God's Promise
Fulfilled. Composed
by Dave Clark & Don Koch
Cliff Duren. Arranged by
Cliff Duren. Musical.
Sacred. Orchestration on
CD-ROM (stem file disc).
Published by Lillenas
Publishing Company
(LP.765762227002).
UPC:
765762227002.
Usher
your congregation into
God s throne room of
grace with this stirring
Easter musical created by
songwriting dynamos Dave
Clark Don Koch and Cliff
Duren! The title cut
Mercy Came Running made
popular by trio Phillips
Craig and Dean in the
1990s takes on new
significance in the
context of Easter as we
visualize God running to
save us through Christ s
death and resurrection.
With performance options
for a 47-minute
full-length musical an
abbreviated 30-minute
piece and even a
20-minute option Mercy
Came Running is adaptable
for any Easter service.
And each powerful song
can also stand alone to
impact your congregation
throughout the year!
Accompaniment DVD
available.
By Joseph M. Martin. For SATB Choir. Choral, Obligato Instrument-Cello, Obligato...(+)
By Joseph M. Martin. For
SATB Choir. Choral,
Obligato
Instrument-Cello,
Obligato Instrument-Oboe
or C, Funeral, Memorials,
Lite Trax and Sacred.
Sheet Music. Published by
Shawnee Press.
Piano solo - beginner SKU: YM.GTP01101773 Official Studio Ghibli Piano...(+)
Piano solo - beginner
SKU:
YM.GTP01101773
Official Studio Ghibli
Piano Solo Sheet Music
Collections. Composed
by Joe Hisaishi. Studio
Ghibli Favorites. Anime.
Book. Yamaha Music Media
#GTP01101773. Published
by Yamaha Music Media
(YM.GTP01101773).
ISBN
9784636114485. 8.75 x 12
inches.
Very
easy-to-play piano
collection with popular
Studio Ghibli songs for
beginners! This series of
solo piano sheet music
collections features 14
songs each from 10
popular Studio Ghibli
films, including My
Neighbor Totoro, Princess
Mononoke, and Spirited
Away. The level of
difficulty is at the
entry-level, with easy
arrangements suitable for
piano beginners. The
table of contents and the
title section of each
score include the song
titles and film names in
three languages:
Japanese, English, and
Chinese. Recommended for
use in piano lessons and
is perfect for students
in music classrooms. Be
sure to get both volumes
and enjoy all the
songs!
A much-loved
hymn is adorned with
expressive beauty in this
refreshing octavo. The
emotive piano
accompaniment supports
the thoughtful qualities
of this classic, bringing
an impressionistic
quality to its impact.
Words that have inspired
generations of
worshippers remind us
again to treasure each
moment and to trust God's
promise of eternal peace
and rest. Meaningful!
Unison/2-part choir - Easy SKU: LP.765762128828 An Easter Presentation...(+)
Unison/2-part choir -
Easy
SKU:
LP.765762128828
An
Easter Presentation of 5
Songs in
Unison/2-Part.
Arranged by Dennis & Nan
Allen, Marty Parks & J.
Daniel Smith. This
edition: Paperback.
Musical. Worship in
Unison. Multicultural and
Sacred. Bulk CDs (10
pack). Duration 20
minutes. Published by
Lillenas Publishing
Company
(LP.765762128828).
UPC:
765762128828.
Jesus
Christ, Forever, Amen is
a huge blessing in a
small package. From our
Worship in Unison series,
this compact and fully
orchestrated narrated
musical is just 20
minutes in length, making
is an ideal choral
presentation for Easter
Sunday that still leaves
time for all the other
traditional elements your
congregation loves to see
in your Easter
celebration. Specifically
designed for unison and
2-part choirs, it is
ideal for choirs of any
size. The entire work can
be sung in unison, but
includes maximum
flexibility built into
the 2-part vocal
arrangements, allowing
you to assign the
optional vocal divisions
to fit your choir's skill
level. The light-handed
orchestral accompaniment
is richly satisfying
without overpowering a
smaller choir. Join in
the celebration and
promise this Easter as we
proclaim together, Jesus
Christ, Forever,
Amen!.
Unison/2-part choir - Easy SKU: LP.765762128620 An Easter Presentation...(+)
Unison/2-part choir -
Easy
SKU:
LP.765762128620
An
Easter Presentation of 5
Songs in
Unison/2-Part.
