Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Cliff
Eisen. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library). Solo
concerto; Classical.
Study Score. 56 pages.
Duration 30'. Breitkopf
and Haertel #PB 5602-07.
Published by Breitkopf
and Haertel
(BR.PB-5602-07).
ISBN
9790004214992. 6.5 x 9
inches.
For the
Urtext edition of the
three great Mozart Violin
Concertos K. 216, 218 and
219, three high-caliber
experts came together:
Mozart scholar Cliff
Eisen as editor,
internationally renowned
concertmaster and
conductor Andrew Manze as
the author of
stylistically authentic
and brilliantly virtuoso
cadenzas, and Werner
Breig as the creator of
the transparent piano
reduction that
wonderfully suite every
accompanists fingers.The
new editions are based on
Eisens competent,
well-grounded source
evaluation. His decisions
always do justice to the
requirements of
historical performance
practice and occsionally
yield some rather
extraordinary
results.
Composed by Carlos Gardel. Arranged by Diego Collatti. Contemporary. Score and p...(+)
Composed by Carlos
Gardel. Arranged by Diego
Collatti. Contemporary.
Score and part(s). With
Standard notation. 32
pages. Universal Edition
#UE36656. Published by
Universal Edition
(PR.UE036656).
For
mixed choir (SATB) a
cappella: string
orchestra ad lib..
Composed by Peteris
Vasks. This edition:
Saddle stitching. Sheet
music. Schott Chorverlag
(Choral Music).
Classical. Performance
Material. Composed 1995.
Duration 7'. Schott Music
#C 49509-10. Published by
Schott Music
(HL.49001463).
ISBN
9790001127257. UPC:
073999769937.
8.25x11.75x0.125 inches.
Latin.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Cliff
Eisen. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Solo concerto; Classical.
Part. 12 pages. Duration
30'. Breitkopf and
Haertel #OB 5371-19.
Published by Breitkopf
and Haertel
(BR.OB-5371-19).
ISBN
9790004337257. 10 x 12.5
inches.
For the
Urtext edition of the
three great Mozart Violin
Concertos K. 216, 218 and
219, three high-caliber
experts came together:
Mozart scholar Cliff
Eisen as editor,
internationally renowned
concertmaster and
conductor Andrew Manze as
the author of
stylistically authentic
and brilliantly virtuoso
cadenzas, and Werner
Breig as the creator of
the transparent piano
reduction that
wonderfully suite every
accompanists fingers.The
new editions are based on
Eisens competent,
well-grounded source
evaluation. His decisions
always do justice to the
requirements of
historical performance
practice and occsionally
yield some rather
extraordinary
results.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Cliff
Eisen. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Solo concerto; Classical.
Part. 8 pages. Duration
25'. Breitkopf and
Haertel #OB 5369-26.
Published by Breitkopf
and Haertel
(BR.OB-5369-26).
ISBN
9790004335581. 10 x 12.5
inches.
For the
Urtext edition of the
three great Mozart Violin
Concertos K. 216, 218 and
219, three high-caliber
experts came together:
Mozart scholar Cliff
Eisen as editor,
internationally renowned
concertmaster and
conductor Andrew Manze as
the author of
stylistically authentic
and brilliantly virtuoso
cadenzas, and Werner
Breig as the creator of
the transparent piano
reduction that
wonderfully suite every
accompanists fingers.The
new editions are based on
Eisens competent,
well-grounded source
evaluation. His decisions
always do justice to the
requirements of
historical performance
practice and occsionally
yield some rather
extraordinary
results.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Cliff
Eisen. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Solo concerto; Classical.
Part. 8 pages. Duration
25'. Breitkopf and
Haertel #OB 5370-26.
Published by Breitkopf
and Haertel
(BR.OB-5370-26).
ISBN
9790004336922. 10 x 12.5
inches.
