Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1053822-010 Composed by Jac...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1053822-010
Composed by Jacob De
Haan. Performance Series.
Folk Klezmer. Set (Score
& Parts). Composed 2005.
De Haske Publications
#DHP 1053822-010.
Published by De Haske
Publications
(BT.DHP-1053822-010).
Klezmer was
originally the name given
to the music of the
Yiddish speaking Jews in
Eastern Europe. The
klezmer musicians played
dance music, mainly at
weddings. Historically
string instruments such
as the violin were
predominantly used, but
later (after ca. 1900)
other instruments and in
particular the clarinet
were added as melodic
instruments. In klezmer
music in addition to
Balkan influences
oriental and gipsy
influences can also be
found. Jacob de Haan
composed Klezmania in
this style, based on the
well-known Hebrew song
Hava
Nagila.
Klezmer is
van oorsprong de benaming
voor de muziek van de
Jiddisch sprekende joden
in met name Oost-Europa.
De klezmermuzikanten
speelden onder meer
dansmuziek op bruiloften.
Van oudsher werden
voornamelijk
snaarinstrumenten alsde
viool gebruikt. Later (na
ca. 1900) kwam daar
vooral de klarinet als
melodie-instrument bij.
In de klezmermuziek zijn
naast veel
Balkan-invloeden ook
oriëntaalse en
zigeunerinvloeden terug
te vinden. In deze stijl
componeerde Jacobde Haan
Klezmania, waarin hij het
bekende Hebreeuwse lied
Hava Nagila
verwerkte.
Mit
Klezmer wurde
ursprünglich die Musik
der jiddisch sprechenden
Juden in Osteuropa
bezeichnet.
Klezmer-Musiker spielten
vornehmlich Tanzmusik auf
Hochzeiten und
Familienfeiern. In der
oft zugleich
fröhlichen und
melancholischen
Klezmer-Musik finden sich
neben Anklängen der
Musik des Balkans auch
Einflüsse aus dem
Orient und der
Zigeunermusik. In diesem
einzigartigen Stil
komponierte Jacob de Haan
sein Stück
Klezmania, in
welchem er das bekannte
hebräische Lied
Hava Nagila
verwendete.
Piano SKU: HL.234744 For Piano Solo. Composed by Peter Dickinson. ...(+)
Piano
SKU:
HL.234744
For
Piano Solo. Composed
by Peter Dickinson. Music
Sales America. Classical.
Softcover. Composed 2017.
8 pages. Novello & Co
Ltd. #NOV166122.
Published by Novello & Co
Ltd. (HL.234744).
9.0x12.0x0.035
inches.
Composer's
Note: The Lullaby from
The Unicorns arose from
an opera libretto I
commissioned from John
Heath-Stubbs (1918-2006)
in the late 1960s. In his
story two unicorns are
discovered in a remote
part of Africa. Both the
East and West want to
obtain them for research
so they send out rival
expeditions. The Western
technique is to lure the
unicorn with a young girl
singing a lullaby. Both
East and West capture
unicorns but the mythical
animals escape in the
end. I never completed
the opera but I made a
six-movement suite from
it called The Unicorns.
There are three songs and
three instrumental
numbers and the first
performance was given
with Elisabeth Soderstrom
and Solna Brass under
Lars-Gunnar Bjorklund at
Ekensbergskyrkan, Solna,
Sweden on 31 October
1982. This version was
recorded and my
arrangement of the three
songs for voice and piano
was recorded by Marilyn
Hill Smith. The career of
the Lullaby continued
with a version for
clarinet and piano, which
I premiered with Jack
Brymer aboard the Sea
Princess in the
Mediterranean on 29
September 1986. The oboe
version was for Sarah
Francis, and Duke Dobing
and I have recorded it
for flute an piano.
Lullaby can be played
with a variety of solo
instruments and is also
available for piano left
hand and piano solo.
Brass Band - Grade 3 SKU: BT.AMP-396-030 Arranged by Philip Sparke. Anglo...(+)
Brass Band - Grade 3
SKU:
BT.AMP-396-030
Arranged by Philip
Sparke. Anglo Music
Midway Series. Original
Light Music. Set (Score &
Parts). Composed 2013.
Anglo Music Press #AMP
396-030. Published by
Anglo Music Press
(BT.AMP-396-030).
9x12
inches.
English-German-French-Dut
ch.
Hava
Nagila (the title
means ‘let us
rejoice’) is
perhaps the best known
example of a style of
Jewish music called
‘klezmer’.
Klezmer music originated
in the
‘shtetl’
(villages) and the
ghettos of Eastern
Europe, where itinerant
Jewish troubadours, known
as
‘klezmorim’,
had performed at
celebrations,
particularly weddings,
since the early Middle
Ages.‘Klezmerâ€â
„¢ is a Yiddish term
combining the Hebrew
words ‘kley’
(instrument) and
‘zemer’
(song) and the roots of
the style are found in
secular melodies, popular
dances, Jewish
‘hazanut’
(cantorial music) and
also the
‘nigunim’,
the wordless melodies
intoned by the
‘Hasidim’
(orthodox Jews).Since the
16th century, lyrics
hadbeen added to klezmer
music, due to the
‘badkhn’
(the master of ceremony
at weddings), to the
‘Purimshpil’
(the play of Esther at
Purim) and to traditions
of the Yiddish theatre,
but the term gradually
became synonymous with
instrumental music,
particularly featuring
the violin and clarinet.
