(Chorale des Weihnachtsoratoriums , aus Kantaten und den Sammlungen von C.Ph.E....(+)
(Chorale des
Weihnachtsoratoriums ,
aus Kantaten und den
Sammlungen von
C.Ph.E.Bach und
Kirnberger (mit Texten)).
By Johann Sebastian Bach
(1685-1750). Edited by
Manfred Harras. For
Soprano Recorder (C),
Alto Recorder (F,G),
Tenor Recorder (C,D),
Bass Recorder (F).
Blockflotenmusik.
Weihnachtslieder
(Christmas Songs).
Playing Score
Trauungschorale.
Composed by Johann
Sebastian Bach. Sheet
music. Schott
Chorblattreihe (Choral
Music). Classical. Choral
Score. 2 pages. Schott
Music #CHBL 421.
Published by Schott Music
(HL.49001635).
ISBN
9790001020008.
6.0x8.25x0.004 inches.
German.
Orgelwerke, Band 2. Urtext der Neuen Bach-ausgabe - Organ Works Volume 2. By Joh...(+)
Orgelwerke, Band 2.
Urtext der Neuen
Bach-ausgabe - Organ
Works Volume 2. By Johann
Sebastian Bach. Edited by
Hans Klotz. For Organ.
Playing Score; Urtext
Edition (paperbound).
Published by
Baerenreiter-Ausgaben
(German import).
(Repertoires der Zeit vor 1750). By Johann Sebastian Bach (1685-1750). Edited by...(+)
(Repertoires der Zeit vor
1750). By Johann
Sebastian Bach
(1685-1750). Edited by
Frieder Rempp. For Voice.
Neue Bach-Ausgabe. Serie
III, Band 2/1. Critical
Commentary; Complete
Edition (cloth bound)
Mixed Choir (SATB) with Children's Choir, with Soloists ad libitum, Speakers, Or...(+)
Mixed Choir (SATB) with
Children's Choir, with
Soloists ad libitum,
Speakers, Organ or Wind-
and String Instruments
and other instruments
(Carillonse, Percussion)
(Score) - intermediate
SKU: HL.49006584
Das Ottowinder
Christspiel. Composed
by Franz Mö and ckl.
Sheet music. Edition
Schott. Classical. Score.
52 pages. Schott Music
#ED 6724. Published by
Schott Music
(HL.49006584).
ISBN
9790001071338.
Eine
ganze Gemeinde die Geburt
Christi feiern zu lassen
und dabei die
unterschiedlichen
Fahigkeiten musikalischer
und gestalterischer Art
von Kindern, Jugendlichen
und Erwachsenen
zusammenzufassen und zur
Geltung zu bringen, wurde
dieses Stuck geschrieben
und in den Jahren von
1946 bis 1954 jeweils am
Heiligen Abend in der
Kirche zu Ottowind bei
Coburg aufgefuhrt. Die
von Kindern getragene
Spielhandlung, die
eigentlich nur darin
besteht, ein lebendes
Krippenspiel aufzubauen,
greift die Tradition der
Christgeburtsspiele auf;
die Besucher werden
einbezogen durch den
gemeinsamen Gesang von
Weihnachtschoralen; die
liturgische Bindung ist
durch Schriftlesungen und
Vertonungen von
Bibeltexten gewahrt. []
Die vorliegende Ausgabe
ist zugleich auch als ein
weihnachtliches Sing- und
Spielbuch gedacht, das im
hauslichen Kreise ebenso
wie in Schule oder Verein
gute Dienste leisten
wird.' (Franz Mockl) Fur
Kinder ab 6 Jahren
geeignet; der gemischte
Chor und die Solo-Partien
konnen mit Jugendlichen
besetzt werden.
Composed by Carmen
Scialla. Baptism of the
Lord B, Easter Vigil, OT
15 A. Choral. Sacred.
Octavo. 8 pages. GIA
Publications #5422.
Published by GIA
Publications (GI.G-5422).
Text Source: Isaiah
55:(10-13). Text by
Carmen Scialla.
Scripture: Isaiah
55:10–13.
A
festive anthem on Psalm
55, in four brief
sections. Sections one
and four are robust and
partially a cappella,
with the organ
punctuating the ends of
the phrases with great
effect. Section two is an
mp choralelike passage,
and three is a brief
tranquil piano. Not at
all difficult, providing
good reward for time
spent.
