By Andre Charbonneau. For guitar solo. Level: 3. 8 pages. Published by Les Productions d'OZ. (DZ 333)

By Andre Charbonneau. For guitar solo. Level: 3. 12 pages. Published by Les Productions d'OZ. (DZ 335)

By Michele Beaumont-Cholet. For harp. Classical. Score. 35 pages. Published by Editions Henry Lemoine

14 original pieces based on Latin-American styles Piano. Composed by Christopher Norton. BH Piano. Latin, Classical, Brazilian. Softcover with CD. 56 pages. Boosey & Hawkes #M060135385. Published by Boosey & Hawkes

Men's Choir

SKU: HL.50493731

Armonio - Tenori I. Composed by Lorenzo Perosi. MGB. Classical. Score Only. Composed 1984. Ricordi #NR127526. Published by Ricordi (HL.50493731).

Italian.

A 3 VOCI MASCHILI CON ACCOMPAGNAMENTO DI ORGANO O ARMONIO - TENORI I.

By Andre Charbonneau. For guitar solo. Level: 3. 12 pages. Published by Les Productions d'OZ. (DZ 411)

By Andre Charbonneau. For guitar solo. Level: 3. 12 pages. Published by Les Productions d'OZ. (DZ 535)

Alto (Mezzo-Soprano) and Piano Alto; Mezzo-Soprano - intermediate For Alto (Mezzo-Soprano) and Piano. Composed by Various. Edited by Claudia Eder. Arranged by Wolfgang Birtel. This edition: Paperback/Soft Cover. Sheet music. Vocal Collection. Classical. Softcover. 100 pages. Schott Music #ED20897. Published by Schott Music

Arranged by Michael Story. Arr. Michael Story. For Concert Band. Concert Band. Belwin Young Band. Level: Easy (grade II). Conductor Score, Parts and CD. Duration 2:02. Published by Alfred Publishing.

Solo Arrangements of 14 Classic Songs with CD Accompaniment. Composed by Bruce Rowland, Elton John, Danny Elfman, Randy Newman, John Williams, Alan Menken, Vangelis, Richard Rodgers, Bob Crewe, Klaus Badelt, Vic Mizzy, Walter Murphy, Eithne Ni Bhraonain, Nicky Ryan, Roma Ryan, Kenny Nolan, and Carter Burwell. De Haske Instrumental Play-along. Book with CD. Composed 2013. 24 pages. De Haske Publications #DHP 1135434- 400. Published by De Haske Publications

Tuba Solo with Piano Accompaniment - Grade 6

SKU: KN.13162

Composed by Luigi Cherubini. Arranged by Mike Forbes. Solo. Kendor Solo Series. Score and part. Kendor Music Inc #13162. Published by Kendor Music Inc (KN.13162).

UPC: 822795131628.

Origi nally composed for English horn by classical composer Luigi Cherubini, this sonata translates beautifully for proficient low brass soloists. Known for his sensational dramatic flare, especially in his operas, Cherubini, like Beethoven, helped push the conventional limits of classical music into the Romantic era. This work is a fine example of breathtaking virtuosity. Duration ca. 7:20.

For Trumpet in Bb and Piano, S. 49. Composed by Johann Nepomuk Hummel (1778-1837). Edited by Elisa Koehler. Arranged by Elisa Koehler. Romantic. Score and part(s). With Standard notation. 36 8 pages. Carl Fischer #W002681. Published by Carl Fischer (CF.W2681).

Concert Band/Harmonie

SKU: BT.DHP-1043529-140

The Great Classics. Transcription. Score Only. Composed 2004. 16 pages. De Haske Publications #DHP 1043529-140. Published by De Haske Publications (BT.DHP-1043529-140).

English-German-French- Dutch.

