By Conrad Susa. Text: Anne Sexton. For Opera. Opera, Vocal Music. Published by E.C. Schirmer Publishing.

By Clint Lowery. Instructional/Guitar/DVD. DVD. With guitar tablature. Published by Hal Leonard (HL.144833).

Chamber Music String Quartet

SKU: PR.11441387S

Composed by Stacy Garrop. Classical. Full score. With Standard notation. Composed Summer 2008. 56 pages. Duration 31 minutes. Theodore Presser Company #114-41387S. Published by Theodore Presser Company (PR.11441387S).

UPC: 680160585694.

Havin g performed Garrop's String Quartet No. 2: Demons and Angels with much success, it is only natural that the Biava Quartet would handle the premiere of String Quartet No.3: Gaia. In an email interview with Pittsburgh New Music Net, Biava violist Mary Persin says, in part, We received many very enthusiastic responses from audience members who were struck by the interesting form, as well as the sonorities created by using a good deal of dissonance as well as harmonics. Watch for a recording by the Biava Quartet to be made available soon. For advanced performers. Duration: 32' 30.

By Imagine Dragons. Easy Piano Personality. Pop, Rock. Softcover. Published by Hal Leonard

Alto Saxophone - easy SKU: BT.2094-17-404-DC Ausgewählte Werke für den D1-Bereich. Book with Online Audio. Composed 2018. 28 pages. Edition Da Capo #2094-17-404 DC. Published by Edition Da Capo (BT.2094-17-404-DC). ISBN 9789043151283. German. Da Capo ist als praxisorientierte, leicht zugängliche Musiklehre schon länger auf dem Markt etabliert. Richtig groß wird die Freude am Musiklernen aber erst, wenn man sich damit auf der Bühne präsentieren kann. Daher gibt es unter dem TitelBühnenspaß nun auch passende Spielliteratur, die vor allem auf die Leistungsabzeichen der Österreichischen Blasmusikjugend zugeschnitten ist, aber auch unabhängig davon das Unterrichts- und Vortragsrepertoire bereichert. Jedes Heft deckt einbreites musikhistorisches wie auch stilistisches Spektrum ab und schließt auch neue Werke renommierter zeitgenössischer Komponisten mit ein. Dieses Heft für Altsaxophon entspricht der Leistungsstufe Bronze und enthält die Solostimme; ferner stehen Audiotracks mit den Klavierbegleitungen zu allen Stücken auf der Online-Plattform MyLibrary zum Download oder Streaming bereit.Zusätzlich sind die Noten des Klavierparts als separate Ausgabe unter der Bestellnummer 2095-17-401 DC erhältlich.

For voice and piano. Album. Pop / Jazz. Score. 120 pages. Published by Paul Beuscher

By Stacy Garrop. String quartet. For 2 Violins, Viola, Cello. Classical. Full score (study). Standard notation. 53 pages. Duration 30 minutes. Published by Theodore Presser Company

By Stacy Garrop. String quartet. For 2 Violins, Viola, Cello. Score and parts. Standard notation. Composed 2004/2005

By Gregg Allman. Piano/Vocal/Guitar Artist Songbook. Rock. Softcover. Published by Hal Leonard

By The Answer. Guitar Recorded Version. Softcover. Guitar tablature. 108 pages. Published by Hal Leonard

The Untold Story of Ervin T. Rouse, Chubby Wise, Johnny Cash and the Orange Blossom Special. By Randy Noles. Fiddle. Softcover. 226 pages. Published by Centerstream Publications.

For voice, guitar or piano. Album. Pop / Jazz. Score. Published by Editions Henry Lemoine

By Various. For Piano/Vocal/Guitar. Piano/Vocal/Guitar Songbook. Softcover. 122 pages. Published by Hal Leonard

From Frozen: The Broadway Musical. Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Mark A. Brymer. Broadway Choral. Concert, Show Choir, Musicals, Broadway, Disney, Winter. Octavo. 16 pages. Published by Hal Leonard

Intermediate to Early Advanced Works by 37 Composers. Edited by Maurice Hinson. Masterworks; Piano Collection. Alfred Masterwork Edition. 20th Century; Masterwork. Book. 208 pages. Alfred Music #00-21442. Published by Alfred Music

Arranged for Solo Piano. Composed by Bear McCreary. Piano Solo Composer Collection. Movies, Tv, Video Games. Softcover. Published by Hal Leonard

Piano

SKU: BR.EB-9253

Composed by Helmut Lachenmann. Solo instruments; stapled. Edition Breitkopf.