The melody of Hava
Nagila was adapted
from a folk dance from
the Romanian district of
Bucovina. The commonly
used text is taken from
Psalm 118 of the Hebrew
bible.
Hava
Nagila (de titel
betekent ‘laat ons
gelukkig zijn’) is
misschien wel het
bekendste voorbeeld van
klezmer, een Joodse
muziekstijl.De
klezmermuziek komt van
oorsprong uit de sjtetls
(dorpen) en de
getto’s van
Oost-Europa, waar
rondtrekkende Joodse
troubadours, bekend als
klezmorim, al sinds de
middeleeuwen hadden
opgetreden bij
feestelijkheden, en dan
met name
bruiloften.Klezmer is een
Jiddische term waarin de
Hebreeuwse woorden kley
(instrument) en zemer
(lied) zijn samengevoegd.
De wortels van de stijl
liggen in wereldlijke
melodieën,
volksdansen, de
joods-liturgische hazanut
en ook de nigunim, de
woordeloze melodieën
zoals die worden
voorgedragen
doorchassidische
(orthodoxe) joden.Sinds
de 16e eeuw zijn er aan
de klezmermuziek ook
teksten toegevoegd,
dankzij de badchen (de
ceremoniemeester bij
huwelijken), het
poerimspel (het verhaal
van Esther tijdens
Poerim/het Lotenfeest) en
tradities binnen het
Jiddische theater, maar
de term werd geleidelijk
synoniem aan
instrumentale muziek met
een hoofdrol voor de
viool en klarinet.De
melodie van Hava
Nagila is afkomstig
van een volksdans uit de
Roemeense regio
Boekovina. De meest
gebruikte tekst voor het
lied kom uit psalm 118
van de Hebreeuwse Bijbel.
Hava
Nagila (auf Deutsch
‚Lasst uns
glücklich
sein’) ist
vielleicht das
bekannteste Beispiel
für den jüdischen
Musikstil namens
‚Klezmer’.
Klezmermusik hat ihren
Ursprung in den
Shtetls“
(Städtchen) und den
Ghettos Osteuropas,
woumherziehende
jüdische Troubadours,
die man
‚Klezmorim’
nannte, schon seit dem
frühen Mittelalter auf
Feiern, vor allem
Hochzeiten, zu spielen
pflegten. Klezmer ist ein
jiddischer Begriff, der
sich aus den
hebräischen Wörtern
‚kley’(Instr
ument) und
‚zemer’
(Lied) zusammensetzt. Die
Wurzeln des Musikstils
liegen in weltlichen
Melodien, populären
Tänzen, jüdischem
‚Chasanut’
(Kantorengesang) und auch
‚Niggunim’,
Melodien ohne Text,
vorgetragen von
den‚Chassidimâ€â
„¢ (orthodoxen Juden).
Seit dem 16. Jahrhundert
wurden die
Klezmermelodien mit
Texten versehen, was auf
die
‚Badchan’
(Zeremonienmeister bei
Hochzeiten), auf das
‚Purimshpil’
(Das Esther-Spiel zum
Purimfest) und
aufTraditionen des
jiddischen Theaters
zurückgeht. Der
Begriff Klezmer wurde
jedoch mit der Zeit
gleichbedeutend mit
Instrumentalmusik, im
Besonderen mit den
Instrumenten Violine und
Klarinette. Die Melodie
von Hava Nagila
ist eine Adaption
einesVolkstanzes aus der
rumänischen Bukowina.
Der üblicherweise
verwendete Text stammt
aus Psalm 118 der
hebräischen Bibel.
Hava Nagila Ensemble de cuivres [Conducteur] - Facile Anglo Music
Brass Band - Grade 3 SKU: BT.AMP-396-130 Arranged by Philip Sparke. Anglo...(+)
Brass Band - Grade 3
SKU:
BT.AMP-396-130
Arranged by Philip
Sparke. Anglo Music
Midway Series. Original
Light Music. Score Only.
Composed 2013. 24 pages.
Anglo Music Press #AMP
396-130. Published by
Anglo Music Press
(BT.AMP-396-130).
9x12
inches.
English-German-French-Dut
ch.
Hava
Nagila (the title
means ‘let us
rejoice’) is
perhaps the best known
example of a style of
Jewish music called
‘klezmer’.
Klezmer music originated
in the
‘shtetl’
(villages) and the
ghettos of Eastern
Europe, where itinerant
Jewish troubadours, known
as
‘klezmorim’,
had performed at
celebrations,
particularly weddings,
since the early Middle
Ages.‘Klezmerâ€â
„¢ is a Yiddish term
combining the Hebrew
words ‘kley’
(instrument) and
‘zemer’
(song) and the roots of
the style are found in
secular melodies, popular
dances, Jewish
‘hazanut’
(cantorial music) and
also the
‘nigunim’,
the wordless melodies
intoned by the
‘Hasidim’
(orthodox Jews).Since the
16th century, lyrics
hadbeen added to klezmer
music, due to the
‘badkhn’
(the master of ceremony
at weddings), to the
‘Purimshpil’
(the play of Esther at
Purim) and to traditions
of the Yiddish theatre,
but the term gradually
became synonymous with
instrumental music,
particularly featuring
the violin and clarinet.
The melody of Hava
Nagila was adapted
from a folk dance from
the Romanian district of
Bucovina. The commonly
used text is taken from
Psalm 118 of the Hebrew
bible.
