(An Exercise Plan for Drummers) Performed by Pete Sweeney. DVD for drum set. 70 minutes. With musical examples, graphics and interactive navigation. Published by Alfred Publishing.

16 favorite carols and holiday songs. Composed by Various. Piano (Solo). Score. 24 pages. Edition Peters #EP68720. Published by Edition Peters

By Johann Sebastian Bach. For Cello/Viola da Gamba, Piano. Play Along. Sheet Music and Play-Along CD. Published by C.F. Peters.

By Gabriel Faure (1845-1924). Edited by Roy Howat. For solo piano. This edition: Urtext edition. Sheet Music. 140 pages. Published by Edition Peters

Composed by William Goldstein. Modern. Duration circa 11.5 minutes. Edition Peters #EP68277. Published by Edition Peters (PE.P68277).

By Gioachino Rossini. Edited by De Smet. For 2 high voices, piano. Published by C.F. Peters.

A progressive sight reading course including duet parts and a CD of accompaniments. By Hewitt Jones. For cello. Level: Grade Two. Instructional book with accompaniment CD. Published by C.F. Peters.

A progressive sight reading course including duet parts and a CD of accompaniments. By Hewitt Jones. For cello. Instructional book with accompaniment CD. Published by C.F. Peters.
Level: Grade One.

By John Cage (1912-1992). For Piano. Modern. Sheet Music. Composed 1942. 5 pages. Duration circa 2 minutes. Published by Edition Peters

By Max Bruch (1838-1920). Edited by Nicolai Pfeffer. For Clarinet, Viola, Piano. This edition: Urtext. Sheet Music. Published by Edition Peters

Violin (Violin)

SKU: HL.14023674

Composed by Michael Nyman. Music Sales America. Post-1900. Book [Softcover]. Composed 1989. 16 pages. Chester Music #CH60852. Published by Chester Music (HL.14023674).

ISBN 9780711932807. 9.0x12.0x0.082 inches.

A transcription of a work for small orchestra (the score for Peter Greenaway's film A Zed & Two Noughts) scored for solo violin. Composed and first performed in Paris in 1986. Edited by Alexander Balanescu.

By Arnold Schoenberg. For 4 (2 piccolo) 3 (english horn) 4 (e|,bass clarinet) 3 (contrabassoon) 4331 timpani, percussion, celesta, harp, strings. Op.16.New Version reduced for normal-sized orchestra by the composer. Duration 20'. Published by C.F. Peters.

By Max Bruch (1838-1920). Edited by Nicolai Pfeffer. For Violin, Viola, Piano. This edition: Urtext. Sheet Music. Published by Edition Peters

By Toshiro Mayuzumi (1929-1997). For Xylophone, Piano. Modern. Solo part and piano reduction. Duration 13 minutes. Published by Edition Peters

By Various. Edited by Kolbinger, Rinderspacher. For bassoon (contrabassoon). Published by C.F. Peters.

(after Giotto's Nativity frescoes in the Arena Chapel at Padua) Composed by George Crumb (1929-). Collection for solo piano. Facsimile printing from the manuscript by the composer. Composed 1980. Text language English and German. 15 pages. Published by C.F. Peters.

By John Cage. Edited by Margaret Leng Tan. For piano, prepared piano and toy piano. Published by C.F. Peters.

Composed by Ned Rorem (1923-). Collection for high voice solo and piano accompaniment. 22 pages. Published by C.F. Peters.

By Johann Sebastian Bach. Edited by Sterling. For contrabass. BWV 1010-1011. Published by C.F. Peters.

By Various. Edited by Miller, Liebermann. For oboe/english horn/oboe d'A. Published by C.F. Peters.

By Johannes Brahms. For SSA, 2 horn, harp (piano). Op.17(Eng-Ger). Secular Choral Works. Published by C.F. Peters.

Composition

SKU: FP.FTJ06

Composed by John Turner. Sheet Music and Books. Recorder virtuosi and composer John Turner's indispensible new guide for composers writing for the solo recorder. This hugely useful book features chapters on the history of recorder composition, as well as the instrument's range, player technique, dynami. Classical, Instructional. Reference Book. Forsyths Publications #FTJ06. Published by Forsyths Publications (FP.FTJ06).

ISBN 9780951479537.

Comp osing for the recorder can be intimidating for those with limited or no experience playing the instrument. John Turner's new book is the ideal primer, taking the would be recorder composer on a journey through the history of recorder composition, and onwards to explore player techniques and the musicality offered by this versatile instrument. Each section is extensively referenced to exisiting compositions, providing a fantastic platform for further research by the reader.

About the Author:

JOHN TURNER is one of the leading recorder players of today. Born in Stockport, he was Senior Scholar in Law at Fitzwilliam College Cambridge before pursuing a legal career, acting for many distinguished musicians and musical organisations alongside his many musical activities. These included numerous appearances and recordings with David Munrow's Early Music Consort of London, the Academy of Ancient Music, the English Chamber Orchestra, the Academy of St. Martin-in-the-Fields and the English Baroque Soloists. He now devotes his time to playing, writing, reviewing, publishing, composing and generally energising.

He has played as recorder soloist with the Halle Orchestra, the Royal Liverpool Philharmonic Orchestra, the Manchester Camerata, the English Baroque Soloists, the English Chamber Orchestra, and many other leading orchestras and ensembles. Concertos and works with orchestra have been written for him by Gordon Crosse, Anthony Gilbert, Peter Hope, Kenneth Leighton, Elis Pehkonen, Alan Bullard, John Casken, and many other distinguished composers. His recordings include no less than five sets of the Brandenburg Concertos, as well as the F Major version of Brandenburg Concerto No. 4 with Menuhin and George Malcolm, but lately he has madenumerous acclaimed recordings of the recorder’s contemporary concerto and chamber music repertoire, including several concerto discs, all of which have received critical acclaim. In all, he has given the first performances of over 600 works for the recorder, with works by many non-British composers, including Leonard Bernstein, Ned Rorem, Peter Sculthorpe, Douglas Lilburn and Petr Eben.

Many of the works he has premiered have now entered the instrument’s standard repertoire, and these and his own recorder compositions are regularly set for festivals and examinations. He edits series of recorder publications for both Forsyths and Peacock Press, and founded the periodical Manchester Sounds, in response to the perceived threat to music libraries in Great Britain. In addition he was responsible for the rediscovery of several works for his instrument, including the Rawsthorne Recorder Suite, Antony Hopkins' Pastiche Suite, Herbert Murrill’s Sarabande, the Handel F Major Trio Sonata and John Parry's Nightingale Rondo (the only substantial known British nineteenth century work for a fipple flute). He was awarded an Honorary Fellowship by the Royal Northern College of Music in 2002 for his services to British music, and is a Visiting Distinguished Scholar of Manchester University.

For Trumpet in Bb and Piano, S. 49. Composed by Johann Nepomuk Hummel (1778-1837). Edited by Elisa Koehler. Arranged by Elisa Koehler. Romantic. Score and part(s). With Standard notation. 36 8 pages. Carl Fischer #W002681. Published by Carl Fischer (CF.W2681).

25 Traditional Pieces. Composed by Pete Rosser. This edition: Saddle stitching. Sheet music with CD. Schott World Music. Multicultural, Folk, European. Edition/Softcover with CD. 13646. 64 pages. Schott Music #ED13646. Published by Schott Music (HL.49045027).