Madrigalum Fanfare [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Fanfare Band - Grade 4 SKU: BT.AMP-143-020 Composed by Philip Sparke. Ang...(+)
Fanfare Band - Grade 4
SKU:
BT.AMP-143-020
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Set (Score &
Parts). Composed 2006.
Anglo Music Press #AMP
143-020. Published by
Anglo Music Press
(BT.AMP-143-020).
9x12
inches.
English-German.
The
idea behind this work was
to create an opening
piece, something to start
a concert in an unusual
way. The title is a
portmanteau word derived
from madrigal. The work
indeed begins in
Renaissance mood however
gradually tries to shake
of its modal start and,
by contrasting different
instrumental families,the
work changes into modern
clothes.Why not add a
little Renaissance
splendor to any concert
with this unique new
work?
De titel
Madrigalum is
afgeleid van de term
madrigaal - en dit
openingswerk begint
inderdaad in een
renaissancistische sfeer,
aanvankelijk met
slagwerk. Een
fanfareachtig motief,
ingezet door een
solotrompet, is gebaseerd
ophet ritmische motief
dat de aanvang van veel
zestiende-eeuwse
madrigalen kenmerkt (een
lange toon en twee korte
tonen). Maar het werk
schudt zijn modale start
van zich af: met
contrasten tussen
verschillende
instrumentgroepen
veranderthet van richting
en hult zich in een
modern jasje. Een legato
gedeelte vestigt de
aandacht op de zachter
klinkende instrumenten in
afwisseling met het
madrigaalritme - tot een
complete omschakeling
naar een sneller coda
leidt,waarmee het werk
besluit.
Dem Titel
entsprechend, beginnt
dieses Eröffnungswerk
im Renaissance-Stil in
den Schlaginstrumenten
mit einer fanfareartigen
Figur in einer
Solotrompete. Dann
entwickelt sich die Musik
jedoch hin zu moderneren
Klängen. Dann wechselt
sich ein Legato mit dem
schnelleren
Madrigalrhythmus ab,
bevor das Stück noch
einmal die Richtung
ändert und in einer
schnellen Coda endet. Ein
ungewöhnlicher, viel
versprechender Auftakt
für Ihr Konzert!
Questo brano di
apertura è insolito e
originale. Il titolo è
un acronimo derivato dal
termine madrigale, una
forma musicale apparsa
nel XVI secolo.
Madrigalum apre al
suono delle percussioni,
in uno stile
rinascimentale. La tromba
espone un motivo di
fanfara ispirato da una
figura ritmica
caratteristica di
numerosi madrigali
dell’epoca. La
struttura abbandona
progressivamente la sua
forma modale per
sviluppare un dialogo
strumentale contrastante
e contrastato che d al
brano una forma più
moderna. Un passaggio
legato evidenzia gli
strumenti dalle sonorit
più calde e si alterna
con motivi ritmici del
madrigale, prima di
imporre un cambiamento
assoluto del carattere
cheaccompagna il brano ad
un finale eclatante.
Composed by Gustav Mahler (1860-1911). Edited by Andreas Ottensamer. Arranged by...(+)
Composed by Gustav Mahler
(1860-1911). Edited by
Andreas Ottensamer.
Arranged by Ronald
Kornfeil. The Clarinet
Collection. Contemporary.
Score and part(s). With
Standard notation. 36
pages. Universal Edition
#UE36431. Published by
Universal Edition
(PR.UE036431).
Composed by Jacques-Francois Ibert (1890-1962). Edited by Wesley Roberts. For Pi...(+)
Composed by
Jacques-Francois Ibert
(1890-1962). Edited by
Wesley Roberts. For
Piano. Book; Masterworks;
Piano Collection; Solo.
Alfred Masterwork
Edition. 20th Century;
Impressionistic;
Masterwork. Advanced. 40
pages. Published by
Alfred Music
(LEHRARBB) SKU: HL.49032796 Ein mehrstufiges Lehrsystem fur den Musiku...(+)
(LEHRARBB)
SKU:
HL.49032796
Ein
mehrstufiges Lehrsystem
fur den Musikunterricht
in allgemeinbildenden
Schulen. Composed by
Heinz-Christian Schaper.