Hava
Nagila (de titel
betekent ‘laat ons
gelukkig zijn’) is
misschien wel het
bekendste voorbeeld van
klezmer, een Joodse
muziekstijl.De
klezmermuziek komt van
oorsprong uit de sjtetls
(dorpen) en de
getto’s van
Oost-Europa, waar
rondtrekkende Joodse
troubadours, bekend als
klezmorim, al sinds de
middeleeuwen hadden
opgetreden bij
feestelijkheden, en dan
met name
bruiloften.Klezmer is een
Jiddische term waarin de
Hebreeuwse woorden kley
(instrument) en zemer
(lied) zijn samengevoegd.
De wortels van de stijl
liggen in wereldlijke
melodieën,
volksdansen, de
joods-liturgische hazanut
en ook de nigunim, de
woordeloze melodieën
zoals die worden
voorgedragen
doorchassidische
(orthodoxe) joden.Sinds
de 16e eeuw zijn er aan
de klezmermuziek ook
teksten toegevoegd,
dankzij de badchen (de
ceremoniemeester bij
huwelijken), het
poerimspel (het verhaal
van Esther tijdens
Poerim/het Lotenfeest) en
tradities binnen het
Jiddische theater, maar
de term werd geleidelijk
synoniem aan
instrumentale muziek met
een hoofdrol voor de
viool en klarinet.De
melodie van Hava
Nagila is afkomstig
van een volksdans uit de
Roemeense regio
Boekovina. De meest
gebruikte tekst voor het
lied kom uit psalm 118
van de Hebreeuwse Bijbel.
Hava
Nagila (auf Deutsch
‚Lasst uns
glücklich
sein’) ist
vielleicht das
bekannteste Beispiel
für den jüdischen
Musikstil namens
‚Klezmer’.
Klezmermusik hat ihren
Ursprung in den
Shtetls“
(Städtchen) und den
Ghettos Osteuropas,
woumherziehende
jüdische Troubadours,
die man
‚Klezmorim’
nannte, schon seit dem
frühen Mittelalter auf
Feiern, vor allem
Hochzeiten, zu spielen
pflegten. Klezmer ist ein
jiddischer Begriff, der
sich aus den
hebräischen Wörtern
‚kley’(Instr
ument) und
‚zemer’
(Lied) zusammensetzt. Die
Wurzeln des Musikstils
liegen in weltlichen
Melodien, populären
Tänzen, jüdischem
‚Chasanut’
(Kantorengesang) und auch
‚Niggunim’,
Melodien ohne Text,
vorgetragen von
den‚Chassidimâ€â
„¢ (orthodoxen Juden).
Seit dem 16. Jahrhundert
wurden die
Klezmermelodien mit
Texten versehen, was auf
die
‚Badchan’
(Zeremonienmeister bei
Hochzeiten), auf das
‚Purimshpil’
(Das Esther-Spiel zum
Purimfest) und
aufTraditionen des
jiddischen Theaters
zurückgeht. Der
Begriff Klezmer wurde
jedoch mit der Zeit
gleichbedeutend mit
Instrumentalmusik, im
Besonderen mit den
Instrumenten Violine und
Klarinette. Die Melodie
von Hava Nagila
ist eine Adaption
einesVolkstanzes aus der
rumänischen Bukowina.
Der üblicherweise
verwendete Text stammt
aus Psalm 118 der
hebräischen Bibel.
Klezmer Discovery Ensemble de cuivres [Conducteur] - Intermédiaire Gobelin Music Publications
Brass Band - Grade 4 SKU: BT.GOB-000932-130 Composed by Sjaak van der Rei...(+)
Brass Band - Grade 4
SKU:
BT.GOB-000932-130
Composed by Sjaak van der
Reijden. Folk Klezmer.
Score Only. Gobelin Music
Publications #GOB
000932-130. Published by
Gobelin Music
Publications
(BT.GOB-000932-130).
The Yiddish
word ‘Klezmer’ has
been derived from the Old
Hebrew words ‘Kley’
(tool, instrument) and
‘Zemer’ (song,
singing, making
music).Klezmer is the
traditional music of Jews
from Eastern
Europe.Yiddish musicians
(Klezmorim) were
regularly invited to come
and play at Yiddish
weddings as well as
several other Jewish
celebrations and festive
occasions. Despite its
close connection with
traditional Eastern
European folk music,
Klezmer music has
succeeded in preserving
its distinctive Jewish
character. ‘Klezmer
Discovery’ is a voyage
of discovery through the
richly varied music of
the Jewish people from
Eastern Europe.The
introduction consists of
a number of motives from
differenttraditional
melodies (a Mitzve Tenzel
and L’cha Dodi),
followed by a melody in
3/8th time (Kandel’s
Hora). This dance melody
originally came from
Bessarabia (present-day
Moldavia) and was taken
along to America by
Jewish musicians round
1900. Subsequently,
‘Der Terk in
Amerika’, a composition
by famous clarinet player
Naftule Brandwein can be
heard. A number of fast,
cheerful dance melodies
(bulgars) form the finale
of ‘Klezmer
Discovery’ (Lebedyk un
Freylekh, Lomir sich
iberbetn and Sherele).
