(Schirmer's Library of Musical Classics). Composed by Various. For Piano. Piano ...(+)
(Schirmer's Library of
Musical Classics).
Composed by Various. For
Piano. Piano Collection.
Softcover. 208 pages. G.
Schirmer #LB2110.
Published by G. Schirmer
Choral SATB choir, piano SKU: CF.CM9470 Lots of Fish in Bonavist' Harb...(+)
Choral SATB choir, piano
SKU: CF.CM9470
Lots of Fish in
Bonavist' Harbour.
Composed by Newfoundland
Folk Song. Arranged by
Drew Collins. Fold.
Performance Score. With
Standard notation. 12
pages. Duration 2
minutes, 23 seconds. Carl
Fischer Music #CM9470.
Published by Carl Fischer
Music (CF.CM9470).
ISBN 9781491142783.
UPC: 680160900282. 6.875
x 10.5 inches.
This
is a traditional folk
song from Newfoundland,
Canada. The words paint a
picture of the fishing
industry and the culture
that evolved around it.
The accompaniment is
meant to emulate the
sounds of instruments
used in the Newfoundland
region, such as
squeezebox, pennywhistle,
fiddle, acoustic guitar,
and bohdran (or other
low-pitched frame drum).
The conductor may add
some of these instruments
in lieu of--or addition
to--the piano
accompaniment.
(5 Piano Trios from the Alfred, Belwin, and Myklas Libraries). For Piano. Bo...(+)
(5 Piano Trios from the
Alfred, Belwin, and
Myklas
Libraries). For Piano.
Book;
Graded Standard
Repertoire;
Piano Trio (1 Piano, 6
Hands); Trio. Contest
Winners for Three. Early
Intermediate;
Intermediate.
32 pages. Published by
Alfred Music
(5 Best-Selling Guitar Publications in One Great Package! 4 Books and 1 DVD). Fo...(+)
(5 Best-Selling Guitar
Publications in One Great
Package! 4 Books and 1
DVD). For Guitar. Guitar
Educational. Softcover
with DVD. Published by
Hal Leonard
Chamber Music String Quartet SKU: PR.164002720 Cassatt. Composed b...(+)
Chamber Music String
Quartet
SKU:
PR.164002720
Cassatt. Composed
by Dan Welcher. Spiral
and Saddle. Premiere:
Cassatt Quartet,
Northeastern Illinois
University, Chicago, IL.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 2007. WRT11142.
52+16+16+16+16 pages.
Duration 24 minutes.
Theodore Presser Company
#164-00272. Published by
Theodore Presser Company
(PR.164002720).
UPC:
680160573042. 8.5 x 11
inches.
My third
quartet is laid out in a
three-movement structure,
with each movement based
on an early, middle, and
late work of the great
American impressionist
painter Mary Cassatt.
Although the movements
are separate, with
full-stop endings, the
music is connected by a
common scale-form,
derived from the name
MARY CASSATT, and by a
recurring theme that
introduces all three
movements. I see this
theme as Mary's Theme, a
personality that stays
intact while undergoing
gradual change. I
The Bacchante (1876)
[Pennsylvania Academy of
Fine Arts, Philadelphia,
Pennsylvania] The
painting shows a young
girl of Italian or
Spanish origin, playing a
small pair of cymbals.
Since Cassatt was trying
very hard to fit in at
the French Academy at the
time, she painted a lot
of these subjects, which
were considered typical
and universal. The style
of the painting doesn't
yet show Cassatt's
originality, except
perhaps for certain
details in the face.
Accordingly the music for
this movement is
Spanish/Italian, in a
similar period-style but
using the musical
signature described
above. The music begins
with Mary's Theme,
ruminative and slow, then
abruptly changes to an
alla Spagnola-type fast
3/4 - 6/8 meter. It
evokes the
Spanish-influenced music
of Ravel and Falla.
