Harpsichord (harpsichord)

SKU: HL.48182692

Composed by Michel Merlet. Leduc. Classical. Softcover. Alphonse Leduc #AL24207. Published by Alphonse Leduc (HL.48182692).

Michel Merlet: Hommage a Manuel de Falla Op.15 (Harpsichord solo).

Harpsichord

SKU: FZ.5835

Serie I - France 1600-1800. Edited by Philippe Lescat, Jean Saint-Arroman. This edition: Facsimile. Methodes & Traites. Score. Published by Anne Fuzeau Productions - France (FZ.5835).

ISBN 9790230658355. 24.00 x 33.00 cm inches.

These early music methods are in facsimile in two books. ANCELET - Antoine BEMETZIEDER (1-2) - Jean-Laurent de BETHISY - Michel CORRETTE (2) - Denis DIDEROT - Jacques DUPHLY (1-2) - Encyclopedie - Encyclopedie methodique - Louis-Joseph le neveu FRANCOEUR - Pierre Claude FOUCQUET (1-2) - Francois-Alexandre-Pierre de GARSAULT - Jean-Benjamin de LABORDE - Philippe MACQUER - Friedrich Wilhelm MARPURG - Jean-Philippe RAMEAU (4) - Jean-Jacques ROUSSEAU - Simon SIMON. Table of contents: Corrette Michel: Les amusements du Parnasse - 1749. Foucquet Pierre Claude: Les caracteres de la paix - 1749. Foucquet Pierre Claude: Second livre de pieces de clavecin - 1751. Encyclopedie: Encyclopedie ou dictionnaire raisonne - 1751/1772. Duphly Jacques: Troisieme livre de pieces de clavecin - 1756. Ancelet: Observations sur la musique - 1757. Rameau Jean-Philippe: Code de musique pratique - 1760. Garsault Francois-Alexandre-Pierre de: Notionnaire - 1761. Simon Simon: Pieces de clavecin - 1761. Bethisy Jean-Laurent de: Exposition de la theorie - 1764. Rousseau Jean-Jacques: Dictionnaire de la musique - 1768. Duphly Jacques: Du doigter - c. 1769. Diderot Denis: Manuscrit autographe - s. d. Bemetzrieder Antoine: Lecons de clavecin - 1771. Francoeur Louis-Joseph le neveu: Diapason general - 1772. Macquer Philippe: Dictionnaire raisonne - 1773. Laborde Jean-Benjamin de: Essai sur la musique - 1780. Bemetzrieder Antoine: Nouvelles lecons de clavecin - 1783. Encyclopedie methodique: Encyclopedie methodique, arts et metiers mecaniques - 1788. Marpurg Friedrich Wilhelm: L'art de toucher le clavecin - c. 1797. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from:- National Library of Paris (France). - Fitzwilliam Museum of Cambridge (England). - Bayerische Staatsbibliotheck of Munich (Germany). - British Library of London (England). - In Private collection. Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the harpsichord.

Harpsichord

SKU: FZ.5849

Edited by Emer Buckley. This edition: Facsimile. Fac-Similes Enseignement. Score. Published by Anne Fuzeau Productions - France (FZ.5849).

ISBN 9790230658492. 22.00 x 31.00 cm inches.

These original publications of Couperin, Corrette, Boismortier, Duphly and Bach are in facsimile on Fac-similes et Enseignement collection. Couperin Francois : L'art de toucher le clavecin. Paris, 1717. Allemande. Couperin Francois : Quatrieme livre de pieces de clavecin. Paris, 1730. Menuets croises. Corrette Michel : Premier livre de pieces de clavecin. Paris, 1734. - Manuscrit, s. d. Les Giboulees de Mars. Boismortier Joseph Bodin de : Quatre suites de pieces de clavecin. Paris, 1736. La Rustique. Duphly Jacques : Pieces de clavecin, quatrieme livre. Paris, 1768. La Du Buq. Bach Carl Philipp Emmanuel : Kurze und leichte clavierstucke. Berlin, c. 1766. Allegro. Fantasia. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. This facsimile was realized by Emer buckley for harpsichord. Facsimile of copies from: - National Library of Paris (France). - Inguimbertine Library of Carpentras (France). - Zentralbibliothek of Zurich (Switzerland). - osterreichische Nationalbibliothek of Wien (Austria). Anne Fuzeau Classique propose period copies of classical music scores.