Arranged by Dennis & Nan
Allen, Marty Parks & J.
Daniel Smith. Musical.
Worship in Unison.
Multicultural and Sacred.
Stereo CD. Duration 20
minutes. Published by
Lillenas Publishing
Company
(LP.765762128620).
UPC:
765762128620.
Jesus
Christ, Forever, Amen is
a huge blessing in a
small package. From our
Worship in Unison series,
this compact and fully
orchestrated narrated
musical is just 20
minutes in length, making
is an ideal choral
presentation for Easter
Sunday that still leaves
time for all the other
traditional elements your
congregation loves to see
in your Easter
celebration. Specifically
designed for unison and
2-part choirs, it is
ideal for choirs of any
size. The entire work can
be sung in unison, but
includes maximum
flexibility built into
the 2-part vocal
arrangements, allowing
you to assign the
optional vocal divisions
to fit your choir's skill
level. The light-handed
orchestral accompaniment
is richly satisfying
without overpowering a
smaller choir. Join in
the celebration and
promise this Easter as we
proclaim together, Jesus
Christ, Forever,
Amen!.
Unison/2-part choir - Easy SKU: LP.765762128729 An Easter Presentation...(+)
Unison/2-part choir -
Easy
SKU:
LP.765762128729
An
Easter Presentation of 5
Songs in
Unison/2-Part.
Arranged by Dennis & Nan
Allen, Marty Parks & J.
Daniel Smith. Musical.
Worship in Unison.
Multicultural and Sacred.
Split-Channel & Stereo
Accompaniment CD.
Duration 20 minutes.
Published by Lillenas
Publishing Company
(LP.765762128729).
UPC:
765762128729.
Jesus
Christ, Forever, Amen is
a huge blessing in a
small package. From our
Worship in Unison series,
this compact and fully
orchestrated narrated
musical is just 20
minutes in length, making
is an ideal choral
presentation for Easter
Sunday that still leaves
time for all the other
traditional elements your
congregation loves to see
in your Easter
celebration. Specifically
designed for unison and
2-part choirs, it is
ideal for choirs of any
size. The entire work can
be sung in unison, but
includes maximum
flexibility built into
the 2-part vocal
arrangements, allowing
you to assign the
optional vocal divisions
to fit your choir's skill
level. The light-handed
orchestral accompaniment
is richly satisfying
without overpowering a
smaller choir. Join in
the celebration and
promise this Easter as we
proclaim together, Jesus
Christ, Forever,
Amen!.
(A bold meditation on conflict, communication and compromise). Composed by Eliza...(+)
(A bold meditation on
conflict, communication
and compromise). Composed
by Elizabeth Alexander.
For SSA, SAB (youth
choir), piano. Anthems,
Sacred, Secular, Jazz /
Blues / Rock. Medium.
Choral Score. Duration 4
minutes. Published by
Seafarer Press
SKU: WD.080689642234 Choral. Sacred Anthem, Christmas. Octavo. Word Music...(+)
SKU:
WD.080689642234
Choral. Sacred Anthem,
Christmas. Octavo. Word
Music #080689642234.
Published by Word Music
(WD.080689642234).
UPC:
080689642234.
From
Cliff Duren’s
best-selling Christmas
Musical, The King Is
Here, comes this
powerful anthem,
Messiah. This
anthem is packed with
beautiful melodies and
profound lyrics,
intertwining O Come,
Let Us Adore Him and
singing of the
long-awaited
promise…the Baby
born to save us all. And
because of this one holy
night, death is defeated,
and hope will reign
forever!
Choral (Studiotrax CD) SKU: HL.35028411 Composed by Joseph M. Martin. Har...(+)
Choral (Studiotrax CD)
SKU: HL.35028411
Composed by Joseph M.
Martin. Harold Flammer
Christmas. Advent,
Christmas, Christmas
Sacred. CD only.
Published by Shawnee
Press (HL.35028411).
UPC: 884088653545. 5x5
inches.
Uses: Advent,
Christmas
Scrip
ture: John 7:42;
Micah 5:2; Luke
2:4-6
Twirling
like a Hebrew dance and
leaping from the pages of
prophecy, this
celebratory combination
of folk song and carol is
a jovial shout of praise
for Advent. Unmistakable
in its impact, the anthem
sings itself while the
rollicking accompaniment
creates an engine of joy
propelling this piece
into the heart of the
listener. Two well know
melodies join in a ballet
of sound celebrating the
anticipation of the
coming Messiah.