Midway through,
there's an accompanied
recitative for the viola,
which figures large in
this particular movement,
then back to a truncated
recapitulation of the
fast music. The overall
feeling is of a
well-made, rather
conventional movement in
a contemporary
Spanish/Italian style.
Cassatt's painting, too,
is rather conventional.
II At the Opera
(1880) [Museum of Fine
Arts, Boston,
Massachusetts]
This painting is one of
Cassatt's most well known
works, and it hangs in
the Museum of Fine Arts
in Boston. The painting
shows a woman alone in a
box at the opera house,
completely dressed
(including gloves) and
looking through opera
glasses at someone or
something that is NOT on
the stage. Across the
auditorium from her, but
exactly at eye level, is
a gentleman with opera
glasses intently watching
her - though it is not
him that she's looking
at. It's an intriguing
picture. This
movement is far less
conventional than the
first movement, as the
painting is far less
conventional. The music
begins with a rapid,
Shostakovich-type
mini-overture lasting
less than a minute, based
on Mary's Theme. My
conjecture is that the
woman in the painting has
arrived late to the
opera, busily stumbling
into her box. What
happens next is a kind of
collage, a kind of
surrealistic overlaying
of two different
elements: the foreground
music, at first is a
direct quotation of
Soldier's Chorus from
Gounod's FAUST (an opera
Cassatt would certainly
have heard in the
brand-new Paris Opera
House at that time),
played by Violin II,
Viola, and Cello. This
music is played sul
ponticello in the melody
and col legno in the
marching accompaniment.
On top of this, the first
violin hovers at first on
a high harmonic, then
descends into a slow
melody, completely
separate from the Gounod.
It's as if the woman in
the painting is hearing
the opera onstage but is
not really interested in
it. Then the cello joins
the first violin in a
kind of love-duet (just
the two of them, at
first). This music isn't
at all Gounod-derived;
it's entirely from the
same scale patterns as
the first movement and
derives from Mary's Theme
and its scale. The music
stays in a kind of
dichotomy feeling,
usually
three-against-one, until
the end of the movement,
when another Gounod
melody, Valentin's aria
Avant de quitter ce lieux
reappears in a kind of
coda for all four
players. It ends
atmospherically and
emotionally disconnected,
however. The overall
feeling is a kind of
schizophrenic,
opera-inspired dream.
III Young Woman in
Green, Outdoors in the
Sun (1909) [Worcester Art
Museum, Massachusetts]
The painting, one
of Cassatt's last, is
very simple: just a
figure, looking sideways
out of the picture. The
colors are pastel and yet
bold - and the woman is
likewise very
self-assured and not in
the least demure. It is
eight minutes long, and
is all about melody -
three melodies, to be
exact (Young Woman,
Green, and Sunlight). No
angst, no choppy rhythms,
just ever-unfolding
melody and lush
harmonies. I quote one
other French composer
here, too: Debussy's song
Green, from Ariettes
Oubliees. 1909 would have
been Debussy's heyday in
Paris, and it makes
perfect sense musically
as well as visually to do
this. Mary Cassatt
lived her last several
years in near-total
blindness, and as she
lost visual acuity, her
work became less sharply
defined - something akin
to late water lilies of
Monet, who suffered
similar vision loss. My
idea of making this
movement entirely melodic
was compounded by having
each of the three
melodies appear twice,
once in a pure form, and
the second time in a more
diffuse setting. This
makes an interesting two
ways form:
A-B-C-A1-B1-C1.
String Quartet No.3
(Cassatt) is dedicated,
with great affection and
respect, to the Cassatt
String Quartet, whose
members have dedicated
themselves in large
measure to the furthering
of the contemporary
repertoire for
quartet.
Cassatt. Composed
by Dan Welcher. Premiere:
Cassatt Quartet,
Northeastern Illinois
University, Chicago, IL.
Contemporary. Full score.
With Standard notation.
Composed 2007. WRT11142.
