Guitar - Intermediate SKU: MB.31008M Perfect binding. Blues. Book and onl...(+)
Guitar - Intermediate
SKU: MB.31008M
Perfect binding. Blues.
Book and online audio.
160 pages. Mel Bay
Publications, Inc
#31008M. Published by Mel
Bay Publications, Inc
(MB.31008M).
ISBN
9781513467016. 8.75x11.75
inches.
Blind Lemon
Jefferson was a trail
blazer, both as a singer
and guitarist, but also
as a commercial
phenomenon, for he was
the first blues musician
to establish the
tremendous appeal that
blues, as played and sung
by rural African American
folk, had for the
record-buying public. It
is no exaggeration to say
that the sales of
Lemon’s records
paved the way for a host
of other solo rural blues
musicians to record in
his wake and made the
record companies more
willing to give other
musicians a chance, in
the hopes of achieving
similar
success.Â
Lemon
’s record sales
weren’t what made
him a great musician,
though - that could only
be attributed to his
startlingly virtuosic
guitar - playing and
soulful singing,
developed over years of
busking, building on his
natural gifts with a
great deal of practice
and work. In the Guitar
of Blind Lemon Jefferson
author John Miller
presents transcriptions,
in standard notation and
tablature, of 22 of
Lemon’s greatest
performances, with an
additional essay
examining Lemon’s
senses of time and
phrasing and his picking
techniques. Also included
is a download link to all
the original
recordings.Â
To
present a picture of
Lemon the man, noted
blues researchers Alan
Governar and Kip Lornell
have contributed an essay
focusing on
Lemon’s early
life, the origins of his
music, and his time spent
in a musical partnership
with Lead Belly. Links
are provided to
downloadable performances
of the songs in the book
from which the
transcriptions were made,
so that you can have
Lemon’s sound in
your head as you learn to
play his
songs.
Blind Lemon
Jefferson was remarkable,
even in a style that
abounded in great
musicians, and some
measure of his influence
can be seen in the fact
that musicians recorded
in the 1960s, more than
thirty years after his
death, were still
covering his songs and
stealing guitar licks
from him. The Guitar of
Blind Lemon Jefferson
gives you the resources
needed to learn what was
so special about
Lemon’s music, and
to experience his musical
excellence from inside
the music
itself.
Titles
include: One Dime Blues,
Got The Blues, Dry
Southern Blues, Big Night
Blues, Rabbit Foot Blues,
Shuckin' Sugar Blues,
Where Shall I Be, Wartime
Blues, Black Horse Blues,
Prison Cell Blues, Piney
Woods Money Mama, See
That My Grave Is Kept
Clean, He Arose From The
Dead, Beggin' Back, Broke
And Hungry, Bad Luck
Blues, Matchbox Blues,
Lemon's Worried Blues,
That Crawlin' Baby Blues,
Easy Rider Blues,
Stocking Feet Blues and
Right of Way
Blues
Level 2/3
• 160 pages •
Direct download link to
audio
files.Â
The Story of Frankie Valli and The Four Seasons Vocal Selections. Performed by F...(+)
The Story of Frankie
Valli and The Four
Seasons Vocal Selections.
Performed by Frankie
Valli, The Four Seasons.
Piano/Vocal/Chords Vocal
Selections (Arrangements
for piano and voice with
guitar chords). Book
only. Size 9x12 inches.
88 pages. Published by
Hal Leonard.
Zitti E Buoni - I
Wanna Be Your Slave -
Beggin' - The Loneliest -
Supermodel. Arranged
by Markus Schenk. Ovation
Series. Pop & Rock. Set
(Score & Parts). Composed
2024. Mitropa Music
#2245-24-010 M. Published
by Mitropa Music
(BT.2245-24-010-M).
Zitti E Buoni - I
Wanna Be Your Slave -
Beggin' - The Loneliest -
Supermodel. Arranged
by Markus Schenk. Ovation
Series. Pop & Rock. Score
Only. Composed 2024.
