By George Frideric Handel. For piano. Published by ABRSM (Associated Board of the Royal Schools of Music).

Edited by Helen Marlais. For piano. Succeeding with the Masters. Methods and Solos. Advanced. Book and 2 CDs. Published by The FJH Music Company Inc

Flute - Grade 8

SKU: TL.TCL015570

Repertoire. Trinity College London #TCL 015570. Published by Trinity College London (TL.TCL015570).

ISBN 9780857365125.

Flute - Grade 8

SKU: TL.TCL016140

Repertoire. CD. Trinity College London #TCL 016140. Published by Trinity College London (TL.TCL016140).

ISBN 9780857365675.

Composed by Johann Sebastian Bach (1685-1750). Arranged by Javier Calderon. For classical guitar. Solos/Studies, Baroque. Intermediate. Book and Online Audio. 72 pages. Published by Mel Bay Publications, Inc

By Wolff. For organ. General, sacred. Published by Concordia Publishing House.
Level: Moderately Easy.

Piano; Piano/Keyboard - intermediate

SKU: HL.49004918

Composed by George Frideric Handel. Edited by Erich Doflein. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. 24 pages. Schott Music #ED4484. Published by Schott Music (HL.49004918).

ISBN 9790001052450. UPC: 073999873269. 9.0x12.0x0.116 inches.

by Robert Bancalari. For mandolin. Classic. Level: Multiple Levels. Book. Solos. Size 8.75x11.75. 56 pages. Published by Mel Bay Pub., Inc.

(Forty Very Easy Original Keyboard Pieces) Edited by Denes Agay. For piano. Format: easy piano solo book. With fingerings. Renaissance, baroque, classical period and romantic period. 32 pages. 9x12 inches. Published by Music Sales.

(Wedding & Classical Favorites). Composed by Various. Arranged by Daniel Kelley. For Flute/Oboe/Violin and Flute/Oboe/Violin. Duets. Music for Two series. Wedding, Classical. Intermediate/Advanced. Score with 2 parts. Published by Last Resort Music Publishing

40 Pieces for Recorder Consort. By Various Composers. Arranged by Steve Rosenberg. (Recorder). Boosey and Hawkes Chamber Music. Size 8.5x11 inches. 60 pages. Published by Boosey & Hawkes.

40 Piano Masterworks in Their Original Form. Edited by Albert Mendoza. Book; Piano Collection; Piano Supplemental. The Professional Pianist. Funeral; Masterwork; Recital; Wedding. 144 pages. Published by Alfred Music

Piano

SKU: BR.EB-8937

Urtext. Composed by Christoph Graupner. Solo instruments. Edition Breitkopf. Suite; Baroque. Score. Breitkopf and Haertel #EB 8937. Published by Breitkopf and Haertel (BR.EB-8937).

ISBN 9790004186046. 0 x 0 inches.

Given that hardly any printed collections of new keyboard music were offered in Germany in the first decades of the 18th century, Christoph Graupner's eight Partien auf das Clavier , published in 1718, marked a new beginning. The suites are arranged according to an ascending sequence of notes and generally follow the scheme Allemande - Courante - Sarabande - Gigue, but this order is repeatedly broken, also by movements that are rather unusual for a suite. The focus is on the characteristics of the individual movements and the joy of playing with figures typical for the movement or instrument, as well as on challenging playing techniques, such as hand changes in runs (passaggi), wide-ranging chord breaks and the use of the thumb, which was not very common at the time. In this respect, Graupner's suites offer not so much a formal advancement, but rather an expansion of the demands of playing technique. Although several CD recordings of these suites already exist, this volume constitutes the first modern Urtext edition. Complementing her scholarly activities, the editor Genevieve Soly provides important impulses on performance practice in the preface, especially on the execution of the passaggi and the ornamentation, thus opening up the view on her activity as a harpsichordist.

Guitar Solo

SKU: IS.G6767EM

Composed by Silvio Leopold Weiss. Arranged by Ben Beuming. Plucked - Guitar. Metropolis Music Publishers #G6767EM. Published by Metropolis Music Publishers (IS.G6767EM).

ISBN 9790365067671.