Het Jiddische
woord ‘Klezmer’ stamt
af van de oud-Hebreeuwse
woorden ‘Kley’
(werktuig, instrument) en
‘Zemer’ (lied,
gezang,
musiceren). Klezmer is
de traditionele muziek
van de Joden in
Oost-Europa. Jiddische
muzikanten
(Klezmorim)werden
geregeld uitgenodigd om
te komen spelen op
traditionele Jiddische
bruiloften en diverse
andere Joodse feesten en
gelegenheden. Ondanks
de sterke verwantschap
met de traditionele
volksmuziek uit
Oost-Europa, heeftde
klezmermuziek een
duidelijk Joods karakter
weten te
behouden.
‘Klezm
er Discovery’ is een
ontdekkingstocht door de
rijk gevarieerde muziek
van de Joden in
Oost-Europa. De
inleiding bestaat uit een
aantal motieven
vanverschillende
traditionele melodieën
(a Mitzve Tenzel en
L’cha Dodi). Daarna
volgt een melodie in 3/8e
maat (Kandel’s Hora).
Deze dansmelodie komt
oorspronkelijk uit
Bessarabië (het
tegenwoordige Moldavië)
en is door
Joodsemuzikanten zo rond
1900 meegenomen naar
Amerika. Vervolgens
klinkt ‘Der Terk in
Amerika’, een
compositie van de
befaamde klarinetist
Naftule Brandwein. Een
aantal snelle, vrolijke
dansmelodieën (bulgars)
vormen het slot
van‘Klezmer
Discovery’ (Lebedyk un
Freylekh, Lomir sich
iberbetn en Sherele).
Brass Band - Grade 4 SKU: BT.GOB-000932-030 Composed by Sjaak van der Rei...(+)
Brass Band - Grade 4
SKU:
BT.GOB-000932-030
Composed by Sjaak van der
Reijden. Folk Klezmer.
Set (Score & Parts).
Gobelin Music
Publications #GOB
000932-030. Published by
Gobelin Music
Publications
(BT.GOB-000932-030).
The Yiddish
word ‘Klezmer’ has
been derived from the Old
Hebrew words ‘Kley’
(tool, instrument) and
‘Zemer’ (song,
singing, making
music).Klezmer is the
traditional music of Jews
from Eastern
Europe.Yiddish musicians
(Klezmorim) were
regularly invited to come
and play at Yiddish
weddings as well as
several other Jewish
celebrations and festive
occasions. Despite its
close connection with
traditional Eastern
European folk music,
Klezmer music has
succeeded in preserving
its distinctive Jewish
character. ‘Klezmer
Discovery’ is a voyage
of discovery through the
richly varied music of
the Jewish people from
Eastern Europe.The
introduction consists of
a number of motives from
differenttraditional
melodies (a Mitzve Tenzel
and L’cha Dodi),
followed by a melody in
3/8th time (Kandel’s
Hora). This dance melody
originally came from
Bessarabia (present-day
Moldavia) and was taken
along to America by
Jewish musicians round
1900. Subsequently,
‘Der Terk in
Amerika’, a composition
by famous clarinet player
Naftule Brandwein can be
heard. A number of fast,
cheerful dance melodies
(bulgars) form the finale
of ‘Klezmer
Discovery’ (Lebedyk un
Freylekh, Lomir sich
iberbetn and Sherele).
Het Jiddische
woord ‘Klezmer’ stamt
af van de oud-Hebreeuwse
woorden ‘Kley’
(werktuig, instrument) en
‘Zemer’ (lied,
gezang,
musiceren). Klezmer is
de traditionele muziek
van de Joden in
Oost-Europa. Jiddische
muzikanten
(Klezmorim)werden
geregeld uitgenodigd om
te komen spelen op
traditionele Jiddische
bruiloften en diverse
andere Joodse feesten en
gelegenheden. Ondanks
de sterke verwantschap
met de traditionele
volksmuziek uit
Oost-Europa, heeftde
klezmermuziek een
duidelijk Joods karakter
weten te
behouden.
‘Klezm
er Discovery’ is een
ontdekkingstocht door de
rijk gevarieerde muziek
van de Joden in
Oost-Europa. De
inleiding bestaat uit een
aantal motieven
vanverschillende
traditionele melodieën
(a Mitzve Tenzel en
L’cha Dodi). Daarna
volgt een melodie in 3/8e
maat (Kandel’s Hora).
Deze dansmelodie komt
oorspronkelijk uit
Bessarabië (het
tegenwoordige Moldavië)
en is door
Joodsemuzikanten zo rond
1900 meegenomen naar
Amerika. Vervolgens
klinkt ‘Der Terk in
Amerika’, een
compositie van de
befaamde klarinetist
Naftule Brandwein. Een
aantal snelle, vrolijke
dansmelodieën (bulgars)
vormen het slot
van‘Klezmer
Discovery’ (Lebedyk un
Freylekh, Lomir sich
iberbetn en Sherele).
Composed by Sjaak van der
Reijden. Folk Klezmer.
Set (Score & Parts). 34
pages. Gobelin Music
Publications #GOB
000760-010. Published by
Gobelin Music
Publications
(BT.GOB-000760-010).
The Yiddish
word ‘Klezmer’ has
been derived from the Old
Hebrew words ‘Kley’
(tool, instrument) and
‘Zemer’ (song,
singing, making
music). Klezmer is the
traditional music of Jews
from Eastern
Europe.Yiddish musicians
(Klezmorim) were
regularly invited to come
and play at Yiddish
weddings as well as
several other Jewish
celebrations and festive
occasions. Despite
its close connection with
traditional Eastern
European folk music,
Klezmer music has
succeeded in preserving
its distinctive Jewish
character.