StudioTrax CD contains
Accompaniment,
Split-track, & Full
Performance tracks.
Available separately:
SATB, StudioTrax CD,
Orchestration CDrom
(Flute 1&2 (Flt 2 dbl
Piccolo), Oboe, Clarinet
1&2, Bassoon, Horn 1&2,
Trumpet 1, Trumpet 2&3,
Trombone 1&2, Bass
Trombone/Tuba, Timp, Perc
1&2, Harp, Violin 1,
Violin 2, Viola, Cello,
Double Bass). Duration:
ca. 3:56.
For Guitar. 1-2-3 Fingerstyle Guitar is designed for intermediate to advanced fl...(+)
For Guitar. 1-2-3
Fingerstyle Guitar is
designed for intermediate
to advanced flat-pick
players who are ready to
throw down that pick for
a while to finally get a
handle on fingerstyle.
That's the secret
ingredient of this study
program -- its a
beginning fingerstyle.
DVD. Published by eMedia
Music
(GEB) SKU: HL.49020849 Horizons and Limitations. Composed by Paul ...(+)
(GEB)
SKU:
HL.49020849
Horizons and
Limitations. Composed
by Paul Hindemith. This
edition: Hardback/Hard
Cover. Book. Edition
Schott. Das Buch mochte
ein Fuhrer sein durch das
kleine Universum der
Werkstatt eines
Musikschaffenden. Als
solcher spricht es
vornehmlich zum Laien -
was nicht heisst, dass
erfahrene Komponisten
ohne Anregungen gelassen
wurden ... (P.
Hindemith). 266 pages.
Schott Music #ATL 6191.
Published by Schott Music
(HL.49020849).
ISBN
9783254001917.
5.75x8.75x0.932 inches.
German.
Being the
result of lectures held
by the author in America,
this book keeps the
promise made in the
title: to show the
composer in his world,
portray him in his
workshop and describe the
disputes he has to
overcome with himself,
with the idea, the
'material', the fashion,
the audience. Hindemith
examines the conditions
under which it is
possible for an artist to
do creative work.A new
music theory is emerging,
developing out of
elementary components in
a generally
comprehensible and clear
way while discussing in
particular the technical
side of composing. In
this juxtaposition of
creative artist and
environment, the severe
and critical statements
on prevailing conditions
result from the high
sense of responsibility
which, in Hindemith's
opinion, has to define
the path of the
musician.
By Joel Raney. Edited by Joel Raney. Arranged by Joel Raney. For SATB choir & un...(+)
By Joel Raney. Edited by
Joel Raney. Arranged by
Joel Raney. For SATB
choir & unison choir (or
solo). Sacred. Choral
octavo. 16 pages.
Published by Hope
Publishing Company
Composed by Muzio
Clementi. Arranged by
Douglas Townsend. Carl
Fischer Young String
Orchestra Series.
Classical. Full score.
With Standard notation.
12 pages. Carl Fischer
Music #YAS13F. Published
by Carl Fischer Music
(CF.YAS13F).
ISBN
9780825848339. UPC:
798408048334. 8.5 X 11
inches. Key: G
major.
IApart from
some of his Sonatinas,
Opus 36, Clementi's life
and music are hardly
known to the piano
teachers and students of
today. For example, in
addition to the above
mentioned Sonatinas,
Clementi wrote sixty
sonatas for the piano,
many of them unjustly
neglected, although his
friend Beethoven regarded
some of them very highly.
Clementi also wrote
symphonies (some of which
he arranged as piano
sonatas), a substantial
number of waltzes and
other dances for the
piano as well as sonatas
and sonatinas for piano
four-hands.In addition to
composing, Clementi was a
much sought after piano
teacher, and included
among his students John
Field (Father of the
'Nocturne'), and
Meyerbeer.In his later
years, Clementi became a
very successful music
publisher, publishing
among other works the
first English edition of
Beethoven's Violin
Concerto, in the great
composer's own
arrangement for the
piano, as well as some of
his string quartets.