This sonata (WeissSW No. 15, London) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata X comes from Weissâ??s middle â??productiveâ?? period, thought to have taken place between 1719 and 1725. The original tablature manuscript is in the British Library (London Ms. Add. 30387). The Sonata has six movements: Allemande, Courante, Paisane, Sarabande, Menuet, and it ends with a Gigue. There is a another copy of this Sonata in the Warszawa Biblioteka Uniwersytecka Poland (in its entirety), and a copy in the Sächsisches Landesbibliothek in Dresden (Suite XXVI), which contains three concordant movements: Allemande, Courante, and the Gigue. The Dresden manuscript displays some differences from the London manuscript. This Edition has taken those differences into account in certain details. Originally, the Sonata is written in B flat major, a key often used by Weiss as it is appropriate for playing the lute, but rather awkward with the guitar. For ease and effectiveness of playing, I have transposed the Sonata a minor third lower to G major. To create more concordance with the baroque tuning of the lute, the G string is lowered by a semitone to F sharp. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 3rd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 2nd fret.

Composed by Lily Afshar. Squareback saddle stitch. Classical. Book. 116 pages. Mel Bay Publications, Inc #30832. Published by Mel Bay Publications, Inc

By George Frideric Handel. For piano. Published by ABRSM (Associated Board of the Royal Schools of Music).

Composed by Leopold Godowsky (1870-1938). Collection for piano. With fingerings, pedal markings and introductory text. 400 pages. Published by Carl Fischer.

By ABRSM. For piano. Published by ABRSM (Associated Board of the Royal Schools of Music).

By ABRSM. For piano. Published by ABRSM (Associated Board of the Royal Schools of Music).

By Stanley Yates. For Guitar (Classical). solos. Stanley Yates Gtr. Classic. Level: Beginning-Intermediate. Book. Size 8.75x11.75. 88 pages. Published by Mel Bay Publications, Inc.

For the Later Beginner. By Willard A. Palmer, Morton Manus, and Amanda Vick Lethco. For Piano. Piano Method. Alfred's Basic Piano Library. Book. 48 pages. Published by Alfred Publishing.

Harpsichord

SKU: BT.ALHE32629

Le Pupitre - Heugel. Book Only. 97 pages. Heugel & Cie #ALHE32629. Published by Heugel & Cie (BT.ALHE32629).

French.

De La Guerre's Harpsichord Pieces was composed in 1687. The compilation remains a favourite in the Harpsichord repertoire. Elisabeth Jacquet de La Guerre (1665-1729) was born into an important family of musicians in Paris.Comprising four Suites, de La Guerre exemplified in her compositions her own skills on the Harpsichord. Each of the Suites begin with a Prelude, Allemande, two Courantes, Sarabande and a Gigue. The following movements include aCannaris, Chaconne Gavott and Menuet. Pieces for Harpsichord is essential to the repertoire of aspiring players of the instrument.

Guitar Solo

SKU: IS.G6763EM

Composed by Silvio Leopold Weiss. Arranged by Ben Beuming. Plucked - Guitar. Metropolis Music Publishers #G6763EM. Published by Metropolis Music Publishers (IS.G6763EM).

ISBN 9790365067633.

This sonata (WeissSW No. 25, Dresden) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XXIX comes from a set of tablature manuscript volumes in the Sächsisches Landesbibliothek in Dresden (Ms. Mus. 2841-â?V-â?1). There are five volumes with a total of 34 sonatas of Weiss for solo lute. The sonatas are ordered by key and further sorted by size or complexity. Sonata XXIX comes from Weissâ??s middle â??productiveâ?? period, around 1720. The Sonata has seven movements: Prelude, Allemande (andante), Passepied, Bourée, Sarabande, Menuet, and it ends with a Gigue. There is another copy of this Sonata, known as Suite XIX, in a London Manuscript (British Library Ms. Add. 30387). The London version does not include a Prelude, and the Sarabande is completely different. The other movements are similar to those in the Dresden Manuscript. The Sonata in this Edition is based on the Dresden Manuscript. The purpose of beginning a lute sonata with a Prelude is to introduce the specific key and the harmonic design of the sonata. However, not every sonata in the Dresden and London manuscripts has a Prelude. About one third of the 34 Dresden Sonatas opens with a Prelude, but only six of them may be considered truly integral to the sonata. The other preludes are composed in a rather â??rudimentaryâ?? style, as a model for the less experienced lute player to improvise on the central key and theme. The Prelude in this particular Sonata cannot be regarded as integral. It has been added later, either by the compiler of the volumes or perhaps by Weiss himself. Originally, the Sonata is written in G minor, a key not often used by Weiss, but considered appropriate for playing the lute. With the guitar, however, the key is rather awkward. For ease and effectiveness of playing, I have transposed the Sonata a minor third lower to E minor. To create more concordance with the baroque tuning of the lute, the G string is lowered by a semitone to F sharp. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 3rd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 2nd fret.