Mixed choir: SSATB SKU: BA.BA04493-05 Teil 1: 18 Motetten zu 5 und 6 S...(+)
Mixed choir: SSATB
SKU: BA.BA04493-05
Teil 1: 18 Motetten zu
5 und 6 Stimmen. Teil 2:
12 Motetten zu 8, 10, 12
Stimmen und eine Canzon
zu 5 Stimmen.
Composed by Johann
Hermann Schein. Edited by
Arno Forchert and Claudia
Theis. This edition:
complete edition, urtext
edition. Linen. Johann
Hermann Schein. Neue
Ausgabe samtlicher Werke
3,1+2. 2 Teilbände.
Sacred, Motetten
(Motets). Complete
edition, Singing Score,
anthology. Composed 1615.
Baerenreiter Verlag
#BA04493_05. Published by
Baerenreiter Verlag
(BA.BA04493-05).
Cantata for the Sunday
Cantata. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Es ist euch
gut, dass ich hingehe.
Sacred vocal music,
Cantatas, Special days,
Easter and Eastertide,
Whitsun. Set of Orchestra
Parts. Composed 1725. BWV
108. Duration 20 minutes.
Carus Verlag #CV
31.108/19. Published by
Carus Verlag
(CA.3110819).
ISBN
9790007136581. Key: A
major / b minor.
Language: German/English.
Text: von Ziegler,
Christiane Mariane. Text:
Christiane Mariane von
Ziegler.
The
cantata Es ist euch gut,
dass ich hingehe [It is
well that I go forth] BWV
108 for Cantate Sunday is
one of the cantatas
composed on texts by the
Leipzig poetess
Christiane Mariane von
Ziegler with which Bach
concluded his second
annual cycle of cantatas
after he had abandoned
the annual cycle of
chorale cantatas at
Easter 1725. The text
contains two sayings by
Jesus which are taken
directly from the Sunday
gospel reading (John
16:5-15). The quotation
opening the cantata was
set by Bach as a bass
aria with solo oboe
d'amore; it breathes
tranquility and
assurance. The second
quotation, however, is
set as an extended choral
fugue in three sections;
it forms the center of
the cantata. The free
text surrounding the
biblical quotations is
divided into two arias in
which the emphasis is on
melodic lines; there is
only one single
recitative, the original
text of which was
substantially abridged by
Bach. A four-part chorale
concludes the cantata.
Score and parts available
separately - see item
CA.3110800.
Cantata for the Sunday
Cantata. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Es ist euch
gut. Sacred vocal music,
Cantatas, Special days,
Easter and Eastertide,
Whitsun. Choral Score.
Composed 1725. BWV 108.
16 pages. Duration 20
minutes. Carus Verlag #CV
31.108/05. Published by
Carus Verlag
(CA.3110805).
ISBN
9790007047924. Key: A
major / b minor.
Language: German/English.
Text: von Ziegler,
Christiane Mariane. Text:
Christiane Mariane von
Ziegler.
The
cantata Es ist euch gut,
dass ich hingehe [It is
well that I go forth] BWV
108 for Cantate Sunday is
one of the cantatas
composed on texts by the
Leipzig poetess
Christiane Mariane von
Ziegler with which Bach
concluded his second
annual cycle of cantatas
after he had abandoned
the annual cycle of
chorale cantatas at
Easter 1725. The text
contains two sayings by
Jesus which are taken
directly from the Sunday
gospel reading (John
16:5-15). The quotation
opening the cantata was
set by Bach as a bass
aria with solo oboe
d'amore; it breathes
tranquility and
assurance. The second
quotation, however, is
set as an extended choral
fugue in three sections;
it forms the center of
the cantata. The free
text surrounding the
biblical quotations is
divided into two arias in
which the emphasis is on
melodic lines; there is
only one single
recitative, the original
text of which was
substantially abridged by
Bach. A four-part chorale
concludes the cantata.
Score available
separately - see item
CA.3110800.
Cantata
for the Sunday
Cantata. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
This edition: Paperbound.
German title: Es ist euch
gut. Sacred vocal music,
Cantatas, Special days,
Easter and Eastertide,
Whitsun. Study score.
Composed 1725. BWV 108.