For the
Urtext edition of the
three great Mozart Violin
Concertos K. 216, 218 and
219, three high-caliber
experts came together:
Mozart scholar Cliff
Eisen as editor,
internationally renowned
concertmaster and
conductor Andrew Manze as
the author of
stylistically authentic
and brilliantly virtuoso
cadenzas, and Werner
Breig as the creator of
the transparent piano
reduction that
wonderfully suite every
accompanists fingers. The
new editions are based on
Eisens competent,
well-grounded source
evaluation. His decisions
always do justice to the
requirements of
historical performance
practice and occsionally
yield some rather
extraordinary
results.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Cliff
Eisen. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Solo concerto; Classical.
Part. 8 pages. Duration
30'. Breitkopf and
Haertel #OB 5371-26.
Published by Breitkopf
and Haertel
(BR.OB-5371-26).
ISBN
9790004337264. 10 x 12.5
inches.
For the
Urtext edition of the
three great Mozart Violin
Concertos K. 216, 218 and
219, three high-caliber
experts came together:
Mozart scholar Cliff
Eisen as editor,
internationally renowned
concertmaster and
conductor Andrew Manze as
the author of
stylistically authentic
and brilliantly virtuoso
cadenzas, and Werner
Breig as the creator of
the transparent piano
reduction that
wonderfully suite every
accompanists fingers.The
new editions are based on
Eisens competent,
well-grounded source
evaluation. His decisions
always do justice to the
requirements of
historical performance
practice and occsionally
yield some rather
extraordinary
results.
(Five Choral Preludes of the Romantic Period). By Carsten Klomp & Heiko Petersen...(+)
(Five Choral Preludes of
the Romantic Period). By
Carsten Klomp & Heiko
Petersen. For 2 trumpets,
horn, 2 trombones and
organ. Level 3.
Performance score and
wind score in C. Text
Language: English,
German. 10/17 pages.
Published by Baerenreiter
Verlag
Brass quartet - Intermediate SKU: MN.25-150 Composed by Paul M. French. C...(+)
Brass quartet -
Intermediate
SKU:
MN.25-150
Composed by
Paul M. French.
Christmas. MorningStar
Music Publishers #25-150.
Published by MorningStar
Music Publishers
(MN.25-150).
UPC:
688670251504.
Subti
tled Christmas Cradle
Lullaby, this gently
rocking music is
completely original, with
fresh contemporary tonal
harmonies. Performance by
confident and competent
players will result in an
exquisite, unusual piece.
For Christmas or general
use.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Cliff
Eisen. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Solo concerto; Classical.
Part. 12 pages. Duration
25'. Breitkopf and
Haertel #OB 5369-16.
Published by Breitkopf
and Haertel
(BR.OB-5369-16).
ISBN
9790004335567. 10 x 12.5
inches.
For the
Urtext edition of the
three great Mozart Violin
Concertos K. 216, 218 and
219, three high-caliber
experts came together:
Mozart scholar Cliff
Eisen as editor,
internationally renowned
concertmaster and
conductor Andrew Manze as
the author of
stylistically authentic
and brilliantly virtuoso
cadenzas, and Werner
Breig as the creator of
the transparent piano
reduction that
wonderfully suite every
accompanists fingers.The
new editions are based on
Eisens competent,
well-grounded source
evaluation. His decisions
always do justice to the
requirements of
historical performance
practice and occsionally
yield some rather
extraordinary
results.
Eye of the Tiger Fanfare [Conducteur et Parties séparées] - Facile Alfred Publishing
Composed by Frankie Sullivan and Jim Peterik. Arranged by Doug Adams. Marching B...(+)
Composed by Frankie
Sullivan and Jim Peterik.
Arranged by Doug Adams.
Marching Band;
Performance Music
Ensemble; Single Titles.
Easy Pops for Marching
Band. Movie. Part(s);
Score. 108 pages.
Duration 1:47. Alfred
Music #00-MB9762.
Published by Alfred Music
(Volume IV: Charles Villiers Stanford, Cathedral Sounds). Composed by Charles Vi...(+)
(Volume IV: Charles
Villiers Stanford,
Cathedral Sounds).
