Composed by Gwyneth W. Walker (1947-). Catholic Year A Easter Sunday; Catholic Y...(+)
Composed by Gwyneth W.
Walker (1947-). Catholic
Year A Easter Sunday;
Catholic Year A Easter2;
Year A Easter; Year A
Easter2. Easter. Octavo.
Published by E.C.
Schirmer Publishing
(EC.8039).
SATB choir SKU: BP.1409 Composed by Lloyd Larson. Arranged by Lloyd Larso...(+)
SATB choir
SKU:
BP.1409
Composed by
Lloyd Larson. Arranged by
Lloyd Larson. Sacred
octavos. Sacred. Octavo.
Beckenhorst Press #1409.
Published by Beckenhorst
Press (BP.1409).
A beautiful
setting of the Samuel
Longfellow's pleading
prayer to the third
Person of the Trinity.
The emphasis on the Holy
Spirit's transforming
power will make this
anthem suitable for
Pentecost as wel as the
rest of the church
year.
SATB choir divisi, organ - Grade 3-4 SKU: KJ.9161 Composed by Franklin As...(+)
SATB choir divisi, organ
- Grade 3-4
SKU:
KJ.9161
Composed by
Franklin Ashdown.
Collection. Music for the
Church Year. Sacred,
Pentecost, General.
Octavo. 11 pages. Neil A.
Kjos Music Company #9161.
Published by Neil A. Kjos
Music Company (KJ.9161).
UPC:
84027146692.
The
sheer power of Samuel
Longfellow's poem, Holy
Spirit, Truth Divine
provides the body of this
choral setting from
Franklin Ashdown. The
text and music begin
wistfully and
tentatively, proceeding
to stronger petitions of
increasing intensity. The
finely-crafted organ
accompaniment adds
further to the spirit and
drama of the piece, which
ends in an acclamation of
triumph and joy.
SATB choir, piano, assembly SKU: AU.9781506413907 Composed by Scott Perki...(+)
SATB choir, piano,
assembly
SKU:
AU.9781506413907
Composed by Scott
Perkins. Augsburg Choral
Library. Adult, General,
Anthem. Octavo. Augsburg
Fortress #9781506413907.
Published by Augsburg
Fortress
(AU.9781506413907).
ISBN 9781506413907.
UPC:
9.78151E+12.
With a
sweeping melody, a
soaring descant, and rich
harmonies from the piano,
this hymn-anthem is
certain to become a new
favorite. The text by
Samuel Longfellow
expresses trust in
God.
Clarinet in B-Flat (with CD Play-Along). By George J. Elvey; George Warren; Henr...(+)
Clarinet in B-Flat (with
CD Play-Along). By George
J. Elvey; George Warren;
Henri F. Hemy; James G.
Walton; John B. Dykes;
Ludwig Van Beethoven;
Martin Luther; Samuel
Sebastian Wesley; William
Walker. Arranged by David
Feldstein; Larry Clark.
For Clarinet. E-Solos: A
Series for Solo
Instruments with CD
Play-along and Piano
Accompaniment. Score and
Audio CD. 16 pages.
Published by Carl
Fischer.
A Series for Solo Instruments with CD Play-Along and Piano Accompaniment. By Geo...(+)
A Series for Solo
Instruments with CD
Play-Along and Piano
Accompaniment. By George
J. Elvey; George Warren;
Henri F. Hemy; James G.
Walton; John B. Dykes;
Ludwig Van Beethoven;
Martin Luther; Samuel
Sebastian Wesley; William
Walker. Arranged by Larry
Clark. For Trombone. This
edition: Trombone. Easy
Hymn Favorites - A Series
for Solo Instruments With
CD Play-Along and Piano
Accompaniment. Choral.
Level: easy. Score and
Audio CD. 16 pages.
Published by Carl
Fischer.
American Pride Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Alfred Publishing
You're a Grand Old Flag / America the Beautiful. Composed by George M. Cohan ...(+)
You're a Grand Old Flag /
America the Beautiful.
Composed by George M.
Cohan
and Samuel A. Ward.
Arranged
by Chris M. Bernotas.
Concert Band; Part(s);
Score; Sing-Along. Sound
Innovations for Concert
Band. 4th of July;
Patriotic; Summer. 138
pages. Published by
Alfred
Music
Arranged by Samuel Applebaum. Instrumental solo songbook (accompaniment sold sep...(+)
Arranged by Samuel
Applebaum. Instrumental
solo songbook
(accompaniment sold
separately) for solo
viola. With introductory
text and performance
notes. 32 pages.
