Band concert band - Grade 3 SKU: CF.CPS250 Composed by Peter Sciaino. Set...(+)
Band concert band - Grade
3
SKU: CF.CPS250
Composed by Peter
Sciaino. Set of Score and
Parts.
27+12+12+6+12+12+12+6+6+6
+6+4+4+8+8+8+4+4+6+6+6+4+
12+4+2+6+10 pages.
Duration 4 minutes, 40
seconds. Carl Fischer
Music #CPS250. Published
by Carl Fischer Music
(CF.CPS250).
ISBN
9781491159576. UPC:
680160918164.
Kalei
doscope Sky is inspired
by the breathtaking
pastime of hot-air
ballooning and the
glorious festivals around
the world that honor the
practice. A sky full of
colorful spheres
elegantly floating at the
Albuquerque International
Balloon Fiesta,
International Balloon
Festival of
Saint-Jean-sur-Richelieu,
Bristol International
Balloon Fiesta, Mondial
Air Ballons and more draw
thousands of people to
witness awe-inspiring
scenes full of passionate
balloonists. Traditional
hot-air balloons mix with
creatively designed
balloons to thrill the
tens of thousands of
spectators below. While I
personally am not a
person who dreams of
taking my own
flight--heights are not
my thing--I have to
marvel at how gently and
easily these vessels
float among the clouds.
It truly is an image of
exquisite freedom. This
piece reflects the view
and experience of the
onlooker taking in an
elegantly shifting scene
reminiscent of
kaleidoscope patterns.
Spectators like me can
appreciate the beauty and
vibrancy associated with
a horizon full of
adventurous balloonists
and their wondrous
aircrafts. Kaleidoscope
Sky starts in a
triumphant and
celebratory fashion and
continues to conjure
images reminiscent of the
wide variety of soaring
colors on display at a
hot-air balloon event.
Ultimately, the piece
appropriately concludes
with a suspenseful, yet
graceful, run to the
finish line. Melodic
lines should soar with
attention being paid to
phrase markings and
assigned articulations.
Encourage musicians to
allow room for the
melodic material to be
heard in thicker textures
where supporting
harmonies are often
rhythmic in nature. These
harmonies should support,
and not cloud the
melodies. The meter
changes should sound
effortless, and the
continuous figures in the
percussion will help to
achieve this effect. The
snare drum, in
particular, should bring
accented notes to the
foreground while
maintaining a steady
textural effect with
non-accented notes as a
rhythmic background. This
will go a long way in
finding a cohesive
subdivision and ensemble
pulse. Kaleidoscope
Sky is inspired by the
breathtaking pastime of
hot-air ballooning and
the glorious festivals
around the world that
honor the practice. A sky
full of colorful spheres
elegantly floating at the
Albuquerque International
Balloon Fiesta,
International Balloon
Festival of
Saint-Jean-sur-Richelieu,
Bristol International
Balloon Fiesta, Mondial
Air Ballons and more draw
thousands of people to
witness awe-inspiring
scenes full of passionate
balloonists. Traditional
hot-air balloons mix with
creatively designed
balloons to thrill the
tens of thousands of
spectators below. While I
personally am not a
person who dreams of
taking my own
flight—heights are
not my thing—I
have to marvel at how
gently and easily these
vessels float among the
clouds. It truly is an
image of exquisite
freedom. This piece
reflects the view and
experience of the
onlooker taking in an
elegantly shifting scene
reminiscent of
kaleidoscope patterns.
Spectators like me can
appreciate the beauty and
vibrancy associated with
a horizon full of
adventurous balloonists
and their wondrous
aircrafts. Kaleidoscope
Sky starts in a
triumphant and
celebratory fashion and
continues to conjure
images reminiscent of the
wide variety of soaring
colors on display at a
hot-air balloon event.
Ultimately, the piece
appropriately concludes
with a suspenseful, yet
graceful, run to the
finish line.Melodic lines
should “soarâ€
with attention being paid
to phrase markings and
assigned articulations.
