Composer : Stamitz, CarlTitle : ConcertoTonart : B-DurSubtitle : for Clarinet and Orchestra No. 10Editor : Michael, JostEdition : Piano Score or Piano ReductionEdition series : ars instrumentalis 28Instrumentation : Klar-solo, Orch

Seule partition au monde à porter le numéro ISBN 73999620801 cette partition dont le titre est Piston Walter Concerto For Clarinet And Orchestra comporte des morceaux regroupés et composés par le compositeur Piston Walter.Son instrumentation exacte est Clarinette. Amateur ou passionné de Classique vous trouverez inévitablement votre bonheur dans la version papier de cette oeuvre. / Clarinette / 24 pages / Partition

Par NIELSEN. Koncert Carl Nielsen de l'opus 57 est une oeuvre pour clarinette et orchestre. Cette édition comporte une réduction de piano de la partition orchestrale originale avec une partie en solo pour clarinette. Composée à l'origine en 1928, cette édition est basée sur le score révisé publié par l'édition de Carl Nielsen en 2002. / Niveau : Intermédiaire à Avancé / Rép Classique / Répertoire / Clarinette et Orchestre

A Tchaikovsky Collection. Par TCHAIKOVSKI PIOTR ILITCH. Cette collection présente parfois des mélodies de toute la gamme et comprend des passages qui clarinettists trouverez dans certaines parties de clarinette orchestrale de Tchaïkovski. Les pièces doivent être traités comme des duos pour clarinette et Piano, avec les joueurs écouter attentivement. Arrangé par Thea King et Alan Frank. Comprend les scores et la partie. / Rép Classique / Répertoire / Clarinette

Par TOMASI HENRI. Published in 1953, the Concerto for Clarinet and Orchestra was composed by the French composer, conductor and winner of the Grand Prix de Rome in 1927, Henri Tomasi (1901-1971). This concerto was dedicated to Ulysse Delécluse (1907-1995), a French Clarinettist known for his transcription of 'Quinze études' by J. S. Bach for the clarinet. Each of its three movements were chosen to be the examination pieces at the Paris Conservatoire, the first movement for the Examination Solo in 1953 and the second and third for the Contest Solo in 1966. This concerto begins with an unconventional start, the clarinet playing on its own and being joined later by the orchestra. It also containssome unusual material such as polychords and dissonances through the piece. Notes on this concerto by Henri Tomasi himself were written in 1957, describing the importance of the improvisation for the principal topic./ Répertoire / Clarinette et Piano

Par MOZART WOLFGANG AMADEUS. In late 1791 Mozart wrote his famous work the Concerto for “Bassettklarinette” and Orchestra K. 622, known today as his Clarinet Concerto. The challenging virtuoso piece was written for Anton Stadler, and the music follows the three-part structure of Allegro, Adagio and a Rondo finale. This work was first published in 1801 and by no less than three publishers. It is one of the most important works in the Clarinet repertoire, and remains a popular work to the present date. Urtext of the New Mozart Edition Full score & performance material (BA4773), Clarinet in A & Piano reduction (BA4773-90) and study score format 22. 5 x 16. 5cm(TP254) available for sale Clarinet in B-flat & Piano reduction (BA4773-38) Reconstructed version for Basset Clarinet and Orchestra, full score (BA4773-01)/ Répertoire / Clarinette et Orchestre

For Clarinet and Orchestra. Par MILHAUD DARIUS. / Répertoire / Clarinette et Piano

Sous-titre : für Klarinette und Orchester Compositeur : Carl Stamitz Éditeur : Jost Michaels Instrumentation : Clarinet and Orchestra Édition musicale : Sikorski Edition Type de produit : Conducteur

A Reverie. Par RAYBOULD CLARENCE. Clarence Raybould was born in Birmingham where he later studied music under Granville Bantock. He later joined the BBC and became Assistant Conductor of the BBC Symphony Orchestra. Many of his recordings with the BBC and other orchestras are still available. This arrangement of Clarence Raybould's Wistful Shepherd. A Reverie is part of the 2018-2021 ABRSM Clarinet Syllabus (Grade 6)/ Répertoire / Clarinette et Piano

11 pieces in 11 styles from around the world. Par MOWER MIKE. All aboard for a musical tour of the globe with Mike Mower! Junior Musical Postcards contains eleven sparkling pieces in fascinating world music styles, tailor-made for developing musicians. The trip begins with a boisterous Cajun stomp, and concludes with an elegant Viennese polka, taking in stops in countries as varied as China, Jamaica, and Wales along the way. Available in editions for alto saxophone, flute, clarinet, trumpet and violin, each book contains melody lines with chord symbols to aid improvisation. Every piece is brought to life with a postcard of essential background information and playing tips. A book of keyboard accompaniments is available separately. Spectacular and authentic audio performances and backing tracks of every piece played by bands and musicians from all eleven countries are available online. A professional musician for 40 years, Mike Mower has played in orchestras, big bands, chamber ensembles, shows, jazz bands, and recording sessions around the world in classical, jazz, Latin, and rock styles on flutes, saxophones, and clarinets. He has written concertos for international solo artists and orchestras and concert music for ensembles of all sizes ' in addition to composing, arranging, and producing TV themes and commercial music albums. His fun but challenging educational music has been enjoyed by a generation of younger players. The Musical Postcards and Junior Musical Postcards series (with accompaniment by some international recording artists too famous to mention!) celebrates authentic music genres from all over the globe. / Niveau : Moyen / Date parution : 2024-01-06/ Recueil / Clarinette