A festive
anthem on Psalm 55, in
four brief sections.
Neun Chorale fur Chor; Orgel ad lib (deutsch/englisch). By Johann Sebastian Bach...(+)
Neun Chorale fur Chor;
Orgel ad lib
(deutsch/englisch). By
Johann Sebastian Bach.
Edited by Alfred Durr.
For emCh-SATB (3), Organ
ad lib. Chor-Archiv.
Singing Score; Playing
Score; Piano
Reduction/Vocal Score.
BWV 248. Published by
Baerenreiter-Ausgaben
(German import).
Mixed choir-SATB, basso
continuo (organ),
instruments ad libitum
(Mixed choir (SATB),
Basso continuo (Organ),
Instrument ad libitum) -
Level 3
SKU:
BA.BA06243
Composed
by Johann Sebastian Bach.
Edited by Alfred Durr.
This edition: urtext
edition. Stapled.
Barenreiter Urtext. Aus
der Matthäus-Passion.
Choral score, anthology.
BWV 244. 11 pages.
Baerenreiter Verlag
#BA06243_00. Published by
Baerenreiter Verlag
(BA.BA06243).
ISBN
9790006477401. 27 x 19 cm
inches.
10
ausgewahlte Chorale fur
Chor und Bc(Org), nach
dem Urtext der Neuen
Bach-Ausgabe, Instrumente
(2 Fl, 2 Ob, Str) ad
lib.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Violoncello/double bass SKU: CA.4045414 Composed by Christoph Graupner. H...(+)
Violoncello/double bass
SKU: CA.4045414
Composed by Christoph
Graupner. Hymns by Martin
Luther: Gelobet seist du,
Jesu Christ. German
title: Weihnachtschorale.
Sacred vocal music, Hymn
settings, Advent,
Christmas. Single Part,
Cello/Double Bass. 8
pages. Carus Verlag #CV
40.454/14. Published by
Carus Verlag
(CA.4045414).
ISBN
9790007068745.
Scor
e available separately -
see item CA.4045400.
Organ solo, Clavichord solo SKU: FZ.50139 Organ or clavichord. Com...(+)
Organ solo, Clavichord
solo
SKU: FZ.50139
Organ or
clavichord. Composed
by Friedrich Marpurg.
This edition: Facsimile.
Collection FacsiMusic.
Score. Published by Anne
Fuzeau Productions -
France (FZ.50139).
ISBN 9790049501392.
21.00 x 29.70 cm
inches.
This
facsimile of an original
by Friedrich Wilhelm
Marpurg is part of our
Facsimusic collection.
Berlin, Amsterdam, J. J.
Hummel, s. d. = c. 1789.
Versuch in figurierten
Choralen sowohl fur die
Orgel, als fur das
Clavichord. 21 chorals
varies for organ or
clavichord, followed by
an afterword.
Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile
of a copy in the National
Library of Paris
(France). Anne Fuzeau
Classique propose period
copies of classical music
scores.
Organ solo SKU: CA.9236500 Composed by Rolf Loffler. Hymns by Martin Luth...(+)
Organ solo
SKU:
CA.9236500
Composed
by Rolf Loffler. Hymns by
Martin Luther: Gott sei
gelobet und gebenedeiet.
German title: Sechs
Orgelchorale 6004401.
Lent and Passiontide,
Praise and thanks.
Collection. 16 pages.
Carus Verlag #CV
92.365/00. Published by
Carus Verlag
(CA.9236500).
SKU: CA.4080310 Composed by Gerhard Steiff. Choral collections for men's ...(+)
SKU: CA.4080310
Composed by Gerhard
Steiff. Choral
collections for men's
choir. German title: Vier
Weihnachtschorale fur
Mannerchor. Sacred vocal
music, Advent, Epiphany,
Trinity, Christmas. Full
score. Composed 1862
(terminus ante quem). 4
pages. Carus Verlag #CV
40.803/10. Published by
Carus Verlag
(CA.4080310).
Organ solo, Clavichord solo SKU: FZ.50140 Organ or clavichord. Com...(+)
Organ solo, Clavichord
solo
SKU: FZ.50140
Organ or
clavichord. Composed
by Friedrich Marpurg.
This edition: Facsimile.