The French composer Daniel François Esprit Auber (1782-1871) witnessed many important developments in the history of music ? from Luigi Cherubini to Richard Wagner. His extensive output consisted mainly of operas, but unfortunately today only two of these are still well known, including the comic opera Fra Diavolo. The story concerns Fra Diavolo, a famous Italian bandit and soldier from the late 18th and early 19th centuries, and is one of crime, lust and treachery. The overture has a classical structure and is filled with striking themes and motifs and has a particularly unusual introduction (for the time) with the snare drum taking the leading role!

De Franse componist Daniel François Esprit Auber (1782-1871) heeft belangrijke ontwikkelingen in de muziekgeschiedenis meegemaakt: van Luigi Cherubini tot Richard Wagner. Zijn uitgebreide oeuvre bestaat voornamelijk uit opera’s, waarvaner nu nog maar twee bekend zijn, waaronder het komische werk Fra Diavolo. Het verhaal over Fra Diavolo, een beroemde Italiaanse roverhoofdman en soldaat, is er een van misdaad, begeerte en verraad. De ouverture heeft een klassiekeopbouw met opvallende thema’s en motieven en heeft een (voor die tijd) wel heel ongebruikelijke inleiding: de kleine trom speelt een solistische rol!

Die Ouvertüre zu Aubers komischer Oper Fra Diavolo hat eine klassische Form mit leicht wieder erkennbaren Themen, klaren Bildern und deutlichen Motiven - sehr passend zu einer ebenfalls einprägsamen, turbulenten Handlung voll von Gerichtsvollziehern und Dieben! Unsentimentale, reizvolle Musik, die auch in der Transkription von Wil van der Beek das Publikum in ihren Bann ziehen wird!

Daniel François Esprit Auber (Caen, 1782 ; Paris, 1871) a été témoin de tout un cycle de l’histoire de la musique, de Luigi Cherubini Richard Wagner. Son répertoire comporte essentiellement des opéras. Des quarante opéras qu’il a composés, seuls deux ont su résister aux vicissitudes du temps : La Muette de Portici (parfois nommée Masaniello) et Fra Diavolo. La Muette de Portici est un opéra révolutionnaire de nombreux égards ; la légende veut même que la représentation du 29 juin 1830, au Thé tre de la Monnaie de Bruxelles ait déclenché l’insurrection qui fut l’origine du mouvement révolutionnaire entraînant la séparation de la Belgique et de laHollande. L’opéra-comique Fra Diavolo se révèle par son intérêt musical, qui lui vaut d’être interprété de nos jours encore. Les nombreuses aventures du capitaine Fra Diavolo sont restées captivantes gr ce un langage musical attrayant, dénué de sentimentalité.Lâ€⠄¢ouverture Fra Diavolo est de structure classique. Les thèmes simples et débonnaires évoquent des images claires, et de nombreux appels et échos militaires nous rappellent que l’intrigue se développe au rythme des péripéties des brigands et des carabiniers ! L’introduction de l’ouverture est orchestrée de façon inhabituelle pour l’époque. La caisse claire tient le rôle principal.

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-1043529-010

The Great Classics. Transcription. Set (Score & Parts). Composed 2004. 16 pages. De Haske Publications #DHP 1043529-010. Published by De Haske Publications (BT.DHP-1043529-010).

English-German-French- Dutch.

The French composer Daniel François Esprit Auber (1782-1871) witnessed many important developments in the history of music ? from Luigi Cherubini to Richard Wagner. His extensive output consisted mainly of operas, but unfortunately today only two of these are still well known, including the comic opera Fra Diavolo. The story concerns Fra Diavolo, a famous Italian bandit and soldier from the late 18th and early 19th centuries, and is one of crime, lust and treachery. The overture has a classical structure and is filled with striking themes and motifs and has a particularly unusual introduction (for the time) with the snare drum taking the leading role!