52 pages. Duration 24
minutes. Theodore Presser
Company #164-00272S.
Published by Theodore
Presser Company
(PR.16400272S).
UPC:
680160588442. 8.5 x 11
inches.
My third
quartet is laid out in a
three-movement structure,
with each movement based
on an early, middle, and
late work of the great
American impressionist
painter Mary Cassatt.
Although the movements
are separate, with
full-stop endings, the
music is connected by a
common scale-form,
derived from the name
MARY CASSATT, and by a
recurring theme that
introduces all three
movements. I see this
theme as Mary's Theme, a
personality that stays
intact while undergoing
gradual change. I
The Bacchante (1876)
[Pennsylvania Academy of
Fine Arts, Philadelphia,
Pennsylvania] The
painting shows a young
girl of Italian or
Spanish origin, playing a
small pair of cymbals.
Since Cassatt was trying
very hard to fit in at
the French Academy at the
time, she painted a lot
of these subjects, which
were considered typical
and universal. The style
of the painting doesn't
yet show Cassatt's
originality, except
perhaps for certain
details in the face.
Accordingly the music for
this movement is
Spanish/Italian, in a
similar period-style but
using the musical
signature described
above. The music begins
with Mary's Theme,
ruminative and slow, then
abruptly changes to an
alla Spagnola-type fast
3/4 - 6/8 meter. It
evokes the
Spanish-influenced music
of Ravel and Falla.
Midway through,
there's an accompanied
recitative for the viola,
which figures large in
this particular movement,
then back to a truncated
recapitulation of the
fast music. The overall
feeling is of a
well-made, rather
conventional movement in
a contemporary
Spanish/Italian style.
Cassatt's painting, too,
is rather conventional.
II At the Opera
(1880) [Museum of Fine
Arts, Boston,
Massachusetts]
This painting is one of
Cassatt's most well known
works, and it hangs in
the Museum of Fine Arts
in Boston. The painting
shows a woman alone in a
box at the opera house,
completely dressed
(including gloves) and
looking through opera
glasses at someone or
something that is NOT on
the stage. Across the
auditorium from her, but
exactly at eye level, is
a gentleman with opera
glasses intently watching
her - though it is not
him that she's looking
at. It's an intriguing
picture. This
movement is far less
conventional than the
first movement, as the
painting is far less
conventional. The music
begins with a rapid,
Shostakovich-type
mini-overture lasting
less than a minute, based
on Mary's Theme. My
conjecture is that the
woman in the painting has
arrived late to the
opera, busily stumbling
into her box. What
happens next is a kind of
collage, a kind of
surrealistic overlaying
of two different
elements: the foreground
music, at first is a
direct quotation of
Soldier's Chorus from
Gounod's FAUST (an opera
Cassatt would certainly
have heard in the
brand-new Paris Opera
House at that time),
played by Violin II,
Viola, and Cello. This
music is played sul
ponticello in the melody
and col legno in the
marching accompaniment.
On top of this, the first
violin hovers at first on
a high harmonic, then
descends into a slow
melody, completely
separate from the Gounod.
It's as if the woman in
the painting is hearing
the opera onstage but is
not really interested in
it. Then the cello joins
the first violin in a
kind of love-duet (just
the two of them, at
first). This music isn't
at all Gounod-derived;
it's entirely from the
same scale patterns as
the first movement and
derives from Mary's Theme
and its scale. The music
stays in a kind of
dichotomy feeling,
usually
three-against-one, until
the end of the movement,
when another Gounod
melody, Valentin's aria
Avant de quitter ce lieux
reappears in a kind of
coda for all four
players. It ends
atmospherically and
emotionally disconnected,
however. The overall
feeling is a kind of
schizophrenic,
opera-inspired dream.
