Piano Duet - Grade 3-5 SKU: ST.C480 Composed by Antonio Vivaldi. Arranged...(+)
Piano Duet - Grade 3-5
SKU: ST.C480
Composed by Antonio
Vivaldi. Arranged by Mark
Goddard. Piano and
keyboard music. Easy
Piano Duets. Collection.
Clifton Edition #C480.
Published by Clifton
Edition (ST.C480).
ISBN
9790570814800.
The
Easy Piano Duets Series
presents a selection of
sensitively arranged
piano duets, each with
optional backing tracks.
In the interests of
playability, these two
wonderful tunes have been
simplified, while still
allowing the spirit of
the originals to shine
through.
Vivaldiâ
??s The Four Seasons (Le
quattro stagioni) is the
name given to the four
violin concertos Opus 8,
No. 1â??4. Composed in
1723, they remain among
the most popular
concertos in all music.
The texture of each
movement is varied,
resembling its respective
season. For example,
â??Winterâ?? is dark
and sombre, whereas
â??Summerâ?? invokes a
thunderstorm in its final
movement. Vivaldi wrote
four sonnets to be read
with the concerti â??
here translated into
English overleaf.
Concert Band Concert Band - Grade 2 SKU: FJ.B1141S Score Only. Arr...(+)
Concert Band Concert Band
- Grade 2
SKU:
FJ.B1141S
Score
Only. Arranged by
Craig Alberty. Concert
Band. FJH Young Band.
Christmas; Holiday Pops.
Score. Duration 2:30. The
FJH Music Company Inc
#98-B1141S. Published by
The FJH Music Company Inc
(FJ.B1141S).
English.
Perfect
for the holiday season,
Quietly Come and Whisper
is a beautiful and
sensitive setting of a
famous holiday carol.
Well within the range and
rhythmic abilities of
young bands, this piece
offers beautiful lyrical
lines and suspensions. A
key change from E-flat to
F leads to a soft
conclusion. (2:30).
About FJH
Young
Band
Appro
priate for middle school
and smaller high school
groups. Second clarinets
usually stay below the
break. Parts are written
with more independence,
and instrumentation
increases slightly. There
is still adequate
doubling in the lower
voices. Grades 2 -
2.5
By Johann Sebastian Bach (1685-1750). Arranged by Alfred Reed. For concert band....(+)
By Johann Sebastian Bach
(1685-1750). Arranged by
Alfred Reed. For concert
band. Concert Band. Bach
Series arranged by Alfred
Reed. Sacred,
Transcription. Grade 3.
Score and set of parts.
Composed 1988. Duration 4
minutes, 34 seconds.
Published by C.L.
Barnhouse
Sheep May Safely Graze Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Alfred Publishing
By Johann Sebastian Bach (1685-1750). Arranged by Andrew H. Dabczynski. Orchestr...(+)
By Johann Sebastian Bach
(1685-1750). Arranged by
Andrew H. Dabczynski.
Orchestra. Masterworks;
String Orchestra.
HighlandåÊString
Explorer. Form:
Transcription. Baroque;
Masterwork Arrangement.
Grade 1.5. Conductor
Score and Parts. 72
pages. Published by
Alfred Music Publishing
Piano Duet - Grade 2-4 SKU: ST.C481 Composed by Johann Pachelbel. Arrange...(+)
Piano Duet - Grade 2-4
SKU: ST.C481
Composed by Johann
Pachelbel. Arranged by
Mark Goddard. Piano and
keyboard music. With
optional backing tracks.
Collection. Clifton
Edition #C481. Published
by Clifton Edition
(ST.C481).
ISBN
9790570814817.
The
Easy Piano Duets Series
presents a selection of
sensitively arranged
piano duets, each with
optional backing tracks.
In the interests of
playability, these two
wonderful tunes have been
simplified, while still
allowing the spirit of
the originals to shine
through.
In the
interests of playability,
the strict formality of
Pachelbelâ??s Canon has
been relaxed while
allowing the spirit of
the original to shine
through. The key has been
simplified from D major
to C major and the
seventeenth century
rhythmic notation updated
to improve readability.
The optional backing
tracks allow for small 12
bar sections (between
each of the rehearsal
letters) to be practised
both â??slowlyâ??
(crotchet = 70 with
metronome click) and
â??a tempoâ?? (crotchet
= 84), before putting the
whole piece together â??
ideally in the company of
another
human!
From A Time for Alleluia. Arranged by Joseph M. Martin. For SATB choir, flute an...(+)
From A Time for Alleluia.