De Franse componist Daniel François Esprit Auber (1782-1871) heeft belangrijke ontwikkelingen in de muziekgeschiedenis meegemaakt: van Luigi Cherubini tot Richard Wagner. Zijn uitgebreide oeuvre bestaat voornamelijk uit opera’s, waarvaner nu nog maar twee bekend zijn, waaronder het komische werk Fra Diavolo. Het verhaal over Fra Diavolo, een beroemde Italiaanse roverhoofdman en soldaat, is er een van misdaad, begeerte en verraad. De ouverture heeft een klassiekeopbouw met opvallende thema’s en motieven en heeft een (voor die tijd) wel heel ongebruikelijke inleiding: de kleine trom speelt een solistische rol!

Die Ouvertüre zu Aubers komischer Oper Fra Diavolo hat eine klassische Form mit leicht wieder erkennbaren Themen, klaren Bildern und deutlichen Motiven - sehr passend zu einer ebenfalls einprägsamen, turbulenten Handlung voll von Gerichtsvollziehern und Dieben! Unsentimentale, reizvolle Musik, die auch in der Transkription von Wil van der Beek das Publikum in ihren Bann ziehen wird!

Daniel François Esprit Auber (Caen, 1782 ; Paris, 1871) a été témoin de tout un cycle de l’histoire de la musique, de Luigi Cherubini Richard Wagner. Son répertoire comporte essentiellement des opéras. Des quarante opéras qu’il a composés, seuls deux ont su résister aux vicissitudes du temps : La Muette de Portici (parfois nommée Masaniello) et Fra Diavolo. La Muette de Portici est un opéra révolutionnaire de nombreux égards ; la légende veut même que la représentation du 29 juin 1830, au Thé tre de la Monnaie de Bruxelles ait déclenché l’insurrection qui fut l’origine du mouvement révolutionnaire entraînant la séparation de la Belgique et de laHollande. L’opéra-comique Fra Diavolo se révèle par son intérêt musical, qui lui vaut d’être interprété de nos jours encore. Les nombreuses aventures du capitaine Fra Diavolo sont restées captivantes gr ce un langage musical attrayant, dénué de sentimentalité.Lâ€⠄¢ouverture Fra Diavolo est de structure classique. Les thèmes simples et débonnaires évoquent des images claires, et de nombreux appels et échos militaires nous rappellent que l’intrigue se développe au rythme des péripéties des brigands et des carabiniers ! L’introduction de l’ouverture est orchestrée de façon inhabituelle pour l’époque. La caisse claire tient le rôle principal.

SATB/SATB choir, basso continuo

SKU: CA.4008905

Composed by Luigi Cherubini. Edited by Oliver Schwarz-Roosmann. Chorus 1. Sacred vocal music, Mass sections. Choral Score. Composed 1806. 20 pages. Carus Verlag #CV 40.089/05. Published by Carus Verlag (CA.4008905).

ISBN 9790007131173. Key: G major. Language: Latin.

In Cherubini's complete oeuvre and in musical classicism the Credo a 8 occupies an absolutely exceptional place. It represents the summa summarum of Italian vocal polyphony since Palestrina, employing the rich harmonic means of the early 19th century, and at the same time is Cherubini's masterpiece. For chamber choirs in search of new horizons the work is an exciting discovery. Score available separately - see item CA.4008900.

SATB/SATB choir, basso continuo

SKU: CA.4008900

Composed by Luigi Cherubini. Edited by Oliver Schwarz-Roosmann. This edition: Paperbound. Sacred vocal music, Mass sections. German title: Credo. Sacred vocal music, Mass sections. Full score. Composed 1806. 80 pages. Carus Verlag #CV 40.089/00. Published by Carus Verlag (CA.4008900).

ISBN 9790007094461. Key: G major. Language: Latin.

In Cherubini's complete oeuvre and in musical classicism the Credo a 8 occupies an absolutely exceptional place. It represents the summa summarum of Italian vocal polyphony since Palestrina, employing the rich harmonic means of the early 19th century, and at the same time is Cherubini's masterpiece. For chamber choirs in search of new horizons the work is an exciting discovery.