Published by Alfred
Publishing.
By George J. Elvey; Henri F. Hemy; John B. Dykes; Ludwig Van Beethoven; Lyra Dav...(+)
By George J. Elvey; Henri
F. Hemy; John B. Dykes;
Ludwig Van Beethoven;
Lyra Davidica; Martin
Luther; Samuel Sebastian
Wesley. Arranged by Larry
Clark. For Trumpet.
E-Solos - a Series for
Solo Instruments With CD
Play Along and Piano
Accompaniment. Classical.
Score and Audio CD. 16
pages. Published by Carl
Fischer.
Easy Hymn Favorites Flûte traversière [CD|Solo Part|Book and CD] - Facile Carl Fischer
Flute. By George J. Elvey; George Warren; Henri F. Hemy; John B. Dykes; Larry Cl...(+)
Flute. By George J.
Elvey; George Warren;
Henri F. Hemy; John B.
Dykes; Larry Clark;
Ludwig Van Beethoven;
Lyra Davidica; Martin
Luther; Samuel Sebastian
Wesley. Arranged by Larry
Clark. For Flute. E-Solos
- a Series for Solo
Instruments With CD Play
Along and Piano
Accompaniment. Classical.
Level: easy. Solo part.
16 pages. Published by
Carl Fischer.
Jazz Ensemble plus 5th Trumpet - Grade 5 SKU: KN.SN70098S Composed by Sam...(+)
Jazz Ensemble plus 5th
Trumpet - Grade 5
SKU:
KN.SN70098S
Composed
by Sammy Nestico. Sammy
Nestico Premium Jazz
Series. Kendor Music Inc
#SN70098S. Published by
Kendor Music Inc
(KN.SN70098S).
UPC:
822795700985.
Recor
ded on the SWR Big Band
CD Fun Time and adapted
from the tune Blue
Daniel, this chart romps
along in four instead of
three and sounds harder
than it is. It features a
sax chorus and solos by
alto sax, tenor sax and
trombone, along with some
powerful ensemble
choruses between optional
solos. The tempo is a
very comfortable 116
beats per minute.
Saxophones and trombone
play the melody on the
first two choruses and a
reprise at the end.
Rhythm section parts are
partially notated with
chords cued.
Chamber Music Bassoon, Flute, Violoncello SKU: PR.114408750 Composed by S...(+)
Chamber Music Bassoon,
Flute, Violoncello
SKU: PR.114408750
Composed by Samuel Adler.
Set of Score and Parts.
With Standard notation.
Composed 1995.
40+14+15+15 pages.
Duration 20 minutes.
Theodore Presser Company
#114-40875. Published by
Theodore Presser Company
(PR.114408750).
UPC:
680160013289. 8.5 x 11
inches.
This work
was commissioned by the
Friends of the Phoenix
Public Library for the
dedication of the new
Music Room and made
possible in part through
the funds from the
Arizona Commission on the
Arts, and Meet the
Composer-Arizona. Diary
of a Journey was composed
between July and
September 1995 for the
group Arpeggio. During
the early summer of 1995,
my wife and I took a
vacation to Prague and
Budapest. It was the
first trip for both of us
to these former Iron
Curtain capitals. The
train ride through the
beautiful country-side,
the dilapidated small
villages and towns, the
magnificent architecture
and the feeling of
grandeur in the two major
cities left an indelible
impression on me. I
longed to write some kind
of an essay about it.
Diary of a Journey is the
result of some of these
thoughts, which were
sketched (musically) as
we visited each place.
There are four
'snapshots' or movements
which do not portray a
specific scene, but
rather try to capture the
impressions I gathered
from the people we
observed and met, and the
many awe-inspiring
experiences we had.
Throughout the journey, I
felt that people were
clinging to a tenacious
hope for a better future,
no matter how long it
will take to realize it.
In the first movement
each player portrays a
struggle against all
odds, and with great
energy and even wit tries
to overcome the
obstacles, ending on one
serene high note as a
resting point after all
the conflict. The second
'snapshot' tries to
capture the deep faith of
a newly regained
religiosity. It is
chant-like, and uses as
its basic melodic
material a famous Czech
hymn, penned by the great
religious reformer John
Huss. This movement is
played very freely,
without bar-lines and
with the hymn shining
through the fervent
chanting. The third
movement is a kind of
'demonic' scherzo. Fast
and furious, the three
instruments vie with one
another in a true
perpetual motion frenzy,
which is at times
relieved by short, more
pastoral melodic
fragments. A rather wild
ending should leave
everyone breathless.
