Arrangeur: Matt Johnston. Par MORTELMANS LODEWIJK. Lodewijk Mortelmans was born in Antwerp on February 5, 1868, as second son of printer Karel Mortelmans. He died on June 24, 1952. He was an outstanding, universal Belgian musician and composer. His unique and poetic classical songs, his intimate and delicate piano music and his imaginative orchestral pieces rank among the European masterworks of the end of the 19th and the early 20th century. His Lyrische Pastorale, originally for horn and orchestra, has been arranged here for either Alto Clarinet (in E-flat) or Basset Horn (in F) and piano. This work can be played with either an Alto Clarinet or a Basset Horn.Lodewijk Mortelmans was born in Antwerp on February 5, 1868, as second son of printer Karel Mortelmans. He died on June 24, 1952. He was an outstanding, universal Belgian musician and composer. His unique and poetic classical songs, his intimate and delicate piano music and his imaginative orchestral pieces rank among the European masterworks of the end of the 19th and the early 20th century. His Lyrische Pastorale, originally for horn and orchestra, has been arranged here for either Alto Clarinet (in E-flat) or Basset Horn (in F) and piano. This work can be played with either an Alto Clarinet or a Basset Horn./ Répertoire / Clarinette Alto et Piano

Toccata, Adagio e Fuga per quartetto di clarinetti. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Date parution : 1905-06-17/ Répertoire / 4 Clarinettes

8 Easy To Intermediate Play-Alongs Of Well-Known Pieces From Ireland, Scotland, Wales, Cornwall And Brittany. Martin Tourish is an accordionist, composer and musicologist from Co. Donegal, now based in Dublin. Celtic music is in his blood, for his ancestors were noted collectors of dance music manuscripts dating back to the 19th century. With many recordings to his credit, he now offers his expertise to performers wishing to explore the rich culture of Irish and other Celtic music on a variety of instruments. 'World Music - Celtic? presents material from the Irish, Scottish, Welsh, Cornish and Breton traditions. It makes no great technical demands on the players, but Tourish points out that notation of this music in often 'skeletal?, hence it is important to gain a knowledge of the individual traditions in question and, naturally, he offers plenty of information on performance practice. The collection spans three centuries, from the blind bardic harpists of the 18th century to the international performers of the present day. Tourish accepts that this volume can only scratch the surface of a multi-faceted genre but hopes you will see it as a stepping stone to delve deeper into recordings, festivals and the very communities whence this music comes. 'World Music - Celtic? is available in six formats, each with complete recordings and backing tracks on CD: as solo versions for violin, violoncello, flute, clarinet or saxophone (with piano) and in an ensemble version for two melodic instruments (C, Bb or Eb), piano, guitar, bass and bodhrán. / Niveau : Facile / Recueil / Clarinette et Piano

The Boosey and Hawkes Bartók Edition showcases brand new stylish arrangements of highlights from the leading twentieth century composer for developing musicians to learn and enjoy. Bartók for Clarinet features selected highlights from Bartók's most popular pedagogical repertoire including For Children, Mikrokosmos, Romanian Folk Dances, Romanian Christmas Carols and others, arranged for clarinet with piano accompaniment by Hywel Davies. An accompanying audio CD features demonstration and backing tracks. / Clarinette Et Piano

A fantastic collection of 14 classical showstoppers arranged for beginner to intermediate players. Bringing together well-known classics in varied styles from the Baroque period to the twentieth century, this versatile repertoire book includes an inspirational CD and duet parts: everything needed to give a great performance. Anyone can take centre stage and stand in the spotlight with Abracadabra Performance Pieces. This brand new book is the latest addition to the best-selling Abracadabra series, offering approachable longer arrangements with fantastic backing tracks - ideal for concert performances or simply for more musical fun. The 14 pieces showcase an array of classical favourites, from Purcell and Handel to Bizet and Bartok, and are suitable for beginner to intermediate players (Grade 1-3). The CD contains specially recorded performances and supportive backing tracks that are guaranteed to bring extra sparkle to any performance. Four pieces also include a duet part for teachers or fellow players. / Clarinette

dité par Váczi KárolyInstrument: Clarinette et pianoGenre: 20th Century MusicPages: 12 ppDate du parution: 1957

Debussy's Première Rhapsodie is one of two concertante works completed, premiered and published during his lifetime. He was commissioned to write it in 1909 for the final examination at the Paris Conservatoire in 1910. Debussy orchestrated it in the summer of 1911. While transferring the clarinet part from the already published version for clarinet and piano, he made a few subtle changes, particularly in m. 201, which has been a bone of contention among clarinettists for over a century. The present scholarly-critical publication is the first Urtext edition of the orchestral version. It draws on every known source and takes into account a previously ignored source that sheds new light on the piece. - First Urtext edition of the orchestral version - First scholarly-critical edition of a pioneering work for clarinet - Trilingual Foreword (Eng/Fr/Ger) with Critical Commentary (Eng) / Clarinette Et Piano