This edition: Saddle
stitching. Book. Edition
Schott. Teacher's
edition. 48 pages. Schott
Music #ED 8813. Published
by Schott Music
(HL.49032796).
ISBN
9783795723255.
German.
Ein
umfassendes Lehrsystem
von der 2. bis zur 13.
Jahrgangsstufe mit
zugeordneten Ton- und
Bildmedien fur den
Unterricht. Die
Einfuhrung in die
traditionelle Musiklehre
und Neue Musik ist so
knapp vorgenommen, dass
zur Vermittlung des
Stoffs auf der jeweiligen
Stufe nur ein Drittel der
in den Stundentafeln
vorgesehenen
Unterrichtszeit benotigt
wird.Traditionelle
Musiklehre und Neue Musik
werden lernokonomisch und
anwendungsbezogen
entwickelt. Im
Vordergrund steht die
Hinfuhrung des Lernenden
zu kreativer
Beschaftigung mit Musik.
Auf der Grundlage eines
sich systematisch
aufbauenden Grundwissens
der Musiklehre hat der
Fachlehrer viele
Moglichkeiten, weitere
Problemstellungen aus der
Musik einzubeziehen.
Madrigalum Fanfare [Conducteur] - Intermédiaire Anglo Music
Fanfare Band - Grade 4 SKU: BT.AMP-143-120 Composed by Philip Sparke. Ang...(+)
Fanfare Band - Grade 4
SKU:
BT.AMP-143-120
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Score Only.
Composed 2006. Anglo
Music Press #AMP 143-120.
Published by Anglo Music
Press (BT.AMP-143-120).
9x12 inches.
English-German.
The
idea behind this work was
to create an opening
piece, something to start
a concert in an unusual
way. The title is a
portmanteau word derived
from madrigal. The work
indeed begins in
Renaissance mood however
gradually tries to shake
of its modal start and,
by contrasting different
instrumental families,the
work changes into modern
clothes.Why not add a
little Renaissance
splendor to any concert
with this unique new
work?
Dem Titel
entsprechend, beginnt
dieses Eröffnungswerk
im Renaissance-Stil in
den Schlaginstrumenten
mit einer fanfareartigen
Figur in einer
Solotrompete. Dann
entwickelt sich die Musik
jedoch hin zu moderneren
Klängen. Dann wechselt
sich ein Legato mit dem
schnelleren
Madrigalrhythmus ab,
bevor das Stück noch
einmal die Richtung
ändert und in einer
schnellen Coda endet. Ein
ungewöhnlicher, viel
versprechender Auftakt
für Ihr Konzert!
Questo brano di
apertura è insolito e
originale. Il titolo è
un acronimo derivato dal
termine madrigale, una
forma musicale apparsa
nel XVI secolo.
Madrigalum apre al
suono delle percussioni,
in uno stile
rinascimentale. La tromba
espone un motivo di
fanfara ispirato da una
figura ritmica
caratteristica di
numerosi madrigali
dell’epoca. La
struttura abbandona
progressivamente la sua
forma modale per
sviluppare un dialogo
strumentale contrastante
e contrastato che d al
brano una forma più
moderna. Un passaggio
legato evidenzia gli
strumenti dalle sonorit
più calde e si alterna
con motivi ritmici del
madrigale, prima di
imporre un cambiamento
assoluto del carattere
cheaccompagna il brano ad
un finale eclatante.
Orpheus in the Underworld Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1053830-010 Composed by Jacqu...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1053830-010
Composed by Jacques
Offenbach. The Great
Classics. Transcription.
Set (Score & Parts).
Composed 2005. De Haske
Publications #DHP
1053830-010. Published by
De Haske Publications
(BT.DHP-1053830-010).
English-German-French-
Dutch.
Jacques
Offenbach was born in
1819 in Cologne, Germany,
but as a child he moved
to Paris where he
received a thorough
musical education. In his
operetta Orpheus in the
Underworld, Offenbach
parodies the famous Greek
legend of Orpheus and
Euridice. Indirectly,
however, he criticises
the complacency of many
of his contemporaries.
The overture was not
written entirely by
Offenbach, Carl Binder
added various pieces to
it for a Viennese
production of this
operetta in 1860 and
since then, these pieces
have remained part of the
composition. This
appealing transcription
includes the famous Can
Can which is sure to get
your audience high
kicking in the
aisles!