Edited by Emer Buckley. For Harpsichord. This edition: Facsimile. Fac-Similes Enseignement. Score. 16 pages. Published by Anne Fuzeau Productions - France

By Carl Philipp Emanuel Bach (1714-1788). Harpsichord solo - Organ solo - Fortepiano solo. For Harpsichord, Organ, Fortepiano. Facsimiles. Collection FacsiMusic. Grade 0. 12 pages

(Harpsichord). By William Bolcom. Edited by Davitt Moroney. For Harpsichord. E.B. Marks. 24 pages. Published by Edward B. Marks Music

Piano or Harpsichord

SKU: BT.EMBZ20018

France 1. By Szilvia Elek_Anikó Horváth. By Szilvia Elek. Classical. Book Only. Composed 2020. 108 pages. Editio Musica Budapest #EMBZ20018. Published by Editio Musica Budapest (BT.EMBZ20018).

Hungarian-English-Germ an-French.

This brand-new series is intended as a guide to the keyboard music of the 16th to 19th centuries for pupils of the piano and the harpsichord, as well as of other early keyboard instruments. Each volume contains pieces by well-known and lesser-known composers from one country or region. The main purpose of the series is to extend the repertoire and stylistic knowledge of both pianists and harpsichordists while also presenting fine pieces and typical genres based on original sources. Our edition retains the performance indications of the composers' manuscripts and contemporary editions. Each volume includes:- suggestions for stylistically appropriate performance bothon the piano and on period instruments- suggested elaborated versions of some pieces and excerpts- a fold-out list of ornamentation signs and the composers' own tables of ornamentation signs- biographies of the composers and the sources of the pieces- translations of foreign-language performance indications. The two volumes devoted to French keyboard music includes close to 50 showy and relatively easy works - preludes, dances, suites, rondeaux, and character pieces - from the early 16th until the late 18th century (ordered chronologically).This publication is printed on high-quality, age-resistant paper that is produced in an environmentally-friendly, climate-neutral manner using renewable raw materials.

Cette toute nouvelle collection est un guide de la musique pour clavier du XVIe au XIXe siècle adressé aux élèves de piano et clavecin, ainsi que d'autres instruments clavier anciens. Chaque volume rassemble des œuvres de compositeurs célèbres et moins célèbres dans un pays ou une région (préludes, danses, suites, rondeaux et pièces de caractère), ainsi que des suggestions de jeu, des versions élaborées suggérées et extraits, une liste dépliante des signes d'ornement et les tables des compositeurs, des biographies des compositeurs et les sources des œuvres. Cette publication a été imprimée sur du papier de qualité, résistant au vieillissement, et produit dans le respectde l'environnement et du climat partir de matières premières renouvelables.

Una nuova collana ideata per offrire una guida alla scoperta della musica per pianoforte e clavicembalo dal sedicesimo al diciannovesimo secolo. Ogni volume include brani di compositori di una specifica nazione o area geografica.
L'intento è amplicare la conoscenza e il repertorio di ogni musicista. Inoltre in ogni edizione sono riportati fedelmente i suggerimenti per l'interpretazione e le indicazioni presenti sui manoscritti originali. I due volumi dedicati alla musica francese includono circa 50 brani significativi - preludi, danze, suites, rondò e altri - che risalgono all'inizio del sedicesimo secolo fino alla fine del diciottesimo secolo, rigorosamente inordine cronologico.

Composed by Charles Dieupart (1667-1740). Edited by Andrew Wooley. For Harpsichord. Playing score. 30(xv) pages. Published by Edition HH Music Publishers

Harpsichord

SKU: ST.Y232

Composed by Rhian Samuel. Octavo. Stainer & Bell Ltd. #Y232. Published by Stainer & Bell Ltd. (ST.Y232).

ISBN 9790220221750.

With Copper Ribbons, Silver Threads is one of a pair of virtuoso harpsichord pieces by Rhian Samuel, and the two may be programmed together or performed as separate recital items. The music of Silver Threads is the restless pursuit of a single idea through fleet textures, dividing an unbroken line of melody between the hands and manuals throughout the register of the instrument.

France 1. Baroque. Guide to Early Keyboard Music. Softcover. 108 pages. Editio Musica Budapest #EMBZ20018. Published by Editio Musica Budapest

By Johann Sebastian Bach (1685-1750). For 2 two-manual Harpsichords. Score and Parts. 56 pages. Published by Ut Orpheus

Harpsichord

SKU: FG.55011-764-8

Composed by Esa Pietilä. Classical, contemporary. Book. Fennica Gehrman #55011-764-8. Published by Fennica Gehrman (FG.55011-764-8).