Arranged by Joseph M.
Martin. For SATB choir,
flute and piano/orchestra
accompaniment. General,
Holy Week, Lent. Octavo.
Published by Shawnee
Press.
Concert band - Grade 3 SKU: MH.1-59913-054-8 Composed by Bob Margolis. Su...(+)
Concert band - Grade 3
SKU:
MH.1-59913-054-8
Composed by Bob Margolis.
Suitable for advanced
middle school, high
school, community and
college bands. Conductor
score and set of parts.
Duration 4:45. Published
by Manhattan Beach Music
(MH.1-59913-054-8).
ISBN
9781599130545.
Roya
l Coronation Dances is
the first sequel to the
Fanfare Ode & Festival,
both being settings of
dance music originally
arranged by Gervaise in
the mid 16th-century (the
next sequel is The
Renaissance Fair, which
uses music of Susato and
Praetorius). Fanfare Ode
& Festival has been
performed by many tens of
thousands of students,
both in high school and
junior high school. I
have heard that some of
them are amazed that the
music they are playing
was first played and
danced to over 400 years
ago. Some students tend
to think that music
started with Handel and
his Messiah to be
followed by Beethoven and
his Fifth Symphony, with
naught in between or
before of consequence.
Although Royal Coronation
Dances is derived from
the same source as
Fanfare Ode & Festival,
they are treated in
different ways. I
envisioned this new suite
programmatically -- hence
the descriptive movement
titles, which I imagined
to be various dances
actually used at some
long-ago coronation. The
first movement depicts
the guests, both noble
and common, flanked by
flag and banner bearers,
arriving at the palace to
view the majestic event.
They are festive, their
flags swirling the air,
their cloaks brightly
colored. In the second
movement, the queen in
stately measure moves to
take her place on the
throne as leader and
protector of the realm.
In the third movement,
the jesters of the court
entertain the guests with
wild games of sport.
Musically, there are
interesting sonorities to
recreate. Very special
attention should be given
to the tambourine/tenor
drum part in the first
movement. Their lively
rhythms give the movement
its power. Therefore they
should be played as
distinctly and
brilliantly as possible.
The xylophone and
glockenspiel add clarity,
but must not be allowed
to dominate. Observe
especially the differing
dynamics; the intent is
to allow much buzzing
bass to penetrate. The
small drum (starting at
meas. 29) should be
played expressively, with
attention to the notated
articulations, with the
brass light and detached,
especially in a lively
auditorium. It is of some
further interest that the
first dance is extremely
modal. The original is
clearly in G mixolydian
mode (scale:
G-A-B-C-D-E-F-G).
However, other editors
might put in F-sharps in
many places (changing the
piece almost to G major),
in the belief that such
ficta would have been
automatically put in by
the 16th-century
performers as they
played. I doubt it. I
have not only eschewed
these within the work,
but even at the cadences.
So this arrangement is
most distinctly modal
(listen to the F-naturals
in meas. 22 and 23, for
instance), with all the
part-writing as Gervaise
wrote it. In the second
movement, be careful that
things do not become too
glued together. In the
16th century this music
might have been played by
a consort of recorders,
instruments very light of
touch and sensitive to
articulation. Concert
band can easily sound
heavy, and although this
movement has been scored
for tutti band, it must
not sound it. It is
essential, therefore,
that you hear all the
instruments, with none
predominating. Only when
each timbre can be heard
separately and
simultaneously will the
best blend occur, and
consequently the greatest
transparency. So aim for
a transparent, spacious
tutti sound in this
movement. Especially have
the flutes, who do this
so well, articulate
rather sharply, so as to
produce a chiffing sound,
and do not allow the
quarter-notes to become
too tied together in the
entire band. The entrance
of the drums (first
tenor, then bass) are
events and as such should
be audible. Incidentally,
this movement begins in F
Major and ends in D
Minor: They really didn't
care so much about those
things then. The third
movement (one friend has
remarked that it is the
most Margolisian of the
bunch, but actually I am
just getting subtler, I
hope) again relies upon
the percussion (and the
scoring) to make its
points. Xylophone in this
movement is meant to be
distinctly audible.
Therefore, be especially
sure that the xylophone
player is secure in the
part, and also that the
tambourine and toms sound
good. This movement must
fly or it will sink, so
rev up the band and
conduct it in 1 for this
mixolydian jesting. I
suppose the wildly
unrelated keys (clarinets
and then brass at the
end) would be a good
16th-century joke, but to
us, our
put-up-the-chorus-a-half-
step ears readily accept
such shenanigans.