‘Klezmer
Discovery’ is a voyage
of discovery through the
richly varied music of
the Jewish people from
Eastern Europe. The
introduction consists of
anumber of motives from
different traditional
melodies (a Mitzve Tenzel
and L’cha Dodi),
followed by a melody in
3/8th time (Kandel’s
Hora). This dance melody
originally came from
Bessarabia (present-day
Moldavia) and was taken
along to America by
Jewish musicians round
1900. Subsequently,
‘Der Terk in
Amerika’, a composition
by famous clarinet player
Naftule Brandwein can be
heard. A number of
fast, cheerful dance
melodies (bulgars) form
the finale of ‘Klezmer
Discovery’ (Lebedyk un
Freylekh, Lomir sich
iberbetn and Sherele).
Het Jiddische
woord ‘Klezmer’ stamt
af van de oud-Hebreeuwse
woorden ‘Kley’
(werktuig, instrument) en
‘Zemer’ (lied,
gezang,
musiceren). Klezmer is
de traditionele muziek
van de Joden in
Oost-Europa. Jiddische
muzikanten
(Klezmorim)werden
geregeld uitgenodigd om
te komen spelen op
traditionele Jiddische
bruiloften en diverse
andere Joodse feesten en
gelegenheden. Ondanks
de sterke verwantschap
met de traditionele
volksmuziek uit
Oost-Europa, heeftde
klezmermuziek een
duidelijk Joods karakter
weten te
behouden.
‘Klezm
er Discovery’ is een
ontdekkingstocht door de
rijk gevarieerde muziek
van de Joden in
Oost-Europa. De
inleiding bestaat uit een
aantal motieven
vanverschillende
traditionele melodieën
(a Mitzve Tenzel en
L’cha Dodi). Daarna
volgt een melodie in 3/8e
maat (Kandel’s Hora).
Deze dansmelodie komt
oorspronkelijk uit
Bessarabië (het
tegenwoordige Moldavië)
en is door
Joodsemuzikanten zo rond
1900 meegenomen naar
Amerika. Vervolgens
klinkt ‘Der Terk in
Amerika’, een
compositie van de
befaamde klarinetist
Naftule Brandwein. Een
aantal snelle, vrolijke
dansmelodieën (bulgars)
vormen het slot
van‘Klezmer
Discovery’ (Lebedyk un
Freylekh, Lomir sich
iberbetn en Sherele).
Fanfare Band - Grade 4 SKU: BT.GOB-000865-020 Composed by Sjaak van der R...(+)
Fanfare Band - Grade 4
SKU:
BT.GOB-000865-020
Composed by Sjaak van der
Reijden. Folk Klezmer.
Set (Score & Parts). 12
pages. Gobelin Music
Publications #GOB
000865-020. Published by
Gobelin Music
Publications
(BT.GOB-000865-020).
The Yiddish
word ‘Klezmer’ has
been derived from the Old
Hebrew words ‘Kley’
(tool, instrument) and
‘Zemer’ (song,
singing, making
music). Klezmer is the
traditional music of Jews
from Eastern
Europe.Yiddish musicians
(Klezmorim) were
regularly invited to come
and play at Yiddish
weddings as well as
several other Jewish
celebrations and festive
occasions. Despite
its close connection with
traditional Eastern
European folk music,
Klezmer music has
succeeded in preserving
its distinctive Jewish
character.
‘Klezmer
Discovery’ is a voyage
of discovery through the
richly varied music of
the Jewish people from
Eastern Europe. The
introduction consists of
anumber of motives from
different traditional
melodies (a Mitzve Tenzel
and L’cha Dodi),
followed by a melody in
3/8th time (Kandel’s
Hora). This dance melody
originally came from
Bessarabia (present-day
Moldavia) and was taken
along to America by
Jewish musicians round
1900. Subsequently,
‘Der Terk in
Amerika’, a composition
by famous clarinet player
Naftule Brandwein can be
heard. A number of
fast, cheerful dance
melodies (bulgars) form
the finale of ‘Klezmer
Discovery’ (Lebedyk un
Freylekh, Lomir sich
iberbetn and Sherele).
Het Jiddische
woord ‘Klezmer’ stamt
af van de oud-Hebreeuwse
woorden ‘Kley’
(werktuig, instrument) en
‘Zemer’ (lied,
gezang,
musiceren). Klezmer is
de traditionele muziek
van de Joden in
Oost-Europa. Jiddische
muzikanten
(Klezmorim)werden
geregeld uitgenodigd om
te komen spelen op
traditionele Jiddische
bruiloften en diverse
andere Joodse feesten en
gelegenheden. Ondanks
de sterke verwantschap
met de traditionele
volksmuziek uit
Oost-Europa, heeftde
klezmermuziek een
duidelijk Joods karakter
weten te
behouden.
‘Klezm
er Discovery’ is een
ontdekkingstocht door de
rijk gevarieerde muziek
van de Joden in
Oost-Europa. De
inleiding bestaat uit een
aantal motieven
vanverschillende
traditionele melodieën
(a Mitzve Tenzel en
L’cha Dodi). Daarna
volgt een melodie in 3/8e
maat (Kandel’s Hora).
