Flute - intermediate SKU: HL.49010584 For Two Flutes. Composed by ...(+)
Flute - intermediate
SKU: HL.49010584
For Two Flutes.
Composed by Giovanni
Giuseppe Cambini. Edited
by Walter Lebermann.
Arranged by Walter
Lebermann. This edition:
Saddle stitching. Sheet
music. Il Flauto Traverso
(Flute Library).
Classical. Playing score.
Op. 11/5. 16 pages.
Schott Music #FTR20.
Published by Schott Music
(HL.49010584).
ISBN
9790001093347.
9.0x12.0x0.07
inches.
Die beiden
Duos op. 11 des auch von
Mozart geschatzten
Komponisten Cambini
bestehen aus Allegro und
Rondo und sind
formvollendete klassische
Musizierstucke. Beide
Flotenparte beschranken
sich auf einen mittleren
Schwierigkeitsgrad und
bilden damit vorzugliche
Vortragsstucke fur den
Unterrichtsgebrauch.
(Violin Part). Composed by Dr. Shinichi Suzuki. For Violin. This edition: Revise...(+)
(Violin Part). Composed
by Dr. Shinichi Suzuki.
For Violin. This edition:
Revised. Book;
Method/Instruction;
String - Violin (Suzuki);
Suzuki. Suzuki Violin
School. 36 pages.
Published by Alfred Music
Arranged by Bob Cerulli. Orchestra. String Orchestra. Belwin Beginning String Or...(+)
Arranged by Bob Cerulli.
Orchestra. String
Orchestra. Belwin
Beginning String
Orchestra. Grade 2.5.
Conductor Score and
Parts. 144 pages.
Published by Alfred Music
Publishing
Piano - Level 2 SKU: LM.C05939 Composed by Christiane Meunier and Gerard ...(+)
Piano - Level 2
SKU:
LM.C05939
Composed by
Christiane Meunier and
Gerard Meunier.
Classical. Score.
Editions Combre #C05939.
Published by Editions
Combre (LM.C05939).
ISBN
9790230359399.
SCHU
LZ J.A. Peter : En
marchant - PASTERWITZ G.
von : Petit theme varie -
ANONYME : ll est parti
mon drole (Chant
populaire du Poitou) -
PURCELL H. : Rigaudon -
CORRETTE M. : Prends ma
Philis - RAMEAU J.-P. :
Rigaudon - CZERNY C. :
Melodie - CORRETTE M. :
La marche du Roy de
Prusse - HAENDEL G.F. :
Menuet en La min. -
CORRETTE M. : Air anglais
- STEIBELT D. : Adagio -
MULLER A.E. : Gai et
triste - CORRETTE M. :
Bal - HAYDN J. : 2
petites danses - CIMAROSA
D. : Petite piece -
DUSSEK F. : Andante et
allegro - HAENDEL G.F. :
Fuguette - CORRETTE M. :
Rondeau - HAENDEL G.F. :
Sonatine - MOUSSORGSKI M.
: Sanglot - MOZART W.A. :
2 danses - TCHAIKOVSKY
P.I. : Danse russe Op.39
No. 13 - BENDA G. :
Toccata - BACH C.P.E. :
Petite fantaisie -
GOTTSCHALK L.M. :
Souvenir de bal -
SCARLATTI D. : Pastorale
- CHOPIN F. : Mazurka
Op.67 No. 2.
Clarinet and Piano. By Various. Arranged by Peter Wastall. (Clarinet). Boosey a...(+)
Clarinet and Piano. By
Various. Arranged by
Peter Wastall.
(Clarinet). Boosey and
Hawkes Chamber Music.
Size 8.5x11 inches.
Published by Boosey and
Hawkes.
(2.2.2.2/2.2.3.0,timp,str ) SKU: TM.06332SET Composed by Wolfgang Amadeus...(+)
(2.2.2.2/2.2.3.0,timp,str
)
SKU: TM.06332SET
Composed by Wolfgang
Amadeus Mozart. Set Type:
D. Set of parts. Lucks
Music Library #A1737.
Published by Lucks Music
Library (TM.06332SET).
