Par WENIGER PETER. This CD (including music booklet) has not especially been worked out for the use in musical education. It is, on the contrary, an audio CD which has been recorded for sale as a trio CD under my name. Mixing the recordings at the studio, however, gave us the idea to offer this CD Legal Paradizer also as a play along CD. For this reason I have never taken a pedagogic approach to the musical conception of the pieces performed, which, in my opinion, is exactly what makes these recordings so unique. The structure of none of the pieces is, for instance, as simple as that of the tunes on some other play along CDs. Therefore, I have taken the liberty of adding a short explanationand/or comment on every piece meant to make it easier for you to follow the road map of the tunes. Additionally I have explained some stylistic features to help you interprete the individual pieces. Working with my students has shown me how much fun it can be to also offer groove and funk oriented music on a CD to play along. In most of the pieces you do not necessarily have to follow the changes; you should rather develop simple ideas in time. A real strong emphasis is here placed on the term groove./ Recueil / Instruments en Sib

Par SCHWARZ OTTO M.. The play-along book ?Playing with the Concert Band VOL. I? has been designed for Flute, Bb Clarinet, Oboe, Bassoon, Eb Alto Saxophone, Bb Trumpet, F Horn, C Trombone, Bb Euphonium, C Euphonium, Tuba, Mallets Percussion and Timpani /Percussion. The original concert band part for each instrument with some additional parts is printed in its own edition. The concert band recordings were performed by an 50-strong professional wind band, the Luxembourg Military Band, conducted by Lieutenant Colonel Jean-Claude Braun. The series includes the newest works by the composer Otto M. Schwarz, such as Anima Negra, Symphonic Suite from ?Die Jungen von der Paulstrasse?, The Pied Piper of Hamelin and Symphonic Suite from ?1805 - A Town´s Tale?. / Date parution : 2022-02-17/ Recueil / Clarinette en Bb

Arrangeur: Florian Bramböck. Par DIVERS AUTEURS / BRAMBOCK FLORIAN (ARR.). When you explore the contents of this book you will immerse yourself in the exotic world of Afro-Latin-Jazz, an exciting form of music fusing African and Caribbean dance rhythms with American Jazz. Latin music has roots not only in Central and South-American folk music but is also strongly influenced by music from Africa. In particular the rhythmic richness and exotic flavour of Afro-Latin-Jazz can be traced to the traditions of African music, which left its characteristic mark during the colonial period in America. These easy to moderately difficult clarinet duos serve as an introduction to the genre presenting some Latin and African grooves. Original compositions as well as arrangements of well-known melodies will introduce new sound and rhythmic elements to help develop your technique and ensemble playing. Above all however, this lively and varied music should be fun!/ Recueil / 2 Clarinettes

The clarinet method op. 63 by Carl Baermann from 1867 is still a standard work in classical clarinet education today. The thoroughly revised new edition aims at reviewing the educational concept, which is still valid today, for modern lessons, adjusting the music and texts, and sensibly complementing the teaching contents.The editor who draws on many years of experience as a clarinettist in an orchestra and university lecturer of clarinet has succeeded in adapting the valuable teaching material to the requirements of today while maintaining the basic methodology. The result is a total of 7 volumes:Clarinet Method Vol. 1 and Vol. 2 (ED 21761, ED 21762)Clarinet Method Vol. 1 and Vol. 2, with 2 CDs each (ED 21761-50, ED 21762-50): The CDs contain the piano accompaniment for the performance pieces, with and without clarinetTune Book 1 and 2 (ED 21763, ED 21764): piano score of the method's performance pieces, with additional inserted clarinet partDaily Exercises (ED 21765): systematic scale, interval and chord exercises in all keys, complemented and published separately from the original methodDue to trilingual nature of all editions (German, English, French), they can be used universally.About the revision:The musical text is based on the first edition of the method. Only a few differences concerning the articulation as well as some misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. The content of the text and the performance directions of the original were linguistically modernized and occasionally extended by further ideas from the teaching practice, such as concepts for warming up, breathing exercises, literature suggestions or tips for daily practising. Further additions of scale and triad studies in all major and minor keys make this method a comprehensive and thorough work of study which not only serves as teaching material for young and adult beginners, but is also a valuable compendium of scale exercises and studies for advanced musicians and is ideal for training velocity and dexterity.The Clarinet Method Vols. 1 and 2 contain not only scales and technical fingering exercises but also Baermann's popular performance pieces, like Romanze (No. 14), which are ideal as performance pieces, yet at the same time train both technique and musical expressiveness. The systematic scale, interval and chord exercises in all keys, however, were removed and are published separately in the volume Daily Exercises (ED 21765) for reasons of clarity.The two textbooks are available with or without CDs. The editions with CDs contain two audio CDs each which were recorded live by the editor and which contain a classic audio version of each performance piece as well as a pure piano version for playing along. / Clarinette