Ensemble instrumentation:
1 Full Score, 1 Piccolo,
4 Flute 1, 4 Flute 2 & 3,
2 Oboe 1 & 2, 2 Bassoon 1
& 2, 1 Eb Clarinet, 4 Bb
Clarinet 1, 4 Bb Clarinet
2, 4 Bb Clarinet 3, 2 Eb
Alto Clarinet, 1 Eb
Contra Alto Clarinet, 3
Bb Bass & Bb Contrabass
Clarinet, 2 Eb Alto
Saxophone 1, 2 Eb Alto
Saxophone 2, 2 Bb Tenor
Saxophone, 2 Eb Baritone
Saxophone, 3 Bb Trumpet
1, 3 Bb Trumpet 2, 3 Bb
Trumpet 3, 4 Horn in F 1
& 2, 2 Trombone 1, 4
Trombone 2 & 3, 3
Euphonium (B.C.), 2
Euphonium (T.C.), 4 Tuba,
1 String Bass, 1 Timpani
(optional), 2 Xylophone &
Glockenspiel, 5
Percussion.
Arranged by Heather Sorenson. Gentry Publications. Christmas, Christmas Sacr...(+)
Arranged by Heather
Sorenson.
Gentry Publications.
Christmas, Christmas
Sacred,
Christmas/Advent Sacred.
Octavo. 8 pages. Fred
Bock
Music Company #BG2680.
Published by Fred Bock
Music
Company
25 Pieces. Composed by Rudolf Mauz. Edited by Rudolf Mauz. This edition: Saddle ...(+)
25 Pieces. Composed by
Rudolf Mauz. Edited by
Rudolf Mauz. This
edition: Saddle
stitching. Sheet music
with CD. Woodwind.
Classical, Romantic.
Edition with CD. 48
pages. Schott Music #ED
13701. Published by
Schott Music
For SATB Voices and Keyboard. By Jill Jackson Sy Miller. Arranged by Mark Hayes....(+)
For SATB Voices and
Keyboard. By Jill Jackson
Sy Miller. Arranged by
Mark Hayes. Choir (SATB,
keyboard). For SATB
Voices, Keyboard. Choral.
Piano/Vocal Score. 15
pages. Published by Carl
Fischer.
Jingle Bells, Silver and Gold, Away In A Manger composed by Various. Arranged by...(+)
Jingle Bells, Silver and
Gold, Away In A Manger
composed by Various.
Arranged by Craig
Stevens. For easy piano
solo. Solo. Best of
Christmas series.
Christmas. Easy. Sheet
Music. Text Language:
English. 8 pages.
Published by Santorella
Publications
By Traditional Hymn. Arranged by Andrew Balent. For concert band. FJH Beginning ...(+)
By Traditional Hymn.
Arranged by Andrew
Balent. For concert band.
FJH Beginning Band. Full
set (score and parts).
Score only also
available: B1125S. Grade
1. Score and set of
parts. Composed 2002
I'll Be There Chorale SATB SATB A Cappella Alfred Publishing
Composed by Marilyn Bergman, Alan Bergman, and Dave Grusin. Arranged by Jeremy F...(+)
Composed by Marilyn
Bergman, Alan Bergman,
and Dave Grusin. Arranged
by Jeremy Fox. Choral
Octavo. Alfred Pop
Series. Secular. 8 pages.
Published by Alfred Music
(AP.45553).
(Easy Piano Accompaniment, Features 1/2, I, II, Ii1/2, III, Iii1/2, IV, V, V1/2 ...(+)
(Easy Piano
Accompaniment, Features
1/2, I, II, Ii1/2, III,
Iii1/2, IV, V, V1/2 and
VI Positions). By Johann
Sebastian Bach Woody
Guthrie. Arranged by
Janice Tucker Rhoda. For
Piano, Contrabass. This
edition: Book 2. EASY.
Solo part with piano
reduction. Standard
notation. 64 pages
Intermezzo Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1114738-140 From the opera...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1114738-140
From the opera Notre
Dame. Composed by
Franz Schmidt. Arranged
by Wil van der Beek.
Great Classics.
Classical. Score Only.
Composed 2011. 12 pages.
De Haske Publications
#DHP 1114738-140.
Published by De Haske
Publications
(BT.DHP-1114738-140).
9x12 inches.
English-German-French-Dut
ch.
