Orchestra (Full Score) SKU: HL.244904 For Orchestra. Composed by B...(+)
Orchestra (Full Score)
SKU: HL.244904
For Orchestra.
Composed by Bryce
Dessner. Music Sales
America. Classical.
Softcover. Composed 2017.
64 pages. Duration 1020
seconds. Chester Music
#CH83985. Published by
Chester Music
(HL.244904).
8.25x12.0x0.508
inches.
Quilting,
co-commissioned by the
BBC Symphony Orchestra
and the Los Angeles
Philharmonic, is my first
stand alone work for
orchestraand is loosely
inspired by the American
tradition of quilt
making. I composed
Quilting while living
most of last year in
Paris.During my time
there, I thought a lot
about what it means to
compose symphonic music
as a young American in
the 21st century, when so
many of the many
masterworks which are
programmed year in and
out by orchestras across
the country are European.
I considered which
artistic traditions
defined the American
19th-century. I began to
think of the American
crafts-tradition of
quilting as a foilto the
high-art tradition of
European orchestral
composition. As the score
for my new work began to
take shape, I started
thinking about the
manuscript itself as an
object, its vertical and
horizontal planes create
a kind of patterned
geometry of their own.
Visually the way a
musical score is woven
together like patchwork
brought to mind quilts
and the great American
tradition of quilting. I
imagined about how
conducting an orchestra
can feellike stitching a
piece together, or sewing
together a large number
of musical ideas and
musicians into a coherent
and transcendent whole.
Quilting was an integral
part of American
vernacular in the 18th
and 19th centuries, the
African-American quilting
tradition is especially
fascinating, and the
quilts tell the stories
of the women and
communities who made
them. The names of the
quilt patterns themselves
can have their own sense
of narrative: 'jacobs
ladder', 'drunkards
path', 'solomon's
puzzle', and (my favorite
for its relevance to this
piece) 'the road to
California. - Bryce
Dessner.
Concert band - Grade 2 SKU: CL.011-4270-00 Composed by Orcino. Young Conc...(+)
Concert band - Grade 2
SKU:
CL.011-4270-00
Composed by Orcino. Young
Concert Band. Command
Series. Audio recording
available separately
(item CL.WFR383). Score
and set of parts.
Composed 2014. Duration 2
minutes, 17 seconds. C.L.
Barnhouse #011-4270-00.
Published by C.L.
Barnhouse
(CL.011-4270-00).
Who doesn't
like a sunny day in the
midst of winter? Who is
that statuesque figure
all decked out in his
winter finery? Who stands
proud, guarding the
family home? Why it's
Milton the Melting
Snowman! But alas, as the
day progresses and temps
rise a transformation
begins. Listen, as the
music evokes Milton's
dismay, I'm melting! The
musical adventure pays
tribute to this gallant
guardian, soon to be a
fond memory until next
year. Set your mind free
wander with this
whimsical winter musical
offering as the band pays
tribute to this pillar of
packed snow.
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Piano SKU: AP.1-ADV9029 Volume 3. Composed by Bill Dobbins. Improv...(+)
Piano
SKU:
AP.1-ADV9029
Volume 3. Composed
by Bill Dobbins.
Improvisation; Piano CD;
Piano Supplemental; Solo;
Solo Small Ensembles.
Advance Music. Form:
Prelude. Jazz. CD.
Advance Music
#01-ADV9029. Published by
Advance Music
(AP.1-ADV9029).
UPC:
805095090291.
English.
Hear the
composer perform his
Preludes (Vol. 3) plus
four jazz standards.
Titles: Prelude
XIII * Prelude XIV *
Prelude XV * Prelude XVI
* Prelude XVII * Prelude
XVIII * Lotus Blossom
(Billy Strayhorn) *
Thingin' (Lee Konitz) * I
Never Told You (Johnny
Mandel) * Blue Rose (Duke
Ellington) * The Single
Pedal of a Rose (Duke
Ellington).
Composed by Ludwig van
Beethoven. Edited by
Barry Cooper. This
edition: urtext edition.
Paperback. Barenreiter
Urtext. Score. Opus 123.
Baerenreiter Verlag
#BA09038_00. Published by
Baerenreiter Verlag
(BA.BA09038).