III Young Woman in
Green, Outdoors in the
Sun (1909) [Worcester Art
Museum, Massachusetts]
The painting, one
of Cassatt's last, is
very simple: just a
figure, looking sideways
out of the picture. The
colors are pastel and yet
bold - and the woman is
likewise very
self-assured and not in
the least demure. It is
eight minutes long, and
is all about melody -
three melodies, to be
exact (Young Woman,
Green, and Sunlight). No
angst, no choppy rhythms,
just ever-unfolding
melody and lush
harmonies. I quote one
other French composer
here, too: Debussy's song
Green, from Ariettes
Oubliees. 1909 would have
been Debussy's heyday in
Paris, and it makes
perfect sense musically
as well as visually to do
this. Mary Cassatt
lived her last several
years in near-total
blindness, and as she
lost visual acuity, her
work became less sharply
defined - something akin
to late water lilies of
Monet, who suffered
similar vision loss. My
idea of making this
movement entirely melodic
was compounded by having
each of the three
melodies appear twice,
once in a pure form, and
the second time in a more
diffuse setting. This
makes an interesting two
ways form:
A-B-C-A1-B1-C1.
String Quartet No.3
(Cassatt) is dedicated,
with great affection and
respect, to the Cassatt
String Quartet, whose
members have dedicated
themselves in large
measure to the furthering
of the contemporary
repertoire for
quartet.
By Ella Fitzgerald. Edited by Jeffrey Sultanof and Rob DuBoff. Arranged by Nelso...(+)
By Ella Fitzgerald.
Edited by Jeffrey
Sultanof and Rob DuBoff.
Arranged by Nelson
Riddle. For big band with
vocal solo. Swing, Jazz.
Medium. Score only.
Published by Jazz Lines
Publications
Danger Zone Orchestre [Conducteur] - Facile Alfred Publishing
Concert Band; Orchestra - Grade 2 SKU: AP.49174S From Top Gun(+)
Concert Band; Orchestra -
Grade 2
SKU:
AP.49174S
From
Top Gun.
Composed by Giorgio
Moroder and Tom Whitlock.
Arranged by Michael
Story. 5 or More; Mixed
Instruments - Flexible
Instrumentation;
Performance Music
Ensemble; Single Titles;
Solo Small Ensembles. Pop
Young Band. Movie;
Pop/Rock. Score. 20
pages. Duration 2:15.
Alfred Music #00-49174S.
Published by Alfred Music
(AP.49174S).
UPC:
038081563763.
English.
This
version of Danger Zone
arranged by Michael Story
is part of our Belwin
FLEX offerings and is
designed with maximum
flexibility for use by
any mix of
instruments---wind,
strings, and percussion,
including like- or
mixed-ensembles with as
few as 5 players. The
suggested instrumentation
and a customizable
Teacher Map will help you
plan out how to best
assign parts to suit your
ensemble's needs. It also
comes with supplemental
parts for maximum
flexibility. With the
purchase of this piece,
permission is granted to
photocopy the parts as
needed for your ensemble.
A percussion
accompaniment track is
also available as a free
download. String parts
have been carefully
edited with extra
fingerings and
appropriate bowings to
support students in mixed
ensembles playing in less
familiar keys.
This arrangement
of Kenny Loggins' rock
hit is from the movie Top
Gun. The familiar driving
bass line is the
foundation for this
energetic box office
favorite. Soaring
aerobatic ecstasy! (2:15)
Choral (Showbox) SKU: HL.387967 Perusal Pack. Composed by Andrew L...(+)
Choral (Showbox)
SKU:
HL.387967
Perusal
Pack. Composed by
Andrew Lippa. Young@Part.
Broadway, Musicals.
Softcover with CD. Hal
Leonard #ADYR-RS.
Published by Hal Leonard
(HL.387967).
UPC:
196288025146.
9.75x12.5x11.5
inches.