Collection FacsiMusic.
Score. Published by Anne
Fuzeau Productions -
France (FZ.50140).
ISBN 9790049501408.
21.00 x 29.70 cm
inches.
This
facsimile of an original
by Friedrich Wilhelm
Marpurg is part of our
Facsimusic collection.
Berlin, Amsterdam, J. J.
Hummel, s. d. = 1793.
Zweyter
Versuch in figurirten
Choralen und Fugen sowohl
fur die Orgel, als fur
das Clavicord. 15 chorals
varies et fugues for
organ or clavichord.
Collection supervised by
the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile
of a copy in the National
Library of Paris
(France). Anne Fuzeau
Classique propose period
copies of classical music
scores.
Little Chorale Arrangements for Organ op. 8, no. 3 and individually transmitted ...(+)
Little Chorale
Arrangements for Organ
op. 8, no. 3 and
individually transmitted
Chorale Arrangements. By
Hugo Distler. Edited by
Armin Schoof. For Organ.
This edition: Urtext
Edition; Paperbound. Neue
Ausgabe samtlicher
Orgelwerke, Band II.
Score. 45 pages.
Published by Baerenreiter
Verlag (German import).
Hawkes Pocket Score
1390. Composed by
Magnus Lindberg. Boosey &
Hawkes Scores/Books.
Classical. Softcover. 40
pages. Boosey & Hawkes
#M060122408. Published by
Boosey & Hawkes
(HL.48024114).
ISBN
9780851628363. UPC:
888680708900. 8.25x11.75
inches. Hawkes Pocket
Score 1390.
Chorale
(2001-02), for orchestra,
is a kind of musical
meditation on the chorale
Es ist genug from Bach's
cantata O Ewigkeit, du
Donnerwort, itself a
harmonisation of J R
Ahle's 1662 hymn. Nick
Kimberley's preface
outlines the context of
the Bach original and
refers to Alban Berg's
use of the chorale in his
Violin Concerto almost
300 years later. In
contrast to both of these
works, Lindberg's Chorale
has no extra-musical
agenda. The composer
explains that he took the
harmonic structure of the
chorale and embedded it
in his own harmonies.
“I make an analogy
with the rise and fall of
the tide. When the tide
is in, the sea-bed is
invisible; but when the
tide goes out, you see
the rock formation on the
sea-bed.” Tribute
is a short show-piece for
full orchestra composed
in 2004 as a gift to
celebrate the 20th
anniversary of Esa-Pekka
Salonen's debut with the
Los Angeles
Philharmonic.
SSATB choir, SATB ad lib., 5 instruments ad lib., basso continuo SKU: CA.1002...(+)
SSATB choir, SATB ad
lib., 5 instruments ad
lib., basso continuo
SKU: CA.1002849
Chorale concert.
Composed by Michael
Praetorius. Edited by Uwe
Wolf. This edition:
urtext. Stuttgart Urtext
Edition. Organ. Sacred
concertos, Sacred vocal
music, Advent. Single
Part, Organ. 4 pages.
Duration 4 minutes. Carus
Verlag #CV 10.028/49.
Published by Carus Verlag
(CA.1002849).
ISBN
9790007189389. Text
language:
German.
The
collection Polyhymnia
Caduceatrix & Panegyrica
of 1619 is rightly
regarded as the high
point in Michael
Praetorius's output. It
combines Solennische
Friedt- und
Frewden-Concert: which
Praetorius as a
travelling musician had
composed largely for
festive occasions - he
writes of Kayser: Konig:
Chur: vnd Furstlichen
zusammen Kunfften - and
also for furnehme
Capellen vnd Kirchen. In
these chorael concerti
the highly modern,
Italian style and the
Protestant chorale
combine and form a
symbiosis which showed
the way forward for the
history of German music.
The chorale settings draw
on influences from
Venetian polychoral
music, use ritornelli and
employ obbligato
instruments in a way
which is beyond compare,
even in contemporary
Italy. Here we see a
quite different side of
the master from the
composer of Es ist ein
Ros entsprungen. And
above all, Praetorius
always remains a
practical musician who
ensures that these
breathtaking chorale
concerti can also be
effectively performed
with smaller forces,
sometimes considerably
reduced ones. In the
chorale setting Wie schon
leuchtet der Morgenstern
Praetorius wrote for a
five-part ensemble which
is joined in some
sections by a four-part
capella. For the
ensemble, Praetorius
suggested both voices and
instruments, which he
uses in a sophisticated
texture of sound, the
instruments sometimes
duplicating the voices
and sometimes alternating
with them. Score and part
available separately -
see item CA.1002800.
