An Opera in 4 Acts. Composed by Robert Ward. Full Length Opera. 20th Century and...(+)
An Opera in 4 Acts.
Composed by Robert Ward.
Full Length Opera. 20th
Century and Opera. Vocal
score. With translations
and plot synopsis. 288
pages. Galaxy Music
Corporation #7.0028.
Published by Galaxy Music
Corporation
37 leichte bis mittelschwere Kompositionen aus der Spatromantik bis zur Mitte de...(+)
37 leichte bis
mittelschwere
Kompositionen aus der
Spatromantik bis zur
Mitte des 20.
Jahrhunderts. Vorwort und
Beiheft mit
Spielanregungen und
Erlauterungen
(deutsch/englisch/franzos
isch). Edited by Michael
Topel. For Piano. SP:SB.
Published by
Baerenreiter-Ausgaben
(German import).
Chamber Music Clarinet, Flute, Piano SKU: PR.114417610 Based on themes...(+)
Chamber Music Clarinet,
Flute, Piano
SKU:
PR.114417610
Based
on themes from Puccini's
Madama Butterfly.
Composed by Michael
Webster. Sws each. See
the notes on Madama
Butterfly on page two and
the notes on Sonata
Cho-Cho-San on page three
of the full score.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 1997. 44+8+12
pages. Duration 24
minutes, 28 seconds.
Theodore Presser Company
#114-41761. Published by
Theodore Presser Company
(PR.114417610).
ISBN
9781491107904. UPC:
680160636051. 9x12
inches.
SONATA
CHO-CHO-SAN(Based on
themes from
Puccini’s Madama
Butterfly)In the spirit
of the great 19th-century
opera fantasies for
woodwinds, Michael
Webster has created a
concert trio on the many
great arias from
Puccini's Madama
Butterfly. However, as
its name implies, Sonata
Cho-Cho-San is not the
typical virtuosic
operatic potpourri.
Rather, it follows the
plot, resembling a sonata
mirroring Puccini's use
of recurring and
developing themes.
Webster makes the most of
the winds as versatile
performers - equally
suited to deliver
Puccini's beautiful vocal
writing, and to ornament
and embroider the
poignant themes in
symphonic style. For
advanced
performers.______________
_________________________
Text from the scanned
back cover:Born in 1944,
Michael Webster made his
New York recital debutat
Town Hall in 1968 with
his eminent father,
Beveridge Webster, as
pianist. In the same
year, he won the Young
Concert Artists
International Competition
and succeeded his
teacher, Stanley Hasty,
as Principal Clarinet in
the Rochester
Philharmonic, a position
he held for twenty years.
Webster has performed
with the Chamber Music
Society of Lincoln
Center, the 92nd Street
Y, with the Tokyo,
Cleveland, Muir, Ying,
Enso, and Dover String
Quartets, and with the
festivals of Marlboro,
Santa Fe, Norfolk,
Chamber Music Northwest,
Angel Fire, Steamboat
Springs, Park City,
Sitka, Kapalua, Bowdoin,
Orcas Island,
Skaneateles, La Musica di
Asolo, Stratford,
Victoria, and Domaine
Forget.As soloist he has
appeared with many
orchestras, including the
Philadelphia Orchestra
under Aaron Copland and
the Boston Pops under
John Williams. His
travels have taken him as
performer and teacher to
most of the 50 states, as
well as Canada,
Mexico,Puerto Rico,
Central and South
America, Europe, Japan,
China, Australia, and New
Zealand. Webster was
Acting Principal Clarinet
of the San Francisco
Symphony, and has served
on the clarinet and/or
conducting faculties of
New England Conservatory,
Boston University,
University of Michigan,
and the Eastman School,
from which he earned his
three degrees. Currently
he is Professor of Music
at Rice
University’s
Shepherd School of Music
and Artistic Director of
the Houston Youth
Symphony, which has won
multiple first prizes in
national performance
competitions.With his
wife, flutist Leone
Buyse, and pianist Robert
Moeling, he plays in the
Webster Trio, which has
recorded his arrangements
on Tour de France and
World Wide Webster for
Crystal Records.
Otherarrangements were
recorded for Nami and
Camerata Tokyo in Japan
with pianist Chizuko
Sawa. Webster has also
recorded for Albany,
Arabesque, Beaumont,
Bridge, Centaur, CRI, and
New World. He has played
at many ClarinetFests for
the International
Clarinet Association and
written a column entitled
“TeachingClarinetâ
€ in The Clarinet
Magazine since 1998.
Michael Webster is a
Buffet artist-clinician,
performing on Buffet
clarinets
exclusively.
48 Songs from the 19th and 20th Centuries - Medium/Low Voice. Composed by...(+)
48 Songs from the 19th
and 20th Centuries -
Medium/Low Voice.
Composed by Various.
Edited by Ilaria Narici.
Vocal Collection.
Classical, Italian.
Softcover. 244 pages.
Ricordi #NR141462.
Published by Ricordi
(HL.50600668).
TB voice soli, organ (harmonium) SKU: CA.530200 Composed by Giacomo Pucci...(+)
TB voice soli, organ
(harmonium)
SKU:
CA.530200
Composed by
Giacomo Puccini. Edited
by Riccardo Pecci. Sacred
vocal music. German
title: Vexilla regis
prodeunt. Sacred vocal
music. Full score. SC 7.
Duration 3 minutes. Carus
Verlag #CV 05.302/00.
Published by Carus Verlag
(CA.530200).
