SATB choir SKU: WD.080689550362 An Easter Invitation For SATB Choir(+)
SATB choir
SKU:
WD.080689550362
An
Easter Invitation For
SATB Choir. Composed
by Marty Parks. Arranged
by Marty Parks. Choral,
cantatas. Easter,
Musical. CD preview pak.
Word Music #080689550362.
Published by Word Music
(WD.080689550362).
UPC:
080689550362.
Song
of the Lamb extends an
invitation to join a
journey; it's a journey
from despair to hope and
from death to life, and
it all begins with a
Lamb. Veteran arranger
Marty Parks has woven
classic hymns, modern
worship songs and
inspirational favorites
into a 39-minute work of
timeless beauty.
Featuring accessible
vocal and piano parts and
two solos, this offering
from Simply Word is ideal
for groups with limited
rehearsal time. Churches
may choose between a
poignant, Scripture-based
narration or an optional
dramatic script, making
Song of the Lamb flexible
enough to meet a wide
variety of performance
and worship needs for the
Easter season and beyond.
The invitation still
stands: Come join the
journey, and help deliver
eternity's message to
your church and
congregation this Easter.
Accessible vocal
and piano parts for
churches with limited
rehearsal time. Conceived
for the small to mid-size
church. Includes
narration AND an optional
dramatic script. Veteran
arranger Marty Parks.
SKU: WD.080689861123 An Easter Invitation For SATB Choir. Composed...(+)
SKU:
WD.080689861123
An
Easter Invitation For
SATB Choir. Composed
by Marty Parks. Choral,
cantatas. Christmas.
Accompaniment CD (split).
Word Music #080689861123.
Published by Word Music
(WD.080689861123).
UPC:
080689861123.
Song
of the Lamb extends an
invitation to join a
journey; it's a journey
from despair to hope and
from death to life, and
it all begins with a
Lamb. Veteran arranger
Marty Parks has woven
classic hymns, modern
worship songs and
inspirational favorites
into a 39-minute work of
timeless beauty.
Featuring accessible
vocal and piano parts and
two solos, this offering
from Simply Word is ideal
for groups with limited
rehearsal time. Churches
may choose between a
poignant, Scripture-based
narration or an optional
dramatic script, making
Song of the Lamb flexible
enough to meet a wide
variety of performance
and worship needs for the
Easter season and beyond.
The invitation still
stands: Come join the
journey, and help deliver
eternity's message to
your church and
congregation this
Easter.
Choral (CD 10-pak) SKU: HL.8750914 The Sunday Singer. Choral Collections,...(+)
Choral (CD 10-pak)
SKU: HL.8750914
The Sunday Singer. Choral
Collections, Collection,
Easter, Seasonal. CD
only. Published by
Daybreak Music
(HL.8750914).
UPC:
884088469634. 5x5
inches.
The
Sunday Singer is a
choral publication for
smaller-sized church
choirs that consists of
several accessible
anthems representing
original works and
arrangements of hymns and
contemporary favorites.
For each title, special
attention has been given
to voice leading, limited
vocal ranges and
carefully crafted piano
accompaniments. Published
two times a year, The
Sunday Singer will
serve as a valuable
resource for your choir
throughout the church
year.
The
Spring/Easter 2010 issue
includes six titles:
Thank You, Lord (arr.
Marty Parks) • God
of Grace and God of Glory
(arr. Keith Christopher)
• Easter Morning
Medley (Christ the Lord
Is Risen Today; Christ
Arose) (arr. Gary Lanier)
• The Cross Says
Come (arr. Camp Kirkland)
• Out of Love, He
Broke the Bread (John
Parker/Benjamin Harlan)
• House of the Lord
(Keith Wilkerson).
Available separately:
Choral Book, Preview CD,
ChoirTrax CD (Split-Trax,
Instruments Only), Kit
(10 Choral Books, 1
ChoirTrax CD, 1 Preview
CD), Preview Pak (1
Choral Book, 1 Preview
CD), Choral Book 10-Pak,
Preview CD 10-Pak.