ISBN
9790006563838. 31 x 24.3
cm inches. Text Language:
Latin. Preface: Barry
Cooper.
Beethoven
described his grandly
conceived â??Missa
solemnisâ? as â??my
greatest workâ? and
sold manuscript copies to
some of the subscribers
even before it had
appeared in
print.
This Urtext
edition takes into
account all the sources
including the old and the
new complete editions
whose relationship is
clearly explained in a
stemma. In several
passages the renowned
Beethoven specialist
Barry Cooper has arrived
at variant readings, such
as in the
â??Sanctusâ?, where
the choir enters instead
of the soloists, rather
than coming in at
â??Pleni sunt
coeliâ?. No less
worthy of mention is the
addition of the soloists
to the choir in most of
the â??Credoâ?. These
matters and many other
editorial decisions are
documented in the
detailed Critical
Commentary
(Eng).
The
appendix contains
Beethovenâ??s
arrangement of the
Gregorian chant
â??Tantum ergoâ? for
the first time. This was
composed at the same time
as the â??Missa
solemnisâ? and most
probably stands in a
close relation to
it.
This edition
is designed for everyone
seeking a combination of
a reliable musical text
and well-founded
editorial suggestions for
a successful performance
of this
masterpiece.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Piano, Voice SKU: SP.TS271 Composed by Craig Stevens. Collection; Sacred....(+)
Piano, Voice
SKU:
SP.TS271
Composed by
Craig Stevens.
Collection; Sacred. Book
and CD. Santorella
Publications #TS271.
Published by Santorella
Publications (SP.TS271).
ISBN 9781585600335.
UPC:
649571102715.
The
Best of Sacred published
by Santorella
Publications contains the
most popular selections
of sacred music in print.
Written in both Piano
Vocal (PVG) and Organ
Vocal editions, these
collections are
masterfully arranged,
edited and performed by
Craig Stevens. This Piano
Vocal best seller
includes lyrics and chord
box diagrams for guitar.
Each piece is featured,
with a magnificent piano
solo performance, on the
optional audio compact
disc. That's 30 tracks
with over 80 minutes of
beautiful sacred music on
one CD! Whether you
prefer to worship alone
or in a group, this
inspirational collection
is a must for any
assembly. Amazing Grace -
Blessed Assurance -
Bringing In the Sheaves -
Faith of Our Fathers -
He's Got the Whole World
- Holy God, We Praise Thy
Name - In the Sweet By
and By - His Eye Is On
the Sparrow - Just a
Closer Walk Thee - Swing
Low Sweet Chariot -
Nobody Knows the Trouble
I've Seen - The Lord's
Prayer - Go, Tell It On
the Mountain - Standing
In the Need of Prayer -
The Water Is Wide -
Jesus, Lover of My Soul -
Lift Ev'ry Voice and Sing
- Nearer My God to Thee -
Praise God from Whom All
Blessings Flow - The Lord
Is My Shepherd - What A
Friend - With God's Hand
In Mine - Morning Has
Broken - Simple Gifts -
In the Garden - Kum Ba Ya
- The Rosary - Open the
Gates - The Palms - Ave
Maria.
Fragment of a
religious drama in 3
acts. Consists of act 1,
act 2 (incomplete)and the
end of a libretto. Urtext
based on the New Schubert
Edition. Composed by
Franz Schubert. Edited by
Reinhold Kubik. This
edition: complete
edition, urtext edition.
Linen. New Schubert
Edition (Neue Ausgabe
samtlicher Werke) Series
II, Volume 10. Complete
edition, Score. D 689.
Baerenreiter Verlag
#BA05526_00. Published by
Baerenreiter Verlag
(BA.BA05526).
ISBN
9790006472215. 33.1 x
26.5 cm inches. Text:
August H
Niemeyer.
Fragment
eines religiosen Dramas
in 3 Akten. 1. und 2.
unvollstandiger Akt,
Schluss des Lbrettos.