68 pages. Duration 20
minutes. Carus Verlag #CV
31.108/07. Published by
Carus Verlag
(CA.3110807).
ISBN
9790007047931. Key: A
major / b minor.
Language: German/English.
Text: von Ziegler,
Christiane Mariane. Text:
Christiane Mariane von
Ziegler.
The
cantata Es ist euch gut,
dass ich hingehe [It is
well that I go forth] BWV
108 for Cantate Sunday is
one of the cantatas
composed on texts by the
Leipzig poetess
Christiane Mariane von
Ziegler with which Bach
concluded his second
annual cycle of cantatas
after he had abandoned
the annual cycle of
chorale cantatas at
Easter 1725. The text
contains two sayings by
Jesus which are taken
directly from the Sunday
gospel reading (John
16:5-15). The quotation
opening the cantata was
set by Bach as a bass
aria with solo oboe
d'amore; it breathes
tranquility and
assurance. The second
quotation, however, is
set as an extended choral
fugue in three sections;
it forms the center of
the cantata. The free
text surrounding the
biblical quotations is
divided into two arias in
which the emphasis is on
melodic lines; there is
only one single
recitative, the original
text of which was
substantially abridged by
Bach. A four-part chorale
concludes the cantata.
Score available
separately - see item
CA.3110800.
From the
opening bell tones in the
piano, this anthem
awakens the worshipping
church to praise.
Incorporating the
early-American hymn tune
PISGAH, this original
piece celebrates the
sacred call of music in
proclaiming the joy of
the Lord. The folklike
character in the
substance of the music is
displayed in the melodic
contours and rustic
harmonic vocabulary. This
is the day for singing
and for sending alleluias
soaring!
Malaika Chorale SATB SATB, Percussion(s) Carl Fischer
Angel. Composed by Fadhilli William Mdawida. Arranged by Russell L. Robinson. ...(+)
Angel. Composed by
Fadhilli
William Mdawida. Arranged
by
Russell L. Robinson. Sws.
Octavo. 16 pages.
Duration 3
minutes, 4 seconds. Carl
Fischer Music #CM9650.
Published by Carl Fischer
Music
SATB/SSA a cappella Choral (SSA/SATB) SKU: HL.48022758 CME Conductor's...(+)
SATB/SSA a cappella
Choral (SSA/SATB)
SKU:
HL.48022758
CME
Conductor's Choice.
Composed by Stephen
Hatfield. Conductor's
Choice. Concert,
Contemporary. Octavo. 16
pages. Boosey & Hawkes
#M051481828. Published by
Boosey & Hawkes
(HL.48022758).
UPC:
884088883720.
6.75x10.5x0.036
inches.
Written for
SATB choir, SSA choir and
small ensemble or solo
voice, this original
piece with an original
text by the composer
speaks of hope and the
joy that music brings to
the world. With a
wonderful yet rare
opportunity to bring both
mixed voice choirs and
treble choirs together,
this is the perfect piece
to end the school year as
all of your ensembles can
join together for one
final time and declare
“keep the world
alive, that's a world
where people are
singing.†Duration:
ca. 4:20.
SATB choir, piano accompaniment - easy/moderate SKU: WD.080689801723 Comp...(+)
SATB choir, piano
accompaniment -
easy/moderate
SKU:
WD.080689801723
Composed by Cliff Duren.
Arranged by Cliff Duren.
Choral, cantatas. 17
Songs in 10 Arrangements
featuring Jesus Can
Change Your Life, Alpha
and Omega, The Blood
Hasn't Ever Changes and 7
more. Eastertide. Bulk CD
(10-pak). Word Music
#080689801723. Published
by Word Music
(WD.080689801723).
UPC:
080689801723.
Intro
ducing Southern Sundays,
the new Southern Gospel
Choir Series, from WORD
Music! There's nothing
better than the rhythms
and sounds of a great
southern gospel song. Add
the power of an energetic
and spirited gospel choir
to the inspiring lyrics
and infectious
makes-you-want-to-sing-al
ong music, and you've got
a proven, winning
combination guaranteed to
make your Southern Sunday
choir sound their very
best!
Arranged and
orchestrated by Cliff
Duren, the songs and
arrangements in this new
choral collection are
specially designed and
selected to bring you an
appealing combination of
hit songs and soon-to-be
classics, along with some
fresh, new songs that
your choir can be among
the very first to sing!