Composed by Michael
Joncas. Arranged by Lloyd
Larson. Hymntune, Hymn
Arrangements, Psalms,
Funeral & Memorial,
General Worship,
Offering, Encouragement,
Eternal Life, Faith &
Faithfulness, God -
Faithfulness. Handbell
score. 8 pages. Hope
Publishing Company #2938.
Published by Hope
Publishing Company
(HP.2938).
UPC:
763628129385.
Popul
ar tune by Michael Joncas
This enticing setting of
the beloved tune pairs
Level 2 handbells and
piano with optional
handchimes. Lovely and
accessible, this is sure
to be a favorite!.
Orchestra Orchestra SKU: PR.11641373S Composed by Peter Schickele. Full s...(+)
Orchestra Orchestra
SKU: PR.11641373S
Composed by Peter
Schickele. Full score.
Duration 24 minutes.
Theodore Presser Company
#116-41373S. Published by
Theodore Presser Company
(PR.11641373S).
UPC:
680160680344.
The
concerto has always
seemed an especially
attractive medium to me,
not necessarily because
of its expectations of
virtuosity (although
flaunting it when you've
got it certainly has its
place), and emphatically
not because of the
perception of a concerto
as a contest, but because
so much of what I write
feels song-like; I'm very
much at home with the
age-old texture of melody
and accompaniment. I
hope, before I move on,
to have the opportunity
to write concertos for
all the major
instruments, and perhaps
some of the rarer ones as
well. The oboe is not
only one of the major
instruments, it is one of
my favorite instruments.
I've always loved its
sound, but since moving
to New York I have gotten
to hear and, in some
cases, know some
extremely fine oboists
who broadened my
appreciation of the
instrument's
possibilities. I
especially remember a
concert, probably in the
late 1960's, in which
Humbert Lucarelli played
a Handel concerto,
filling out large melodic
leaps with cascading
scale passages in a way
that raised the hair on
the back of your neck,
somewhat in the way that
John Coltrane's sheets of
sound did. The sweeping
scales in the second
movement of my concerto
were definitely inspired
by Bert Lucarelli's
performance. The first,
third and fifth movements
of the Concerto for Oboe
and Orchestra are
song-like, whereas the
second and fourth have
strong scherzo and dance
qualities, including a
couple of sections that
sound like out-and-out
pirate dances to me. The
hymn-like tune at the
beginning of the middle
movement was originally
begun as a vocal piece to
be sung by my wife, son
and daughter at my
brother's wedding, but I
couldn't come up with
good works for it, so it
ended up as an
instrumental chant. The
opening and closing of
the concerto make use of
the oboe's uniquely
soulful singing. I had
not heard Pamela Woods
Pecha's solo playing in
person when she
approached me about
writing a concerto, but I
had heard her fine
recording of chamber
music for oboe and
strings by the three B's
(English, that is: Bliss,
Bax and Britten) with the
Audubon Quartet. I
actually already had some
oboe concerto ideas in my
sketchbooks; although I
didn't end up using any
of those earlier ideas,
it's interesting that
most of them tended to
share the general feeling
and tonality of the
eventual opening of the
concerto. The work was
completed on October 13,
1994. I hate the
compromises involved in
making piano reductions
-- perhaps I would feel
differently if I were a
more accomplished pianist
-- so I often decide to
make piano reductions for
four hands rather than
two. My good friend Jon
Kimura Parker is a
terrific sight-reader,
and I roped him into
coming over to my place
on February 17, 1995, to
help me accompany Pamela
on the first read-through
of the piece. The first
performance of the work
took place on July 21,
1995, at the American
Music Festival in Duncan,
Oklahoma, with Mark
Parker conducting the
Festival Orchestra.
(Brass, Congregation, Handbells, Organ) SKU: HP.C5966C Composed by Henry ...(+)
(Brass, Congregation,
Handbells, Organ)
SKU:
HP.C5966C
Composed by
Henry Gauntlett. Arranged
by Joel Raney. Piano with
Optional Organ, 3-5 Oct.