con CD. Clarinetto – Metodo progressivo in 20 lezioni si rivolge a chi è intenzionato a intraprendere lo studio dello strumento e fornisce un valido supporto fin dai primi passi grazie a una trattazione graduale degli argomenti, suddivisi per livello didifficoltà e organizzati in comode lezioni. Il percorso didattico si sviluppa attraverso scale e arpeggi, esercizi tecnici volti allo studio del legato e dello staccato, studi espressivi mirati alla padronanza del clarinetto mediante la ricerca di un suono fermo e pulito e dell’intonazione, esercizi di tecnica per aumentare la fluidità nell’articolazione delle dita. Il metodo è completato da una selezione di passi orchestrali e “soli”, disposti in difficoltà crescente e commisurata al livello raggiunto dallo studente: vengono inoltre proposti i principali brani del repertorio solistico, cameristico e d’insiemeper clarinetto. Il volume è corredato di un CD audio contenente le basi registrate e le esecuzioni al clarinetto dei brani contenuti. Il metodo è consigliato agli alunni delle scuole secondarie a indirizzo musicale, alle scuole di avviamento bandistico, agli studenti del liceo musicale e a ogni appassionato che desideri suonare il clarinetto. / Niveau : Facile / Méthode / Date parution : 1905-07-10/ Méthode / Clarinette

Arrangeur: Matt Johnston. Par MORTELMANS LODEWIJK. Lodewijk Mortelmans was born in Antwerp on February 5, 1868, as second son of printer Karel Mortelmans. He died on June 24, 1952. He was an outstanding, universal Belgian musician and composer. His unique and poetic classical songs, his intimate and delicate piano music and his imaginative orchestral pieces rank among the European masterworks of the end of the 19th and the early 20th century. His Lyrische Pastorale, originally for horn and orchestra, has been arranged here for either Alto Clarinet (in E-flat) or Basset Horn (in F) and piano. This work can be played with either an Alto Clarinet or a Basset Horn.Lodewijk Mortelmans was born in Antwerp on February 5, 1868, as second son of printer Karel Mortelmans. He died on June 24, 1952. He was an outstanding, universal Belgian musician and composer. His unique and poetic classical songs, his intimate and delicate piano music and his imaginative orchestral pieces rank among the European masterworks of the end of the 19th and the early 20th century. His Lyrische Pastorale, originally for horn and orchestra, has been arranged here for either Alto Clarinet (in E-flat) or Basset Horn (in F) and piano. This work can be played with either an Alto Clarinet or a Basset Horn./ Répertoire / Clarinette Alto et Piano

Playing with the Chamber orchestra. Par SCHWARZ OTTO M.. The recordings for the POESIA production were made by a chamber orchestra supported by electric bass and drums. Recordings and sheet music of the highest quality are the trademarks of composer Otto M. Schwarz and Symphonic Dimensions Publishing. Let this music transport you into the dreamworld of masks, fairy tales and romance!/ Répertoire / Clarinette

Par DAVID FERDINAND. Although Ferdinand David is mostly known as a composer for a couple of his instrumental works, namely a Concertino for Trombone, and this Concertino, Op. 12 for bassoon, perhaps he should be most well-known as the violinist who premiered the Violin Concerto of Felix Mendelssohn in 1845. He was appointed as concertmaster of the Gewandhaus Orchestra in Leipzig when Mendelssohn, a childhood friend, became the principal conductor in 1835. This Concertino for bassoon also exists in a version for viola, and now subsequently this edition for bass clarinet. It is a fun solo in two parts, first an aria-like melody, followed by a technical 'Presto agitato.' The key has been kept the same asthe original version, and although it is preferred to perform with an extended range instrument, indications are made for adapting it to a standard range bass clarinet. Although Ferdinand David is mostly known as a composer for a couple of his instrumental works, namely a Concertino for Trombone, and this Concertino, Op. 12 for bassoon, perhaps he should be most well-known as the violinist who premiered the Violin Concerto of Felix Mendelssohn in 1845. He was appointed as concertmaster of the Gewandhaus Orchestra in Leipzig when Mendelssohn, a childhood friend, became the principal conductor in 1835. This Concertino for bassoon also exists in a version for viola, and now subsequently this edition for bass clarinet. It is a fun solo in two parts, first an aria-like melody, followed by a technical 'Presto agitato.' The key has been kept the same asthe original version, and although it is preferred to perform with an extended range instrument, indications are made for adapting it to a standard range bass clarinet./ Répertoire / Clarinette Basse et Piano

Arrangeur: Matt Johnston. Par VAN EECHAUTE PROSPER. Prosper Van Eechaute (1904-1964), born in Ghent, was a Belgian composer, conductor and teacher. While a student at the Ghent Royal Conservatory, he was awarded first prize for cello, harmony, chamber music, counterpoint and fugue, in addition to the Emile Mathieu prize for composition in 1930. His Nachtpoema for Horn and Orchestra (or Piano), was written in 1938, however the premiere took place towards the end of his life in 1962, with Maurice Van Bocxstaele as the horn soloist. Here, it has been arranged here for either Alto Clarinet (in E-flat) or Basset Horn (in F) and piano. This work can be played with either an Alto Clarinet or a Basset Horn.Prosper Van Eechaute (1904-1964), born in Ghent, was a Belgian composer, conductor and teacher. While a student at the Ghent Royal Conservatory, he was awarded first prize for cello, harmony, chamber music, counterpoint and fugue, in addition to the Emile Mathieu prize for composition in 1930. His Nachtpoema for Horn and Orchestra (or Piano), was written in 1938, however the premiere took place towards the end of his life in 1962, with Maurice Van Bocxstaele as the horn soloist. Here, it has been arranged here for either Alto Clarinet (in E-flat) or Basset Horn (in F) and piano. This work can be played with either an Alto Clarinet or a Basset Horn./ Répertoire / Clarinette Alto et Piano