Featuring 10 new Cliff
Duren arrangements,
Southern Sundays is
anchored by three
benchmark songs - Jesus
Can Change Your Life,
Alpha and Omega, and the
gospel-influenced, The
Blood Hasn't Ever
Changed. Whether your
choir repertoire is
all-southern-all-the-time
, or simply southern for
special time.
Soli ATB, SATB Choir, Fl, 2 Ob, 2 Vl, Va, Bc SKU: CA.3110249 Cantata f...(+)
Soli ATB, SATB Choir, Fl,
2 Ob, 2 Vl, Va, Bc
SKU: CA.3110249
Cantata for the 10th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. Organ.
Sacred vocal music,
Cantatas. Single Part,
Organ. Composed 1726. BWV
102. 28 pages. Duration
24 minutes. Carus Verlag
#CV 31.102/49. Published
by Carus Verlag
(CA.3110249).
ISBN
9790007240585. Key: G
minor / c minor.
Language:
German/English.
In
1726 Johann Sebastian
Bach performed a series
of cantatas by his
Meiningen cousin Johann
Ludwig, then continued
this series with his own
works, but remained
faithful to the textual
models used his cousin: a
Meiningen cycle of texts
by an unknown author from
the early 18th century.
All these texts share the
characteristic of
including two quotations
from the bible: one from
the Old Testament at the
beginning, and another
from the New Testament in
the middle. These
cantatas include Herr,
deine Augen sehen nach
dem Glauben BWV 102. The
opening chorus in several
sections is one of Bach's
masterpieces of choral
composition. The cantata
is also one of those
works on which Bach's
later reputation was
based: performances are
documented from 1776 in
Hamburg and in Berlin by
Zelter's Sing-Akademie
from 1813 onwards. In
1830 it was one of the
very first cantatas by
Bach to appear in print.
Score and part available
separately - see item
CA.3110200.
Soli ATB, SATB Choir, 2 Obda, Vl solo, 2 Vl, Va, Bc - Level 3 SKU: CA.3110849...(+)
Soli ATB, SATB Choir, 2
Obda, Vl solo, 2 Vl, Va,
Bc - Level 3
SKU:
CA.3110849
Cantata
for the Sunday
Cantata. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
Organ. Sacred vocal
music, Cantatas, Special
days, Easter and
Eastertide, Whitsun.
Single Part, Organ.
Composed 1725. BWV 108.
20 pages. Duration 20
minutes. Carus Verlag #CV
31.108/49. Published by
Carus Verlag
(CA.3110849).
Key: A
major / b minor.
Language: German/English.
Text: von Ziegler,
Christiane
Mariane.
The
cantata Es ist euch gut,
dass ich hingehe [It is
well that I go forth] BWV
108 for Cantate Sunday is
one of the cantatas
composed on texts by the
Leipzig poetess
Christiane Mariane von
Ziegler with which Bach
concluded his second
annual cycle of cantatas
after he had abandoned
the annual cycle of
chorale cantatas at
Easter 1725. The text
contains two sayings by
Jesus which are taken
directly from the Sunday
gospel reading (John
16:5-15). The quotation
opening the cantata was
set by Bach as a bass
aria with solo oboe
d'amore; it breathes
tranquility and
assurance. The second
quotation, however, is
set as an extended choral
fugue in three sections;
it forms the center of
the cantata. The free
text surrounding the
biblical quotations is
divided into two arias in
which the emphasis is on
melodic lines; there is
only one single
recitative, the original
text of which was
substantially abridged by
Bach. A four-part chorale
concludes the cantata.
Score and part available
separately - see item
CA.3110800.
SATB Choir (Mixed choir) SKU: BA.BA04270 18 meist mehrteilige Komposit...(+)
SATB Choir (Mixed choir)
SKU: BA.BA04270
18 meist mehrteilige
Kompositionen (Passionen,
Antiphonen u. a.) von
anonymen und 11 bekannten
Meistern des 15. und 16.
Jahrhunderts. Edited
by Wolfgang Reich. This
edition: complete
edition, urtext edition.