SATB/SATB choir, basso continuo

SKU: CA.4008906

Composed by Luigi Cherubini. Edited by Oliver Schwarz-Roosmann. Chorus 2. Sacred vocal music, Mass sections. Choral Score. Composed 1806. 20 pages. Carus Verlag #CV 40.089/06. Published by Carus Verlag (CA.4008906).

ISBN 9790007131180. Key: G major. Language: Latin.

In Cherubini's complete oeuvre and in musical classicism the Credo a 8 occupies an absolutely exceptional place. It represents the summa summarum of Italian vocal polyphony since Palestrina, employing the rich harmonic means of the early 19th century, and at the same time is Cherubini's masterpiece. For chamber choirs in search of new horizons the work is an exciting discovery. Score available separately - see item CA.4008900.

Choral SATB Choir

SKU: CF.CM8400

From Requiem in C Minor. Composed by Luigi Cherubini. Arranged by Patrick M. Liebergen. Fold. Classical. Performance Score. With Standard notation. 8 pages. Carl Fischer Music #CM8400. Published by Carl Fischer Music (CF.CM8400).

ISBN 9780825832765. UPC: 798408032760. 6.875 X 10.5 inches.

This requiem is considered one of Cherubini's finest achievements in church music. The very joyful message of the text should be sung in performance by a very rhythmic presentation of the various phrases, always emphasizing the normally accented syllables.

Composed by Luigi Cherubini (1760-1842). For concert band. Arrangements of Classical Opera and Operetta Overtures/Arrangements of Classical Compositions. Classic Arrangement. Recorded on Famous Overtures (ML.311063720). Grade 5. Score only. Duration 10 minutes, 54 seconds. Published by Molenaar Edition

Basso (cello/double bass) (solos: trp - 1.2.2.2 - 2.0.0.0 - timp - str)

SKU: BR.OB-15118-26

Urtext. Composed by Johann Nepomuk Hummel. Edited by Michael Kube. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

He re you will find the E major version (original key) of this concerto.

Solo concerto; Classical. Part. 12 pages. Duration 20'. Breitkopf and Haertel #OB 15118-26. Published by Breitkopf and Haertel (BR.OB-15118-26).

ISBN 9790004340387. 10 x 12.5 inches.

Just like Joseph Haydn's E flat major concerto Hob VIIe:1 (1796), Hummel's Trumpet Concerto in E major of 1803 was also written for the Viennese soloist Anton Weidinger, who performed on a keyed trumpet that could produce the chromatic tones of an entire scale a unique achievement at that time. The work features unmistakable allusions to Mozart and even has a literal quote from a Cherubini opera in the final movement. Today, Hummel's concerto, next to the Haydn piece, is considered as THE classical trumpet concerto. It is no doubt thanks to this unique status that the work has been available in a transposition to E flat major since 1957, a version that better suits the B flat trumpet widely used today. The Urtext edition respects this performance-practical aspect: The piano reduction as well as the study score contain both versions. The score and orchestral parts can be obtained in two different editions.

Basso (cello/double bass) (solos: trp - 1.2.2.2 - 2.0.0.0 - timp - str)

SKU: BR.OB-15119-26

Urtext. Composed by Johann Nepomuk Hummel. Edited by Michael Kube. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). In Cooperation with G. Henle Verlag Here you will find the E flat major version of this concerto. Solo concerto; Classical. Part. 12 pages. Breitkopf and Haertel #OB 15119-26. Published by Breitkopf and Haertel (BR.OB-15119-26).

ISBN 9790004340332. 10 x 12.5 inches.

