Alexander Zemlinsky is mainly known for his operas and orchestral songs with their opulent late Romantic orchestration. His earlier, inspired hit, the Trio for Clarinet op. 3, written in 1896, owes a great deal to his first important role model Johannes Brahms as far as inflection and instrumentation are concerned. And it was none other than Brahms himself who enthusiastically recommended the trio to his publisher Simrock, following the first performance in Vienna. As the autograph has disappeared, our edition follows the musical text in the first edition. It underwent careful examination and was cleared of numerous, partly blatant engraver's errors. Alongside the piano score, our edition comprises a part for clarinet in Bb/A, an authentic alternative part for violin as well as a cello part. / Trio De Pianos

Scored for clarinet, cello and piano Clarinet Trio (BH 12624) is in three movements, with a total duration of 20 minutes. The first movement, 'Ljud stort, ljud' (Sound big, sound), was commissioned in 2008 to celebrate the centenary of Svenska kulturfonden. 'Som det stilla vi söker' (Like the tranquillity we seek) and 'Slå våg, slå' (Crash wave, crash) were commissioned in the same year by the Bergen International Festival. Piano Trio (BH 12982) is the same work adapted by the composer in 2011-12 for violin, cello and piano.Note that the piano and cello parts are not interchangeable between the respective versions. / Clarinette, Violoncelle Et Piano

Based on Robert Schumann. Neue Ausgabe sämtlicher Werke, Band II/3. Par SCHUMANN ROBERT. The Fairy-Tale Narratives (Märchenerzählungen) for B-flat Clarinet (ad libitum Violin), Viola and Piano, Op. 132, belong to the few Schumann works that were composed, revised and published in a short time: composed in Düsseldorf, at beginning of October 1853, the new composition was already offered for publication to the Breitkopf & Härtel publishing house on 3 November and printed in February 1854. Composition and publication of the Märchenerzählungen were accompanied, though, by difficult times, the final days before the composer was admitted to the psychiatric clinic in Endenich. The work’s reception lies in the shadow of the last creative period: The pieces were associated with his life’s darker phases and were very little played. The Märchenerzählungen transmit Schumann’s single work for this unusual piano trio with viola and clarinet. The only well-known earlier example in this setting at that time is Mozart’s “Kegelstatt” Trio K 498 (composed in 1786). Schumann was certainly already acquainted with the work from his Leipzig years – it was played in one of the “quartet sessions” in 1829. / Niveau : Intermédiaire à Avancé / Répertoire / Clarinette, Alto et Piano

À l'origine, Christian Jost voulait devenir astronaute, mais il ne fonctionnait pas. Au lieu de cela, il devient un des compositeurs plus réussies de la jeune génération. Sa dernière oeuvre de musique de chambre, ' eingefroren ', est ouvrant une voie musicale dans la mémoire humaine. Répartie uniformément sur tous les trois instruments, des fragments de clignotants des motifs et des phrases courtes de film ressemblant à des souvenirs stockés dans l'inconscient sont scintillement. / Clarinette, Violon Et Piano

2006 est l'année du 250e anniversaire de la naissance du compositeur autrichien de génie Wolfgang Amadeus Mozart. Play Mozart contient une sélection de ses plus célèbres oeuvres ou mélodies. Les adaptations ont été réalisées dans le respect de l'oeuvre originale tout en répondant aux exigences de chaque instrument. Laissez la magie de la musique de Mozart opérer ! / Clarinette / 28 pages / niveau : Facile - Elémentaire / Partition + Cd