Finally, in the fourth
'snapshot' the
instruments play a bit
more as a team, meaning
that is that there is
more melody with
accompaniment, and more
imitative music giving
the impression of a group
effort. The energy is
still at a high level but
long lyrical lines
abound, accompanied and
interrupted at times by
undulating fast notes
still depicting the
struggle against the
blight which any visitor
notices all around these
countries, yet also
showing the determination
of the people to conquer
adversity. --Samuel
Adler.
Choral TB chorus with Piano and optional Solos SKU: CF.CM9709 Materna<...(+)
Choral TB chorus with
Piano and optional Solos
SKU: CF.CM9709
Materna. Composed
by Samuel Ward. Arranged
by Aaron Humble. 8 pages.
Duration 2:30. Carl
Fischer Music #CM9709.
Published by Carl Fischer
Music (CF.CM9709).
ISBN 9781491160046.
UPC: 680160918645. Key:
Bb major. English.
Katharine Bates.
Katharine L.
Bates.
As long as I
can remember, I've been
drawn to this beautiful
poetry written by
Katharine Lee Bates. The
text is incredibly
evocative, and it
describes a country that
is beautifully diverse in
population and landscape.
For this particular
setting, I've chosen to
use some of the original
text that is not often
sung: Till selfish gain
no longer stain, The
banner of the free! It's
a gentle reminder that we
are at our best when we
put our neighbors first.
One challenge that this
piece presents is the
overwhelming use of
quarter notes in the
melody. I encourage you
to speak the text and
find and stress those
important and evocative
words more than those
that are not. So often
the key to the right
musical phrasing is in
the text, right before
our eyes. This piece
works well accompanied or
a cappella, to provide
the most opportunity for
performing in concerts,
assemblies, and civic or
sacred settings when
there is not a piano
available. Thank you for
selecting this piece.
Savor the text, and lift
your voices to celebrate
our nation as we all
strive to make tomorrow
better than today. As
long as I can remember,
I’ve been drawn to
this beautiful poetry
written by Katharine Lee
Bates. The text is
incredibly evocative, and
it describes a country
that is beautifully
diverse in population and
landscape. For this
particular setting,
I’ve chosen to use
some of the original text
that is not often sung:
“Till selfish gain
no longer stain, The
banner of the
free!â€Â
It’s a gentle
reminder that we are at
our best when we put our
neighbors first.One
challenge that this piece
presents is the
overwhelming use of
quarter notes in the
melody. I encourage you
to speak the text and
find and stress those
important and evocative
words more than those
that are not. So often
the key to the right
musical phrasing is in
the text, right before
our eyes.This piece works
well accompanied or a
cappella, to provide the
most opportunity for
performing in concerts,
assemblies, and civic or
sacred settings when
there is not a piano
available. Thank you for
selecting this piece.
Savor the text, and lift
your voices to celebrate
our nation as we all
strive to make tomorrow
better than today.
Chamber Music Violin 1, Violin 2, Viola, Cello, Piano SKU: PR.11441123S C...(+)
Chamber Music Violin 1,
Violin 2, Viola, Cello,
Piano
SKU:
PR.11441123S
Composed
by Samuel Adler. Score.
With Standard notation.
Theodore Presser Company
#114-41123S. Published by
Theodore Presser Company
(PR.11441123S).
UPC:
680160016303. 8.5 x 11
inches.
The Quintet
for Piano and String
Quartet was written for
the American String
Quartet in the summer of
2000. It is in one
movement but has two
distinct parts. The first
is a slow movement
characterized by dotted
rhythms. It is a fantasy
with some long flowing
lines interrupted by
short fragments usually
in the piano. After a
rather agitated section
in 6/8 time, this section
comes to a quiet close on
a G-sharp major chord.
The second section of
this thirteen-minute work
is marked Fast and
Energetic. It begins with
chords that recur
throughout the movement
and after two measures a
long main theme is
introduced which is
developed and altered
during the rest of the
fast portion of the work.