Uretxt der Neuen
Schubert-Ausgabe.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Concert Band/Harmonie and Saxophone Solo - Grade 2 SKU: BT.CMP-0991-06-010(+)
Concert Band/Harmonie and
Saxophone Solo - Grade 2
SKU:
BT.CMP-0991-06-010
Composed by Stephen
Bulla. Young Band. Set
(Score & Parts). Composed
2006. Curnow Music #CMP
0991-06-010. Published by
Curnow Music
(BT.CMP-0991-06-010).
9x12
inches.
Feature
anywhere from one
Saxophone up to the
entire Sax section in
Stephen Bulla’s
jazzy new arrangement
titled Swingin’ at
the Riverside. The quick,
rhythmic swing-style
music is catchy to say
the least! It’s
the perfect opportunity
to “lighten
up†during the next
concert performance. In
addition, it’s a
good piece to program
just before or after that
large work that’s
taxing for the Brass
players. It’s lots
of fun for Brasses to
play but gives them
plenty of short rests
throughout so they can
refresh their chops.
Now’s the time to
let the Saxes
shine!Light-hearted
and fun!
Dit
is een lekker vlot en
swingend werk waarin een
hoofdrol is weggelegd
voor de saxofoon. De
interactie tussen het
orkest en de solist(en)
is leuk en boeiend voor
zowel de muzikanten als
het publiek. De titel
Swingin’at the
Riversideis
natuurlijk een zinspeling
op de alom bekende
spiritual Down by the
Riverside, die te
horen is terwijl de
muziek zich ontvouwt. Een
levendige aanvulling op
uw eerstvolgende
concertprogramma!
Rücken Sie einen
Saxophonisten oder auch
das ganze Register ins
Rampenlicht - mit Stephen
Bullas jazzigen Titel
Swingin’ at the
Riverside haben Sie
die Wahl! Die flotte,
swingende rhythmische
Musik ist absolut
eingängig, ein
strahlendes Highlight
für jedes
Konzertprogramm!
Idealerweise planen Sie
dieses Stück nach
einem für die
Blechbläser
anstrengenden
Programmpunkt ein, da sie
hier zwar auch jede Menge
Spaß, aber auch
genügend Pausen haben.
Nun sind die Saxophone
dran!
Questo brano di
Stephen Bulla nasce dallo
swing e combina con
originalit uno dei più
grandi successi del jazz
di New Orleans, Down
by the Riverside.
L’accompagnamento
è brillante ed i
solisti semplicemente
sfavillanti!
Chamber Ensemble (Study Score) SKU: HL.49046391 For Violin, Cello, Nor...(+)
Chamber Ensemble (Study
Score)
SKU:
HL.49046391
For
Violin, Cello,
Northumbrian pipes,
Hammond Organ and
Orchestr. Composed by
Jon Lord. Edited by Paul
Mann. Study Score.
Classical. Softcover. 146
pages. Duration 3420
seconds. Schott Music
#ED23177. Published by
Schott Music
(HL.49046391).
ISBN
9781540086549. UPC:
842819108696.
The
general inspiration for
the music was an idea of
Durham, garnered from two
or three short visits and
a reading of a short
history - so a sort of
Durham of the mind, a
stylized Durham; 'my'
Durham, if you will,
imagined into music.
However, the
defininginspiration for
the piece was the
Cathedral. My first visit
to Durham in 2001 saw me
standing open-mouthed on
Palace Green, and then in
silent awe as I walked
into that formidable
magnificence inside. Most
of the themes came from
the days immediately
following my first
experience of this
extraordinary, inspiring
building. The feeling
that the very stones and
pillars themselves are
imbued with centuries of
prayer, withpeople's joy,
grief, despair, even
anger; gratitude and
hope. As the tunes and
chords and sounds started
to organize themselves in
my mind and onto
manuscript paper, I
realized that I was
writing a sort of day in
the life of Durham, and
that the Cathedral
wouldbe its beginning,
would be in its middle,
and would be at its
ending. The piece
consists of six
'pictures' arranged into
three parts - the
morning, afternoon and
evening of this imaginary
Durham city. Jon Lord,
2017.
Composed by Johann
Pachelbel. Edited by
Katharina Larissa Paech.
This edition: Edition of
selected works, Urtext
edition. Linen. Johann
Pachelbel. Complete Vocal
Works, Volume 6. Edition
of selected works, Score,
anthology. Baerenreiter
Verlag #BA10556_01.
