, two scribal copies
have been examined for
the first time; they
transmit the main stages
of the version of
1830.
![Symphony No. 5 in D minor [Op. 107] MWV N 15 (Reformation Symphony)](https://www.sheetmusicplus.com/dw/image/v2/BJFX_PRD/on/demandware.static/-/Sites-smp-main/default/dw477e4352/images/4710/20474710_cover-large_file.png)
![Symphony No. 5 in D minor [Op. 107] MWV N 15 (Reformation Symphony)](https://www.sheetmusicplus.com/dw/image/v2/BJFX_PRD/on/demandware.static/-/Sites-smp-main/default/dw05ea7f81/images/4669/20474669_cover-large_file.png)
![Symphony No. 5 in D minor [Op. 107] MWV N 15 (Reformation Symphony)](https://www.sheetmusicplus.com/dw/image/v2/BJFX_PRD/on/demandware.static/-/Sites-smp-main/default/dw641bc67c/images/4671/20474671_cover-large_file.png)
![Symphony No. 5 in D minor [Op. 107] MWV N 15 (Reformation Symphony)](https://www.sheetmusicplus.com/dw/image/v2/BJFX_PRD/on/demandware.static/-/Sites-smp-main/default/dw1ddda5d0/images/2286/22002286_cover-large_file.png)
![Symphony No. 5 in D minor [Op. 107] MWV N 15 (Reformation Symphony)](https://www.sheetmusicplus.com/dw/image/v2/BJFX_PRD/on/demandware.static/-/Sites-smp-main/default/dw13f12321/images/4672/20474672_cover-large_file.png)
![Symphony No. 5 in D minor [Op. 107] MWV N 15 (Reformation Symphony)](https://www.sheetmusicplus.com/dw/image/v2/BJFX_PRD/on/demandware.static/-/Sites-smp-main/default/dw8d4531c8/images/4670/20474670_cover-large_file.png)
![Symphony No. 5 in D minor [Op. 107] MWV N 15 (Reformation Symphony)](https://www.sheetmusicplus.com/dw/image/v2/BJFX_PRD/on/demandware.static/-/Sites-smp-main/default/dw79bc486f/images/4673/20474673_cover-large_file.png)
![Symphony No. 5 in D minor [Op. 107] MWV N 15 (Reformation Symphony)](https://www.sheetmusicplus.com/dw/image/v2/BJFX_PRD/on/demandware.static/-/Sites-smp-main/default/dw17eb3c4c/images/4668/20474668_cover-large_file.png)