World premiere of the orchestral version: Stuttgart, January 1, 2018World premiere of the piano version: Mito, June 17, 2017

Have a look into EB 9283.

New music (post-2000). Score. Composed 2016/17/20. 12 pages. Duration 8'. Breitkopf and Haertel #EB 9253. Published by Breitkopf and Haertel (BR.EB-9253).

ISBN 9790004185537. 9 x 12 inches.

Marche fatale is an incautiously daring escapade that may annoy the fans of my compositions more than my earlier works, many of which have prevailed only after scandals at their world premieres. My Marche fatale has, though, little stylistically to do with my previous compositional path; it presents itself without restraint, if not as a regression, then still as a recourse to those empty phrases to which modern civilization still clings in its daily utility music, whereas music in the 20th and 21st centuries has long since advanced to new, unfamiliar soundscapes and expressive possibilities. The key term is banality. As creators we despise it, we try to avoid it - though we are not safe from the cheap banal even within new aesthetic achievements.Many composers have incidentally accepted the banal. Mozart wrote Ein musikalischer Spass [A Musical Jape], a deliberately amateurishly miscarried sextet. Beethoven's Bagatellen op. 119 were rejected by the publisher on the grounds that few will believe that this minor work is by the famous Beethoven. Mauricio Kagel wrote, tongue in cheek, so to speak, Marsche, um den Sieg zu verfehlen [Marches for being Unvictorious], Ligeti wrote Hungarian Rock; in his Circus Polka Stravinsky quoted and distorted the famous, all too popular Schubert military march, composed at the time for piano duet. I myself do not know, though, whether I ought to rank my Marche fatale alongside these examples: I accept the humor in daily life, the more so as this daily life for some of us is not otherwise to be borne. In music, I mistrust it, considering myself all the closer to the profounder idea of cheerfulness having little to do with humor. However: Isn't a march with its compelling claim to a collectively martial or festive mood absurd, a priori? Is it even music at all? Can one march and at the same time listen? Eventually, I resolved to take the absurd seriously - perhaps bitterly seriously - as a debunking emblem of our civilization that is standing on the brink. The way - seemingly unstoppable - into the black hole of all debilitating demons: that can become serene. My old request of myself and my music-creating surroundings is to write a non-music, whence the familiar concept of music is repeatedly re-defined anew and differently, so that derailed here - perhaps? - in a treacherous way, the concert hall becomes the place of mind-opening adventures instead of a refuge in illusory security. How could that happen? The rest is - thinking.(Helmut Lachenmann, 2017)CD (Version for Piano):Nicolas Hodges CD Wergo WER 7393 2 Bibliography:Ich bin nicht ,,pietistisch verformt. Ein Gesprach [von Jan Brachmann] mit dem Komponisten Helmut Lachenmann, in: FAZ vom 7. Juni 2018, p. 15.

World premiere of the piano version: Mito/Japan, June 17, 2017, World premiere of the orchestral version: Stuttgart, January 1, 2018, World premiere of the ensemble version: Frankfurt, December 9, 2020.

Ukulele - very easy

SKU: BT.RSK200125

Exam Material. Book with Online Audio. Composed 2020. 48 pages. Rockschool #RSK200125. Published by Rockschool (BT.RSK200125).

ISBN 9781789361117. English.

The 2020 Ukulele syllabus extends Rockschool's offering to a full suite of grades. The syllabus has been designed in conjunction with their new Ukulele Method books, giving students a comprehensive pathway from absolute beginner stages through to entry into the graded system, and subsequently following a progressive pathway through to grade 8. The syllabus features six tracks for each grade that have been meticulously benchmarked to support students as they learn the instrument. At each grade, two of the pieces offer the students an opportunity to perform without full band backing, exploring the sound and resonance of their instrument. These include duet parts from Debut toGrade 3, which give further opportunities for teaching and group learning. The remaining tracks are ‘session style’ backing tracks, performed with full backing band and including vocal accompaniment which is also shown in the notation as a melody line and lyric over the main ukulele part.