Par RAE JAMES. Studies in classical, jazz, rock and latin styles Following the success of the recently published volume for saxophone - including its selection for the new Associated Board examinations (grades 1 - 5), this version for clarinet will provide players from grade 1 to intermediate level with their own style 'workouts'. 40 original studies are grouped together in four sections - Classical, Jazz, Rock and Latin - all in player-friendly keys to maximize concentration on STYLE. James Rae includes hints and tips with each piece and a Listening List to support his strong advice that listening to all types of music is essential for acquiring a 'feel' for musical style. Inspiring and fun workouts. / Musique latine / Etude / Clarinette

Toccata, Adagio e Fuga per quartetto di clarinetti. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Date parution : 1905-06-17/ Répertoire / 4 Clarinettes

Arrangeur: Alan Bern_Thomas Christian David. This collection of duets arranged for clarinet and accordion is a comprehensive introduction to the Jewish musical tradition of klezmer. Pedagogically valuable, the collection inspires players to experience and understand the tradition on a deeper level. The seamless blend of composition and player - a characteristic feature of klezmer - makes Yiddish folk music especially enticing. The characteristic mix of traditional themes (which are imaginatively developed and varied), hidden agogics, narrative style, and a wealth of sound possibilities make this genre truly unique. This explains the diversity of the 10 pieces that have been selected and arranged by the editors Christian Dawid and Alan Bern. The collection contains dancing, emotional, solemn, and lively pieces, with a stylistic complexity spanning from simple tunes to energetic rhythms. The melody, phrasing and ornamentation are to be understood as a natural representation of the human voice, which makes these pieces especially well-suited for the clarinet. The player must produce a clearly articulated sound and maintain a singing tone quality throughout. The development of technical ease and a strong rhythmic pulse add to the interesting challenge of truly understanding the art of klezmer. - Ten intermediate-level, traditional Klezmer pieces - The included detailed instructions and phrasings help players realize the typical rich expressiveness of Klezmer music - Both instruments are equally important - Tips for every piece are provided by the Klezmer specialists Christian Dawid (clarinet) and Alan Bern (accordion) The editors have recorded videos to demonstrate the authentic interpretation of klezmer./ Recueil / Clarinette et Accordéon

Santorella Publications est fier de présenter 101 Popular Songs for Clarinet. Après d'innombrables demandes que nous avons tout rassemblé sous un même toit. Il a été depuis des décennies en laiton ou joueur roseau pouvaient trouver tant de chansons reconnaissables de genres variés en une seule collection.Egalement disponible en touches accueillir pour Trompette, Flute, Alto Sax and Trombone à la fois en solo et en duo formes.101 Popular Songs comprend une variété de classiques bien connus originales, classiques de mariage, hymnes sacrés, chants patriotiques, des standards de jazz et chants de Noël. Chaque édition comprend trois (3) Accompagnement Piano CD - avec plus de 100 titres dont des duos classiques et jazz. Chaque joueur de cor aura une occasion unique de jouer avec les plus grands musiciens de studio à Los Angeles. Chaque édition est orientée vers un instrument particulier dans les sections Duets Classique and Jazz, qui est enregistré dans un mode de 'Music Minus One'. / Clarinette

Une grande sélection de chansons à succès d'Abba, Blondie, Dido, Coldplay, Delta Goodrem, David Gray, Norah Jones, George Michael, Kylie Minogue, Elvis Presley, Justin Timberlake, U2 et beaucoup, beaucoup plus graphique-topping artistes. Tout arrangé pour solo de clarinette, par Jack Long. / Clarinette / 112 pages / Partition