Description Instrumental Playalong: Irish Favourites - Clarinet Solo arrangements of 31 Irish favourites with great-sounding CD accompaniment. Includes: Danny Boy I Once Loved a Lass The Little Beggarman The Minstrel Boy My Wild Irish Rose The Wearing of the Green Songlist A Nation Once Again [Davis, Thomas] Believe Me, If All Those Endearing Young Charms [Moore, Thomas] Black Velvet Band [Traditional] Brennan On The Moor [Traditional] Cockles And Mussels (Molly Malone) [Traditional] Danny Boy [Traditional] [Weatherly, Frederick Edward] Easy And Slow [Traditional] Green Grow The Rushes, O [Traditional] I Once Loved A Lass [Traditional] I'll Take You Home Again, Kathleen [Westendorf, Thomas] I'll Tell Me Ma [Traditional] MacNamara's Band [O'Connor, Shamus] [Stamford, John J.] Minstrel Boy [Traditional] My Wild Irish Rose [Olcott, Chauncey] Red Is The Rose [Traditional] The Bells Of St. Mary's [Adams, A. Emmett] [Furber, Douglas] The Croppy Boy [Traditional] The Foggy Dew [Traditional] The Humour Is On Me Now [Traditional] The Irish Rover [Traditional] The Jolly Beggarman [Traditional] The Little Beggarman [Traditional] The Old Orange Flute [Traditional] The Patriot Game [Traditional] The Rising Of The Moon [Traditional] The Rose Of Tralee [Glover, Charles W.] [Spencer, C. Mordaunt] The Wearing Of The Green [Traditional] The WIld Colonial Boy [Traditional] Too-Ra-Loo-Ra-Loo-Ral (That's An Irish Lullaby) [Shannon, James R.] When Irish Eyes Are Smiling [Ball, Ernest R.] [Olcott, Chauncey] [Graff Jr., George] Wild Rover [Traditional]

8 Easy To Intermediate Play-Alongs Of Well-Known Pieces From Ireland, Scotland, Wales, Cornwall And Brittany. Martin Tourish is an accordionist, composer and musicologist from Co. Donegal, now based in Dublin. Celtic music is in his blood, for his ancestors were noted collectors of dance music manuscripts dating back to the 19th century. With many recordings to his credit, he now offers his expertise to performers wishing to explore the rich culture of Irish and other Celtic music on a variety of instruments. 'World Music - Celtic? presents material from the Irish, Scottish, Welsh, Cornish and Breton traditions. It makes no great technical demands on the players, but Tourish points out that notation of this music in often 'skeletal?, hence it is important to gain a knowledge of the individual traditions in question and, naturally, he offers plenty of information on performance practice. The collection spans three centuries, from the blind bardic harpists of the 18th century to the international performers of the present day. Tourish accepts that this volume can only scratch the surface of a multi-faceted genre but hopes you will see it as a stepping stone to delve deeper into recordings, festivals and the very communities whence this music comes. 'World Music - Celtic? is available in six formats, each with complete recordings and backing tracks on CD: as solo versions for violin, violoncello, flute, clarinet or saxophone (with piano) and in an ensemble version for two melodic instruments (C, Bb or Eb), piano, guitar, bass and bodhrán. / Niveau : Facile / Recueil / Clarinette et Piano

A proven source of graded duets for both the student and teacher of brass and woodwind instruments. Each volume contains works from the Renaissance, Baroque and Classical periods, folk songs and traditional tunes, and a selection of original compositions by Keith Snell in a variety of styles. A useful source of repertoire. Contains: Allegretto (Mozart) * Andante (Mozart) * Austrian Dance (Traditional) * Bouree (Bach) * Cappriccio (Hassler) * Courante in F (Handel) * Easy Sailing (Snell) * El-A-Noy (American Folk Song) * Etude (Gounod) * Fughetta (Pachelbel) * March (Beethoven) * March for Little John (Snell) * Menuett (Mozart) * The Minstrel Boy (Irish Folk Song) * Minuet (Snell) * Prelude and Fughetta (Snell) * Serenade (Snell) * Scherzino Witthauer.