Encourage musicians to
allow room for the
melodic material to be
heard in thicker textures
where supporting
harmonies are often
rhythmic in nature. These
harmonies should support,
and not
“cloud†the
melodies. The meter
changes should sound
effortless, and the
continuous figures in the
percussion will help to
achieve this effect. The
snare drum, in
particular, should bring
accented notes to the
foreground while
maintaining a steady
textural effect with
non-accented notes as a
rhythmic background. This
will go a long way in
finding a cohesive
subdivision and ensemble
pulse.
Kaleidoscope Sky Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band concert band - Grade 3 SKU: CF.CPS250F Composed by Peter Sciaino. Fu...(+)
Band concert band - Grade
3
SKU: CF.CPS250F
Composed by Peter
Sciaino. Full score. 27
pages. Carl Fischer Music
#CPS250F. Published by
Carl Fischer Music
(CF.CPS250F).
ISBN
9781491159583. UPC:
680160918171.
Kalei
doscope Sky is inspired
by the breathtaking
pastime of hot-air
ballooning and the
glorious festivals around
the world that honor the
practice. A sky full of
colorful spheres
elegantly floating at the
Albuquerque International
Balloon Fiesta,
International Balloon
Festival of
Saint-Jean-sur-Richelieu,
Bristol International
Balloon Fiesta, Mondial
Air Ballons and more draw
thousands of people to
witness awe-inspiring
scenes full of passionate
balloonists. Traditional
hot-air balloons mix with
creatively designed
balloons to thrill the
tens of thousands of
spectators below. While I
personally am not a
person who dreams of
taking my own
flight--heights are not
my thing--I have to
marvel at how gently and
easily these vessels
float among the clouds.
It truly is an image of
exquisite freedom. This
piece reflects the view
and experience of the
onlooker taking in an
elegantly shifting scene
reminiscent of
kaleidoscope patterns.
Spectators like me can
appreciate the beauty and
vibrancy associated with
a horizon full of
adventurous balloonists
and their wondrous
aircrafts. Kaleidoscope
Sky starts in a
triumphant and
celebratory fashion and
continues to conjure
images reminiscent of the
wide variety of soaring
colors on display at a
hot-air balloon event.
Ultimately, the piece
appropriately concludes
with a suspenseful, yet
graceful, run to the
finish line. Melodic
lines should soar with
attention being paid to
phrase markings and
assigned articulations.
Encourage musicians to
allow room for the
melodic material to be
heard in thicker textures
where supporting
harmonies are often
rhythmic in nature. These
harmonies should support,
and not cloud the
melodies. The meter
changes should sound
effortless, and the
continuous figures in the
percussion will help to
achieve this effect. The
snare drum, in
particular, should bring
accented notes to the
foreground while
maintaining a steady
textural effect with
non-accented notes as a
rhythmic background. This
will go a long way in
finding a cohesive
subdivision and ensemble
pulse. Kaleidoscope
Sky is inspired by the
breathtaking pastime of
hot-air ballooning and
the glorious festivals
around the world that
honor the practice. A sky
full of colorful spheres
elegantly floating at the
Albuquerque International
Balloon Fiesta,
International Balloon
Festival of
Saint-Jean-sur-Richelieu,
Bristol International
Balloon Fiesta, Mondial
Air Ballons and more draw
thousands of people to
witness awe-inspiring
scenes full of passionate
balloonists. Traditional
hot-air balloons mix with
creatively designed
balloons to thrill the
tens of thousands of
spectators below. While I
personally am not a
person who dreams of
taking my own
flight—heights are
not my thing—I
have to marvel at how
gently and easily these
vessels float among the
clouds. It truly is an
image of exquisite
freedom. This piece
reflects the view and
experience of the
onlooker taking in an
elegantly shifting scene
reminiscent of
kaleidoscope patterns.
Spectators like me can
appreciate the beauty and
vibrancy associated with
a horizon full of
adventurous balloonists
and their wondrous
aircrafts. Kaleidoscope
Sky starts in a
triumphant and
celebratory fashion and
continues to conjure
images reminiscent of the
wide variety of soaring
colors on display at a
hot-air balloon event.