Published by Baerenreiter
Verlag (BA.BA10556-01).
ISBN 9790006553112. 33
x 26 cm inches. Text
Language: Latin. Preface:
Hirschmann, Wolfgang /
Paech, Katharina Larissa
/ Röder,
Thomas.
The
Complete Vocal Works
Johann Pachelbel is known
today as a composer of
organ music and of a
world-famous instrumental
canon which frequently
features in concert
programmes and recording
catalogues. However, the
same can be said of only
a few of his vocal
compositions. At most,
the motets appear
occasionally in church
music repertoire.
Pachelbel's arias, vocal
concerti and large-scale
Magnificats have received
little attention up to
now.
Church
musicians and
musicologists have long
wished for a critical
edition of these
important works, which
survive in Pachelbel's
manuscript and were
largely composed in his
main places of work,
Erfurt and Nuremberg . As
always with such
ventures, new discoveries
are to be expected
regarding the body of
works, source material
and the context of the
works. This concerns not
only beautiful music, but
rather a deepening of our
understanding of
Pachelbel as a key figure
between southern and
central German
traditions, and the
recognition of an oeuvre
which has all too often
been pushed into the
shadows by the mighty
Bach.
The
Critical Edition
The edition aims to make
available all of Johann
Pachelbel's surviving
vocal works in the best
possible form. It is
edited by the Institut
fur Musikwissenschaft at
the University of
Erlangen-Nuremberg and
the Institut fur
Kirchenmusik at the
Kunstuniversitat
Graz.
Two
volumes per year are
planned.
As a
chronological order is
not possible in many
cases, the individual
works have been arranged
according to scoring
within their groups.
Fragments and works where
Johann Pachelbel's
authorship is doubtful
appear at the end of the
respective group.
Each volume includes
an introduction (Ger/Eng)
and a Critical Commentary
(Ger). Format 25.5 x 32.5
cm; cloth-bound.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Johann
Pachelbel. Edited by
Wolfgang Hirschmann. This
edition: Edition of
selected works, Urtext
edition. Linen. Johann
Pachelbel. Complete Vocal
Works, Volume 10. Edition
of selected works, Score,
anthology. Baerenreiter
Verlag #BA10560_00.
Published by Baerenreiter
Verlag (BA.BA10560).
ISBN 9790006553099. 33
x 26 cm inches. Language:
German/English. Preface:
Hirschmann, Wolfgang /
Paech, Katharina Larissa
/ Röder,
Thomas.
The
Complete Vocal Works
Johann Pachelbel is known
today as a composer of
organ music and of a
world-famous instrumental
canon which frequently
features in concert
programmes and recording
catalogues. However, the
same can be said of only
a few of his vocal
compositions. At most,
the motets appear
occasionally in church
music repertoire.
Pachelbel’s arias,
vocal concerti and
large-scale Magnificats
have received little
attention up to now.
Church musicians and
musicologists have long
wished for a critical
edition of these
important works, which
survive in
Pachelbel’s
manuscript and were
largely composed in his
main places of work,
Erfurt and Nuremberg . As
always with such
ventures, new discoveries
are to be expected
regarding the body of
works, source material
and the context of the
works. This concerns not
only beautiful music, but
rather a deepening of our
understanding of
Pachelbel as a key figure
between southern and
central German
traditions, and the
recognition of an oeuvre
which has all too often
been pushed into the
shadows by the mighty
Bach.
The
Critical Edition
The edition aims to make
available all of Johann
Pachelbel’s
surviving vocal works in
the best possible form.
It is edited by the
Institut für
Musikwissenschaft at the
University of
Erlangen-Nuremberg and
the Institut für
Kirchenmusik at the
Kunstuniversität
Graz.
Two
volumes per year are
planned.
As a
chronological order is
not possible in many
cases, the individual
works have been arranged
according to scoring
within their groups.
Fragments and works where
Johann Pachelbel’s
authorship is doubtful
appear at the end of the
respective group.
Each volume includes
an introduction (Ger/Eng)
and a Critical Commentary
(Ger). Format 25.5 x 32.5
cm; cloth-bound
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Johann
Pachelbel. Edited by
Katharina Larissa Paech.