Composed by Charles
Villiers Stanford
(1852-1924). Edited by
Carsten Klomp; Heiko
Petersen. Arranged by
Carsten Klomp. For organ
and brass choir. Stapled.
Organ plus brass 4.
Bearbeitungen fur
Blechblaser und Orgel.
Level 3. Performance
score, wind instruments
score. Published by
Baerenreiter Verlag
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Cliff
Eisen. Folder.
Orchester-Bibliothek
(Orchestral Library).
Solo concerto; Classical.
Set of parts. 32 pages.
Duration 25'. Breitkopf
and Haertel #OB 5370-30.
Published by Breitkopf
and Haertel
(BR.OB-5370-30).
ISBN
9790004336939. 10 x 12.5
inches.
For the
Urtext edition of the
three great Mozart Violin
Concertos K. 216, 218 and
219, three high-caliber
experts came together:
Mozart scholar Cliff
Eisen as editor,
internationally renowned
concertmaster and
conductor Andrew Manze as
the author of
stylistically authentic
and brilliantly virtuoso
cadenzas, and Werner
Breig as the creator of
the transparent piano
reduction that
wonderfully suite every
accompanists fingers. The
new editions are based on
Eisens competent,
well-grounded source
evaluation. His decisions
always do justice to the
requirements of
historical performance
practice and occsionally
yield some rather
extraordinary
results.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Cliff
Eisen. Folder.
Orchester-Bibliothek
(Orchestral Library).
Solo concerto; Classical.
Set of parts. 20 pages.
Duration 25'. Breitkopf
and Haertel #OB 5369-30.
Published by Breitkopf
and Haertel
(BR.OB-5369-30).
ISBN
9790004335598. 10 x 12.5
inches.
For the
Urtext edition of the
three great Mozart Violin
Concertos K. 216, 218 and
219, three high-caliber
experts came together:
Mozart scholar Cliff
Eisen as editor,
internationally renowned
concertmaster and
conductor Andrew Manze as
the author of
stylistically authentic
and brilliantly virtuoso
cadenzas, and Werner
Breig as the creator of
the transparent piano
reduction that
wonderfully suite every
accompanists fingers.The
new editions are based on
Eisens competent,
well-grounded source
evaluation. His decisions
always do justice to the
requirements of
historical performance
practice and occsionally
yield some rather
extraordinary
results.
Orgelkonzert.
Composed by Friedhelm
Rentzsch. Orgelkonzert
(1984). Free organ music.
Single Part, Violin 1.
Composed 1984. 12 pages.
Duration 18 minutes.
Carus Verlag #CV
18.065/11. Published by
Carus Verlag
(CA.1806511).
Language: all
languages.
The
Organ Concerto was
premiered in the
Kartauserkirche, Koln in
1985. It received repeat
performances in the
Dresdner
Diakonissenhauskirche and
also with the Dresdner
Philharmonie unter the
direction of Jorg-Peter
Weigle with Friedrich
Kircheis as soloist. The
three-movement concerto
is designed so that the
seven parts of the string
section can also be
played solistically for
performances in a smaller
setting. The percussion
part can be performed by
one percussionist. Thus,
in this manner the work
may be performed by only
eight players. Score and
part available separately
- see item
CA.1806500.
Orgelkonzert.
Composed by Friedhelm
Rentzsch. Orgelkonzert
(1984). Free organ music.
Single Part, Organ.
Composed 1984. 20 pages.
Duration 18 minutes.
Carus Verlag #CV
18.065/49. Published by
Carus Verlag
(CA.1806549).
Language: all
languages.
The
Organ Concerto was
premiered in the
Kartauserkirche, Koln in
1985. It received repeat
performances in the
Dresdner
Diakonissenhauskirche and
also with the Dresdner
Philharmonie unter the
direction of Jorg-Peter
Weigle with Friedrich
Kircheis as soloist. The
three-movement concerto
is designed so that the
seven parts of the string
section can also be
played solistically for
performances in a smaller
setting. The percussion
part can be performed by
one percussionist. Thus,
in this manner the work
may be performed by only
eight players. Score and
part available separately
- see item
CA.1806500.