Ultimately, the piece
appropriately concludes
with a suspenseful, yet
graceful, run to the
finish line.Melodic lines
should “soarâ€
with attention being paid
to phrase markings and
assigned articulations.
Encourage musicians to
allow room for the
melodic material to be
heard in thicker textures
where supporting
harmonies are often
rhythmic in nature. These
harmonies should support,
and not
“cloud†the
melodies. The meter
changes should sound
effortless, and the
continuous figures in the
percussion will help to
achieve this effect. The
snare drum, in
particular, should bring
accented notes to the
foreground while
maintaining a steady
textural effect with
non-accented notes as a
rhythmic background. This
will go a long way in
finding a cohesive
subdivision and ensemble
pulse.
Flame and Glory Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1135413-140 Vatra I Slava<...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1135413-140
Vatra I Slava.
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2013. 24
pages. De Haske
Publications #DHP
1135413-140. Published by
De Haske Publications
(BT.DHP-1135413-140).
9x12 inches.
English-German-French-Dut
ch.
This opening
piece was commissioned by
a youth orchestra, which
explains why it has such
a lot of dynamism, energy
and optimism. However, it
begins in a stately and
noble fashion, in the
lower range of the wind
orchestra. Soon the
rhythmical drive takes
over, imbuing this piece
with a vibrant and
energetic character. Some
lovely melodic lines and
themes are also
integrated within this
fast section. Wind music
in Croatia is developing
apace as more and more
ensembles are excited by
the next generation of
composers finding so much
success worldwide. For
this reason, the
Vatroslav Lisinski Music
School commissioned this
short but effective piece
from Jan Van der Roost.
The premièretook place
in Zagreb on April 24
2013, conducted by Mario
Komazin.
Dit
openingswerk is
geschreven in opdracht
van een jeugdorkest, wat
verklaart waarom het
zoveel dynamiek, energie
en optimisme ademt. Het
begint echter op
plechtige en statige
wijze - in het lage
blazersregister. Al snel
krijgt de muziek een
steeds ritmischer
karakter en wordt ze
levendiger en vitaler van
sfeer. In dit snelle
gedeelte zijn ook
verschillende mooie
melodielijnen en
thema’s verwerkt.
Het genre blaasmuziek is
in Kroatië sterk in
opkomst, en meer en meer
ensembles zijn
enthousiast over de
volgende generatie jonge
musici die wereldwijd
zoveel succes hebben.
Tegen die achtergrond
heeft de Vatroslav
Lisinski Music School de
Belgische componist Jan
Van der Roost verzochtdit
korte maar effectvolle
werk te schrijven. De
première vond op 24
april 2013 plaats in
Zagreb, onder leiding van
dirigent Mario Komazin.
Dieses
Eröffnungswerk wurde
im Auftrag eines
Jugendblasorchesters
geschrieben, was
erklärt, warum es so
viel Dynamik, Energie und
Optimismus ausstrahlt. Es
beginnt jedoch feierlich
und würdevoll - in den
tiefen Bläsern. Schon
bald wird der Charakter
der Musik immer
rhythmischer und
lebendiger und die
Stimmung wechselt ins
Lebhafte. In diesem
schnellen Teil sind auch
verschiedene schöne
Melodielinien und Themen
verarbeitet. Das Genre
Blasmusik ist in Kroatien
stark im Kommen und immer
mehr Ensembles zeigen
sich begeistert von der
jungen
Komponistengeneration,
die weltweit so
erfolgreich ist. Vor
diesem Hintergrund bat
die Vatroslav Lisinski
Musikschule den
belgischenKomponisten Jan
Van der Roost, dieses
kurze, aber wirkungsvolle
Werk zu schreiben. Die
Premiere fand am 24.
April 2013 in Zagreb
unter der Leitung von
Dirigent Mario Komazin
statt.
American Popular Piano - Etudes. (Etudes Level 6). NOVUS VIA MUSIC GROUP. Contem...(+)
American Popular Piano -
Etudes. (Etudes Level 6).
