Orchestra

SKU: HL.14025900

Composed by Bernard Herrmann. Music Sales America. Classical. Studyscore. Music Sales #NOV750028. Published by Music Sales (HL.14025900).

0.453 inches.

Herrmann wanted to write a musical portrait of his friend and colleague Alfred Hitchcok, so choose motifs from the movie The Trouble With Harry, one of Hitchcock's more personal and humorous films. This single-movement work for Orchestra employs some of the more familiar elements of Herrmann's compositional style: short musical phrases repeated and then repeated again in other positions, sharp use of dynamics among them. From the first note, the creepiness begins.Bernard Herrmann was among the very greatest of all composers of music for cinema and there are many who avow that he was the greatest of all. A very short list of the films for which this award-winning composercreated soundtracks includes Citizen Kane, The Man Who Knew Too Much, Vertigo, Jason and Argonauts, Fahrenheit 451, Obsession and Taxi Driver. He had a long and fertile association with Alfred Hitchcock during the most productive period of Hitchcock's career and with Orson Welles from the time of the Mercury Theatre on the Air. In addition to his conducting and composing work for the entertainment world, Herrmann wrote concert pieces, including a symphony, opera and cantata.

Concert Band - Grade 2

SKU: AP.39532S

Composed by Samuel Augustus Ward. Arranged by Carmen Dragon and Douglas E. Wagner. Concert Band. Pop Young Band. Form: Transcription. 4th of July; Patriotic; Summer. Score only. 12 pages. Duration 3:00. Alfred Music #00-39532S. Published by Alfred Music (AP.39532S).

UPC: 038081453125. English.

The rich musical legacy that Carmen Dragon left the world usually includes his solid reputation as a consummate orchestrator. He is best remembered for the iconic arrangement of America, the Beautiful for both symphony orchestra and symphonic band [grade 4 original setting, Alfred item number 00-FXB123]. Samuel Ward's familiar tune enjoys a sumptuous feast of harmonic color and instrumental nuance, and is now available in an edition for younger players and their audiences to enjoy. All of the majestic beauty and awesome grandeur of Dragon's original is preserved in this new scoring, with appropriate accommodations made for less experienced instrumentalists. A stunning addition to the young band repertoire! (3:00)
This title is available in MakeMusic Cloud.

Concert Band; Orchestra 2.2+EH.2+BCl.2: 4.2.3.1: Timp: Hp: Str (9-8-7-6-5 in set)

SKU: AP.36-A718902

Composed by George Butterworth. Full Orchestra, Conductor Score & Parts. Kalmus Orchestra Library. Score and Part(s). LudwigMasters Publications #36-A718902. Published by LudwigMasters Publications (AP.36-A718902).

UPC: 659359730764. English.

George Butterworth (1885-1916), an English composer whose life was cut short at the Battle of the Somme, wrote two song cycles based on A SHROPSHIRE LAD, a collection of 63 poems by A.E. Housman. Conceived as an epilogue, the orchestral rhapsody to A SHROPSHIRE LAD is widely considered to be his masterpiece. The London Symphony Orchestra gave the first performance at the Leeds Festival on October 2, 1913 under the direction of Arthur Nikisch. Originally titled THE LAND OF THE LOST CONTENT, it looks back at an idyllic world threatened, perhaps prophetically, by the fear of uncertainty and loss. Instrumentation: 2.2+EH.2+BCl.2: 4.2.3.1: Timp: Hp: Str (9-8-7-6-5 in set).

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Double concerto (solos: vl.pno - 2.2.2.2 - 2.2.0.0 - timp - str)

SKU: BR.PB-5613

Urtext based on the Leipzig Mendelssohn Complete Edition. Composed by Felix Bartholdy Mendelssohn. Edited by Christoph Hellmundt. Orchestra; Softbound. Partitur-Bibliothek (Score Library). Solo concerto; Romantic. Study Score. Duration 35'. Breitkopf and Haertel #PB 5613. Published by Breitkopf and Haertel (BR.PB-5613).

ISBN 9790004215104. 6.5 x 9 inches.

It takes on a new guise, however, in this volume of the Leipziger Ausgabe der Werke von Felix Mendelssohn Bartholdy: the work is now supplemented by 12 winds and timpani, which the composer himself notated in a separate wind score. Since this partial score was rediscovered only a short while ago, all the recordings available to this day feature only a string orchestra accompanying the soloists. Assuming that the work had never been performed with winds and timpani before, the presumed world premiere of the Double Concerto with full symphony orchestra took place in Darmstadt on 27 February 1999 with Latica Honda-Rosenberg (violin), Beatrice Berthold (piano) and the Kammerphilharmonie Merck under the direction of Christian Rudolf Riedel.