ISBN 9790550117648.

The title of Esa Pietilä’s solo harpsichord work Fata morgana (2019) refers to a special weather con-dition, which creates illusory effect of mirage-like fairy castle-like monuments in the horizon of the sea. The piece brings forth the frightening bass sonority on double manual, full size harpsichord and the brightness on the treble and makes a dialogue out of them. “I got fasci-nated by the sonority, character and power of the low register sound on the instrument, es-pecially when used in non-traditional way and found some kind of especially delightful and outlandish cluster-mud and airy glimmering things which seem to play together, the com-poser describes. The challenges of the piece lie in rhythmical ideas, which are surprisingly multi-faceted and in the short, improvised section.

Duration: c. 6’

Esa Pietilän soolo-cembalolle tehdyn sävellyksen otsikko Fata morgana (2019) viittaa erityisen sääil-miön aiheuttamaan illusatoriseen kangastuksen tapaiseen efektiin, joka tuo esiin satulinnojen kaltaisten rakennelmien ilmaantumisen meren horisonttiin. Sävellys tuo esiin cembalon bas-sorekisterin pelottavuuden sekä diskantin kirkkauden ja käy niillä vuoropuhelua. Haltioiduin cembalon alarekisterin erityisestä soinnista, karakteerista ja voimasta, jos sitä käyttää hyvinkin ei-perinteisesti. Löysin myös erityisen hauskasti soivaa klusteri-mutaa ja ilmavaa kimallusta, jotka sointuvat yhteen, Pietilä kuvaa sävellystään. Kappaleen haasteena ovat rytmisesti yllät-tävät ja monitahoiset ideat sekä lyhyt improvisaatiojakso.

By Carl Philipp Emanuel Bach. Edited by Leisinger, Ulrich. For 2 Harpsichords. Wq 87. Score. Language: all languages. 20 pages. Duration 12 min. Published by Carus Verlag (German import).

Urtext der Neuen Bach-Ausgabe - Urtext of the New Bach-Edition. By Johann Sebastian Bach. Edited by Werner Breig. For Harpsichord, String orchestra, Chamber orchestra. Barenreiter Studienpartituren - Study scores. Pocket Score; Urtext Edition (paperbound). Published by Baerenreiter-Taschenparti turen (German import). (TP410)

Harpsichord

SKU: VD.ED15254

Composed by Carl Philipp Emanuel Bach. Edited by Christoph Dohr. Classical. Solo part. Composed 1772. 22 S. pages. Verlag Dohr #ED15254. Published by Verlag Dohr (VD.ED15254).

ISBN 9790202032541. 12 x 9 inches.

Harpsichord

SKU: HL.50600807

Harpsichord 1 and 2 Part. Composed by Carl Philipp Emanuel Bach. Piano. Classical. Softcover. 55 pages. Sikorski #SIK1440CEMB. Published by Sikorski (HL.50600807).

By Carl Philipp Emanuel Bach. Edited by Ernst F. Schmid. For Harpsichord. Nagels Musik-Archiv. Single Part. Wq 182/3. Published by Nagels Musik-Archiv (German import). (NMA73 68)

Harpsichord

SKU: KU.GM-717

Composed by Carl Philipp Emanuel Bach. Edited by Frank Nagel. Bach format (230 x 302). Wtq 60. Staple Bound. Piano score. 6 pages. Edition Kunzelmann #GM-717. Published by Edition Kunzelmann (KU.GM-717).

Wq60.

By Carl Philipp Emanuel Bach (1714-1788). Harpsichord solo. For Harpsichord. Facsimiles. Collection FacsiMusic. Grade 0. 40 pages. Published by Anne Fuzeau Productions - France

(Manuscrit autographe, 1702). By Bernardo Pasquini (1637-1710). Edited by Emer Buckley. For Harpsichord. Facsimiles. Collection Dominantes. Grade 0. 488 pages

(Manuscrit autographe, 1702). By Bernardo Pasquini (1637-1710). Edited by Emer Buckley. For Harpsichord solo. This edition: Facsimile. Collection Dominantes. Score. 264 pages. Published by Anne Fuzeau Productions - France