This edition: Edition of
selected works, Urtext
edition. Linen. Johann
Pachelbel. Complete Vocal
Works, Volume 5. Edition
of selected works, Score,
anthology. Baerenreiter
Verlag #BA10555_00.
Published by Baerenreiter
Verlag (BA.BA10555).
ISBN 9790006553044. 33
x 26 cm inches. Text
Language: Latin. Preface:
Hirschmann, Wolfgang /
Paech, Katharina Larissa
/ Röder,
Thomas.
The
Complete Vocal Works
Johann Pachelbel is known
today as a composer of
organ music and of a
world-famous instrumental
canon which frequently
features in concert
programmes and recording
catalogues. However, the
same can be said of only
a few of his vocal
compositions. At most,
the motets appear
occasionally in church
music repertoire.
Pachelbel’s arias,
vocal concerti and
large-scale Magnificats
have received little
attention up to now.
Church musicians and
musicologists have long
wished for a critical
edition of these
important works, which
survive in
Pachelbel’s
manuscript and were
largely composed in his
main places of work,
Erfurt and Nuremberg . As
always with such
ventures, new discoveries
are to be expected
regarding the body of
works, source material
and the context of the
works. This concerns not
only beautiful music, but
rather a deepening of our
understanding of
Pachelbel as a key figure
between southern and
central German
traditions, and the
recognition of an oeuvre
which has all too often
been pushed into the
shadows by the mighty
Bach.
The
Critical Edition
The edition aims to make
available all of Johann
Pachelbel’s
surviving vocal works in
the best possible form.
It is edited by the
Institut für
Musikwissenschaft at the
University of
Erlangen-Nuremberg and
the Institut für
Kirchenmusik at the
Kunstuniversität
Graz.
Two
volumes per year are
planned.
As a
chronological order is
not possible in many
cases, the individual
works have been arranged
according to scoring
within their groups.
Fragments and works where
Johann Pachelbel’s
authorship is doubtful
appear at the end of the
respective group.
Each volume includes
an introduction (Ger/Eng)
and a Critical Commentary
(Ger). Format 25.5 x 32.5
cm; cloth-bound
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Mixed choir/orchestra (Mixed choir, Orch) SKU: BA.BA10558 Composed by Joh...(+)
Mixed choir/orchestra
(Mixed choir, Orch)
SKU: BA.BA10558
Composed by Johann
Pachelbel. Edited by
Thomas Röder. This
edition: Edition of
selected works, Urtext
edition. Linen. Johann
Pachelbel. Complete Vocal
Works, Volume 8. Edition
of selected works, Score,
anthology. Baerenreiter
Verlag #BA10558_00.
Published by Baerenreiter
Verlag (BA.BA10558).
ISBN 9790006553075. 33
x 26 cm inches. Language:
German. Preface:
Hirschmann, Wolfgang /
Paech, Katharina Larissa
/ Röder,
Thomas.
The
Complete Vocal Works
Johann Pachelbel is known
today as a composer of
organ music and of a
world-famous instrumental
canon which frequently
features in concert
programmes and recording
catalogues. However, the
same can be said of only
a few of his vocal
compositions. At most,
the motets appear
occasionally in church
music repertoire.
Pachelbel’s arias,
vocal concerti and
large-scale Magnificats
have received little
attention up to now.
Church musicians and
musicologists have long
wished for a critical
edition of these
important works, which
survive in
Pachelbel’s
manuscript and were
largely composed in his
main places of work,
Erfurt and Nuremberg . As
always with such
ventures, new discoveries
are to be expected
regarding the body of
works, source material
and the context of the
works. This concerns not
only beautiful music, but
rather a deepening of our
understanding of
Pachelbel as a key figure
between southern and
central German
traditions, and the
recognition of an oeuvre
which has all too often
been pushed into the
shadows by the mighty
Bach.
The
Critical Edition
The edition aims to make
available all of Johann
Pachelbel’s
surviving vocal works in
the best possible form.
It is edited by the
Institut für
Musikwissenschaft at the
University of
Erlangen-Nuremberg and
the Institut für
Kirchenmusik at the
Kunstuniversität
Graz.
