Orchestra ATB vocal soli, SATB choir, 2 oboe d'amore, [horn], 2 violins, viola, basso continuo - Level 3

SKU: CA.3106007

Kantate zum 24. Sonntag nach Trinitatis. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. This edition: Paperbound. German title: O Ewigkeit, du Donnerwort. Sacred vocal music, Cantatas, End of the church year, Whitsun. Study score. Composed 1723. BWV 60. 64 pages. Duration 20 minutes. Carus Verlag #CV 31.060/07. Published by Carus Verlag (CA.3106007).

ISBN 9790007043407. Key: D major / a major. Language: German/English.

The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist.. Score available separately - see item CA.3106000.

SAB vocal soli, SATB choir, 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3118714

Cantata for the 7th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Cantatas, Easter and Eastertide, Whitsun. Single Part, basso continuo. Composed 1726. BWV 187. 12 pages. Duration 25 minutes. Carus Verlag #CV 31.187/14. Published by Carus Verlag (CA.3118714).

ISBN 9790007209995. Text language: German/English.

The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from Psalm 104 shows in its formal diversity Bach at the height of his powers. The second part of the cantata begins with a biblical text (Matthew 6, 31 ff.), not as a choral movement here, but as an extended bass arioso (Vox Christi). A meditative soprano aria with solo oboe forms the high point of the second part. Bach re-used the opening chorus, both the arias and even the bass arioso later in the G minor Mass BWV 235. Score and part available separately - see item CA.3118700.

(Come Creator Spirit). By Richard Yardumian (1917-1985). For Piano, Vox Populi, Voice, Soprano, Alto, Tenor, Baritone, Bass. World Premiere was given in Philarmonic Hall Lincoln Center New York On March 31 1967. Classical. Piano reduction/vocal score. Standard notation. 80 pages. Duration 42 minutes. Published by Theodore Presser Company

Brass quintet

SKU: RM.SL10168

Composed by Janko Nilovic. Quintet of brass. Chamber music. Duration 19 minutes, 30 seconds. Editions Robert Martin #SL10168. Published by Editions Robert Martin (RM.SL10168).

ISBN 9790231091687.

By Svilainis. For SSATBB choir, a cappella. Octavo. Published by Alliance Music Publications

ATB vocal soli, SATB choir, 2 oboe d'amore, [horn], 2 violins, viola, basso continuo - Level 3

SKU: CA.3106019

Kantate zum 24. Sonntag nach Trinitatis. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: O Ewigkeit, du Donnerwort. Sacred vocal music, Cantatas, End of the church year, Whitsun. Set of Orchestra Parts. Composed 1723. BWV 60. Duration 20 minutes. Carus Verlag #CV 31.060/19. Published by Carus Verlag (CA.3106019).

ISBN 9790007134044. Key: D major / a major. Language: German/English.

The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist.. Score and parts available separately - see item CA.3106000.

SATB choir and piano

SKU: BC.102956

Composed by Giovanni Pierluigi da Palestrina. Choral Music. Sacred. Octavo. Published by Bourne Music (BC.102956).

Choir

SKU: BT.DMP116042

Tempore Adventus. Composed by Hendrik De Regt. Vocal Score. Composed 2017. Digital Music Print #DMP116042. Published by Digital Music Print (BT.DMP116042).

(Fantasia for Violin and String Orchestra (Piano Reduction)). By Peteris Vasks (1946-). For Violin, Piano Accompaniment. Schott. Softcover. 32 pages. Schott Music #VLB148. Published by Schott Music

Edited by Joseph Jennings and Matthew Oltman. Chanticleer. Secular. 120 pages. Duration 53 min. Published by Hinshaw Music Inc.

By Tobin Stokes. For SATB choir, a cappella. Octavo. Published by Cypress Choral Music

Grade 4

SKU: CL.012-4989-75

Composed by Holsinger. Concert Band. Oversized, spiral-bound score. Composed 2022. Opus III Wind Orchestra Publications #012-4989-75. Published by Opus III Wind Orchestra Publications (CL.012-4989-75).

ATB vocal soli, SATB choir, 2 oboe d'amore, [horn], 2 violins, viola, basso continuo - Level 3

SKU: CA.3106013

Kantate zum 24. Sonntag nach Trinitatis. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: O Ewigkeit, du Donnerwort. Sacred vocal music, Cantatas, End of the church year, Whitsun. Single Part, Viola. Composed 1723. BWV 60. 4 pages. Duration 20 minutes. Carus Verlag #CV 31.060/13. Published by Carus Verlag (CA.3106013).

ISBN 9790007043445. Key: D major / a major. Language: German/English.

The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist.. Score and part available separately - see item CA.3106000.

Organ solo

SKU: CA.2440900

Composed by Anonymous. Edited by Michael Gerhard Kaufmann, Klaus Konrad Weigele. Free organ music. Ochsenhauser Orgelbuch Faksimile. Free organ music. Facsimile. 88 pages. Carus Verlag #CV 24.409/00. Published by Carus Verlag (CA.2440900).

ISBN 9790007068967.

Facs imile edition of the Ochsenhauser Orgelbuch, with critical first edition. Almost 270 years following its completion, for the first time the Ochsenhauser Orgelbuch, a unique collection of organ music from southern Germany, will be published and thus made accessible to the music world. In honor of the completion of the restoration of the Gabler organ in Ochsenhausen this important, with its wonderful color illustrations, has been published in a high-quality limited two-volume edition.