Transposed: Cl
1+2, Hn 1-4, Cor 1+2, Tpt
1+2, Tbn 1&2. Nos. 26a-g.
PART I: Les nubiennes
(Allegretto, Mouvement de
valse); Adagio; Danse
antique (Allegretto).
PART II: Variations de
Cleopatre (Moderato
maestoso); Les troyens
(Moderato con moto);
Variations du miroir
(Allegretto); Danse de
Phryne (Allegro vivo).
Ballet Music is not
included in the Complete
Faust (#04504).
Sel., transcr., and ed. Samuel Applebaum. For Violin Piano Acc. String Series - ...(+)
Sel., transcr., and ed.
Samuel Applebaum. For
Violin Piano Acc. String
Series - Violin / Piano
Acc. 48 pages. Published
by Alfred Publishing.
Level:
Easy-Intermediate (grade
2-3).
(Piano Acc.). Composed by Dr. Shinichi Suzuki. For Violin. Book; Method/Instruct...(+)
(Piano Acc.). Composed by
Dr. Shinichi Suzuki. For
Violin. Book;
Method/Instruction;
SmartMusic; String -
Violin (Suzuki); Suzuki.
Suzuki Violin School. 32
pages. Published by
Alfred Music
Trumpet SKU: AP.47779 International Edition. This edition: Interna...(+)
Trumpet
SKU:
AP.47779
International
Edition. This
edition: International.
Brass - B-flat Cornet
(Trumpet) Method or
Collection (Suzuki);
MakeMusic Cloud;
Method/Instruction;
Suzuki. Suzuki Trumpet
School. Book. 28 pages.
Alfred Music #00-47779.
Published by Alfred Music
(AP.47779).
ISBN
9781470641580. UPC:
038081547756.
English.
Teach
trumpet with the Suzuki
Trumpet School. The
Suzuki Method of Talent
Education is based on
Shinichi Suzuki's view
that every child is born
with ability, and that
people are the product of
their environment.
According to Shinichi
Suzuki, a world-renowned
violinist and teacher,
the greatest joy an adult
can know comes from
developing a child's
potential so he/she can
express all that is
harmonious and best in
human beings. Students
are taught using the
mother-tongue approach.
Each series of books for
a particular instrument
in the Suzuki Method is
considered a Suzuki music
school, such as the
Suzuki Trumpet School.
Suzuki lessons are
generally given in a
private studio setting
with additional group
lessons. The student
listens to the recordings
and works with their
Suzuki teacher to develop
their potential as a
musician and as a person.
This book is
integral for Suzuki
trumpet lessons. Volume 1
features: Engravings in a
9 x 12 format *
Introduction and general
information regarding the
trumpet * First exercises
on the trumpet * Pieces
and tonalizations *
Glossary of terms and
signs * Musical notation
guide * Fingering chart *
Photos.
Titles:
Let's Begin (Traditional)
* French Tune
(Traditional) * Stroll
Along (Traditional) *
Come and Play
(Traditional) * Mary Had
a Little Lamb
(Traditional) * Twinkle,
Twinkle, Little Star
(Folk Song / Suzuki) *
Lightly Row (Folk Song) *
Old MacDonald
(Traditional) * Go Tell
Aunt Rhody (Folk Song) *
Are You Sleeping, Brother
John? (Traditional) *
Long, Long, Ago (Bayly) *
May Song (Folk Song) *
French Folk Song (Folk
Song) * Ode to Joy
(Beethoven) * Amazing
Grace (Traditional) *
Allegretto (Diabelli) *
It Jingles So Softly
(Mozart) * Minuet (Roman)
* O Come, Little Children
(Folk Song) * Perpetual
Motion (Suzuki) * Prelude
(Charpentier) * Clog
Dance (Traditional) *
Song of the Wind (Folk
Song) * Allegro (Suzuki).
This title is available
in MakeMusic Cloud.