Orgelkonzert.
Composed by Friedhelm
Rentzsch. Orgelkonzert
(1984). Free organ music.
Single Part, Cello 2.
Composed 1984. 16 pages.
Duration 18 minutes.
Carus Verlag #CV
18.065/16. Published by
Carus Verlag
(CA.1806516).
Language: all
languages.
The
Organ Concerto was
premiered in the
Kartauserkirche, Koln in
1985. It received repeat
performances in the
Dresdner
Diakonissenhauskirche and
also with the Dresdner
Philharmonie unter the
direction of Jorg-Peter
Weigle with Friedrich
Kircheis as soloist. The
three-movement concerto
is designed so that the
seven parts of the string
section can also be
played solistically for
performances in a smaller
setting. The percussion
part can be performed by
one percussionist. Thus,
in this manner the work
may be performed by only
eight players. Score and
part available separately
- see item
CA.1806500.
Organ - intermediate SKU: HL.49019304 Based on O Traurigkeit, o Herzel...(+)
Organ - intermediate
SKU: HL.49019304
Based on O
Traurigkeit, o
Herzeleid. Composed
by Peter Wittrich. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Softcover. Composed 2009.
16 pages. Duration 9'.
Schott Music #ED21366.
Published by Schott Music
(HL.49019304).
ISBN
9790001187374. UPC:
884088924256.
9.0x12.0x0.089
inches.
Schon bei
Ravel, Gershwin oder
Strawinsky findet man die
Verbindung des
schwermutigen
Blues-Charakter mit dem
melodischen und
klanglichen Duktus der
Kunstmusik. Auf der Basis
der bildhaften
Formulierung 'I feel
blue' (Ich fuhle mich
traurig), die der
weltlich-vokalen
Ausdrucksform der
Farbigen ihren Namen
gibt, lasst sich eine
direkte Brucke zum
popularen Passionslied 'O
Traurigkeit, o Herzeleid'
schlagen. Wittrichs
'Choral-Blues' spielt mit
jazz-typischen
Harmoniefolgen (changes),
triolisch gepragtem
Groove mit
charakteristischen
Bordun-Stutzen und einer
'Lamento'-Grundstimmung,
die sich melodisch in
chromatisch fallenden
Linien aussert. Das
stereotype 12-taktige
Blues-Schema bleibt dabei
ausgeklammert. Ein
wertvoller Beitrag zur
Erweiterung des
Orgelrepertoires, das
sich seit einigen
Jahrzehnten auch fur
populare Musikformen aus
Rock, Pop und Jazz in den
Kirchenraumen geoffnet
hat.
Chorus a cappella (SSAATTBB) SKU: BR.CHB-5154-02 3 lyrische Motetten n...(+)
Chorus a cappella
(SSAATTBB)
SKU:
BR.CHB-5154-02
3
lyrische Motetten nach
Texten aus dem
Hohelied. Composed by
Jurg Baur. Choir;
stapled. Chor-Bibliothek
(Choral Library).
World premiere:
Aachen, March 12,
1983
Motet; Music
post-1945. Choral score.
Composed 1979. 20 pages.
Duration 15'. Breitkopf
and Haertel #ChB 5154-02.
Published by Breitkopf
and Haertel
(BR.CHB-5154-02).
ISBN
9790004410790. 7.5 x 10.5
inches.
Das Werk
entstand auf Anregung von
Johannes Homberg fur sein
Vokalensemble ,,Pro
musica, als modernes
Gegenstuck zu den
altmeisterlichen
Vertonungen der gleichen
Texte (u. a. durch
Palestrina oder Orlando
di Lasso). Der
anspruchsvolle dichte und
sehr ausdrucksvolle
Chorsatz der drei
Motetten verbindet
strenge, teils
zwolftonige Strukturen
mit weitgespannten
tonalen Elementen. An
Stelle der direkten
Textbeschreibung oder
,,Tonmalerei tritt die
gedanklich espressive
Ausdeutung dieser
bildhaften Liebeslyrik
des Hohen Liedes.