Half-cloth binding. Georg
Rhau. Musikdrucke aus den
Jahren 1538-1545, 10.
Complete edition,
anthology. Composed 1538.
Baerenreiter Verlag
#BA04270_00. Published by
Baerenreiter Verlag
(BA.BA04270).
ISBN
9790006446605. 27.5 x
19.6 cm inches.
18
meist mehrteilige
Kompositionen (Passionen,
Antiphonen u. a.) von
anonymen und 11 bekannten
Meistern des 15. und 16.
Jahrhunderts.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
SATB Choir SKU: HL.14009550 Composed by Edward Elgar. Music Sales America...(+)
SATB Choir
SKU:
HL.14009550
Composed
by Edward Elgar. Music
Sales America. Classical.
Choral Score. Music Sales
#NOV451058. Published by
Music Sales
(HL.14009550).
Lyrics
by Percy Bysshe
Shelley.
Composed
in 1903 for the Morecambe
Festival, this is an
impassioned, yearning
setting of a Shelley
text, as the poet begs
the wind to inspire his
efforts in order to bring
his message to the
world.
SATB choir - Easy/Moderate SKU: WD.080689849725 Embracing the Heart of...(+)
SATB choir -
Easy/Moderate
SKU:
WD.080689849725
Embracing the Heart of
the Season. Composed
by Marty Parks. Arranged
by Marty Parks. Choral,
cantatas. Bulk CD
(10-pak). Duration 32
minutes. Word Music
#080689849725. Published
by Word Music
(WD.080689849725).
UPC:
080689849725.
Holdi
ng On to Christmas is
something we love to do
wrapping our arms around
cherished memories;
re-living the moments of
Christmas that come to
life in our hearts and
minds year after year;
being reminded of how
much we are loved and how
much we love in return;
holding close those who
make our lives special;
expressing our love and
thankfulness through
cards and gifts, hugs and
kisses, joy and laughter;
sharing our love for one
another around a cup of
hot chocolate with Mom's
homemade Christmas
cookies; and hearing Dad,
once again, read the
Christmas story from the
family Bible. Shared
memories and more are at
the center of the new
Christmas musical,
Holding On to Christmas,
from beloved arranger
Marty Parks. This
delightfully charming,
comfort-the-soul musical
is a warm invitation to
come sit by the fireside,
wrap up in your favorite
Christmas blanket, and
reminisce about Christmas
as, together, we
celebrate family and
friends, and most
importantly, the Savior
who was born so long ago
on that first Christmas
night in
Bethlehem. Holding On
to Christmas is a very
special slice of
Christmas-goodness that
you will be excited to
present to your
congregation and
community...a wonderful
celebration of all we
hold dear at this most
special time of
year!
Song
Titles: Christmastime *
Holding On to Christmas *
Sing a Song of Christmas
(Carol Medley) includes
Sing a Song of Christmas;
Angels, from the Realms
of Glory; Angels We Have
Heard on High; and O
Come, All Ye Faithful *
In the Bleak Midwinter *
The Birthday of a King *
The Shepherds (Glory to
God) * Behold that Star *
Only God * Finale
(Christmastime and
Holding On to
Christmas).
Choral (SATB Choir) SKU: HL.48021234 From Cantata academica, Carmen ba...(+)
Choral (SATB Choir)
SKU: HL.48021234
From Cantata
academica, Carmen
basiliense. Composed
by Benjamin Britten.
Boosey & Hawkes Sacred
Choral. Classical.
Octavo. 16 pages. Boosey
& Hawkes #M051482474.
Published by Boosey &
Hawkes (HL.48021234).
ISBN 9781458423542.
UPC: 884088642037.
6.75x10.5
inches.
Text: in
Latin compiled from the
charter of the
University, and from
older orations in praise
of Basle by Bernhard
Wyss.
Publisher:
Boosey &
Hawkes
Difficulty
level: 4 (for
chorus)
Britten's
genius lifts this work
above being just a worthy
celebration of the 500th
anniversary of the
foundation of Basle
University. It is
tongue-in-cheek and
mockingly non-academic
while referring all the
time to academic musical
forms and formulae. It is
written in two parts
(everything is in the
statutory Latin including
the titles of the parts -
Pars I and Pars II). The
titles of the movements
show Britten's intention
to show off a wide
variety of techniques.