Mitropa Music
#2245-24-140 M. Published
by Mitropa Music
(BT.2245-24-140-M).
Fiddle Fingers Quatuor à cordes: 2 violons, alto, violoncelle [Partition + CD] - Débutant Carl Fischer
Beggining Fiddle Lessons for String Classes or Individual Learners. By Doris Gaz...(+)
Beggining Fiddle Lessons
for String Classes or
Individual Learners. By
Doris Gazda; Janet
Farrar-Royce; Jay Ungar;
Molly Mason. For Fiddle.
Classical. Student Book.
32 pages. Published by
Carl Fischer.
Prayer (No. 1 of 'from Jewish Life') by Ernest Bloch (1880-1959). Solo instrumen...(+)
Prayer (No. 1 of 'from
Jewish Life') by Ernest
Bloch (1880-1959). Solo
instrument with
accompaniment. For Cello.
CD Solo Series. Solo part
with piano reduction.
Standard notation.
Published by Carl Fischer
Composed by Max Bruch (1838-1920). Solo Part with Piano Reduction and CD. With S...(+)
Composed by Max Bruch
(1838-1920). Solo Part
with Piano Reduction and
CD. With Standard
notation. 16 pages. Carl
Fischer #B003433.
Published by Carl Fischer
From Jewish Life Violoncelle, Piano Guitare classique Carl Fischer
Chamber Music Cello, Piano SKU: CF.BF141 Composed by Ernest Bloch. Edited...(+)
Chamber Music Cello,
Piano
SKU:
CF.BF141
Composed by
Ernest Bloch. Edited by
Julian Schwarz. 12+8
pages. Carl Fischer Music
#BF141. Published by Carl
Fischer Music (CF.BF141).
ISBN 9781491159989.
UPC:
680160918584.
The
three pieces From Jewish
Life were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.
The
first movement, Prayer,
is a deeply heartfelt
plea to the almighty. As
Neil W Levin writes, The
initial four-note motive
in the minor mode,
together with its
elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt
pathos.
The second
movement, Supplication
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish
experience.
The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917.
Though
the popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance. The first
movement, Prayer, is a
deeply heartfelt plea to
the almighty. As Neil W
Levin writes, The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos. The
second movement,
Supplication (the act of
begging humbly), has more
angst, almost a sense of
urgency as a result of
the rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience. The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917. Though the
popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.The first
movement,
“Prayerâ€, is
a deeply heartfelt plea
to the almighty. As Neil
W Levin writes,
“The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max
Janowski’s
(1912–1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu.†This
prayer has special
meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both
“Prayer†and
Janowski’s Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos.The
second movement,
“Supplicationâ€
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, “Jewish
Songâ€, evokes a
quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience.The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of
Bloch’s most
celebrated work, Schelomo
in 1917.Though the
popularity of
Bloch’s oeuvre has
been dominated by works
of Jewish connection, we
should not forget that
Bloch had many other
stylistic periods,
including Franco-Belgian,
modal, serial, and even
American folk. In 1927,
he was awarded Musical
America’s
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music.
Soprano voice & Piano SKU: SU.28120450 For Soprano & Piano. Compos...(+)
Soprano voice & Piano
SKU: SU.28120450
For Soprano &
Piano. Composed by
Alla Pavlova.
Vocal/Choral, Solo Voice.
Accompanied by piano,
Russian. Score. Subito
Music Corporation
#28120450. Published by
Subito Music Corporation
(SU.28120450).
Two songs from
Poems by Anna Akhmatova:
The Eyes, Begging for
Mercy and The Dream -
Composed in 1979 in
Moscow - Recorded for
Alla's first CD by
Bolshoi Theatre soprano
Elena Zimenkova -
available on Soundcloud
at
https://soundcloud.com/us
er-488634947/the-eyes-beg
ging-for-mercy-for-mezzo-
soprano-and-piano-by-alla
-pavlova and
https://soundcloud.com/us
er-488634947/the-dream
Soprano & Piano Duration:
4'10 Composed: 2006
Published by: Alla
Pavlova.