NOVUS VIA MUSIC GROUP.
Contemporary piano
method. Softcover. 88
pages. Novus Via Music
Group #APPE-06. Published
by Novus Via Music Group
American Popular Piano. (Etudes Level 7). NOVUS VIA MUSIC GROUP. Contemporary pi...(+)
American Popular Piano.
(Etudes Level 7). NOVUS
VIA MUSIC GROUP.
Contemporary piano
method. 88 pages. Novus
Via Music Group #APPE-07.
Published by Novus Via
Music Group
American Popular Piano - Etudes. (Etudes Level 8). NOVUS VIA MUSIC GROUP. Contem...(+)
American Popular Piano -
Etudes. (Etudes Level 8).
NOVUS VIA MUSIC GROUP.
Contemporary piano
method. 88 pages. Novus
Via Music Group #APPE-08.
Published by Novus Via
Music Group
SATB choir SKU: WD.080689655173 Composed by Daniel Semsen. Choral, cantat...(+)
SATB choir
SKU:
WD.080689655173
Composed by Daniel
Semsen. Choral, cantatas.
Christmas. Book. Word
Music #080689655173.
Published by Word Music
(WD.080689655173).
UPC:
080689655173.
Dove
Award winning songwriters
Joel Lindsey and Jeff
Bumgardner, with Dove
Award winning arranger/
orchestrator Daniel
Semsen, have, once again,
brought to life an
astoundingly appealing
new musical for
Christmas, Love Was
Born a King. With a
slew of critically
acclaimed dramatic
musicals for Christmas
under their belt, this
highly awarded creative
team has done it again,
this time with a twist!
Their newest offering,
Love Was Born a
King, is actually 2
musicals in one! Fully
developed as a dramatic
musical in the vein of
their previous successes
(How to Have the Best
Christmas Ever, An
Unexpected Christmas,
Welcome to Bethlehem,
Under a Starry Sky),
Love Was Born a
King certainly
doesn’t disappoint
those in search of their
next, new, dramatic
musical. For others, who
love the music heard in
those previously released
musicals but
aren’t looking for
a dramatic musical, Joel
and Jeff have delivered
an amazing choir with
narrator musical option
that fully utilizes all
the songs found in the
drama version…
literally, 2 musicals in
1! The option with drama
deals poignantly and
sensitively with the
plight of the homeless,
drawing on the
responsibility of
God’s people to
minister and care for
those in need. And in the
course of helping others,
finding that we just
might find ourselves
being ministered to in
the process! If instead
you’re looking for
a choir with narrator
option, you’ll
discover the same
brilliantly written songs
wrapped in a beautifully
expressed narrative
highlighting the
traditional Christmas
story focusing on the
power and beauty of
God’s Love come
down to earth, manifested
in the birth of the
Christ Child.
Level Two - Skills. By Christopher Norton, Scott McBride-Smith. This edition: AP...(+)
Level Two - Skills. By
Christopher Norton, Scott
McBride-Smith. This
edition: APPS-02. NOVUS
VIA MUSIC GROUP. 52
pages. Published by Novus
Via Music Group.
Preparatory Level - Skills. By Christopher Norton, Scott McBride-Smith. This edi...(+)
Preparatory Level -
Skills. By Christopher
Norton, Scott
McBride-Smith. This
edition: APPS-00. NOVUS
VIA MUSIC GROUP. 48
pages. Published by Novus
Via Music Group.
Level Two - Technic. By Christopher Norton, Scott McBride-Smith. This edition: A...(+)
Level Two - Technic. By
Christopher Norton, Scott
McBride-Smith. This
edition: APPT-02. NOVUS
VIA MUSIC GROUP. 64
pages. Published by Novus
Via Music Group.
Level One - Skills. By Christopher Norton, Scott McBride-Smith. This edition: AP...(+)
Level One - Skills. By
Christopher Norton, Scott
McBride-Smith. This
edition: APPS-01. NOVUS
VIA MUSIC GROUP. 46
pages. Published by Novus
Via Music Group.