Here are some examples:
Chorale/Alla Rovescio
(the theme is given and
responded to with the
same melody upside
down)/Recitativo/Tema
seriale con fuga/Canone
ed ostinato. There is a
good deal of humour
here.
There are
seven movements in Pars I
and six in Pars II. The
tenor soloist is given
three florid recitatives,
accompanied only by a
piano, which act as
bridges between other
orchestrally accompanied
movements. Of these the
most noteworthy are the
Arioso con canto popolare
for soprano solo with
tenors and basses who hum
a student song; another
terrific Britten scherzo;
and a wonderfully raucous
final pair of movements
(Canon ed ostinato and
Corale con canto) where
Britten seems to be aping
the Vivat Regina! cries
in Parry's I was glad or
encouraging the kind of
noisy 'I'm from the best
university' kind of
student touchline shout.
This has outrageously
high notes for the tenors
(top B) which further
endorse this feeling.
There are real echoes of
the Spring Symphony (see
separate entry) final
movement here which are
further underlined by the
last section of the
Cantata which brings in
the bells, piano, huge
percussion and the
inevitable chorale in
which the choir sings
'that a free academy may
thrive in a free
community, for ever the
ornament and treasure of
illustrious
Basle'.
This may
not be Britten at his
most soul-searching but,
as always, there is
plenty here to enjoy,
especially if the work is
not taken too seriously.
It is a celebratory,
occasional piece and it
could be well taken up by
other academic
establishments
celebrating big
anniversaries. The chorus
parts are not very
difficult, though they do
present challenges for
the choir - not least in
having tenors capable of
those very high notes at
the end. The Tema seriale
con fuga is sinewy and
needs careful tuning. It
also has the subject
regularly given upside
down after its initial
sounding by the basses.
All good
fun.
Folk Songs. (British Folk Songs Arranged for Mixed Voices). By The King's Singer...(+)
Folk Songs. (British Folk
Songs Arranged for Mixed
Voices). By The King's
Singers. For Choral (SATB
Divisi). King's Singer's
Choral. Pop Vocal and
Folk. Difficulty:
medium-difficult to
difficult. Vocal score.
Vocal score, lyrics,
rehearsal piano and
introductory text. 88
pages. Published by Faber
SSATB choir, SATB ad lib., 5 instruments ad lib., basso continuo SKU: CA.1002...(+)
SSATB choir, SATB ad
lib., 5 instruments ad
lib., basso continuo
SKU: CA.1002849
Chorale concert.
Composed by Michael
Praetorius. Edited by Uwe
Wolf. This edition:
urtext. Stuttgart Urtext
Edition. Organ. Sacred
concertos, Sacred vocal
music, Advent. Single
Part, Organ. 4 pages.
Duration 4 minutes. Carus
Verlag #CV 10.028/49.
Published by Carus Verlag
(CA.1002849).
ISBN
9790007189389. Text
language:
German.
The
collection Polyhymnia
Caduceatrix & Panegyrica
of 1619 is rightly
regarded as the high
point in Michael
Praetorius's output. It
combines Solennische
Friedt- und
Frewden-Concert: which
Praetorius as a
travelling musician had
composed largely for
festive occasions - he
writes of Kayser: Konig:
Chur: vnd Furstlichen
zusammen Kunfften - and
also for furnehme
Capellen vnd Kirchen. In
these chorael concerti
the highly modern,
Italian style and the
Protestant chorale
combine and form a
symbiosis which showed
the way forward for the
history of German music.
The chorale settings draw
on influences from
Venetian polychoral
music, use ritornelli and
employ obbligato
instruments in a way
which is beyond compare,
even in contemporary
Italy. Here we see a
quite different side of
the master from the
composer of Es ist ein
Ros entsprungen. And
above all, Praetorius
always remains a
practical musician who
ensures that these
breathtaking chorale
concerti can also be
effectively performed
with smaller forces,
sometimes considerably
reduced ones. In the
chorale setting Wie schon
leuchtet der Morgenstern
Praetorius wrote for a
five-part ensemble which
is joined in some
sections by a four-part
capella. For the
ensemble, Praetorius
suggested both voices and
instruments, which he
uses in a sophisticated
texture of sound, the
instruments sometimes
duplicating the voices
and sometimes alternating
with them. Score and part
available separately -
see item CA.1002800.