Handbells, Brass &
Congregation. Christmas,
Birth of Jesus Christ,
Jesus Christ - Death,
Life of Christ, Sacred.
Performance/Accompaniment
CD. Hope Publishing
Company #C5966C.
Published by Hope
Publishing Company
(HP.C5966C).
UPC:
763628959661. Words by
Cecil F. Alexander; Music
by Henry J. Gauntlett.
Luke 2,.
Christmas
hymn with words by
Cecil F. Alexander;
Music by Henry J.
Gauntlett Joel Raney
pulls out all the stops
for a festive rendition
of this Christmas
favorite which includes
SATB choir and piano,
with optional organ,
handbells and brass.
Retelling the events of
Christ's birth in Royal
David's City, the text
looks ahead through
Christ's life and death
finally leading his
children on to the place
where he has gone. .
Orchestra Orchestra SKU: PR.11641373L Composed by Peter Schickele. Large ...(+)
Orchestra Orchestra
SKU: PR.11641373L
Composed by Peter
Schickele. Large Score.
Duration 24 minutes.
Theodore Presser Company
#116-41373L. Published by
Theodore Presser Company
(PR.11641373L).
UPC:
680160680337.
The
concerto has always
seemed an especially
attractive medium to me,
not necessarily because
of its expectations of
virtuosity (although
flaunting it when you've
got it certainly has its
place), and emphatically
not because of the
perception of a concerto
as a contest, but because
so much of what I write
feels song-like; I'm very
much at home with the
age-old texture of melody
and accompaniment. I
hope, before I move on,
to have the opportunity
to write concertos for
all the major
instruments, and perhaps
some of the rarer ones as
well. The oboe is not
only one of the major
instruments, it is one of
my favorite instruments.
I've always loved its
sound, but since moving
to New York I have gotten
to hear and, in some
cases, know some
extremely fine oboists
who broadened my
appreciation of the
instrument's
possibilities. I
especially remember a
concert, probably in the
late 1960's, in which
Humbert Lucarelli played
a Handel concerto,
filling out large melodic
leaps with cascading
scale passages in a way
that raised the hair on
the back of your neck,
somewhat in the way that
John Coltrane's sheets of
sound did. The sweeping
scales in the second
movement of my concerto
were definitely inspired
by Bert Lucarelli's
performance. The first,
third and fifth movements
of the Concerto for Oboe
and Orchestra are
song-like, whereas the
second and fourth have
strong scherzo and dance
qualities, including a
couple of sections that
sound like out-and-out
pirate dances to me. The
hymn-like tune at the
beginning of the middle
movement was originally
begun as a vocal piece to
be sung by my wife, son
and daughter at my
brother's wedding, but I
couldn't come up with
good works for it, so it
ended up as an
instrumental chant. The
opening and closing of
the concerto make use of
the oboe's uniquely
soulful singing. I had
not heard Pamela Woods
Pecha's solo playing in
person when she
approached me about
writing a concerto, but I
had heard her fine
recording of chamber
music for oboe and
strings by the three B's
(English, that is: Bliss,
Bax and Britten) with the
Audubon Quartet. I
actually already had some
oboe concerto ideas in my
sketchbooks; although I
didn't end up using any
of those earlier ideas,
it's interesting that
most of them tended to
share the general feeling
and tonality of the
eventual opening of the
concerto. The work was
completed on October 13,
1994. I hate the
compromises involved in
making piano reductions
-- perhaps I would feel
differently if I were a
more accomplished pianist
-- so I often decide to
make piano reductions for
four hands rather than
two. My good friend Jon
Kimura Parker is a
terrific sight-reader,
and I roped him into
coming over to my place
on February 17, 1995, to
help me accompany Pamela
on the first read-through
of the piece. The first
performance of the work
took place on July 21,
1995, at the American
Music Festival in Duncan,
Oklahoma, with Mark
Parker conducting the
Festival Orchestra.