Preparatory Level - Technic. By Christopher Norton, Scott McBride-Smith. This ed...(+)
Preparatory Level -
Technic. By Christopher
Norton, Scott
McBride-Smith. This
edition: APPT-00. NOVUS
VIA MUSIC GROUP. 28
pages. Published by Novus
Via Music Group.
Level One - Technic. By Christopher Norton, Scott McBride-Smith. This edition: A...(+)
Level One - Technic. By
Christopher Norton, Scott
McBride-Smith. This
edition: APPT-01. NOVUS
VIA MUSIC GROUP. 40
pages. Published by Novus
Via Music Group.
SKU: HL.200476 Artist Management: The Ultimate Responsibility. Boo...(+)
SKU: HL.200476
Artist Management: The
Ultimate
Responsibility. Book.
Instruction, Music
Business. Softcover. 304
pages. Published by Hal
Leonard (HL.200476).
ISBN 9780965125079.
UPC: 888680650773.
8.5x11.0x0.616 inches.
Stephen Marcone with
David Philp.
Making
it in music has never
been easy, but today it's
harder than ever before.
The digital age has
dawned and, with it, the
music biz has wholly
merged with the
entertainment industry.
Up-and-comers are
immediately faced with a
dire choice: alter your
art to appease the powers
that be or learn to
navigate the notoriously
grimy underside of the
most glamorous profession
in the world. Whether
you're a self-reliant DIY
musician or an aspiring
personal manager, Stephen
Marcone and David Philp's
Managing Your Band
-Artist Management: The
Ultimate Responsibility
can help you keep your
shirt and maybe - just
maybe - make a buck, all
for less than the price
of a decent dinner. Now
in its sixth edition,
Managing Your Band has
long since been the
standard bearer for
aspirants and hardened
vets alike. From dive
bars to festivals, from
branding and
merchandising to
marketing and publicity,
from publishing and
licensing to rights and
contracts, Marcone and
Philp leave no stone
unturned in this
comprehensive guide to
artist management. A
lofty claim, eh? No need
to take our word for it -
luminaries in every
corner of the industry
are willing to testify.
To put it mildly, the
book has a reputation
with record labels. John
Butler, Vice President of
Promotion at Curb,
believes that Marcone and
Philp take on our
ever-changing business
with a fresh and complete
approach. The breadth of
information here is as
important to veterans as
it is to the new
entrepreneurs that will
power the current and
next versions of the
music industry. Paul
Sinclair, the EVP of
Digital Strategy &
Innovation at Atlantic,
attests that the 6th
edition of Managing Your
Band provides an
excellent blueprint to
follow paths of
flexibility and
specificity toward a
successful career in
music. In this book, you
find the framework.
Implement it well and you
have a better shot of
finding success with your
musical art. Joe
Riccitelli, the EVP/GM of
RCA, considers the book a
must for new and
established managers who
may need a brush-up on
topics they have
forgotten, as Stephen's
& David's vast
experience pays off in
the 6th edition. Hell,
this is the only book
music mogul Harvey Leeds
took to Israel to teach
the Israelis about the
international music and
entertainment business!
In the end, we think Doc
McGhee, the man who
whisked Bon Jovi and
Motley Crue to
superstardom, says it
best: I wish I had
something like this when
I was starting out! What
more can we say? Pick up
the latest edition of
Managing Your Band and
chase that wild
dream!
Composed by Grey E. Larsen. Saddle-stitched. First Lessons. Folk. Book and ...(+)
Composed by Grey E.
Larsen.
Saddle-stitched. First
Lessons. Folk. Book and
online audio/video/pdf.
40
pages. Mel Bay
Publications,
Inc #30043M. Published by
Mel
Bay Publications, Inc
Clarinet SKU: HL.50600566 Clarinet Solo. Composed by Osmo Tapio R...(+)
Clarinet
SKU:
HL.50600566
Clarinet Solo.
Composed by Osmo Tapio
Räihälä.
Woodwind Solo. Classical.
Softcover. 10 pages.
Sikorski #SIK8811.
Published by Sikorski
(HL.50600566).