(For Large Orchestra). Composed by Thomas Ades (1971-). Orchestra. Full Orchestra; Larger Works; Masterworks; Score. Faber Edition. 20th Century; Masterwork. Published by Faber Music

(for Tuba and Symphonic Band). Composed by Michael Daugherty (1954-). For Concert Band (Full Score). Michael Daugherty Music. Grade 5-6. Softcover. Published by Hal Leonard

By Glenn Riley. For Guitar. Guitar Method or Supplement. 0. Rock. Book & CD. 96 pages. Published by Alfred Publishing.

Violin, piano

SKU: PR.701486020

Composed by Morten Lauridsen. Peermusic Classical #70148-602. Published by Peermusic Classical (PR.701486020).

UPC: 888680653941.

O Magnum Mysterium, commissioned by Marshall Rutter in honor of his wife, Terry Knowles, has had several thousand performances throughout the world and dozens of recordings since its 1994 premiere by the Los Angeles Master Chorale. I have also arranged the work for solo voice and piano or organ (recorded on Northwest Journey by Jane Thorngren accompanied by the composer), men's chorus and brass ensemble; H. Robert Reynold's stunning adaptation for symphonic winds was recently premiered in Minneapolis by the Thornton Wind Symphony. For centuries, composers have been inspired by the beautiful O Magnum Mysterium text depicting the birth of the new-born King amongst the lowly animals and shepherds. This affirmation of God's grace to the meek and the adoration of the Blessed Virgin are celebrated in my setting through a quiet song of profound inner joy. – Morten Lauridsen.

Piano Solo. By Franz Liszt. EMB. Size 9x12 inches. 92 pages. Published by Editio Musica Budapest.

SKU: BR.SON-608

Kullervo op. 7 Klavierauszug. Composed by Jean Sibelius. Edited by Glenda D. Goss. Softbound. Complete Works.

First version of February 1892

Late-romantic; Early modern. Complete Works. 116 pages. Breitkopf and Haertel #SON 608. Published by Breitkopf and Haertel (BR.SON-608).

ISBN 9790004802649. 9 x 12 inches.

A look into Kullervo's workshop Jean Sibelius's own piano-vocal scores of the two choral movements from his Kullervo Symphony Op. 7 were forgotten for nearly a century. It was not until 1982 that the manuscripts were transferred from the composer's estate to the Helsinki University Library. They will be printed for the first time in the Complete Edition. They allow scholars a fascinating insight into the revisions that Sibelius made even before the world premiere, and they supplement the new edition of the first text-critical score recently presented by Glenda Dawn Goss within the framework of the Complete Edition. We can see how explosive Kullervo's vocal text must have been in 1892 by the fact that the composer decided to replace the original women's chorus with a male chorus. His teacher Martin Wegelius had advised him to bear in mind that female choral singers might refuse to perform the incestuous seduction scene.

Composed by Grey E. Larsen. Saddle-stitched. First Lessons. Folk. Book and online audio/video/pdf. 40 pages. Mel Bay Publications, Inc #30043M. Published by Mel Bay Publications, Inc

Composed by John La Montaine (1920-). Keyboards - Piano. Fredonia Press #FRD08. Published by Fredonia Press

By Samuel Augustus Ward. Arranged by Carmen Dragon, adapted by Douglas E. Wagner. Concert Band. Concert Band; Part(s); Score; SmartMusic. Pop Young Band. Form: Transcription. Patriotic. Grade 2. 124 pages. Published by Alfred Music

Composed by Clinton F. Nieweg. Reference Book. Coil bound book. 286 pages. Cherry Classics #2967. Published by Cherry Classics (CY.CC2967).

SKU: HL.283918

Easy Piano Songbook. Softcover. 296 pages. Published by Hal Leonard (HL.283918).

ISBN 9781540036230. UPC: 888680796600. 9.0x12.0x0.78 inches.

Orchestra Bass Clarinet, Celesta, Cello, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Percussion 1, Percussion 2, Percussion 3, Piano, Piccolo, Trombone, Trumpet 1, Trumpet 2, Viola, Violin 1, Violin 2, soprano voice

SKU: CF.CY305

Four Songs for Soprano and Orchestra. Composed by Lukas Foss. Large Score. With Standard notation. 63 pages. Carl Fischer Music #CY305. Published by Carl Fischer Music (CF.CY305).

ISBN 9780825898709. UPC: 798408098704.