Deze dansmelodie komt
oorspronkelijk uit
Bessarabië (het
tegenwoordige Moldavië)
en is door
Joodsemuzikanten zo rond
1900 meegenomen naar
Amerika. Vervolgens
klinkt ‘Der Terk in
Amerika’, een
compositie van de
befaamde klarinetist
Naftule Brandwein. Een
aantal snelle, vrolijke
dansmelodieën (bulgars)
vormen het slot
van‘Klezmer
Discovery’ (Lebedyk un
Freylekh, Lomir sich
iberbetn en Sherele).
Klezmer Discovery Fanfare [Conducteur] - Intermédiaire Gobelin Music Publications
Fanfare Band - Grade 4 SKU: BT.GOB-000865-120 Composed by Sjaak van der R...(+)
Fanfare Band - Grade 4
SKU:
BT.GOB-000865-120
Composed by Sjaak van der
Reijden. Folk Klezmer.
Score Only. 60 pages.
Gobelin Music
Publications #GOB
000865-120. Published by
Gobelin Music
Publications
(BT.GOB-000865-120).
The Yiddish
word ‘Klezmer’ has
been derived from the Old
Hebrew words ‘Kley’
(tool, instrument) and
‘Zemer’ (song,
singing, making
music). Klezmer is the
traditional music of Jews
from Eastern
Europe.Yiddish musicians
(Klezmorim) were
regularly invited to come
and play at Yiddish
weddings as well as
several other Jewish
celebrations and festive
occasions. Despite
its close connection with
traditional Eastern
European folk music,
Klezmer music has
succeeded in preserving
its distinctive Jewish
character.
‘Klezmer
Discovery’ is a voyage
of discovery through the
richly varied music of
the Jewish people from
Eastern Europe. The
introduction consists of
anumber of motives from
different traditional
melodies (a Mitzve Tenzel
and L’cha Dodi),
followed by a melody in
3/8th time (Kandel’s
Hora). This dance melody
originally came from
Bessarabia (present-day
Moldavia) and was taken
along to America by
Jewish musicians round
1900. Subsequently,
‘Der Terk in
Amerika’, a composition
by famous clarinet player
Naftule Brandwein can be
heard. A number of
fast, cheerful dance
melodies (bulgars) form
the finale of ‘Klezmer
Discovery’ (Lebedyk un
Freylekh, Lomir sich
iberbetn and Sherele).
Het Jiddische
woord ‘Klezmer’ stamt
af van de oud-Hebreeuwse
woorden ‘Kley’
(werktuig, instrument) en
‘Zemer’ (lied,
gezang,
musiceren). Klezmer is
de traditionele muziek
van de Joden in
Oost-Europa. Jiddische
muzikanten
(Klezmorim)werden
geregeld uitgenodigd om
te komen spelen op
traditionele Jiddische
bruiloften en diverse
andere Joodse feesten en
gelegenheden. Ondanks
de sterke verwantschap
met de traditionele
volksmuziek uit
Oost-Europa, heeftde
klezmermuziek een
duidelijk Joods karakter
weten te
behouden.
‘Klezm
er Discovery’ is een
ontdekkingstocht door de
rijk gevarieerde muziek
van de Joden in
Oost-Europa. De
inleiding bestaat uit een
aantal motieven
vanverschillende
traditionele melodieën
(a Mitzve Tenzel en
L’cha Dodi). Daarna
volgt een melodie in 3/8e
maat (Kandel’s Hora).
Deze dansmelodie komt
oorspronkelijk uit
Bessarabië (het
tegenwoordige Moldavië)
en is door
Joodsemuzikanten zo rond
1900 meegenomen naar
Amerika. Vervolgens
klinkt ‘Der Terk in
Amerika’, een
compositie van de
befaamde klarinetist
Naftule Brandwein. Een
aantal snelle, vrolijke
dansmelodieën (bulgars)
vormen het slot
van‘Klezmer
Discovery’ (Lebedyk un
Freylekh, Lomir sich
iberbetn en Sherele).
Composed by Sjaak van der
Reijden. Folk Klezmer.
Score Only. 30 pages.
Gobelin Music
Publications #GOB
000760-140. Published by
Gobelin Music
Publications
(BT.GOB-000760-140).
The Yiddish
word ‘Klezmer’ has
been derived from the Old
Hebrew words ‘Kley’
(tool, instrument) and
‘Zemer’ (song,
singing, making
music). Klezmer is the
traditional music of Jews
from Eastern
Europe.Yiddish musicians
(Klezmorim) were
regularly invited to come
and play at Yiddish
weddings as well as
several other Jewish
celebrations and festive
occasions. Despite
its close connection with
traditional Eastern
European folk music,
Klezmer music has
succeeded in preserving
its distinctive Jewish
character.
‘Klezmer
Discovery’ is a voyage
of discovery through the
richly varied music of
the Jewish people from
Eastern Europe. The
introduction consists of
anumber of motives from
different traditional
melodies (a Mitzve Tenzel
and L’cha Dodi),
followed by a melody in
3/8th time (Kandel’s
Hora). This dance melody
originally came from
Bessarabia (present-day
Moldavia) and was taken
along to America by
Jewish musicians round
1900. Subsequently,
‘Der Terk in
Amerika’, a composition
by famous clarinet player
Naftule Brandwein can be
heard. A number of
fast, cheerful dance
melodies (bulgars) form
the finale of ‘Klezmer
Discovery’ (Lebedyk un
Freylekh, Lomir sich
iberbetn and Sherele).