Choir Secular (SAB choir/3-Part choir Mixed)

SKU: AP.49719

Composed by Greg Gilpin. Performance Music Ensemble; Single Titles. Alfred Choral Designs. Secular. Choral Octavo. 12 pages. Alfred Music #00-49719. Published by Alfred Music (AP.49719).

UPC: 038081568065. English.

Enjoy the bright energy of ¾ felt in one. This rhythmic Greg Gilpin original may be accompanied by shaker alone or the optional keyboard part. Vibrant vocables have no literal meaning, but virtually bubble with joy---there's a smile built in. A complete form with contrasting sections, varied choral articulations, ostinatos, pedal tones, drones, the works. It's an action-packed musical journey, a colorful collage for the ears.

About Alfred Choral Designs

Th e Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.

SATB vocal soli, SATB choir, 2 oboe d'amore, 2 oboe d'caccia, 2 violins, viola, cello piccolo, basso continuo - Level 3

SKU: CA.3118305

Cantata for the Sunday Exaudi. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Sie werden euch in den Bann tun. Sacred vocal music, Cantatas, Special days, Easter and Eastertide. Choral Score. Composed 1725. BWV 183. 2 pages. Duration 15 minutes. Carus Verlag #CV 31.183/05. Published by Carus Verlag (CA.3118305).

ISBN 9790007050375. Key: A minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.

The cantata Sie werden euch in den Bann tun [They will banish you] BWV 183 for Exaudi Sunday is one of the cantatas composed on texts by the Leipzig poetess Christiane Mariane von Ziegler with which Bach concluded his second annual cycle of cantatas after he had abandoned the annual cycle of chorale cantatas at Easter 1725. The cantata opens with Jesus's words from the Sunday gospel reading in an accompagnato recitative for bass - representing the vox Christi - accompanied by four oboes which, together with the strings, are also deployed in the cantata's second accompagnato recitative. The first of the virtuoso arias is accompanied by violoncello piccolo, the second by two oboes da caccia together with the string ensemble. The cantata concludes with an unusually animated final chorale. Score available separately - see item CA.3118300.

ATB vocal soli, SATB choir, 2 oboe d'amore, [horn], 2 violins, viola, basso continuo - Level 3

SKU: CA.3106005

Kantate zum 24. Sonntag nach Trinitatis. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: O Ewigkeit, du Donnerwort. Sacred vocal music, Cantatas, End of the church year, Whitsun. Choral Score. Composed 1723. BWV 60. 2 pages. Duration 20 minutes. Carus Verlag #CV 31.060/05. Published by Carus Verlag (CA.3106005).

ISBN 9790007043391. Key: D major / a major. Language: German/English.

The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist.. Score available separately - see item CA.3106000.

Soli ATB, SATB Choir, 2 Obda, Cor, 2 Vl, Va, Bc - Level 3

SKU: CA.3106049

Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Organ. Sacred vocal music, Cantatas, End of the church year, Whitsun. Single Part, Organ. Composed 1723. BWV 60. 24 pages. Duration 20 minutes. Carus Verlag #CV 31.060/49. Published by Carus Verlag (CA.3106049).

Key: D major / a major. Language: German/English.

The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist.. Score and part available separately - see item CA.3106000.

Performed by Sarah McLachlan. For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names, guitar chord diagrams, guitar tablature, strum patterns and color photos. Pop rock and pop vocal. 168 pages. 9x12 inches. Published by Hal Leonard.

SAB vocal soli, SATB choir, 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3118713

Cantata for the 7th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Cantatas, Easter and Eastertide, Whitsun. Single Part, Viola. Composed 1726. BWV 187. 8 pages. Duration 25 minutes. Carus Verlag #CV 31.187/13. Published by Carus Verlag (CA.3118713).

ISBN 9790007209988. Text language: German/English.

The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from Psalm 104 shows in its formal diversity Bach at the height of his powers. The second part of the cantata begins with a biblical text (Matthew 6, 31 ff.), not as a choral movement here, but as an extended bass arioso (Vox Christi). A meditative soprano aria with solo oboe forms the high point of the second part. Bach re-used the opening chorus, both the arias and even the bass arioso later in the G minor Mass BWV 235. Score and part available separately - see item CA.3118700.

By Sarah McLachlan. For Piano/Keyboard. Piano Solo Personality. Softcover. 48 pages. Published by Hal Leonard

AT vocal soli, SATB choir, recorder d2 (flute or violin), 2 oboe d'amore, trumpet, 2 violins, viola, basso continuo - Level 3

SKU: CA.3110313

Cantata for the Sunday of Jubilate. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Ihr werdet weinen. Sacred vocal music, Cantatas, Special days, Easter and Eastertide. Single Part, Viola. Composed 1725. BWV 103. 8 pages. Duration 18 minutes. Carus Verlag #CV 31.103/13. Published by Carus Verlag (CA.3110313).

ISBN 9790007047511. Key: B minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.

The cantata Ihr werdet weinen und heulen [You will weep and wail] BWV 103 for Jubilate Sunday is one of the cantatas composed on texts by the Leipzig poetess Christiane Mariane von Ziegler with which Bach concluded his second annual cycle of cantatas after he had abandoned the annual cycle of chorale cantatas at Easter 1725. A large-scale choral movement on Jesus's words quoted from the Sunday gospel reading opens the cantata; the choir is interrupted by a bass arioso - the vox Christi. Both arias are introduced by a recitative with arioso conclusion; in each, exquisite solo instruments are deployed: flauto piccolo in the contralto aria and trumpet in the tenor aria. Score and part available separately - see item CA.3110300.