Two
volumes per year are
planned.
As a
chronological order is
not possible in many
cases, the individual
works have been arranged
according to scoring
within their groups.
Fragments and works where
Johann Pachelbel’s
authorship is doubtful
appear at the end of the
respective group.
Each volume includes
an introduction (Ger/Eng)
and a Critical Commentary
(Ger). Format 25.5 x 32.5
cm; cloth-bound
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
SATB choir and Piano - Intermediate SKU: MN.56-0051 Composed by Howard Go...(+)
SATB choir and Piano -
Intermediate
SKU:
MN.56-0051
Composed
by Howard Goodall. Lent,
Triduum/Three Days,
Tenebrae, 21st Century,
Heaven,
Lament/Grief/Sorrow.
Duration 3 minutes, 7
seconds. MorningStar
Music Publishers
#56-0051. Published by
MorningStar Music
Publishers (MN.56-0051).
UPC: 688670220548.
English.
Arranged
for SATB choir, two
keyboards, strings, and
optional harp, with
soprano, tenor (optional)
and baritone soloists,
this fresh and unorthodox
interpretation reflects
on the words of the Latin
Mass by juxtaposing them
with poems in English.
Set entirely for a
soloist (soprano, tenor,
or baritone) above choir
accompaniment, this
movement has no Latin
text; the English text is
a poem by Ann Thorp
(“I have to believe
That you still exist
Somewhereâ€). This
movement stands entirely
on its own as a beautiful
anthem of comfort and
assurance. Duration
3:07.
ISBN
9790006564149. 33 x 24 cm
inches. Preface: Sylvie
Bouissou.
Christoph
Willibald Gluck's opera
in four acts about the
Curse of the House of
Atreus is based on a
tragedy by the classical
Greek dramatist
Euripides. The
mythological plot about
the siblings Iphigenia
and Orestes is
characterized by hatred,
ritual sacrifice, and
murder and was especially
popular during the 18th
century. The premiere of
Gluck's opera in 1779 was
immensely
successful.
Barenr
eiter now presents a
carefully edited and
corrected piano reduction
that was newly set to
meet Barenreiter's
current quality
standards. An informative
preface (Ger/En/Fr)
supplements the edition,
which also includes all
appendices of the score
volume the edition is
based on, as contained in
the Gluck Complete
Edition (GGA).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Piano - Grade 2 SKU: BT.WH32971 Composed by Tormod Vinsand. Jazz. Book On...(+)
Piano - Grade 2
SKU:
BT.WH32971
Composed
by Tormod Vinsand. Jazz.
Book Only. Composed 2017.
88 pages. Edition Wilhelm
Hansen #WH32971.
Published by Edition
Wilhelm Hansen
(BT.WH32971).
ISBN
9788759839577.
Danish.
Jazz Chords On
Piano by
Tormod Vinsand
(2017). <
/strong>
A
methodical introduction
to the understanding and
usage of jazz chords on
piano.
Over the
years, manynon-pianists (
i.e. musicianswho do not
use the piano as their
main instrument) have
tried to transfer the
principles of traditional
triads and tetrachords to
jazz chords - with
varying degrees of
success.
With the
book'Jazz Chords on
Piano' Tormod Vinsand
gives you some guidelines
that may help demystify
the process of making a
piano arrangement with
melody and jazz
chords.
The reader
will get tools making it
possible to create
apianoarrangement, which
will adequately include
the melodics, harmonics
and rhythm of a
composition. The book
is not meant to be a
school in jazz piano -
but more an introduction
into the work with jazz
harmonics and
melodyplaying of a piano
arrangement.
The
overall basis of the book
is standard jazz, which
means jazz with its
harmonic basis in II - V
- I connections.
The book's tunes are
recorded by the composer
himself and can
beaccessed via the
web.
Piano - Elementary SKU: FJ.W9450 Composed by Kevin Olson. Piano Solo; Pia...(+)
Piano - Elementary
SKU: FJ.W9450
Composed by Kevin Olson.
Piano Solo; Piano
Supplemental. Written For
You. Score. The FJH Music
Company Inc #98-W9450.
Published by The FJH
Music Company Inc
(FJ.W9450).