Het Jiddische
woord ‘Klezmer’ stamt
af van de oud-Hebreeuwse
woorden ‘Kley’
(werktuig, instrument) en
‘Zemer’ (lied,
gezang,
musiceren). Klezmer is
de traditionele muziek
van de Joden in
Oost-Europa. Jiddische
muzikanten
(Klezmorim)werden
geregeld uitgenodigd om
te komen spelen op
traditionele Jiddische
bruiloften en diverse
andere Joodse feesten en
gelegenheden. Ondanks
de sterke verwantschap
met de traditionele
volksmuziek uit
Oost-Europa, heeftde
klezmermuziek een
duidelijk Joods karakter
weten te
behouden.
‘Klezm
er Discovery’ is een
ontdekkingstocht door de
rijk gevarieerde muziek
van de Joden in
Oost-Europa. De
inleiding bestaat uit een
aantal motieven
vanverschillende
traditionele melodieën
(a Mitzve Tenzel en
L’cha Dodi). Daarna
volgt een melodie in 3/8e
maat (Kandel’s Hora).
Deze dansmelodie komt
oorspronkelijk uit
Bessarabië (het
tegenwoordige Moldavië)
en is door
Joodsemuzikanten zo rond
1900 meegenomen naar
Amerika. Vervolgens
klinkt ‘Der Terk in
Amerika’, een
compositie van de
befaamde klarinetist
Naftule Brandwein. Een
aantal snelle, vrolijke
dansmelodieën (bulgars)
vormen het slot
van‘Klezmer
Discovery’ (Lebedyk un
Freylekh, Lomir sich
iberbetn en Sherele).
SATB choir - Moderate SKU: WD.080689928321 Composed by David Clydesdale. ...(+)
SATB choir - Moderate
SKU:
WD.080689928321
Composed by David
Clydesdale. Arranged by
David Clydesdale. Choral.
Sacred Anthem. CD
choraltrax. Duration 3
minutes, 50 seconds. Word
Music #080689928321.
Published by Word Music
(WD.080689928321).
UPC:
080689928321.
From
the fall of humankind in
Eden's garden to the
empty garden tomb, Love
Won the Fight is a
musical rendering of
God's redemptive plan
that is sure to inspire
your congregation at
Easter and year
round.
SATB choir - Intermediate SKU: WD.080689189234 Composed by David Clydesda...(+)
SATB choir - Intermediate
SKU:
WD.080689189234
Composed by David
Clydesdale. Arranged by
David Clydesdale. Choral.
Sacred Anthem,
Eastertide. Octavo.
Duration 3 minutes, 50
seconds. Word Music
#080689189234. Published
by Word Music
(WD.080689189234).
UPC:
080689189234.
From the fall of
humankind in
Eden’s garden to
the empty garden tomb,
Love Won the Fight is a
musical rendering of
God’s redemptive
plan that is sure to
inspire your congregation
at Easter and year
round.
Composed by Sergei Prokofiev (1891-1953). Edited by Thomas Schumacher. Book; ...(+)
Composed by Sergei
Prokofiev
(1891-1953). Edited by
Thomas Schumacher. Book;
Masterworks; Piano
Collection. Alfred
Masterwork Edition. Form:
Sonata. 20th Century;
Masterwork; Recital. 108
pages. Published by
Alfred
Music
For Concert Band, Mixed Choir and Organ (optional). Composed by Jacob De Haa...(+)
For Concert Band, Mixed
Choir and Organ
(optional).
Composed by Jacob De
Haan.
Musica Sacra. Set (Score
&
Parts). Composed 2015. De
Haske Publications #DHP
1155661-010. Published by
De
Haske Publications
Danse Macabre Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba Potenza Music
Brass quintet SKU: P2.60022 Composed by Camille Saint-Saens. Arranged by ...(+)
Brass quintet
SKU:
P2.60022
Composed by
Camille Saint-Saens.
Arranged by JD Shaw.
Chamber music. Published
by Potenza Music
(P2.60022).
Known
throughout the world as a
founding member, music
programmer and arranger
for the Boston Brass, JD
Shaw has also performed
in the Rochester
Philharmonic, San
Francisco Symphony,
Wichita Symphony
Orchestra, Missouri
Symphony, Vienna
Philharmonic and the
Boston Pops. He has also
been a featured performer
on NPR's Performance
Today and the CBS Morning
Show. Prof. Shaw received
a Bachelor of Music from
Wichita State University,
where he studied with Dr.
Nicholas E. Smith, and a
Master of Music from the
Eastman School of Music,
where he was awarded the
Performer's Certificate
under the tutelage of
horn pedagogue Verne
Reynolds. As an active
performer and prolific
arranger, Shaw has
recorded over fifteen
albums encompassing
diverse musical styles
from the classical, jazz
and Latin genres. His
record labels include
Loft Recordings, Mark
Records and Summit
Records. A notable recent
project featured the
Boston Brass recording
the Stan Kenton Christmas
Carols with many
well-known brass players,
such as Scott Hartman,
Jens Lindemann, Scott
Thornburg, Jeff Nelsen
and Sam Pilafian. Prof.
Shaw has presented
numerous clinics and
workshops for music
educators, as well as
masterclasses for
students of all ages and
levels. In addition to
his credentials as a horn
performer and teacher, he
is the Brass Program
Director and Music
Arranger for the Phantom
Regiment, the reigning
Drum Corps International
World Champion. This is
Shaw's arrangement of
Camille Saint-Saens'
famous Danse Macabre for
brass quintet.