The Addams
Family Younger@Part®
is the authorized 30
minute edition of the
Broadway musical for
elementary schools and
youth theatres (grades
2-5). Through a series of
workshops, our
Younger@Part® musicals
are tailor-made for
younger actors. Song keys
are changed where needed,
songs and scenes are
edited for time and
content, while keeping
the spirit of the
original Broadway show
intact. There are great
parts for girls and boys,
and can include any sized
ensemble/chorus, who
appear throughout the
show. Celebrate the
wackiness in every family
with our best-selling
Broadway musical adapted
for middle school-age
performers! Wednesday
Addams, the ultimate
princess of darkness, has
grown up and fallen in
love with a sweet, smart
young man from a
respectable family whom
her parents have never
met. She confides in her
father and begs him not
to tell her mother. Now,
Gomez Addams must do
something he's never done
before--keep a secret
from his beloved wife,
Morticia. Everything will
change for the whole
family on the fateful
night they host a dinner
for Wednesday's
“normalâ€
boyfriend and his
parents. The perusal pack
includes a Cast
Script/Vocal Book and
access to online audio
containing all of the
music from the show.
Audio is access online
using the unique code
inside the book and can
be streamed or
downloaded. The audio
files include PLAYBACK+,
a multi-functional audio
player than allows you to
slow down audio without
changing pitch, set loop
points, change keys, and
pan left or right. a
href=“https://www.t
heatricalrights.com/sho/a
ddams-family-younger-at-p
art/â€
target=“_blankâ€
>Click here for
information on licensing
this
production.</a>.
Harp SKU: FG.55011-885-0 Composed by Lotta Wennäkoski. Classical, cont...(+)
Harp
SKU:
FG.55011-885-0
Composed by Lotta
Wennäkoski. Classical,
contemporary. Part.
Fennica Gehrman
#55011-885-0. Published
by Fennica Gehrman
(FG.55011-885-0).
Whizzing,
growling and rattling
– you can produce
all kinds of sounds with
the harp, not just the
fairy-tale shimmer and
glissandos that you first
think of. Lotta
Wennäkoski composed
Sigla for harp and
orchestra (2021-2022) in
close collaboration with
the harpist Sivan Magen,
to whom the concerto is
dedicated. The title of
the concerto, Sigla, has
different meanings in
different languages. In
Italian, it means a
jingle; in Icelandic, it
means sailing; and in
Tagalog, spoken in the
Philippines, it means
vivaciousness or
enthusiasm. Wennäkoski
has not specifically
referenced these in the
movements of the concerto
as such, but she does
allow that the various
meanings of the word may
be identified with the
music according to the
listener’s
perception.
The
recording of the work
(Ondine ODE1420-2) was
premiered with the
Gramophone award as the
the best release in the
contemporary category in
October 2023.
This
product is the solo
part.
The
orchestral material is
available for hire from
the
publisher.
Duratio
n:
19' Instrumentation:Harp solo –
equipped with paint
brush, tuning key and a
plastic hair clip 2
Flutes (2nd doubling
piccolo) 2 Oboes 2
Clarinets in Bb 2
Bassoons 2 Horns in
F 2 Trumpets in C
– trumpets and
trombone doubling an egg
slicer Bass trombone
attached to a piece of
wood or a flat cardboard
box Percussion (2
players) Percussion I:
crotales, vibraphone, 5
gongs (a#, bn, c’,
e’, f’),
bass drum, cymbal, guiro,
bell tree, shell chimes,
whip, lion’s roar
and different beaters
including a bow,
superball stck and wire
brushes Percussion II:
tam-tam, cymbal, snare
drum, 2 cowbells, 2
temple blocks (med/lg),
triangle (small/med),
vibraslap and different
beaters including a bow,
wire brushes and
superball stick Piano
– equipped with a
plectrum, wire brushes
and 2 soft percussion
beaters Strings.
Oboe and piano SKU: ST.H498 Composed by Edmund Jolliffe. Wind & brass mus...(+)
Oboe and piano
SKU:
ST.H498
Composed by
Edmund Jolliffe. Wind &
brass music. Eight pieces
for oboe and piano.