Bezeichnend fur die
formale Gestaltung der
Motetten ist der Wechsel
von imitatorisch bewegten
Motivabschnitten mit
ruhenden Klangflachen und
Akkordsatzen; so bildet
sich eine Reihung von
kontrastierenden Teilen
oder Bildern in
rhapsodischer Folge. Auf
einen uberschwenglichen
Gefuhlsausbruch folgt ein
zart verhaltenes
Liebesbekenntnis. Ein
Leitmotiv ,,Oh sieh
verbindet die drei
Motetten; die leisen Tone
und Klange uberwiegen.
Der Zyklus Die Blume des
Scharon ist ein modernes
Gegenstuck zu den
altmeisterlichen
Vertonungen dergleichen
Texte von Palestrina,
Orlando di Lasso und
deren Zeitgenossen. Der
ausdrucksvolle, dichte
und bei aller klanglichen
Schonheit technisch
schwierige Chorsatz
verbindet - wie etwa im
Divertimento fur Cembalo
und Schlagzeug - strenge,
teils zwolftonige
Strukturen mit freien
tonalen Elementen. An
Stelle der direkten
Textbeschreibung oder
,,Tonmalerei tritt die
gedanklich espressive
Ausdeutung der bildhaften
Liebeslyrik des Hohen
Liedes. Bezeichnend fur
die formale Gestaltung
der drei Motetten ist der
Wechsel von imitatorisch
bewegten
Motiv-Abschnitten und
ruhenden Klangflachen
oder Akkordsatzen; so
ergibt sich eine Reihung
von kontrastierenden
Bildern in rhapsodischer
Folge. Auf
uberschwengliche
Gefuhlsausbruche folgt
ein zart verhaltenes
Liebesbekenntnis. Das
Leitmotiv Oh sieh,
verbindet die drei
Chormotetten. Die leisen
verhaltenen Tone
uberwiegen, ein
stimmungsvoller,
schmerzlich dissonanter
oder erfullt geloster
Pianissimo-Klang steht
jeweils am Ende der drei
Satze.(Jurg
Baur)CD:Bonner
Kammerchor, cond. Peter
HennCD Cantabile
2401Bibliography:Richter,
Reinhold: Zwischen
Tradition und Avantgarde
zwischen Zweifel und
Hoffnung. Einige Notizen
zur Chor- und Orgelmusik
von Jurg Baur anlasslich
des 85. Geburtstages im
vergangenen November, in:
Forum Kirchenmusik 54
(2003), Heft 6, pp.
23-31.
Fanfare Band - Grade 2.5 SKU: BT.1528-08-020-MS As performed by The Po...(+)
Fanfare Band - Grade 2.5
SKU:
BT.1528-08-020-MS
As performed by The
Pointer Sisters.
Composed by Bruce
Springsteen. Arranged by
Peter Kleine Schaars.
Peter's Popular
Collection. Pop & Rock.
Set (Score & Parts).
Composed 2008. Music
Sales #1528-08-020 MS.
Published by Music Sales
(BT.1528-08-020-MS).
9x12 inches.
English-German-French-Dut
ch.
Springsteen
schreef dit nummer toen
hij, door een conflict
met zijn voormalige
impresario, een tijdlang
geen albums mocht maken.
Hij stuurde het naar
Elvis Presley, die echter
kort daarna overleed.
Robert Gordon nam
Fire opin 1978,
maar het grote succes
kwam met de versie van de
Pointer Sisters, uit
hetzelfde jaar. Zelf
bracht The Boss
halverwege de jaren
tachtig een opzwepende
live-opname uit. Peter
Kleine Schaars schreef
een arrangement waarin
desfeer van dit
Springsteen- nummer
duidelijk naar voren
komt.