UPC:
241444383902.
English.
Your
students will love
playing this piece
because the rhythm is so
fun! There are no eighth
notes so syncopations
occur with tied quarter
notes. A cheerful piece
where hands are
positional---L.H. in D/Dm
and R.H. in C/Cm---and
accidentals are used.
It's a great stand
alone sheet (i.e. no
duet or lyrics)---a
perfect performance
piece!
About FJH
Written For You Piano
Solos
Spar
kling and lyrical pieces
which promote musical
expression.
In 1828 Berlioz
wrote the Huit scènes
de Faust. The work was
soon withdrawn but almost
twenty years later each
of the eight scenes found
a place in the Lgende
dramatique La damnation
de Faust dedicated to
Franz Liszt. The first
part of the Damnation
exposes the figure of
Faust and has an
introductory nature. From
the second part onwards,
the course of action is
largely based on
Goethe’s
drama.
Contrasting
characters and dramatic
effect are of central
importance in
understanding
Berlioz’s musical
thought and his
compositional process.
Magic and fairy tale,
incantations and ghosts,
have been the
ever-recurring themes of
opera since the Baroque.
It is precisely this
fantasy in Berlioz's
Faust, the “Opra de
Concert en Quatre
actsâ€, which comes
very close to the spirit
of Goethe's
presentation.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Concert Band (Score) - Grade 4 SKU: HL.4006035 Concert Band Score....(+)
Concert Band (Score) -
Grade 4
SKU:
HL.4006035
Concert
Band Score. By Frank
Sinatra. Arranged by
Naohiro Iwai. De Haske
Concert Band. Classical,
Standards. Softcover. De
Haske Publications
#0981116140. Published by
De Haske Publications
(HL.4006035).
UPC:
888680952020.
Cheek
To Cheek, I Get A Kick
Out Of You, Everybody
Loves Somebody, I've Got
You Under My Skin and My
Way together form the
Frank Sinatra Hits
Medley. Frank Sinatra's
songs are timeless
classics and this
arrangement will
undoubtedly bring great
pleasure to all your
audience.
Score and Parts Concert Band (Score and Parts) - Grade 4 SKU: HL.4006034 ...(+)
Score and Parts Concert
Band (Score and Parts) -
Grade 4
SKU:
HL.4006034
Concert
Band Score and Parts.
By Frank Sinatra.
Arranged by Naohiro Iwai.
De Haske Concert Band.
Classical, Standards.
Softcover. De Haske
Publications #0981116010.
Published by De Haske
Publications
(HL.4006034).
ISBN
9781540058355. UPC:
888680952013.
Cheek
To Cheek, I Get A Kick
Out Of You, Everybody
Loves Somebody, I've Got
You Under My Skin and My
Way together form the
Frank Sinatra Hits
Medley. Frank Sinatra's
songs are timeless
classics and this
arrangement will
undoubtedly bring great
pleasure to all your
audience.
Strings Piano Accompaniment; Violin (Violin and Piano) - l5 SKU: HL.51481346<...(+)
Strings Piano
Accompaniment; Violin
(Violin and Piano) - l5
SKU: HL.51481346
Violin and Piano.
Edited by Peter Jost.
Arranged by Ingolf
Turban. Sheet Music.
Paperbound. Henle Music
Folios. With marked and
unmarked string parts.
Classical. Softcover. 16
pages. G. Henle #HN1346.
Published by G. Henle
(HL.51481346).
ISBN
9790201813462. UPC:
888680925031.
9.25x12.0x0.066
inches.
When
composing his Spanish
Dances (HN 1370), the
composer and violin
virtuoso Sarasate united
existing material - folk
songs and songs by
well-known composers -
with his own uniquely
charming musical
language. The two Dances
op. 22, “Romanza
andaluza†and
“JotaNavarra,â€
were completed in 1878
during Sarasate's first
concert tour through
Scandinavia. After their
initial performances, the
lyrical
“Romanzaâ€
soon outstripped its
brilliant sister piece in
popularity, and
thereafter it was one of
Sarasate's compositions
that he played most often
himself. Since then, this
piece has lost nothing of
its charm, and it is now
available as a
stand-alone edition in
the Henle catalogue.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)