Just like Joseph Haydn's E flat major concerto Hob VIIe:1 (1796), Hummel's Trumpet Concerto in E major of 1803 was also written for the Viennese soloist Anton Weidinger, who performed on a keyed trumpet that could produce the chromatic tones of an entire scale a unique achievement at that time. The work features unmistakable allusions to Mozart and even has a literal quote from a Cherubini opera in the final movement. Today, Hummel's concerto, next to the Haydn piece, is considered as THE classical trumpet concerto. It is no doubt thanks to this unique status that the work has been available in a transposition to E flat major since 1957, a version that better suits the B flat trumpet widely used today. The Urtext edition respects this performance-practical aspect: The piano reduction as well as the study score contain both versions. The score and orchestral parts can be obtained in two different editions.While this being one of the few urtext, it may be the only edition published in both the original tonality of E major and the often-preferred key of E-flat major. Additionally, the edition contains some interesting insights on the concerto and keyed trumpet. (Luis C. Engelke, Music Reviews Editor).

Trumpet and orchestra (solos: trp - 1.2.2.2 - 2.0.0.0 - timp - str)

SKU: BR.PB-15119

Urtext. Composed by Johann Nepomuk Hummel. Edited by Michael Kube. Orchestra; stapled. Partitur-Bibliothek (Score Library).

In Cooperation with G. Henle Verlag

He re you will find the E flat major version of this concerto.

Solo concerto; Classical. Full score. 52 pages. Breitkopf and Haertel #PB 15119. Published by Breitkopf and Haertel (BR.PB-15119).

ISBN 9790004212219. 10 x 12.5 inches.

Just like Joseph Haydn's E flat major concerto Hob VIIe:1 (1796), Hummel's Trumpet Concerto in E major of 1803 was also written for the Viennese soloist Anton Weidinger, who performed on a keyed trumpet that could produce the chromatic tones of an entire scale a unique achievement at that time. The work features unmistakable allusions to Mozart and even has a literal quote from a Cherubini opera in the final movement. Today, Hummel's concerto, next to the Haydn piece, is considered as THE classical trumpet concerto. It is no doubt thanks to this unique status that the work has been available in a transposition to E flat major since 1957, a version that better suits the B flat trumpet widely used today. The Urtext edition respects this performance-practical aspect: The piano reduction as well as the study score contain both versions. The score and orchestral parts can be obtained in two different editions.While this being one of the few urtext, it may be the only edition published in both the original tonality of E major and the often-preferred key of E-flat major. Additionally, the edition contains some interesting insights on the concerto and keyed trumpet. (Luis C. Engelke, Music Reviews Editor).

Trumpet and orchestra (solos: trp - 1.2.2.2 - 2.0.0.0 - timp - str)

SKU: BR.PB-15158-07

Urtext. Composed by Johann Nepomuk Hummel. Orchestra; Softcover. Partitur-Bibliothek (Score Library).

In Cooperation with G. Henle Verlag

He re you will find the E flat major version of this concerto.

Solo concerto; Classical. Study Score. 100 pages. Breitkopf and Haertel #PB 15158-07. Published by Breitkopf and Haertel (BR.PB-15158-07).

ISBN 9790004215630. 6.5 x 9 inches.

Just like Joseph Haydn's E flat major concerto Hob VIIe:1 (1796), Hummel's Trumpet Concerto in E major of 1803 was also written for the Viennese soloist Anton Weidinger, who performed on a keyed trumpet that could produce the chromatic tones of an entire scale a unique achievement at that time. The work features unmistakable allusions to Mozart and even has a literal quote from a Cherubini opera in the final movement. Today, Hummel's concerto, next to the Haydn piece, is considered as THE classical trumpet concerto. It is no doubt thanks to this unique status that the work has been available in a transposition to E flat major since 1957, a version that better suits the B flat trumpet widely used today. The Urtext edition respects this performance-practical aspect: The piano reduction as well as the study score contain both versions. The score and orchestral parts can be obtained in two different editions.While this being one of the few urtext, it may be the only edition published in both the original tonality of E major and the often-preferred key of E-flat major. Additionally, the edition contains some interesting insights on the concerto and keyed trumpet. (Luis C. Engelke, Music Reviews Editor).