About Suzuki
Method
The
Suzuki Method is based on
the principle that all
children possess ability
and that this ability can
be developed and enhanced
through a nurturing
environment. All children
learn to speak their own
language with relative
ease and if the same
natural learning process
is applied in teaching
other skills, these can
be acquired as
successfully. Suzuki
referred to the process
as the Mother Tongue
Method and to the whole
system of pedagogy as
Talent Education. The
important elements of the
Suzuki approach to
instrumental teaching
include the following:an
early start (aged 3-4 is
normal in most
countries); the
importance of listening
to music; learning to
play before learning to
read; -the involvement of
the parent; a nurturing
and positive learning
environment; a high
standard of teaching by
trained teachers; the
importance of producing a
good sound in a balanced
and natural way; core
repertoire, used by
Suzuki students across
the world; social
interaction with other
children. Suzuki students
from all over the world
can communicate through
the language of
music.
(Violin Part). Composed by Dr. Shinichi Suzuki. For Violin. This edition: Revise...(+)
(Violin Part). Composed
by Dr. Shinichi Suzuki.
For Violin. This edition:
Revised. Book; CD;
Method/Instruction;
String - Violin (Suzuki);
Suzuki. Suzuki Violin
School. 36 pages.
Published by Alfred Music
F-Tuba, piano - Level 2-3 Kleine Stucke alter Meister. Composed by Meschke. Edit...(+)
F-Tuba, piano - Level 2-3
Kleine Stucke alter
Meister. Composed by
Meschke. Edited by
Meschke, Philipp, and
Schwotzer. Arranged by
Meschke. Sheet music.
Friedrich Hofmeister
Musikverlag #FH 2091.
Published by Friedrich
Hofmeister Musikverlag
Composed
by Johann Sebastian Bach.
Set Type: A. Set of
parts. Lucks Music
Library #A2501. Published
by Lucks Music Library
(TM.01751SET).
Sandra Dackow
Little Known Gem - Grade
IV+. Ed. by Hoffmann.
This delightful set of
works in the keys of G,
A, and B-flat major takes
full advantage of
multiple stops, chords,
and fiddle writing that
lays easily under the
hand and is fun to play.
The fast movements are
vigorous and the
contrasting slow
movements are not
particularly fussy or
florid, though they
include some
ornamentation. In the
Allegro sections,
musicians should approach
the playing as they would
a work by Haydn or
Mozart: eighth and
quarter notes off the
string and at the frog,
and sixteenth notes on
the string. Stamitz's
players would have
followed the general rule
of the down bow, where
the strong beat would
begin with a down bow. In
Concerto No. 1 in G, the
Violin I parts reach to
sixth position, requiring
high G's. Unusual writing
for its time, these
passages are both logical
and easy for players to
find and hear. Cello and
bass parts reach high F's
on occasion and require
third, fourth and fifth
positions. The second
violin and viola parts do
not require extended
ranges, making this work
practical for an upper
intermediate orchestra.
The slow movements
transition between
different keys and
requires the low strings
to use extension notes
such as G-sharp and
A-sharp.
Orchestra (2.2.2.2. -
4.3.3.0. - timp.perc - hp
-str)
SKU:
BR.PB-4862-07
Study score.
Composed by Jurg Baur.
Softbound.
Partitur-Bibliothek
(Score Library).
World
premiere: Hannover, March
13, 1972
Music
post-1945. Study Score.
Composed 1972. 82 pages.
Duration 15'. Breitkopf
and Haertel #PB 4862-07.
Published by Breitkopf
and Haertel
(BR.PB-4862-07).
ISBN
9790004206591. 7 x 9.5
inches.
Variationen
(Ouverture / Thema /
Variation / Coda),
Lyrisches Intermezzo
(Sostenuto), Symphonische
Nachklange (Allegro con
moto).Immer wieder lassen
sich Komponisten von
Themen alterer oder auch
zeitgenossischer Meister
zu Variations-Zyklen
anregen (Brahms: Handel-
und Haydn-Variationen,
Reger:
Mozart-Variationen,
Holler:
Sweelinck-Variationen).
Themen von Robert
Schumann fanden bisher
relativ selten Beachtung
- (Regers
Schumann-Variationen fur
zwei Klaviere sind eine
Ausnahme) - vielleicht,
weil sie zu sehr in sich
vollendet und
abgeschlossen sind und
deshalb kaum
Moglichkeiten zur
Veranderung enthalten.