Dido's Lament Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba Potenza Music
Brass quintet SKU: P2.60042 Composed by Henry Purcell. Arranged by JD Sha...(+)
Brass quintet
SKU:
P2.60042
Composed by
Henry Purcell. Arranged
by JD Shaw. Chamber
music. Published by
Potenza Music (P2.60042).
Known
throughout the world as a
founding member, music
programmer and arranger
for the Boston Brass , JD
Shaw has also performed
in the Rochester
Philharmonic, San
Francisco Symphony,
Wichita Symphony
Orchestra, Missouri
Symphony, Vienna
Philharmonic and the
Boston Pops. He has also
been a featured performer
on NPR's Performance
Today and the CBS Morning
Show. Prof. Shaw received
a Bachelor of Music from
Wichita State University,
where he studied with Dr.
Nicholas E. Smith, and a
Master of Music from the
Eastman School of Music.
where he was awarded the
Performer's Certificate
under the tutelage of
horn pedagogue Verne
Reynolds.As an active
performer and prolific
arranger, Shaw has
recorded over fifteen
albums encompassing
diverse musical styles
from the classical, jazz,
and Latin genres. His
record labels include
Loft Recordings, Mark
Records, and Summit
Records. A notable recent
project featured the
Boston Brass recording
the Stan Kenton Christmas
Carols with many
well-known brass players,
such as Scott Hartman,
Jens Lindemann, Scott
Thornburg, Jeff Nelsen,
and Sam Pilafian. Prof.
Shaw has presented
numerous clinics and
workshops for music
educators, as well as
masterclasses for
students of all ages and
levels. In addition to
his credentials as a horn
performer and teacher, he
is the Brass Program
Director and Music
Arranger for the Phantom
Regiment, the reigning
Drum Corps International
World Champion.
Allegro Assai Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba Potenza Music
Brass quintet SKU: P2.60021 Composed by Modest Petrovich Mussorgsky. Arra...(+)
Brass quintet
SKU:
P2.60021
Composed by
Modest Petrovich
Mussorgsky. Arranged by
JD Shaw. Chamber music.
Published by Potenza
Music (P2.60021).
Known
throughout the world as a
founding member, music
programmer and arranger
for the Boston Brass, JD
Shaw has also performed
in the Rochester
Philharmonic, San
Francisco Symphony,
Wichita Symphony
Orchestra, Missouri
Symphony, Vienna
Philharmonic and the
Boston Pops. He has also
been a featured performer
on NPR's Performance
Today and the CBS Morning
Show. Prof. Shaw received
a Bachelor of Music from
Wichita State University,
where he studied with Dr.
Nicholas E. Smith, and a
Master of Music from the
Eastman School of Music,
where he was awarded the
Performer's Certificate
under the tutelage of
horn pedagogue Verne
Reynolds. As an active
performer and prolific
arranger, Shaw has
recorded over fifteen
albums encompassing
diverse musical styles
from the classical, jazz
and Latin genres. His
record labels include
Loft Recordings, Mark
Records and Summit
Records. A notable recent
project featured the
Boston Brass recording
the Stan Kenton Christmas
Carols with many
well-known brass players,
such as Scott Hartman,
Jens Lindemann, Scott
Thornburg, Jeff Nelsen
and Sam Pilafian. Prof.
Shaw has presented
numerous clinics and
workshops for music
educators, as well as
masterclasses for
students of all ages and
levels. In addition to
his credentials as a horn
performer and teacher, he
is the Brass Program
Director and Music
Arranger for the Phantom
Regiment, the reigning
Drum Corps International
World Champion.
Cavalleria Rusticana Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba Potenza Music
Brass quintet SKU: P2.60041 Composed by Pietro Mascagni. Arranged by JD S...(+)
Brass quintet
SKU:
P2.60041
Composed by
Pietro Mascagni. Arranged
by JD Shaw. Chamber
music. Published by
Potenza Music (P2.60041).
Known
throughout the world as a
founding member, music
programmer and arranger
for the Boston Brass , JD
Shaw has also performed
in the Rochester
Philharmonic, San
Francisco Symphony,
Wichita Symphony
Orchestra, Missouri
Symphony, Vienna
Philharmonic and the
Boston Pops. He has also
been a featured performer
on NPR's Performance
Today and the CBS Morning
Show. Prof. Shaw received
a Bachelor of Music from
Wichita State University,
where he studied with Dr.
Nicholas E. Smith, and a
Master of Music from the
Eastman School of Music.
where he was awarded the
Performer's Certificate
under the tutelage of
horn pedagogue Verne
Reynolds.As an active
performer and prolific
arranger, Shaw has
recorded over fifteen
albums encompassing
diverse musical styles
from the classical, jazz,
and Latin genres. His
record labels include
Loft Recordings, Mark
Records, and Summit
Records. A notable recent
project featured the
Boston Brass recording
the Stan Kenton Christmas
Carols with many
well-known brass players,
such as Scott Hartman,
Jens Lindemann, Scott
Thornburg, Jeff Nelsen,
and Sam Pilafian. Prof.
Shaw has presented
numerous clinics and
workshops for music
educators, as well as
masterclasses for
students of all ages and
levels. In addition to
his credentials as a horn
performer and teacher, he
is the Brass Program
Director and Music
Arranger for the Phantom
Regiment, the reigning
Drum Corps International
World Champion.