Composed by Traditional Spiritual. Arranged by Dan Davison. Sws. Octavo. 16 ...(+)
Composed by Traditional
Spiritual. Arranged by
Dan
Davison. Sws. Octavo. 16
pages. Duration 2
minutes, 50
seconds. BriLee Music
#BL1155. Published by
BriLee
Music
By Orlande De Lassus (1532-1594). Edited by Budde, Rudolf. This edition: paperbo...(+)
By Orlande De Lassus
(1532-1594). Edited by
Budde, Rudolf. This
edition: paperbound.
Sacred, Motets, Psalms,
Latin; Choral
Collections, Mixed Choir;
Occasions: Peace and
Justice, Prayer, Praise
and thanks, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary, Psalms,
Mourning, Death; Use
during church year:
Advent, Specia.
Collection. 52 pages
Performed by Point of Grace. Arranged by Phillip Keveren. (SATB). PraiseSong Ch...(+)
Performed by Point of
Grace. Arranged by
Phillip Keveren. (SATB).
PraiseSong Christmas
Series. Sacred. Size
6.75x10.5 inches. 12
pages. Published by
PraiseSong.
Opera Vocal Soloists, SATB Chorus, Orchestra SKU: PR.411411640 An Oper...(+)
Opera Vocal Soloists,
SATB Chorus, Orchestra
SKU: PR.411411640
An Opera in Two
Acts. Composed by
Ricky Ian Gordon. Vocal
score. Duration 2
minutes, 30 seconds.
Theodore Presser Company
#411-41164. Published by
Theodore Presser Company
(PR.411411640).
ISBN
9781491137642. UPC:
680160691098. The Garden
of the Finzi-Continis
novel by Giorgio
Bassani.
Based on
Bassani’s 1962 novel,
THE GARDEN OF THE
FINZI-CONTINIS dramatizes
the true story of a
prosperous Jewish
family’s disruptions
and consequences from
state-mandated
antisemitism in Italy
during World War II.
Gordon describes the
opera as “romantic,
sun-drenched, and
cataclysmic, all at the
same time.” This
dramatically topical and
personal grand opera
premiered at New York
City Opera and National
Yiddish Theatre
Folksbiene to rave
reviews in 2022. Chris
Ruel wrote in OperaWire,
“I have chosen Ricky
Ian Gordon and Michael
Korie’s THE GARDEN OF
THE FINZI-CONTINIS as my
favorite opera of
2022.”. At one
point, in 2008, I was
walking down 72nd Street,
and I passed the video
store, (this is when
there were video stores)
and I thought to myself,
I wonder if Kevin (my
partner) has ever seen
The Garden of the
Finzi-Continis? which was
always one of my favorite
movies. My reaction when
we watched it that night
was unlike any other time
I had seen it. I was
wrenched, sobbing,
inconsolable. My heart
felt like the autumn
leaves we see blowing
through the garden at the
end of the movie. It
seemed immediately that
this had to be my next
opera. I called Michael
Korie, and we both bought
the Bassani novel and
read it. We settled on
it. It felt clear that we
both had a collective
story to tell through
it.Because this opera is
so close to both of our
hearts, it is dedicated
to our fathers.It is not
only that The Garden of
the Finzi-Continis is a
Holocaust story that
makes it so resonant for
me, though obviously this
is no small matter, but
the tragedy of people
trying to live their
lives, or actually living
them, their petty
disappointments, their
heartbreaks, against the
backdrop of total
catastrophe… that makes
it so moving. They cannot
possibly imagine what
will befall them, but we
know… and this makes
their every move
fascinating and
devastating… like
watching moths under a
glass. It is romantic,
sun-drenched and
cataclysmic, all at the
same time.This is why I
had to write it.
SSATB choir, SATB ad lib., 5 instruments ad lib., basso continuo SKU: CA.1002...(+)
SSATB choir, SATB ad
lib., 5 instruments ad
lib., basso continuo
SKU: CA.1002819
Chorale concert.