Dennoch beschaftigte mich
schon langer die Idee,
eine ,,Musik mit
Schumann, Nachklange oder
Erinnerungen an Schumann
zu gestalten, mit der
Absicht, ein heiteres,
liebenswurdiges (und
nachdenkliches) Werk zu
schreiben, einmal ohne
Experimente-, als
,,Divertimento fur den
Normalhorer, gelegentlich
behutsam verbunden mit
modernen Techniken -
nicht ohne
hintergrundigen Humor.
Der 1. Satz wurde
inspiriert von den
,,Papillons (opus 2 fur
Klavier); er gliedert
sich in vier
variationsahnliche
Abschnitte. Die
,,Ouverture exponiert
drei kurze Themen, die
sich trotz ihres
gegensatzlichen
Charakters wie
selbstverstandlich
erganzen
(Einleitungsgirlande und
Schlussfanfare der
Papillons und das
bekannte Anfangsmotiv aus
,,Vogel als Prophet). Die
Abschnitte ,,Thema,
,,Variationen und ,,Coda
entwickeln und verandern
das Hauptthema der
,,Papillons; dieses
dominiert uber weite
Strecken des Satzes und
wird mit den Motiven der
Ouverture kombiniert.
Vielfaltig gegliedert ist
das ,,Lyrische
Intermezzo. Zu Beginn
gewinnt ein Motiv aus den
,,Nachtstucken (fur
Klavier) Bedeutung,
taucht mehrere Male auf,
von mehrtonigen b-a-c-h
Clustern ,,gestort. Im
Mittelpunkt stehen das
Thema des 2. Satzes der
g-moll Klavier-Sonate op.
22 (ein Mondnachtlied
ohne Worte; Holzblaser)
und ein Adagio-Gedanke
aus dem Klavier-Zyklus
,,Kreisleriana (tiefe
Streicher); beide Themen
werden kontrapunktiert
von zwolftonigen
Strukturen und
Klangbandern
(Holzblaser). Die
,,Fruhlings-Symphonie-Fan
fare eroffnet das Finale.
Danach bilden sich uber
rotierenden Klangflachen
(Streicher) einzelne Tone
und Intervalle,
aleatorisch frei,
verdichten sich, wie aus
der Erinnerung
auftauchend, zu Motiven
aus Schumanns
bekanntester Symphonie.
Nach diesem zogernden
Beginn entwickelt sich
ein fast klassisch
anmutender
Sonaten-Durchfuhrungsteil
mit mehreren melodischen
Gedanken (Kopfmotiv der
g-moll Klaviersonate,
tanzerische und ostinate
Themen aus der
Fruhlings-Symphonie), die
zum Teil in- und
ubereinander geschichtet
werden, bis auf dem
Hohepunkt des Satzes das
Schlussthema der
Klavierfantasie op. 17,
pathetisch-ironisch in
den Blechblasern
erklingt. Eine kurze
Reprise mit dem
Hauptgedanken fuhrt zur
Anfangsfanfare zuruck;
der Satz verklingt im
pianissimo. Wollte man
dem ganzen opus ein Motto
voranstellen, dann die
Schumann-Uberschrift (aus
den Kinderszenen) :
,,Fast zu ernst - aber
eben nur ,,fast. (Jurg
Baur)CD:Sinfonieorchester
des Bayerischen
Rundfunks, cond.
Hanns-Martin SchneidtCD
Thorofon CTH 2270
Bibliography:Wallerang,
Lars: Die Orchesterwerke
Jurg Baurs als Dialog
zwischen Tradition und
Moderne, Koln: Dohr
2003.Nonnenmann, Rainer:
Vergegenwartigungen.
Umgang mit historischem
Material bei Zimmermann,
Baur, Killmayer, Schnebel
und Zender, in: Jurg
Baur, hrsg. von Ulrich
Tadday (= Musik-Konzepte.
Neue Folge, Heft
184/185), Munchen:
Edition Text+Kritik 2019,
S. 26-46.
Performance Score.
Edited by Heinz Kaestner.
Arranged by Heinz
Kaestner. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. Playing score.
24 pages. Schott Music
#ED 4374. Published by
Schott Music
(HL.49004838).
ISBN
9790001051521. UPC:
073999536669.
6.0x9.0x0.135
inches.