ISBN
9790007159542. Language:
Latin.
Vexilla
Regis prodeunt, by
Venantius Fortunatus (the
Bishop of Poitiers in the
6th century) ist the text
of one of the most
important hymns of the
Catholic liturgy. It is
sung on Good Friday and,
with variatons in the
text, can be sung on the
feast of the raising of
the Holy Cross. A very
young Puccini (between
1874 and 1880) set the
first and third strophes
of the hymn in three
parts. It was written for
an amateur organist in
Bagni di Lucca, where
Giacomo occasionally
played in a dance
orchestra.
(50 Reproducible Biographies of Famous Composers (Teacher's Handbook)). By Jay A...(+)
(50 Reproducible
Biographies of Famous
Composers (Teacher's
Handbook)). By Jay
Althouse. This edition:
Teacher's Handbook (100%
Reproducible).
Classroom/Pre-School;
General Music and
Classroom Publications;
Reproducible. Book. 64
pages
Arranged by Sandra
Dackow. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Orchestra Expressions.
Folk; Traditional. Score
and Part(s). 148 pages.
Duration 2:15. Alfred
Music #00-45817.
Published by Alfred Music
(AP.45817).
UPC:
038081525501. English.
Traditional Irish
Tune.
All in first
position with
straightforward rhythms
and thematic parts for
everyone, this poignant
song arranged by Sandra
Dackow will be a
wonderful addition to any
concert. The Girl I Left
Behind Me first appears
in 18th century Ireland,
often known as Brighton
Camp. It emigrated to the
United States along with
many other
Anglo/Scots/Irish folk
tunes and became a
popular marching song for
soldiers. During the
American Civil War,
soldiers in both the
Confederate and Union
armies sang it. A number
of cultures have embraced
this song, adding their
own local lyrics. (2:15)
This title is available
in MakeMusic Cloud.
About
Orchestra
Expressions
<
p>Play great songs such
as Over the Rainbow,
Batman, This Land Is Your
Land, and Star Wars (Main
Title). Listen to and
play a variety of styles
of music: popular,
traditional, classical,
folk and patriotic. Read
and write music; compose
and improvise. Perform in
a concert and play for
your family and friends.
Be a conductor of the
orchestra. Learn about
composers, such as
Antonin Dvorak, Johann
Pachelbel, Jacques
Offenbach, Pytor Ilyich
Tchaikovsky, Giuseppe
Verdi, George M. Cohan,
George Frideric Handel,
Ludwig van Beethoven,
Johann Sebastian Bach,
Wolfgang Amadeus Mozart,
Giacomo Puccini, Georges
Bizet, Neal Hefti, and
John Williams. Discover
how music and art are
related. Learn about a
variety of musical
ensembles including
string orchestra, full
orchestra, mariachi band,
steel drum band,
dixieland jazz band, rock
band, and more. Play
music from around the
world, including North
America, Europe, Latin
America, Asia, and
Africa.
48 Songs from the 19th and 20th Centuries - High Voice. Composed by Vario...(+)
48 Songs from the 19th
and 20th Centuries - High
Voice. Composed by
Various. Edited by Ilaria
Narici. Vocal Collection.
Softcover. 214 pages.
Ricordi #NR141461.
Published by Ricordi
(HL.50600667).
Arranged by Sandra
Dackow. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Orchestra Expressions.
Folk; Traditional. Score.
8 pages. Duration 2:15.
Alfred Music #00-45817S.
Published by Alfred Music
(AP.45817S).
UPC:
038081525518. English.
Traditional Irish
Tune.
All in first
position with
straightforward rhythms
and thematic parts for
everyone, this poignant
song arranged by Sandra
Dackow will be a
wonderful addition to any
concert. The Girl I Left
Behind Me first appears
in 18th century Ireland,
often known as Brighton
Camp. It emigrated to the
United States along with
many other
Anglo/Scots/Irish folk
tunes and became a
popular marching song for
soldiers. During the
American Civil War,
soldiers in both the
Confederate and Union
armies sang it. A number
of cultures have embraced
this song, adding their
own local lyrics. (2:15)
This title is available
in MakeMusic Cloud.
About
Orchestra
Expressions
<
p>Play great songs such
as Over the Rainbow,
Batman, This Land Is Your
Land, and Star Wars (Main
Title). Listen to and
play a variety of styles
of music: popular,
traditional, classical,
folk and patriotic. Read
and write music; compose
and improvise. Perform in
a concert and play for
your family and friends.
Be a conductor of the
orchestra. Learn about
composers, such as
Antonin Dvorak, Johann
Pachelbel, Jacques
Offenbach, Pytor Ilyich
Tchaikovsky, Giuseppe
Verdi, George M. Cohan,
George Frideric Handel,
Ludwig van Beethoven,
Johann Sebastian Bach,
Wolfgang Amadeus Mozart,
Giacomo Puccini, Georges
Bizet, Neal Hefti, and
John Williams. Discover
how music and art are
related. Learn about a
variety of musical
ensembles including
string orchestra, full
orchestra, mariachi band,
steel drum band,
dixieland jazz band, rock
band, and more. Play
music from around the
world, including North
America, Europe, Latin
America, Asia, and
Africa.
Composed by Giacomo Puccini (1858-1924). Arranged by Jim Tranquilla. Italian Rom...(+)
Composed by Giacomo
Puccini (1858-1924).
Arranged by Jim
Tranquilla. Italian
Romantic 20th Century.
Score and parts.
Published by Cherry
Classics (CY.CC5002).