Bruce
Springsteen schrieb
Fire bereits im
Jahre 1977 für sein
Idol Elvis Presley, der
jedoch im selben Jahr
starb, ohne auf die ihm
zugeschickte Komposition
reagieren zu können.
Die erste
Veröffentlichung von
Fire stammt nicht
von Springsteen, sondern
von seinem Kollegen
Robert Gordon, 1978 wurde
der Song mit den Pointer
Sisters bekannt. Peter
Kleine Schaars schuf nun
eine Bearbeitung dieser
Interpretation.
Brass Band - Grade 2.5 SKU: BT.1528-08-030-MS As performed by The Poin...(+)
Brass Band - Grade 2.5
SKU:
BT.1528-08-030-MS
As performed by The
Pointer Sisters.
Composed by Bruce
Springsteen. Arranged by
Peter Kleine Schaars.
Peter's Popular
Collection. Pop & Rock.
Set (Score & Parts).
Composed 2008. Music
Sales #1528-08-030 MS.
Published by Music Sales
(BT.1528-08-030-MS).
9x12 inches.
English-German-French-Dut
ch.
Springsteen
schreef dit nummer toen
hij, door een conflict
met zijn voormalige
impresario, een tijdlang
geen albums mocht maken.
Hij stuurde het naar
Elvis Presley, die echter
kort daarna overleed.
Robert Gordon nam
Fire opin 1978,
maar het grote succes
kwam met de versie van de
Pointer Sisters, uit
hetzelfde jaar. Zelf
bracht The Boss
halverwege de jaren
tachtig een opzwepende
live-opname uit. Peter
Kleine Schaars schreef
een arrangement waarin
desfeer van dit
Springsteen- nummer
duidelijk naar voren
komt.
Bruce
Springsteen schrieb
Fire bereits im
Jahre 1977 für sein
Idol Elvis Presley, der
jedoch im selben Jahr
starb, ohne auf die ihm
zugeschickte Komposition
reagieren zu können.
Die erste
Veröffentlichung von
Fire stammt nicht
von Springsteen, sondern
von seinem Kollegen
Robert Gordon, 1978 wurde
der Song mit den Pointer
Sisters bekannt. Peter
Kleine Schaars schuf nun
eine
Brass-Band-Bearbeitung
dieser Interpretation.
Concert Band/Harmonie - Grade 2.5 SKU: BT.1528-08-140-MS As performed ...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.1528-08-140-MS
As performed by The
Pointer Sisters.
Composed by Bruce
Springsteen. Arranged by
Peter Kleine Schaars.
Peter's Popular
Collection. Pop & Rock.
Score Only. Composed
2008. 16 pages. Music
Sales #1528-08-140 MS.
Published by Music Sales
(BT.1528-08-140-MS).
9x12 inches.
English-German-French-Dut
ch.
Springsteen
schreef dit nummer toen
hij, door een conflict
met zijn voormalige
impresario, een tijdlang
geen albums mocht maken.
Hij stuurde het naar
Elvis Presley, die echter
kort daarna overleed.
Robert Gordon nam
Fire opin 1978,
maar het grote succes
kwam met de versie van de
Pointer Sisters, uit
hetzelfde jaar. Zelf
bracht The Boss
halverwege de jaren
tachtig een opzwepende
live-opname uit. Peter
Kleine Schaars schreef
een arrangement waarin
desfeer van dit
Springsteen- nummer
duidelijk naar voren
komt.
Bruce
Springsteen schrieb
Fire bereits im
Jahre 1977 für sein
Idol Elvis Presley, der
jedoch im selben Jahr
starb, ohne auf die ihm
zugeschickte Komposition
reagieren zu können.
Die erste
Veröffentlichung von
Fire stammt nicht
von Springsteen, sondern
von seinem Kollegen
Robert Gordon, 1978 wurde
der Song mit den Pointer
Sisters bekannt. Peter
Kleine Schaars schuf nun
eine
Blasorchesterbearbeitung
dieser Interpretation.
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