Clementi was also one of
the first English piano
manufacturers to make
pianos with a metal frame
and string them with
wire.The Sonatina in C,
Opus 36, No. 1 was one of
six such works Clementi
wrote in 1797. He must
have been partial to
these little pieces (for
which he also provided
the fingerings), since
they were reissued
(without the fingering)
by the composer shortly
after 1801. About 1820,
he issued ''the sixth
edition, with
considerable improvements
by the author;· with
fingerings added and
several minor changes,
among which were that
many of them were written
an octave higher.IIIt has
often been said,
generally by those
unhampered by the facts,
that composers of the
past (and, dare we add,
the present?), usually
handled their financial
affairs with their public
and publishers with a
poor sense of business
acumen or common sense.
As a result they
frequently found
themselves in financial
straits.Contrary to
popular opinion, this was
the exception rather than
the rule. With the
exception of Mozart and
perhaps a few other
composers, the majority
of composers then, as
now, were quite
successful in their
dealings with the public
and their publishers, as
the following examples
will show.It was not
unusual for 18th- and
19th-century composers to
arrange some of their
more popular compositions
for different
combinations of
instruments in order to
increase their
availability to a larger
music-playing public.
Telemann, in the
introduction to his
seventy-two cantatas for
solo voice and one melody
instrument (flute, oboe
or violin, with the usual
continua) Der Harmonische
Gottesdienst, tor
example, suggests that if
a singer is not available
to perform a cantata the
voice part could be
played by another
instrument. And in the
introduction to his Six
Concertos and Six Suites
for flute, violin and
continua, he named four
different instrumental
combinations that could
perform these pieces, and
actually wrote out the
notes for the different
possibilities. Bach
arranged his violin
concertos for keyboard,
and Beethoven not only
arranged his Piano Sonata
in E Major, Opus 14, No.
1 for string quartet, he
also transposed it to the
key of F. Brahm's
well-known Quintet in F
Minor for piano and
strings was his own
arrangement of his
earlier sonata for two
pianos, also in F
Minor.IIIWe come now to
Clementi. It is well
known that some of his
sixty piano sonatas were
his own arrangements of
some of his lost
symphonies, and that some
of his rondos for piano
four-hands were
originally the last
movements of his solo
sonatas or piano trios.In
order to make the first
movement of his
delightful Sonatina in C,
Opus 36, No. 1 accessible
to young string players,
I have followed the
example established by
the composer himself by
arranging and transposing
one of his piano
compositions from one
medium (the piano) to
another. (string
instruments). In order to
simplify the work for
young string players, in
the process of adapting
it to the new medium it
was necessary to
transpose it from the
original key of C to G,
thereby doing away with
some of the difficulties
they would have
encountered in the
original key. The first
violin and cello parts
are similar to the right-
and left-hand parts of
the original piano
version. The few changes
I have made in these
parts have been for the
convenience of the string
players, but in no way do
they change the nature of
the music.Since the
original implied a
harmonic framework in
many places, I have added
a second violin and viola
part in such a way that
they not only have
interesting music to
play, but also fill in
some of the implied
harmony without in any
way detracting from the
composition's musical
value. Occasionally, it
has been necessary to
raise or lower a few
passages an octave or to
modify others slightly to
make them more accessible
for young players.It is
hoped that the musical
value of the composition
has not been too
compromised, and that
students and teachers
will come to enjoy this
little piece in its new
setting as much as
pianists have in the
original one. This
arrangement may also be
performed by a solo
string quartet. When
performed by a string
orchestra, the double
bass part may be
omitted.- Douglas
TownsendString editing by
Amy Rosen.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Edited by Gail Lew. Arranged by Tom Roed, Jerry Ray, Gail Lew. Piano method/supp...(+)
Edited by Gail Lew.
Arranged by Tom Roed,
Jerry Ray, Gail Lew.
Piano method/supplement
(Intermediate piano).
Level: intermediate,
level 4. 32 pages.
Published by Alfred Music
Arranged by
Brad Nix. Shawnee Sacred.
Advent, Christmas/Advent
Sacred. Octavo. Duration
250 seconds. Published by
Shawnee Press
(HL.365819).
UPC:
840126962109.
6.75x10.5x0.029 inches.
Daniel 12:3, Matthew 2:2,
Psalm 19:1, Psalm
85:8.