SSATB choir, SATB ad lib., 5 instruments ad lib., basso continuo SKU: CA.1002...(+)
SSATB choir, SATB ad
lib., 5 instruments ad
lib., basso continuo
SKU: CA.1002800
Chorale concert.
Composed by Michael
Praetorius. Edited by Uwe
Wolf. This edition:
urtext. Stuttgart Urtext
Edition. Sacred
concertos, Sacred vocal
music, Advent. Full
score. 12 pages. Duration
4 minutes. Carus Verlag
#CV 10.028/00. Published
by Carus Verlag
(CA.1002800).
ISBN
9790007171735. Text
language:
German.
The
collection Polyhymnia
Caduceatrix & Panegyrica
of 1619 is rightly
regarded as the high
point in Michael
Praetorius's output. It
combines Solennische
Friedt- und
Frewden-Concert: which
Praetorius as a
travelling musician had
composed largely for
festive occasions - he
writes of Kayser: Konig:
Chur: vnd Furstlichen
zusammen Kunfften - and
also for furnehme
Capellen vnd Kirchen. In
these chorael concerti
the highly modern,
Italian style and the
Protestant chorale
combine and form a
symbiosis which showed
the way forward for the
history of German music.
The chorale settings draw
on influences from
Venetian polychoral
music, use ritornelli and
employ obbligato
instruments in a way
which is beyond compare,
even in contemporary
Italy. Here we see a
quite different side of
the master from the
composer of Es ist ein
Ros entsprungen. And
above all, Praetorius
always remains a
practical musician who
ensures that these
breathtaking chorale
concerti can also be
effectively performed
with smaller forces,
sometimes considerably
reduced ones. In the
chorale setting Wie schon
leuchtet der Morgenstern
Praetorius wrote for a
five-part ensemble which
is joined in some
sections by a four-part
capella. For the
ensemble, Praetorius
suggested both voices and
instruments, which he
uses in a sophisticated
texture of sound, the
instruments sometimes
duplicating the voices
and sometimes alternating
with them.
SSATB choir, SATB ad lib., 5 instruments ad lib., basso continuo SKU: CA.1002...(+)
SSATB choir, SATB ad
lib., 5 instruments ad
lib., basso continuo
SKU: CA.1002805
Chorale concert.
Composed by Michael
Praetorius. Edited by Uwe
Wolf. This edition:
urtext. Stuttgart Urtext
Edition. Sacred
concertos, Sacred vocal
music, Advent. Choral
Score. 8 pages. Duration
4 minutes. Carus Verlag
#CV 10.028/05. Published
by Carus Verlag
(CA.1002805).
ISBN
9790007181352. Text
language:
German.
The
collection Polyhymnia
Caduceatrix & Panegyrica
of 1619 is rightly
regarded as the high
point in Michael
Praetorius's output. It
combines Solennische
Friedt- und
Frewden-Concert: which
Praetorius as a
travelling musician had
composed largely for
festive occasions - he
writes of Kayser: Konig:
Chur: vnd Furstlichen
zusammen Kunfften - and
also for furnehme
Capellen vnd Kirchen. In
these chorael concerti
the highly modern,
Italian style and the
Protestant chorale
combine and form a
symbiosis which showed
the way forward for the
history of German music.
The chorale settings draw
on influences from
Venetian polychoral
music, use ritornelli and
employ obbligato
instruments in a way
which is beyond compare,
even in contemporary
Italy. Here we see a
quite different side of
the master from the
composer of Es ist ein
Ros entsprungen. And
above all, Praetorius
always remains a
practical musician who
ensures that these
breathtaking chorale
concerti can also be
effectively performed
with smaller forces,
sometimes considerably
reduced ones. In the
chorale setting Wie schon
leuchtet der Morgenstern
Praetorius wrote for a
five-part ensemble which
is joined in some
sections by a four-part
capella. For the
ensemble, Praetorius
suggested both voices and
instruments, which he
uses in a sophisticated
texture of sound, the
instruments sometimes
duplicating the voices
and sometimes alternating
with them. Score
available separately -
see item CA.1002800.