When you are a prodigy, you should study with the best. For Lukas Foss (born Lukas Fuchs), this meant studying orchestration with Felix Wolfes, composition with Noel Gallon, and even flute with Louis Moyse. In 1937, his family moved to the United States, the family name became Foss, and young Lukas would attend the Curtis Institute of Music in Philadelphia, where he would meet fellow classmate Leonard Bernstein. This led to a lifelong friendship of mutual admiration-Bernstein would conduct the world premiere of Time Cycle, and Foss would conduct the premiere of Symphonic Dances from West Side Story. Time Cycle would garner the New York Music Critics Circle Award for 1961 and be hailed as a true masterpiece of American music. Sony Classical has included the premiere recording by Leonard Bernstein and the Columbia Symphony Orchestra with soloist Adele Addison in their remastered series Bernstein Century.

By Ellen Taaffe Zwilich (1939-). Piano. For Piano. Standard notation. Composed 2007

By Lorie Line. Piano Solo Personality. Christmas. Softcover. 88 pages. Hal Leonard #TLP355. Published by Hal Leonard

Concert Band; Orchestra 2.2+EH.2+BCl.2: 4.2.3.1: Timp: Hp: Str (9-8-7-6-5 in set)

SKU: AP.36-A718901

Composed by George Butterworth. Full Orchestra, Conductor Score. Kalmus Orchestra Library. Score. LudwigMasters Publications #36-A718901. Published by LudwigMasters Publications (AP.36-A718901).

ISBN 9798892704250. UPC: 659359778070. English.

George Butterworth (1885-1916), an English composer whose life was cut short at the Battle of the Somme, wrote two song cycles based on A SHROPSHIRE LAD, a collection of 63 poems by A.E. Housman. Conceived as an epilogue, the orchestral rhapsody to A SHROPSHIRE LAD is widely considered to be his masterpiece. The London Symphony Orchestra gave the first performance at the Leeds Festival on October 2, 1913 under the direction of Arthur Nikisch. Originally titled THE LAND OF THE LOST CONTENT, it looks back at an idyllic world threatened, perhaps prophetically, by the fear of uncertainty and loss. Instrumentation: 2.2+EH.2+BCl.2: 4.2.3.1: Timp: Hp: Str (9-8-7-6-5 in set).

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Mixed Choir (SMezATBarB) - Level 3

SKU: BA.BA11397

Composed by Ash Pournouri, Avicii, Etta James, Leroy Kirkland, and Pearl Woods. Edited by Hans Vainikainen. Arranged by Hans Vainikainen. Stapled. Choral score. 12 pages. Baerenreiter Verlag #BA11397_00. Published by Baerenreiter Verlag (BA.BA11397).

ISBN 9790006568598. 39.7 x 21 cm inches. Text Language: English. Text: Bergling, Tim / James, Etta / Woods, Pearl / Kirkland, Leroy / Pournouri, Ash.

“Oh, sometimes I get a good feeling, yeah
Get a feeling that I never, never, never, never had before …”

In its original form, “Levels” is more of an instrumental number featuring a short passage from a song by soul-singer Etta James. The energy of this exhilarating electro-pop piece with the inimitable Avicii sound is an ear-catching delight and brings audiences to their feet: a good time is guaranteed!


Th e editor:

Hans Vainikainen (b. 1976) hails from a new generation of conductors in the Swedish choral tradition. His conducting repertoire covers a wide range of genres and eras, from Mahler’s Eighth Symphony to the Swedish DJ Avicii. In 2005 he won the Swedish Conductors’ Prize, and two years later he was appointed artistic director of the Katarina kyrka, the home of Katarinakörerna, one of Sweden’s largest choral societies.

Hans Vainikainen heads Stockholm’s Katarinakörerna with more than 500 singers in various combinations. Their programmes cover both sacred and secular music. In his search for suitable arrangements, his eye fell on one the world’s best-known pop artists, Tim Bergling, known professionally as Avicii. He then arranged three of Avicii’s best songs for classical choirs, intending them to be encore pieces.

“Hey Brother”, “Levels” and “Without you” are now available for six-part mixed or female choir. The arrangements offer a wide variety of vocal and choral possibilities and attention has been paid that all parts are of the same musical standard. Whether homophonic or unisono, they artfully intertwine from one passage to the next. However, for all their sophistication the arrangements remain manageable and easy to learn, displaying the typical groove of each Avicii song within a multi-layered texture.

2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, strings

SKU: BR.SON-430

Complete Works. Composed by Felix Bartholdy Mendelssohn. Edited by Thomas Schmidt-Beste. Linen. Complete Works. Romantic period. Complete Works. 192 pages. Breitkopf and Haertel #SON 430. Published by Breitkopf and Haertel (BR.SON-430).