One could call this
second part a sort of
rondo form since this
long lyrical theme
returns always after
contrasts. When it does
return, it is treated
often by means of
imitation, but at the
climax returns played in
unison by the strings
while the piano renders
an energetic sixteenth
note background. The work
ends on an E-flat major
chord though the piece is
certainly not in any one
key, but rather features
quick modulations. One
might call this non-tonal
music which nevertheless
always feels like it has
a tonal center. --Samuel
Adler.
SATB choir; orchestra SKU: HP.C5064O Composed by Allen Pote. Piano Accomp...(+)
SATB choir; orchestra
SKU: HP.C5064O
Composed by Allen Pote.
Piano Accompaniment with
Optional Orchestra.
Outreach, General
Worship, Commitment,
Confidence, Devotion,
Encouragement, Faith &
Faithfulness, Guidance,
Promise, Trust & Unity,
Sacred. Set of
Instrumental Parts. Hope
Publishing Company
#C5064O. Published by
Hope Publishing Company
(HP.C5064O).
UPC:
763628144609. Tom S.
Long. 2 Samuel
1:1,17-27.
Original
composition One of the
centerpieces of their
musical for young voices,
The Rock Slinger and His
Greatest Hit, Tom Long
and Allen Pote have
re-voiced the
captivating, Friends in
the Lord for SATB voices.
With its vivid statement
of mutual encouragement
and standing together
with one another at all
times, the message of
this anthem is especially
relevant to our children
and families.
Chamber Music String Quartet SKU: PR.11441626S Composed by Samuel Adler. ...(+)
Chamber Music String
Quartet
SKU:
PR.11441626S
Composed
by Samuel Adler.
Contemporary. Full score.
With Standard notation.
Composed August 19 2013.
36 pages. Duration 15
minutes. Theodore Presser
Company #114-41626S.
Published by Theodore
Presser Company
(PR.11441626S).
UPC:
680160620067. 9 x 12
inches.
The String
Quartet No. 10 was
written in 2013 for the
50th anniversary of the
Bowdoin International
Summer Music Festival and
is dedicated to the
Cassatt Quartet who
premiered the work during
the 50th anniversary
celebration in July 2014.
 The work was written
with a generous grant
from the Fromm Music
Foundation.The 10th
String Quartet is in one
continuous movement but
divided into four
sections. Â The first
section is a slow
introduction which
presents the basic
harmonic material of the
entire work. Â This is
suddenly interrupted by a
very agitated movement
forming a great contrast
to the calm of the
beginning. Â This
rhythmic drive comes to a
stop and is relieved by
the third section which
is a variation of the
beginning, but is a bit
longer and more
developed. Â This is
followed by the final
section which again
captures the agitation of
the second section and
brings the work to a wild
and most aggressive
end.—Samuel
Adler.
Chamber Music String Quartet SKU: PR.114416260 Composed by Samuel Adler. ...(+)
Chamber Music String
Quartet
SKU:
PR.114416260
Composed
by Samuel Adler.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed August 19 2013.
36+16+12+12+12 pages.
Duration 15 minutes.
Theodore Presser Company
#114-41626. Published by
Theodore Presser Company
(PR.114416260).
ISBN
9781491101070. UPC:
680160620043. 9 x 12
inches.
Adler's
milestone String Quartet
No. 10 was composed for
the Cassatt String
Quartet for performance
at the Bowdoin
International Music
Festival's 50th
Anniversary season in
2014. Built in a single
movement of contrasting
sections, Adler's 10th
will continue to be
featured in upcoming
concerts by the Cassatt
Quartet, including a
performance in Beijing in
July. The String
Quartet No. 10 was
written in 2013 for the
50th anniversary of the
Bowdoin International
Summer Music Festival and
is dedicated to the
Cassatt Quartet who
premiered the work during
the 50th anniversary
celebration in July 2014.
 The work was written
with a generous grant
from the Fromm Music
Foundation.The 10th
String Quartet is in one
continuous movement but
divided into four
sections. Â The first
section is a slow
introduction which
presents the basic
harmonic material of the
entire work. Â This is
suddenly interrupted by a
very agitated movement
forming a great contrast
to the calm of the
beginning. Â This
rhythmic drive comes to a
stop and is relieved by
the third section which
is a variation of the
beginning, but is a bit
longer and more
developed. Â This is
followed by the final
section which again
captures the agitation of
the second section and
brings the work to a wild
and most aggressive
end.—Samuel
Adler.