in B-Dur / Bb Major. Par STAMITZ CARL. German composer Carl Stamitz wrote more than 60 concertos for Violin, Viola, Viola d'amore, Cello, Clarinet, Basset Horn, Flute, Bassoon and other instruments. Some of the Clarinet and Viola concertos that Stamitz composed are considered to be among the finest available from the period. Stylistically, Stamitz 's music is not too far removed from the works of the young Mozart, or those of Haydn's middle period. The Clarinet Concerto No. 3 was likely written around 1785, which was the same year that Stamitz was appointed the lead Violin of the Duc de Noailles in Paris. The style of thisconcerto reflects the usual orchestration found in the mid-eighteenth century, where most of the important musical material was given to the strings, while the winds were left to fill in the harmony. Carl Stamitz 's style is pleasant and free-flowing as nicely illustrated in this concerto. / Classique / Répertoire / Clarinette et Piano

Par MIER MARTHA. Jazz is an important and distinctive American contribution to 20th-century music. The Jazz, Rags and Blues series includes pieces that reflect the variety of styles that represent the Jazz idiom---from the lyrical, sophisticated sound of 'Clarinet Blues,' to the driving rhythms of 'A Neat Beat.'Jane Sebba's exciting new arrangements now make this hugely popular and successful series available for the clarinet and piano. The syncopated rhythms, colorful harmonies, and authenticity of the originals can be shared between friends, or played as a flute solo using the superb backing tracks from the accompanying CD!   / Instrumental Music, Scores / Recueil / Clarinette et Piano

Arr. James Marshall. Par . This set of 10 intermediate-level arrangements was derived from songs from the Colonial through Civil War periods. In these pieces, the hauntingly lyrical tone of the clarinet combined with piano accompaniment creates a unique musical setting. The songs were drawn from the works of Stephen Foster, Sacred Harp shape-note themes, 19th-century folk songs as well as colonial fife and drum music. The arrangements explore the low melodious register of the clarinet through the lyrical mid tones and into the singing moderate-upper register. / Date parution : 2022-04-09/ Recueil / Clarinette et Piano

Debussy's Première Rhapsodie is one of two concertante works completed, premiered and published during his lifetime. He was commissioned to write it in 1909 for the final examination at the Paris Conservatoire in 1910. Debussy orchestrated it in the summer of 1911. While transferring the clarinet part from the already published version for clarinet and piano, he made a few subtle changes, particularly in m. 201, which has been a bone of contention among clarinettists for over a century. The present scholarly-critical publication is the first Urtext edition of the orchestral version. It draws on every known source and takes into account a previously ignored source that sheds new light on the piece. ' First Urtext edition of the orchestral version ' First scholarly-critical edition of a pioneering work for clarinet ' Trilingual Foreword (Eng/Fr/Ger) with Critical Commentary (Eng)

Arrangement: Hampton Andy. Par HAMPTON ANDY. Part of the new 'Authentic Jazz Playalong' series, this volume brings together Gershwin, Porter, Ellington and other legends of 20th Century Jazz. 'I Got Rhythm' features ten absolute classics of jazz repertoire, idiomatically arranged for the intermediate (grades 4-6) player. Melody, lyrics and chord symbols are provided, offering opportunity for improvisation, with suggested solo phrases notated to aid the beginner. There is also a brief guide and biographical note for each song in the collection. In addition, the playalong CD comprises a live trio of piano, bass and drums for truly authentic performance. / Niveau : Assez Facile / Jazz / Date parution : 2007-02-26/ Recueil / Clarinette et Piano

The Boosey and Hawkes Bartók Edition showcases brand new stylish arrangements of highlights from the leading twentieth century composer for developing musicians standard to learn and enjoy. Duos and Trios for Clarinet features selected highlights from For Children, Mikrokosmos, Romanian Folk Dances, Romanian Christmas Carols and other works, imaginatively arranged for two or three clarinets by Hywel Davies. The collection provides ideal flexible small ensemble material for teaching and performance. An accompanying audio CD features demonstration and minus-one tracks. / 2 Ou 3 Clarinettes

This book presents an interpretation of Klezmer music as it was recorded in the U.S.A. in the early 20th century. The principal stylistic influences have been the 78rpm recordings of two great pioneer clarinetists: Naftule Brandwein and Dave Tarras. The first volume contains 12 Klezmer pieces with chord symbols. / Clarinette

Claude Debussy: Valse romantique - arranged for clarinet and piano by Zoltán Kocsis.Zoltán Kocsis, who died recently, was not just a phenomenal pianist. He is mourned also as a musical polymath, whose genius embraced the activities of a composer, conductor, editor, and not least instrumentalist and arranger. In the last capacity, he added some 150 works to the symphonic, chamber, song and piano repertoires. He gladly adapted music of the turn of the 20th century, as appears from his transcriptions of Richard Strauss, Ravel, Rachmaninoff, Enescu, and above all Debussy. (Many of these are distributed by Editio Musica Budapest.)The arrangement pinpoints superbly the sensitive, almost ingratiating tunefulness of the Waltz, adding to the clarinetists repertoire a piece that plays well and is rewarding to perform. / Clarinette Et Piano