Jacques Offenbach
(1819-1880) coltivava
l’arte di
ironizzare sulla
frivolezza delle
abitudini parigine,
sull’amore, sulla
vita politica e la vita
militare. La sua operetta
Orfeo agli Inferni (1858)
è una parodia del mito
greco di Orfeo ed
Euridice, ma dietro la
facciata
dell’antichit , si
abbandona ad una critica
severa del comportamento
di sufficienza di
numerosi suoi
contemporanei.
L’Ouverture come
noi la conosciamo oggi,
non è la versione
originale di Offenbach,
ma una versione
completata da Carl Binder
per una produzione a
Vienna nel 1860. Wil van
der Beek ne ha realizzato
una trascrizione
irresistibile che
contiene il brillante
Cancan, una delle pagine
più celebri
dellospartito.
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1053830-140 Composed by Jacqu...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1053830-140
Composed by Jacques
Offenbach. The Great
Classics. Transcription.
Score Only. Composed
2005. 44 pages. De Haske
Publications #DHP
1053830-140. Published by
De Haske Publications
(BT.DHP-1053830-140).
English-German-French-
Dutch.
Jacques
Offenbach was born in
1819 in Cologne, Germany,
but as a child he moved
to Paris where he
received a thorough
musical education. In his
operetta Orpheus in the
Underworld, Offenbach
parodies the famous Greek
legend of Orpheus and
Euridice. Indirectly,
however, he criticises
the complacency of many
of his contemporaries.
The overture was not
written entirely by
Offenbach, Carl Binder
added various pieces to
it for a Viennese
production of this
operetta in 1860 and
since then, these pieces
have remained part of the
composition. This
appealing transcription
includes the famous Can
Can which is sure to get
your audience high
kicking in the
aisles!
Jacques Offenbach
(1819-1880) coltivava
l’arte di
ironizzare sulla
frivolezza delle
abitudini parigine,
sull’amore, sulla
vita politica e la vita
militare. La sua operetta
Orfeo agli Inferni (1858)
è una parodia del mito
greco di Orfeo ed
Euridice, ma dietro la
facciata
dell’antichit , si
abbandona ad una critica
severa del comportamento
di sufficienza di
numerosi suoi
contemporanei.
L’Ouverture come
noi la conosciamo oggi,
non è la versione
originale di Offenbach,
ma una versione
completata da Carl Binder
per una produzione a
Vienna nel 1860. Wil van
der Beek ne ha realizzato
una trascrizione
irresistibile che
contiene il brillante
Cancan, una delle pagine
più celebri
dellospartito.
79
Stucke leicht
gesetzt. Edited by
Walter Wilhelm Goetze.
This edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. 64 pages.
Schott Music #ED 4468.
Published by Schott Music
(HL.49004905).
ISBN
9790001052238.
5.5x7.5x0.175 inches.
German.
Die
Sammlung erfullt den
Wunsch vieler
Gitarristen, bekannte
Volkslieder nicht nur zum
Gesang zu begleiten,
sondern auf seinem
Instrument allein spielen
zu konnen.Sie ist
besonders als
Vorbereitung auf das
solistische Gitarrespiel
gedacht und kann im
Unterricht neben jeder
Schule verwendet werden.
Zugunsten einer leichten
Spielbarkeit wurden
Barregriffe, Griffwechsel
u.a. vermieden.Mit
einigen gitarremassigen
Doppelgriffen, den
gebrauchlichen Akkorden -
alles durch Fingersatze
unterstutzt - wird sich
der Spieler sehr bald
abfinden.
22 art songs for diploma- level performance. Composed by Various. Edited by L...(+)
22 art songs for
diploma-
level performance.
Composed
by Various. Edited by
Luise
Horrocks. Classical.
Collection / Songbook.
Trinity College London
#TCL019981. Published by
Trinity College London
22 art songs for diploma- level performance. Composed by Various. Edited by L...(+)
22 art songs for
diploma-
level performance.
Composed
by Various. Edited by
Luise
Horrocks. Classical.
Collection / Songbook.
Trinity College London
#TCL019974. Published by
Trinity College London