Standard: Grades 3 to 5.
. CONTENTS. Aiming High.
Spooky Tune. A Farewell.
A Tall Tale.
Jack-in-the-Box. Time for
Bed. On the Beach.
Victory. Score and part.
Stainer & Bell Ltd.
#H498. Published by
Stainer & Bell Ltd.
(ST.H498).
ISBN
9790220225468.
From
the composer of My
Family and Other
Animals for
clarinet, here is a new
collection of engaging
and beautifully imagined
oboe pieces by Edmund
Jolliffe. Each one is not
only a picturesque or
playful study, but also a
reflection of the
anthology's title,
addressing aspects of
technique and
interpretation through
shapely melodies crafted
around an aspiring phrase
or phrases in the
instrument's upper
register. For oboists of
between grades three and
five standard, these
pieces offer eight unique
opportunities for
thoroughly enjoyable and
rewarding playing.
Choral (ShowTrax CD) SKU: HL.287839 From A Star Is Born. By Lady G...(+)
Choral (ShowTrax CD)
SKU: HL.287839
From A Star Is
Born. By Lady Gaga.
Arranged by Mark A.
Brymer. Pop Choral
Series. Movies, Pop, Show
Choir. CD. Duration 240
seconds. Published by Hal
Leonard (HL.287839).
UPC: 888680908461.
5.0x5.0x0.139
inches.
A Star Is
Born became the breakout
hit of the fall,
garnering universal
acclaim, immense box
office receipts and a
glowing word-of-mouth
that made one thing
abundantly clear: this
music was very good. This
climactic,
no-holds-barred song gets
a full choir treatment
worthy of singers looking
to achieve raw
emotionality with
grace.
Boxed. Blues. DVD. 94
pages. Mel Bay
Publications, Inc #GW866.
Published by Mel Bay
Publications, Inc
(MB.GW866).
5.25X7.5
inches.
Blind Blake,
Lonnie Johnson, and Big
Bill Broonzy are among
the most iconic
performers of early
country blues guitar. To
master this musical
language, it is a must
for you to study their
licks, techniques, and
harmonic
approaches.
In this lesson Ben
Gateno presents three
masterful solos from
their repertoire. Each
number is performed by
Ben at full speed, as
well as slowed
downâ??all with focused
views of each hand. In
addition to teaching
licks, riffs, and phrases
from the tunes, Ben
provides learning and
practicing strategies
that will help you use
what you learn to enhance
your own skills and find
your own voice as an
acoustic blues
guitarist.
<
span style=font-family:
Arial;>A detailed
tab/music PDF file is
included on the DVD with
note for note
transcriptions of the
tunes taught. The
original recordings are
included in the Bonus
Audio section. DVD is
region 0 playable
worldwide. 94-minute
DVD
Titles include
LONNIE
JOHNSON Away
Down in the Alley Blues,
BLIND BLAKE
West Coast
Blues, and BIG
BILL BROONZY
Stove Pipe
Stomp
The Three Rings Orchestre d'harmonie - Intermédiaire Eighth Note Publications
Concert Band - Grade 3.5 SKU: AP.81-CB224485 Composed by David Marlatt. C...(+)
Concert Band - Grade 3.5
SKU:
AP.81-CB224485
Composed by David
Marlatt. Concert Band.
Score and Part(s).
Duration 6:00. Eighth
Note Publications
#81-CB224485. Published
by Eighth Note
Publications
(AP.81-CB224485).
ISBN
9781778930522. UPC:
685462030538.
English.
David
Marlatt's The Three Rings
captures the spirit of a
traditional circus with
several acts represented
by stereotypical forms of
music such as a waltz and
march as well as some
more modern and
contemporary harmonies
and rhythms. Each act is
interrupted by another
which simulates the
audience moving their
attention from one ring
to another. Sections
include: The Greatest
Show on Earth!, The
Trapeze Artists, The
Acrobats, The Clowns, The
Magic Box, and The
Magician. (6:00).