This rustic
approach to the
early-American tunes
WARRENTON and NETTLETON
will raise the joy level
in your sanctuary! The
original text has a
sprinkling of Wesleyan
lyric thrown in for good
measure and comes wrapped
up in a surprising
choral/bluegrass jubilee.
A contrasting middle
section delivers a
lyrical pause in the
dance, but the joy soon
returns as the anthem
races to a decisive
ending. Score and Parts
(fdl, bjo, mndln, ac gtr,
up b, dm) available as a
digital download.
Odyssee Orchestre d'harmonie [Conducteur] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-000508-140 Composed by Jan Bo...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.GOB-000508-140
Composed by Jan Bosveld.
Score Only. 20 pages.
Gobelin Music
Publications #GOB
000508-140. Published by
Gobelin Music
Publications
(BT.GOB-000508-140).
The Odyssee
tells the story of
Odysseus, the undaunted
hero. In times long
ago the blind poet Homer
wrote this famous epic.
The Odyssey follows
the Iliad, the story of
the bloody war between
the Greek and the
Trojans. This battle
endsafter ten years
thanks to the Odysseys
famous trick. the Trojan
Horse. The Odyssey
is not a war epic, but a
story about perseverance,
loyalty, adventure, and
the survival instinct of
its ingenious hero.
In The Odyssey, Homer
describes howOdysseus,
the king of Ithaca, had
to endure another ten
years of affliction after
the ten years of war in
Troy before he could
finally return to his
home land. During
those years, his wife,
Penelope, had to try and
keep her many admirers
away.These men not only
wanted het hand but also
the kingship. To prove
her husbands worth, she
played a trick: As soon
as I have finished
weaving this shroud for
my father-in-law,
Laertes, I will choose
one of you to become my
husband, she
promisedthem. But
during the night, she
secretly loosened what
she had woven during the
day, prolonging the time
until Odysseus would
finally return. After
twenty long years, when
he finally stood at the
door, she wondered: Is
this really my husband?
Ishe an imposter?
Cunningly, she asked him
to move the bed, because
only she and her husband
know that the bed was
immovable and was build
around an old three
trunk! Odysseus was
deeply moved: this really
was his wife, his
Penelope! Nearly
threethousands years
later, the loyalty and
strength of this
character, and all the
dangerous adventures that
Odysseus survived thanks
to courage and
intelligence, still moves
us today.
Odyssee
by Jan Bosveld is not
just an adventure story,
butrather a
characteristic piece in
which memories of Homers
story can be heard.
The composition opens
with a firm, stirring
theme describing our
hero, Odysseus, in
detail: This man is not
to be taken lightly.
The further
development of thisshort
introduction completes
this character sketch:
trustworthy, perseverant,
and a genius. After
that we can picture
Odysseus on the lonely
beach of Ogygia. Do the
trumpets depict his
memories of the war of
Troy? Does he think of
his wife, as werecognise
the weaving loom of
Penelope in the murmuring
eighth? In the
solemn, plaintive part
that follows, we can
imagine Penelope feeling
lonely, sitting in the
womens room with her
servants.One of the girls
plays the harp, but that
does notclear the sombre
atmosphere. Then we can
imagine seeing the
sorceress Circe, who
changed Odysseus men into
swine. After she gives a
simple magic sign
something follows that
reminds us of the sound
of pigs grunting. Then
the Odysseus theme
resounds:the hero comes
to savi his comrades.
Assisted by Hermes, he
forces Circe to lift the
spell. The piece ends
the same way as it began,
with an animated theme:
Odysseus is still the
same, undefeated and not
to be taken
lighty!
Het
muzikale relaas van de
Griekse schrijver Homerus
over de held Odyssee in
een karakterstuk vol
herinneringen. Een
stevig opgewekt thema
symboliseert de
grootsheid van Odyssee en
zijn karaktertrekken -
betrouwbaar, volhardenden
vernuftig. De tegenslagen
welke hij tegenkomt en in
het tweede tragische
gedeelte dreigen te
escaleren, nemen in het
derde snelle gedeelte bij
zijn verschijning toch
weer een positieve
wending. Nijmegenaar
Jan Bosveld bewijstin dit
originele werk dat hij op
de hoogte is van de
onmogelijkheden, maar
vooral de ongekende
mogelijkheden van
muzikanten uit de lagere
afdelingen.