SSATB choir, SATB ad lib., 5 instruments ad lib., basso continuo SKU: CA.1002...(+)
SSATB choir, SATB ad
lib., 5 instruments ad
lib., basso continuo
SKU: CA.1002819
Chorale concert.
Composed by Michael
Praetorius. Edited by Uwe
Wolf. This edition:
urtext. Stuttgart Urtext
Edition. Separate
instruments. Sacred
concertos, Sacred vocal
music, Advent. Set of
Orchestra Parts. Duration
4 minutes. Carus Verlag
#CV 10.028/19. Published
by Carus Verlag
(CA.1002819).
ISBN
9790007181420. Text
language:
German.
The
collection Polyhymnia
Caduceatrix & Panegyrica
of 1619 is rightly
regarded as the high
point in Michael
Praetorius's output. It
combines Solennische
Friedt- und
Frewden-Concert: which
Praetorius as a
travelling musician had
composed largely for
festive occasions - he
writes of Kayser: Konig:
Chur: vnd Furstlichen
zusammen Kunfften - and
also for furnehme
Capellen vnd Kirchen. In
these chorael concerti
the highly modern,
Italian style and the
Protestant chorale
combine and form a
symbiosis which showed
the way forward for the
history of German music.
The chorale settings draw
on influences from
Venetian polychoral
music, use ritornelli and
employ obbligato
instruments in a way
which is beyond compare,
even in contemporary
Italy. Here we see a
quite different side of
the master from the
composer of Es ist ein
Ros entsprungen. And
above all, Praetorius
always remains a
practical musician who
ensures that these
breathtaking chorale
concerti can also be
effectively performed
with smaller forces,
sometimes considerably
reduced ones. In the
chorale setting Wie schon
leuchtet der Morgenstern
Praetorius wrote for a
five-part ensemble which
is joined in some
sections by a four-part
capella. For the
ensemble, Praetorius
suggested both voices and
instruments, which he
uses in a sophisticated
texture of sound, the
instruments sometimes
duplicating the voices
and sometimes alternating
with them. Score and
parts available
separately - see item
CA.1002800.
Chorale and Variations Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-056-010 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-056-010
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Set (Score &
Parts). Composed 2003.
Anglo Music Press #AMP
056-010. Published by
Anglo Music Press
(BT.AMP-056-010).
As the title
suggests, this piece
comprises a set of
variations on an original
chorale,which is
presented in the opening
bars.The chorale uses the
dark middle and lower
sections of the band and
is extended with minor
variations until a pause
leads to the first real
variation, marked Vivo.
This is in the form of a
moto perpetuo. The second
variation is a beautiful
Andante introduced by a
solo clarinet. Following
a full band climax the
final variation opens
with quiet, nervous
energy until its main
theme is introduced.The
chorale makes a brief
appearance until the main
theme reappears. This
leads to a triumphant
final augmented statement
of the chorale theme,
decorated by theflorid
clarinet theme in the
upper woodwinds. A
dazzling new concert
work.
Zoals de
titel al aangeeft,
bestaat het stuk uit een
aantal variaties op een
oorspronkelijk koraal,
dat aan het begin wordt
ge ntroduceerd. Het
koraal, stevig verankerd
in c mineur, komt naar
voren in de donkere
midden- en lage
sectiesvan het orkest en
wordt uitgebouwd met
variaties in mineur,
totdat een korte pauze de
overgang vormt naar de
eerste echte variatie,
Vivo getiteld. Dit is een
moto perpetuo. De tweede
variatie, een krachtige
Andante, introduceerteen
soloklarinet. Na een
climax in het hele orkest
vangt de laatste variatie
aan met een stille,
nerveuze energie totdat
het hoofdthema naar voren
komt. Het koraal duikt
even op totdat het
hoofdthema weer
verschijnt. Dit leidtnaar
een glorierijke laatste
reprise van het
koraalthema in
verbreding, omspeeld met
het zwierige
klarinetthema in het hoge
hout. Een verbluffend
nieuw
concertwerk.
