Viola and piano SKU: M7.DOHR-88836 Concertino. Composed by Adrian ...(+)
Viola and piano
SKU:
M7.DOHR-88836
Concertino.
Composed by Adrian
Connell. Sheet music.
Score and part. Duration
10'. MDS (Music
Distribution Services)
#DOHR 88836. Published by
MDS (Music Distribution
Services)
(M7.DOHR-88836).
ISBN
9790202098363.
Ther
e comes a time in life
when your parents have
passed on. What we are
left with is the memories
of their love, guidance,
support, and the happy
times together. Last
August when my mum sadly
passed away, I wrote an
Elegy as part of my
grieving. However, as a
family we had happy times
together and it seemed
only right to compose a
work which would
celebrate this. So, I
added a first and last
movement to create a
short concertino. The
movements are: Prelude:
Peter John Connell: The
Cheeky Chap Elegy: Mavis
June Connell (Time To
Remember) Rondo: Family
Fun (Adrian Connell)
Performance note The work
can also be performed
with accompaniment of
string orchestra and harp
using the set of parts
for the version for
clarinet and orchestra
(E.D. 88833).
Piano Accompaniment; Viola SKU: HL.48024311 Viola and Piano. Compo...(+)
Piano Accompaniment;
Viola
SKU:
HL.48024311
Viola
and Piano. Composed
by Richard H. Walthew.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. 40 pages.
Boosey & Hawkes
#M060128028. Published by
Boosey & Hawkes
(HL.48024311).
ISBN
9780851629582.
9.0x12.0x0.165
inches.
New edition
of this charming suite by
the British composer
Richard Walthew
(1872-1951), originally
published in 1900. The
work was frequently
performed by Lionel
Tertis over his long
career; his fingerings
and bowings are of great
interest to students and
scholars, so these are
included for reference in
the viola cue stave in
the piano score; the
viola part itself is left
'clean' for performers to
make their own decisions
In 1943 Tertis premiered
A Mosaic in Ten Pieces in
the version for viola and
orchestra in a concert
broadcast by the BBC. The
performance was reviewed
in the Musical Times:
“It is the work of
a happy craftsman,
genial, jesting (so few
composers joke now). In a
slow movement Walthew is
at his serene best.
Brahms would have enjoyed
the Valsette, and Elgar
beamed upon other parts.
Tertis's phrasing is the
best lesson I can imagine
for any young
musician...â€.