Chamber Music Piano, soprano Saxophone SKU: PR.114419990 Composed by Cart...(+)
Chamber Music Piano,
soprano Saxophone
SKU:
PR.114419990
Composed
by Carter Pann. Set of
Score and Parts. 28+12
pages. Duration 15
minutes. Theodore Presser
Company #114-41999.
Published by Theodore
Presser Company
(PR.114419990).
ISBN
9781491134825. UPC:
680160685516.
An
extraordinary addition to
the saxophone repertoire,
Pann’s concerto is
alternately tender and
wild, yet idiomatic even
in the most challenging
pyrotechnics and
altissimo. The four
movements show off and
romance the soprano
saxophone from a
remarkable range of
angles, while always
maintaining beauty. The
published piano reduction
is fully suitable for
public
performances. My
Soprano Saxophone
Concerto (2019) was
written for Christopher
Creviston and
commissioned by Chris,
the ASU Symphony
Orchestra, and the SUNY
Potsdam Symphony
Orchestra. The work lasts
about 15 minutes and does
what it can to show the
many sides of one of my
favorite musicians on the
planet. The work is cast
in four movements and
makes use of a varied
orchestral palette.I. The
Old Line (orchestra
without brass) presents
the soloist almost
immediately, akin to the
technique in
Mendelssohn’s
beloved Violin Concerto.
The saxophone weaves a
song-like melody
throughout, often
reaching for the highest
register of the
instrument.II. Aria:
Injurious Graffito (full
orchestra) was the first
movement to be written,
inspired by a line in the
old television series
Frasier. I fell in love
with the two words
“Injurious
Graffito†the way
they are delivered on the
show. The music, like the
TV show, is lofty and
somewhat arrogant.III.
Jump (full orchestra) is
a written-out
improvisation on the
saxophone. Chris is
particularly adept at the
leaps and quick changes
found throughout the
movement, which
culminates in a
straight-ahead tune
incorporating shapes that
foreshadow the tune in
the last movement.IV.
Hymn: A Love Supreme
(string orchestra and
harp) is a torch song of
unabashed sentimentality.
A surprising admission: I
was not thinking of John
Coltrane’s famed
album of the same name
when naming this last
movement. Perhaps it was
a subconscious decision,
but I was startled to put
two and two together upon
reacquainting myself with
the Coltrane once the
concerto was
completed.
SATB choir; guitar; piano SKU: HP.C6001R Composed by Liljero, Morgan, and...(+)
SATB choir; guitar; piano
SKU: HP.C6001R
Composed by Liljero,
Morgan, and Myrin.
Arranged by Lloyd Larson.
General Worship,
Assurance, Faith, Hope,
Sacred. Rhythm Parts.
Hope Publishing Company
#C6001R. Published by
Hope Publishing Company
(HP.C6001R).
UPC:
763628260019. By Eric
Liljero, Reuben Morgan &
Jonas Myrin. Corinthians
5:21, Hebrews 6:19,
Hebrews 12:24, Hebrews
13:20, I Corinthians
15:52, Ephesians 2:20, I
Peter 2:6,.
Popular
Praise song by Eric
Liljero, Reuben
Morgan & Jonas
Myrin Lloyd Larson's
setting of this popular
Hillsong favorite
incorporates verses from
the hymn, The Solid Rock.
Accessible and dramatic,
the anthem builds to
proclaim the center of
our faith, that Christ
alone is Lord of all.
Rhythm Parts: Conductor's
Score, Piano, Synth,
Guitar, Electric Bass,
Percussion & Drums.
SKU: LO.99-3730L Composed by Larry Shackley. Choral. Sacred Anthem. Perfo...(+)
SKU: LO.99-3730L
Composed by Larry
Shackley. Choral. Sacred
Anthem.
Performance/accompaniment
CD. Lorenz Publishing
Company #99/3730L.
Published by Lorenz
Publishing Company
(LO.99-3730L).
UPC:
000308147001.