ISBN 9790004802861. 10 x 12.5 inches.

Though Mendelssohn planned to revise his Italian Symphony, he came to a halt after three quarters of the piece following the successful London world premiere in 1833. The following year, he newly composed only movements 2 to 4, but there was no further performance of the work, let alone a publication. The London version was thus printed posthumously in 1851 and paved the way for the works international breakthrough. It is thus perfectly plausible to continue to consider this early version of 1833 as the valid form of the work, since it alone can claim to have been entirely conceived, conducted and thus introduced to the public by the composer.

Chamber Music flute, piano

SKU: CF.WF228

Philippe Gaubert. Composed by Philippe Gaubert. Edited by Amy Porter. Arranged by Amy Porter. Set of Score and Parts. With Standard notation. 104+1+32 pages. Carl Fischer Music #WF228. Published by Carl Fischer Music (CF.WF228).

ISBN 9781491153529. 9 x 12 inches.

Compiled and edited by Amy Porter, Treasures for Flute and Piano is acollection of Philippe Gaubert’s shorter works for flute and piano. Gaubertwas a multi-talented musician, a marvelous flutist as well as a composer,teacher, and master conductor. Over his lifetime, he became one of the mostimportant musical figures in France between the World Wars in the first halfof the 20th century. Trained in theory and harmony at the Paris Conservatory,Gaubert was also deeply influenced by other composers at the time, includingDebussy, Fauré, and Dukas. Editor Amy Porter is a distinguished Professorat The University of Michigan School of Music, Theatre & Dance, and hasbeen praised by critics for her exceptional musical talent and her passion forscholarship. This edition represents eleven of the sixteen works from AmyPorter and Dr. Penelope Fischer’s video study guide, “The Gaubert Cycle: TheComplete Works for Flute and Piano by Philippe Gaubert”.
Philip pe Gaubert (1879–1941) was a very important teacher and flutist in our classical flute playing lineage. In this edition we have gathered his beautiful, shorter compositions for flute and piano all in one place, to be cherished as “Gaubert’s Treasures.”Philippe Gaubert personified the modern French school of flute playing as introduced by his teacher Paul Taffanel (1844–1908) at the Paris Conservatory. Gaubert was a multitalented musician, a marvelous flutist as well as a gifted composer, teacher and master conductor. Over his lifetime he became one of the most important musical figures in France between the World Wars in the first half of the twentieth century. Gaubert’s musical andpedagogical gifts to us are passed along through generations of students and continue to touch the hearts of many who listen to his fine, and refined, music.Philippe Gaubert studied composition at the Paris Conservatory with Raoul Pugno, Xavier Leroux, and then for a brief time with Charles Lenepvu. It was after this study that he won the famous Prix de Rome second prize in composition. Even with his schooling of theory and harmony in Paris, he was deeply influenced by other composers of the time, namely Debussy, Fauré and Dukas. Between the years of 1905–1914 Gaubert’s early workswere arrangements and short pieces written for the year-end final exam pieces at the Conservatory.Between 1914–1918 Gaubert served in the French Army during World War I, most notably in the battle of Verdun in 1916. This was considered one of the largest battles against the Germans in WWI. He was wounded but his creativity level was not dampened. He was rewarded for his service and awarded medals for his bravery. It was during this time that he found the energy to compose his Deux Esquisses or 2 Scenes, and sketched out his first flute sonata.Gaubert composed his remaining five flute and piano works after 1922 in Paris, and clearly his poetic soul was transformed from the earlier years. He took in new forms and styles of compositions such as a Suite, a Ballade and a Sonatine. He also completed his Second and Third Sonatas for Flute and Piano, all of them dramatic works in terms of compositional techniques and grandeur of tone.Gaubert composed music easily throughout his lifetime, especially during summer breaks when the orchestra and Paris Opera seasons were on hiatus and he was not conducting. He loved literature and poetry which inspired over thirty vocal works from 1903 through 1938.He also wrote twenty-six instrumental chamber works for other instruments: oboe, cornet, clarinet, trombone, violin, viola, cello, harp and combinations of these instruments with piano. Some of these were commissioned jury pieces, but many were for his musician friends.Six full-length stage works, both ballets and operas for the stage, several tone poems and symphonies were written throughout his lifetime.This edition represents eleven out of the sixteen works from our video study guide “The Gaubert Cycle: The Complete Works for Flute and Piano by Philippe Gaubert” with guest pianist Tim Carey. Omitted in this edition are Sonatas Nos. 1–3, Ballade, and Sonatine.