The
Intermezzo from
the Romantic opera Notre
Dame, based on Victor
Hugo’s novel The
Hunchback of Notre Dame,
is in fact Franz
Schmidt’s
best-known work. The
charm of this lovely
composition lies in its
Hungarian and Romantic
influences. Wil van der
Beek’s sensitive
arrangement does justice
to this great work,
putting Franz
Schmidt’s
masterpiece back in the
spotlight once more!
Het
Intermezzouit de
romantische opera Notre
Dame is waarschijnlijk
wel het beroemdste werk
van Franz Schmidt. Het is
gebaseerd op Notre Dame
de Paris (De
klokkenluider van de
Notre Dame), een roman
van Victor Hugo. De
herkomstvan de componist
is goed te herleiden,
want deze lieflijke
compositie kent zowel
romantische als ook
Hongaarse invloeden. Wil
van der Beek plaatst met
zijn geslaagde bewerking
deze
Oostenrijks-Hongaarse
componist weer even
terugin de
spotlights.
Das
Intermezzo aus der
romantischen Oper Notre
Dame, die auf Victor
Hugos Roman Notre Dame de
Paris (Der Glöckner
von Notre Dame) basiert,
ist wohl das
berühmteste Werk
von Franz Schmidt. Der
Reiz dieser lieblichen
Komposition weist ganz
eindeutig sowohl
ungarische als auch
romantische
Einflüsse auf. Wil
van der Beek holt diesen
zu Unrecht etwas in
Vergessenheit geratenen
ungarisch-österreichis
chen Komponisten mit
seiner gelungenen
Bearbeitung wieder ins
Rampenlicht
zurück.
L’Inter
mezzo
dell’opera
romantica Notre Dame, a
sua volta ispirata dal
romanzo Notre Dame de
Paris di Victor Hugo,
è senza dubbio
l’opera più
prestigiosa di Franz
Schmidt, compositore
austro-ungherese poco
conosciuto. Wil van der
Beek ha realizzato uno
splendido arrangiamento
di questo pezzo caduto
nell’oblio,
conservando
l’espressivit e il
romanticismo di questa
melodiosa
composizione.
Intermezzo Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1114738-010 From the opera...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1114738-010
From the opera Notre
Dame. Composed by
Franz Schmidt. Arranged
by Wil van der Beek.
Great Classics.
Classical. Set (Score &
Parts). Composed 2011. De
Haske Publications #DHP
1114738-010. Published by
De Haske Publications
(BT.DHP-1114738-010).
9x12 inches.
English-German-French-Dut
ch.
The
Intermezzo from
the Romantic opera Notre
Dame, based on Victor
Hugo’s novel The
Hunchback of Notre Dame,
is in fact Franz
Schmidt’s
best-known work. The
charm of this lovely
composition lies in its
Hungarian and Romantic
influences. Wil van der
Beek’s sensitive
arrangement does justice
to this great work,
putting Franz
Schmidt’s
masterpiece back in the
spotlight once more!
Het
Intermezzouit de
romantische opera Notre
Dame is waarschijnlijk
wel het beroemdste werk
van Franz Schmidt. Het is
gebaseerd op Notre Dame
de Paris (De
klokkenluider van de
Notre Dame), een roman
van Victor Hugo. De
herkomstvan de componist
is goed te herleiden,
want deze lieflijke
compositie kent zowel
romantische als ook
Hongaarse invloeden. Wil
van der Beek plaatst met
zijn geslaagde bewerking
deze
Oostenrijks-Hongaarse
componist weer even
terugin de
spotlights.
Das
Intermezzo aus der
romantischen Oper Notre
Dame, die auf Victor
Hugos Roman Notre Dame de
Paris (Der Glöckner
von Notre Dame) basiert,
ist wohl das
berühmteste Werk
von Franz Schmidt. Der
Reiz dieser lieblichen
Komposition weist ganz
eindeutig sowohl
ungarische als auch
romantische
Einflüsse auf. Wil
van der Beek holt diesen
zu Unrecht etwas in
Vergessenheit geratenen
ungarisch-österreichis
chen Komponisten mit
seiner gelungenen
Bearbeitung wieder ins
Rampenlicht
zurück.
L’Inter
mezzo
dell’opera
romantica Notre Dame, a
sua volta ispirata dal
romanzo Notre Dame de
Paris di Victor Hugo,
è senza dubbio
l’opera più
prestigiosa di Franz
Schmidt, compositore
austro-ungherese poco
conosciuto. Wil van der
Beek ha realizzato uno
splendido arrangiamento
di questo pezzo caduto
nell’oblio,
conservando
l’espressivit e il
romanticismo di questa
melodiosa
composizione.