In
drei sehr
unterschiedlichen
Variationen kommen in
diesem Werk alle Register
des Blasorchesters zum
Zug: Die mittleren und
tieferen Register stellen
den originalen Choral in
Moll vor, darauf folgt
die erste, lyrische
Variation im
Tenorregister. Eine
Solo-Klarinette
präsentiert die
metrische zweite
Variation, abgelöst
vom gesamten
Blasorchester. Die hohen
Holzbläser spielen
eine wichtige Rolle in
der dritten Variation,
die zunächst verhalten
einsetztt, dann aber das
Werk zu einem
triiumphalen Schluss
führt. Ein
interessantes Werk, das
keine Wünsche bei
Musikern oder Zuhörern
offen
lässt!
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-056-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-056-140
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Score Only.
Composed 2003. 56 pages.
Anglo Music Press #AMP
056-140. Published by
Anglo Music Press
(BT.AMP-056-140).
As the title
suggests, this piece
comprises a set of
variations on an original
chorale,which is
presented in the opening
bars.The chorale uses the
dark middle and lower
sections of the band and
is extended with minor
variations until a pause
leads to the first real
variation, marked Vivo.
This is in the form of a
moto perpetuo. The second
variation is a beautiful
Andante introduced by a
solo clarinet. Following
a full band climax the
final variation opens
with quiet, nervous
energy until its main
theme is introduced.The
chorale makes a brief
appearance until the main
theme reappears. This
leads to a triumphant
final augmented statement
of the chorale theme,
decorated by theflorid
clarinet theme in the
upper woodwinds. A
dazzling new concert
work.
Zoals de
titel al aangeeft,
bestaat het stuk uit een
aantal variaties op een
oorspronkelijk koraal,
dat aan het begin wordt
ge ntroduceerd. Het
koraal, stevig verankerd
in c mineur, komt naar
voren in de donkere
midden- en lage
sectiesvan het orkest en
wordt uitgebouwd met
variaties in mineur,
totdat een korte pauze de
overgang vormt naar de
eerste echte variatie,
Vivo getiteld. Dit is een
moto perpetuo. De tweede
variatie, een krachtige
Andante, introduceerteen
soloklarinet. Na een
climax in het hele orkest
vangt de laatste variatie
aan met een stille,
nerveuze energie totdat
het hoofdthema naar voren
komt. Het koraal duikt
even op totdat het
hoofdthema weer
verschijnt. Dit leidtnaar
een glorierijke laatste
reprise van het
koraalthema in
verbreding, omspeeld met
het zwierige
klarinetthema in het hoge
hout. Een verbluffend
nieuw
concertwerk.
In
drei sehr
unterschiedlichen
Variationen kommen in
diesem Werk alle Register
des Blasorchesters zum
Zug: Die mittleren und
tieferen Register stellen
den originalen Choral in
Moll vor, darauf folgt
die erste, lyrische
Variation im
Tenorregister. Eine
Solo-Klarinette
präsentiert die
metrische zweite
Variation, abgelöst
vom gesamten
Blasorchester. Die hohen
Holzbläser spielen
eine wichtige Rolle in
der dritten Variation,
die zunächst verhalten
einsetzt, dann aber das
Werk zu einem
triiumphalen Schluss
führt. Ein
interessantes Werk, das
keine Wünsche bei
Musikern oder Zuhörern
offen
lässt!
SSATB choir, [SATB/SATB],
8 instruments ad lib.,
basso continuo
SKU:
CA.1002705
Chorale
concert. Composed by
Michael Praetorius.
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition.
Halleluja, Christ Ist
Erstanden. Sacred
concertos, Sacred vocal
music, Praise and thanks.
Choral Score. 8 pages.
Duration 8 minutes. Carus
Verlag #CV 10.027/05.
Published by Carus Verlag
(CA.1002705).
ISBN
9790007181338. Text
language:
German.
The
collection Polyhymnia
Caduceatrix & Panegyrica
of 1619 is rightly
regarded as the high
point in Michael
Praetorius's output. It
combines Solennische
Friedt- und
Frewden-Concert: which
Praetorius as a
travelling musician had
composed largely for
festive occasions - he
writes of Kayser: Konig:
Chur: vnd Furstlichen
zusammen Kunfften - and
also for furnehme
Capellen vnd Kirchen. In
these chorale concerti
the highly modern,
Italian style and the
Protestant chorale
combine and form a
symbiosis which showed
the way forward for the
history of German music.