Perfo
rmance/accompaniment CD
for Revive Us Again
(10/4854L) Hallelujah,
Thine the glory! begins
this robust, upbeat
anthem that features a
glorious four-hand piano
accompaniment. This
favorite hymn of prayer
and praise is easy to
prepare and includes
antiphonal give-and-take
between the choir
sections. A two-hand
piano accompaniment is
also available for
download.
Composed by
Henry Gauntlett. Arranged
by Joel Raney. Piano with
Optional Organ, 3-5 Oct.
Handbells, Brass &
Congregation. Christmas,
Birth of Jesus Christ,
Jesus Christ - Death,
Life of Christ, Sacred.
Instrumental Parts:
Conductor's Score. Hope
Publishing Company
#C5966P. Published by
Hope Publishing Company
(HP.C5966P).
UPC:
763628259662. Words by
Cecil F. Alexander; Music
by Henry J. Gauntlett.
Luke 2,.
Christmas
hymn with words by
Cecil F. Alexander;
Music by Henry J.
Gauntlett Joel Raney
pulls out all the stops
for a festive rendition
of this Christmas
favorite which includes
SATB choir and piano,
with optional organ,
handbells and brass.
Retelling the events of
Christ's birth in Royal
David's City, the text
looks ahead through
Christ's life and death
finally leading his
children on to the place
where he has gone. .
Choral (SATB) SKU: HL.1103661 With “Jesus Savesâ€. Arra...(+)
Choral (SATB)
SKU:
HL.1103661
With
“Jesus
Savesâ€.
Arranged by Patti
Drennan. Daybreak Choral
Series. General Worship,
Sacred. Octavo. Duration
175 seconds. Published by
Daybreak Music
(HL.1103661).
ISBN
9781705176740. UPC:
196288101703.
6.75x10.5x0.029 inches.
Isaiah 57:15, James 4:8,
Psalm
85:6.
Featuring two
gospel evergreens, this
happy hymn arrangement
will be an instant
favorite! The fun-to-play
piano part stands well on
its own. Or, add in a
rhythm section to
complete the package.
SATB choir SKU: HP.C6001C Composed by Liljero, Morgan, and Myrin. Arrange...(+)
SATB choir
SKU:
HP.C6001C
Composed by
Liljero, Morgan, and
Myrin. Arranged by Lloyd
Larson. General Worship,
Assurance, Faith, Hope,
Sacred.
Performance/Accompaniment
CD. Hope Publishing
Company #C6001C.
Published by Hope
Publishing Company
(HP.C6001C).
UPC:
763628960018. By Eric
Liljero, Reuben Morgan &
Jonas Myrin. Corinthians
5:21, Hebrews 6:19,
Hebrews 12:24, Hebrews
13:20, I Corinthians
15:52, Ephesians 2:20, I
Peter 2:6,.
Popular
Praise song by Eric
Liljero, Reuben
Morgan & Jonas
Myrin Lloyd Larson's
setting of this popular
Hillsong favorite
incorporates verses from
the hymn, The Solid Rock.
Accessible and dramatic,
the anthem builds to
proclaim the center of
our faith, that Christ
alone is Lord of all.
Rhythm Parts: Conductor's
Score, Piano, Synth,
Guitar, Electric Bass,
Percussion & Drums.
SSAA choir SKU: BP.BP2187 Composed by Dan Forrest. Sacred octavos. Octavo...(+)
SSAA choir
SKU:
BP.BP2187
Composed by
Dan Forrest. Sacred
octavos. Octavo.
Beckenhorst Press
#BP2187. Published by
Beckenhorst Press
(BP.BP2187).
Printed
product.
Add a
string quartet to this
joyful arrangement of a
well-known hymn set for
SATB and piano, and the
result is a classical
setting that will forever
live as a favorite for
your choir and
congregation alike. The
imperative Rejoice is
felt not only in the text
but in the clear call of
the voices and the
accompaniment.
Ori
ginal SATB version:
Rejoice the Lord is King!
- Forrest (SATB).