Piano SKU: HL.291107 Sketches and Watercolors, Essays and Facsimilies ...(+)
Piano
SKU:
HL.291107
Sketches
and Watercolors, Essays
and Facsimilies for Piano
Solo. Composed by
Tadeusz Kosciuszko. PWM.
Art Collections,
Classical Reference,
Facsimile, Polish.
Hardcover. 170 pages.
Polskie Wydawnictwo
Muzyczne #12117010.
Published by Polskie
Wydawnictwo Muzyczne
(HL.291107).
ISBN
9788322450703. 9.5x12.5
inches.
In 2017,
PWM commemorated the
bicentenary of the death
of Tadeusz Kosciuszko, a
great hero of Poland. To
mark the occasion, PWM
Edition presented this
publication revealing a
different side to
Kosciuszko to that which
is widely familiar. We
usually hear and read
about his military
accomplishments, which
certainly deserve to be
remembered, yet
Kosciuszko was a
multi-faceted person who
cannot be fully
appreciated from just a
single perspective. This
leader of a national
insurrection was a pupil
of the Royal Academy of
Painting and Sculpture in
Paris. He also played the
piano and may possibly
have composed and
arranged music as well.
The aim of this
publication is to shoaw
Kosciuszko both as a
creative artist and also
as a source of
inspiration for composers
of the early nineteenth
century. Comprising three
separate components, this
hard-bound boxed set with
three books is divided
into two parts, dealing
with art and music.
Presented in the first
part are drawings and
watercolors that appear
independently, as a
selection of
reproductions, or else as
illustrations of Pawel
Ignaczak's essay on
Kosciuszko's works of
art. In the second part,
Adam Tomasz Kukla's
article introduces
readers to the world of
music composed or
arranged by Kosciuszko
and music referring to
him. Musically gifted
readers are encouraged to
play selected
compositions from those
discussed in the essay,
thanks to the music
accompanying the book.
Text in Polish and
English.
Chamber Music Bass Flute
1, Bass Flute 2,
Contrabass Flute, Flute
1, Flute 2, Flute 3,
Flute 4, Piccolo 1,
Piccolo 2, alto Flute 1,
alto Flute 2
SKU:
PR.114417700
For
Flute Orchestra.
Composed by Daniel Dorff.
Folder, .2inch white
spine. Premiered by the
Mid-Atlantic Flute
Convention festival flute
choir, conducted by
George Pope, Beston, VA.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 2015.
24+4+4+4+4+4+4+4+4+4+4+2+
2 pages. Duration 5
minutes. Theodore Presser
Company #114-41770.
Published by Theodore
Presser Company
(PR.114417700).
ISBN
9781491108000. UPC:
680160636259. 9x12
inches.
To mark its
50th anniversary, the
Flute Society of
Washington commissioned
Daniel Dorff to compose a
celebratory work for
large flute ensemble, to
premiere en masse at its
2016 convention. Dorff
responded with Fireworks,
a 5-minute dazzler scored
for 2 piccolos, 4 C
flutes, 2 altos, 2
basses, and 1 contrabass.
In describing performance
of Fireworks, Dorff says:
Real pyrotechnic
fireworks typically shoot
upward quickly and
neatly, pop at the top,
and then cascade downward
slowly in a beautifully
out-of-sync descent.
Fireworks has many
passages musically
depicting this crisp
upward whoosh exploding
into downward sprinkles,
often punctuated by a pop
at the
top. PERFORMANCE
SUGGESTIONS1) FIREWORKS
may be performed by any
size ensemble ranging
from 11 soloists up to a
large festival choir. It
may be preferable to keep
the piccolos at one
player per part even when
the other parts have
multiple players.2) Real
pyrotechnic fireworks
typically shoot upward
quickly and neatly, pop
at the top, and then
cascade downward slowly
in a beautifully
out-of-sync descent.