The chorale settings draw
on influences from
Venetian polychoral
music, use ritornelli and
employ obbligato
instruments in a way
which is beyond compare,
even in contemporary
Italy. Here we see a
quite different side of
the master from the
composer of Es ist ein
Ros entsprungen. And
above all, Praetorius
always remains a
practical musician who
ensures that these
breathtaking choral
concerti can also be
effectively performed
with smaller forces,
sometimes considerably
reduced ones. Praetorius
gives the verses of the
well-known Easter hymn
Christ ist erstanden to
the concertists (soloists
or small choir), who can
perform these in
alternating scorings. At
the beginning, between
the verses, and at the
end, a magnificent
Halleluja occurs as a
ritornello, which can be
performed by up to 5
choirs - ad lib, of
course. Score available
separately - see item
CA.1002700.
Sei Lob
und Ehr dem hochsten
Gut. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
1x 31.117/21 flute 1, 1x
31.117/22 flute 2, 1x
31.117/23 oboe 1, 1x
31.117/24 oboe 2. Harmony
parts. Sacred vocal
music, Cantatas, Praise
and thanks. Set of
Orchestra Parts. Composed
1728/1731. BWV 117. 16
pages. Duration 26
minutes. Carus Verlag #CV
31.117/09. Published by
Carus Verlag
(CA.3111709).
ISBN
9790007048662. Key: G
major. Language:
German/English. Text:
Schutz, Johann Jakob.
Text: Johann Jakob
Schutz.
The cantata
Sei Lob und Ehr dem
hochsten Gut (All glory
to the Lord of Lords) BWV
117 is one of a small
group of Bach's chorale
cantatas which use
exclusively the text of
the chorale, including in
the three recitatives and
three arias. Only the
autograph score of the
cantata survives;
although this enables an
approximate dating to be
made (c. 1730), it does
not give the occasion for
which the cantata was
written. The choice of
chorale may indicate it
was composed for a
wedding. Recently it has
been suggested that the
occasion for its
composition was the
birthday of the Duke of
Weissenfels in 1731; but
there is no firm evidence
to support either theory.
The cantata opens with an
extended movement for
chorus in which Bach
contrasts the concertante
orchestra with festive,
almost homophonic choral
writing. This chorus
movement is repeated at
the end. A simple chorale
movement which comes
fourth indicates that the
nine-movement cantata was
performed in two
sections. Score and parts
available separately -
see item CA.3111700.
SSATB choir, [SATB/SATB],
8 instruments ad lib.,
basso continuo
SKU:
CA.1002711
Chorale
concert. Composed by
Michael Praetorius.
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition.
Halleluja, Christ Ist
Erstanden. Sacred
concertos, Sacred vocal
music, Praise and thanks.
Single Part, Viola 1. 4
pages. Duration 8
minutes. Carus Verlag #CV
10.027/11. Published by
Carus Verlag
(CA.1002711).
ISBN
9790007189327. Text
language:
German.
The
collection Polyhymnia
Caduceatrix & Panegyrica
of 1619 is rightly
regarded as the high
point in Michael
Praetorius's output. It
combines Solennische
Friedt- und
Frewden-Concert: which
Praetorius as a
travelling musician had
composed largely for
festive occasions - he
writes of Kayser: Konig:
Chur: vnd Furstlichen
zusammen Kunfften - and
also for furnehme
Capellen vnd Kirchen. In
these chorale concerti
the highly modern,
Italian style and the
Protestant chorale
combine and form a
symbiosis which showed
the way forward for the
history of German music.
The chorale settings draw
on influences from
Venetian polychoral
music, use ritornelli and
employ obbligato
instruments in a way
which is beyond compare,
even in contemporary
Italy. Here we see a
quite different side of
the master from the
composer of Es ist ein
Ros entsprungen. And
above all, Praetorius
always remains a
practical musician who
ensures that these
breathtaking choral
concerti can also be
effectively performed
with smaller forces,
sometimes considerably
reduced ones. Praetorius
gives the verses of the
well-known Easter hymn
Christ ist erstanden to
the concertists (soloists
or small choir), who can
perform these in
alternating scorings. At
the beginning, between
the verses, and at the
end, a magnificent
Halleluja occurs as a
ritornello, which can be
performed by up to 5
choirs - ad lib, of
course. Score and part
available separately -
see item CA.1002700.