Composed by Michael
Praetorius. Edited by Uwe
Wolf. This edition:
urtext. Stuttgart Urtext
Edition. Separate
instruments. Sacred
concertos, Sacred vocal
music, Advent. Set of
Orchestra Parts. Duration
4 minutes. Carus Verlag
#CV 10.028/19. Published
by Carus Verlag
(CA.1002819).
ISBN
9790007181420. Text
language:
German.
The
collection Polyhymnia
Caduceatrix & Panegyrica
of 1619 is rightly
regarded as the high
point in Michael
Praetorius's output. It
combines Solennische
Friedt- und
Frewden-Concert: which
Praetorius as a
travelling musician had
composed largely for
festive occasions - he
writes of Kayser: Konig:
Chur: vnd Furstlichen
zusammen Kunfften - and
also for furnehme
Capellen vnd Kirchen. In
these chorael concerti
the highly modern,
Italian style and the
Protestant chorale
combine and form a
symbiosis which showed
the way forward for the
history of German music.
The chorale settings draw
on influences from
Venetian polychoral
music, use ritornelli and
employ obbligato
instruments in a way
which is beyond compare,
even in contemporary
Italy. Here we see a
quite different side of
the master from the
composer of Es ist ein
Ros entsprungen. And
above all, Praetorius
always remains a
practical musician who
ensures that these
breathtaking chorale
concerti can also be
effectively performed
with smaller forces,
sometimes considerably
reduced ones. In the
chorale setting Wie schon
leuchtet der Morgenstern
Praetorius wrote for a
five-part ensemble which
is joined in some
sections by a four-part
capella. For the
ensemble, Praetorius
suggested both voices and
instruments, which he
uses in a sophisticated
texture of sound, the
instruments sometimes
duplicating the voices
and sometimes alternating
with them. Score and
parts available
separately - see item
CA.1002800.
SSATB choir, SATB ad lib., 5 instruments ad lib., basso continuo SKU: CA.1002...(+)
SSATB choir, SATB ad
lib., 5 instruments ad
lib., basso continuo
SKU: CA.1002805
Chorale concert.
Composed by Michael
Praetorius. Edited by Uwe
Wolf. This edition:
urtext. Stuttgart Urtext
Edition. Sacred
concertos, Sacred vocal
music, Advent. Choral
Score. 8 pages. Duration
4 minutes. Carus Verlag
#CV 10.028/05. Published
by Carus Verlag
(CA.1002805).
ISBN
9790007181352. Text
language:
German.
The
collection Polyhymnia
Caduceatrix & Panegyrica
of 1619 is rightly
regarded as the high
point in Michael
Praetorius's output. It
combines Solennische
Friedt- und
Frewden-Concert: which
Praetorius as a
travelling musician had
composed largely for
festive occasions - he
writes of Kayser: Konig:
Chur: vnd Furstlichen
zusammen Kunfften - and
also for furnehme
Capellen vnd Kirchen. In
these chorael concerti
the highly modern,
Italian style and the
Protestant chorale
combine and form a
symbiosis which showed
the way forward for the
history of German music.
The chorale settings draw
on influences from
Venetian polychoral
music, use ritornelli and
employ obbligato
instruments in a way
which is beyond compare,
even in contemporary
Italy. Here we see a
quite different side of
the master from the
composer of Es ist ein
Ros entsprungen. And
above all, Praetorius
always remains a
practical musician who
ensures that these
breathtaking chorale
concerti can also be
effectively performed
with smaller forces,
sometimes considerably
reduced ones. In the
chorale setting Wie schon
leuchtet der Morgenstern
Praetorius wrote for a
five-part ensemble which
is joined in some
sections by a four-part
capella. For the
ensemble, Praetorius
suggested both voices and
instruments, which he
uses in a sophisticated
texture of sound, the
instruments sometimes
duplicating the voices
and sometimes alternating
with them. Score
available separately -
see item CA.1002800.
One Small Child Chorale SATB SATB [Octavo] Hope Publishing Company
By David Meece. Arranged by Lloyd Larson. (SATB). Ring and Sing, Contemporary a...(+)
By David Meece. Arranged
by Lloyd Larson. (SATB).
Ring and Sing,
Contemporary and Sacred.
Print Music Single
(SATB). 12 pages.
Published by Hope
Publishing Company.