FIREWORKS has many
passages musically
depicting this crisp
upward whoosh exploding
into downward sprinkles,
often punctuated by a pop
at the top.3) All
dynamics are relative to
the whole blend, and some
performance situations
may require attention and
adjustments to keep the
balance as notated.4) The
“puh†effect
with x-shaped noteheads
in the Bass and
Contrabass parts is a
beatbox technique
sounding similar to
pizzicato. There is
naturally-produced flute
pitch along with the
percussive attack.5)
“Like tolling
bells†(bar 191
onward) indicates a rapid
decay of each note, like
church bells.This will
help the antiphonal echo
beginning in bar 195, and
the seating placement may
also enhance the
antiphonal effect.
Blues, Boxed.
Fingerpicking Guitar.
DVD. 120 pages. Mel Bay
Publications, Inc #GW865.
Published by Mel Bay
Publications, Inc
(MB.GW865).
5.25x7.5
inches.
Looking to spice
up your repertoire? Or
maybe youâ??d just like
to add to your toolbox of
licks and turnarounds?
The best way to do either
is to turn to the
greats!
In this
lesson Ben Gateno guides
you through several
jaw-dropping
instrumentals originally
performed and recorded by
three of the most
legendary acoustic blues
and ragtime guitarists:
Lonnie Johnson, Blind
Blake, and Big Bill
Broonzy. Combined, all
tunes featured present
wildly varying textures,
rhythms, techniques, and
harmonic language. By the
end of the lesson no part
of your fretboard will go
unexplored. Along the
way, Ben offers crucial
insights and practice
tips that will help you
learn not only these
numbers faster and better
but are sure to ramp up
everything you
play.
All tunes
are performed by Ben at
speed and slowed down,
with clear, detailed
views of both hands. A
detailed tab/music PDF
file is included on the
DVD with note for note
transcriptions of the
tunes taught. The
original recordings are
included in the Bonus
Audio section. DVD is
region 0 playable
worldwide.120-minute
DVD.
Titles
include LONNIE
JOHNSON Blues in
G, BIG BILL
BROONZY House
Rent Stomp, and
BLIND
BLAKE breaks
from Hometown
Skiffle.
Choral (SHOWTRAX CD) SKU: HL.344903 By ABBA. Arranged by Roger Emerson. P...(+)
Choral (SHOWTRAX CD)
SKU: HL.344903
By
ABBA. Arranged by Roger
Emerson. Pop Choral
Series. Movies, Musicals,
Oldies, Pop, Seventies,
Show Choir. CD. Duration
230 seconds. Published by
Hal Leonard (HL.344903).
UPC: 840126918250.
5.0x5.0x0.15
inches.
The Swedish
pop supergroup ABBA was
an international
sensation. The jukebox
musical Mamma Mia!
introduced a whole new
audience to the music of
ABBA while those who
never left it were
re-energized. Here is the
smash hit from the show,
the group, the movie and
more and it is perfect
for bringing your
audience to its feet.
Choral (ShowTrax CD) SKU: HL.339302 From Jagged Little Pill. By Al...(+)
Choral (ShowTrax CD)
SKU: HL.339302
From Jagged Little
Pill. By Alanis
Morissette. By Alanis
Morissette and Glen
Ballard. Arranged by Mark
A. Brymer. Broadway
Choral. Alternative,
Broadway, Musicals,
Nineties, Pop, Pop/Rock,
Rock. CD. Duration 180
seconds. Published by Hal
Leonard (HL.339302).
UPC: 840126914719.
5.0x5.0x0.15
inches.
Alanis
Morisette's 1995 mega-hit
album Jagged Little Pill
has been adapted for the
Broadway stage, with
critics placing it
amongst the best of the
jukebox musicals. You
Learn is an alternative
rock account of the
importance of learning
from a poor decision and
moving forward.