Guitar - Intermediate

SKU: MB.31076M

Chamber, Saddle-stitched. Classical. Book/insert/online audio. Mel Bay Publications, Inc #31076M. Published by Mel Bay Publications, Inc (MB.31076M).

ISBN 9781513477695. 8.75x11.75 inches.

Following the model established by Bach and Chopin, George Gershwin (1898 â?? 1937) originally planned to write 24 modern preludes for piano, one in each major and relative minor key. The collection was to be called The Melting Pot as it combined cross-cultural elements of classical, popular, jazz, and blues styles. Already established as a composer of popular songs, Broadway musicals, and masterpieces like Rhapsody in Blue and Concerto in F, Gershwinâ??s frenetic musical activities and an early death intervened, and for various reasonsâ??only three of the completed 5-7 preludes were published in 1927. By omission and circumstance, these three compositions have endured the test of time as Gershwinâ??s Three Preludes.
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This book presents idiomatic flute/guitar arrangements of Gershwinâ??s iconic Three Preludes. The original keys of the preludes were altered to accommodate drop-D guitar tuning and highlight the strengths and tessituras of the two instruments. The music is written in standard notation only and presented in guitar and flute scores, guitar accompaniment with extensive suggested fingering, and a pull-out flute solo part with guitar cues. Includes access to an outstanding online audio recording by The Cypress Duo, featuring flutist Amanda Hoke and author/guitarist Justin Hoke.
 
Audi ences are going to love hearing these preludes rendered by the flute and guitar, particularly â??Prelude IIâ?, in Gershwinâ??s words, â??a sort of blues lullabyâ? that is familiar to many musicians and listeners alike.

For Flute and Guitar. By Robert Maggio. Mixed chamber ensemble. For Flute, Guitar. This edition: two performance scores. Classical. Set of performance scores. Composed 1997. 11 pages. Duration 6:30. Published by Theodore Presser Company.

Edited by Eliot Fisk, composed by Robert Beaser. Performance part for flute and guitar. 48 pages. Published by Helicon Music Corporation.

Flute and guitar - Level 2

SKU: LM.27164

Composed by Jean Marc Allerme. Pop, jazz. Score and CD. Editions Henry Lemoine #27164. Published by Editions Henry Lemoine (LM.27164).

ISBN 9790230971645.

Here Comes the Jazz Show - Never in September - Two Days - Call me - When Charley meets Dan - Travel in Winter - My Friend Gabriel - White and Blue song - Maria's Memories - Somewhere in my Heart - Time to Rag - Fleeting Moment - For a Moment of Stillness - Like in a Dream - She is Gone.

Edited by Berthold Kloss. For flute/guitar. Stapled. Ready to Play. Performance score, part(s), anthology. Text Language: German/English. 18/16 pages. Published by Baerenreiter Verlag

Flute and guitar - Level 2

SKU: LM.26977

Composed by Thierry Masson. Mes Premiers Pas de T. Masson et P. Guillem. Classical. Score. Editions Henry Lemoine #26977. Published by Editions Henry Lemoine (LM.26977).

ISBN 9790230969772.

Le Cri - Imaginaire - Brumes - Mosaiques - Clin d'oeil a Vivaldi - Linda Amiga - Le Moulin et l'Ecluse - La Fileuse - Tri Martolod.

By Sergio Arriagada. For flute and guitar. Classical. Grade 1. Score. 21 21 pages. Published by Editions Henry Lemoine

Transcribed by Jean Rosenblum, Peter Greenwood. Set of performance parts and accompaniment CD for flute (or recorder) and guitar. 86 pages. Published by Carl Fischer.

Chamber Music flute, guitar

SKU: PR.114422330

Composed by Stacy Garrop. Sws. Set of performance scores. 8 pages. Duration 5 minutes. Theodore Presser Company #114-42233. Published by Theodore Presser Company (PR.114422330).

ISBN 9781491133781. UPC: 680160683253. 9 x 12 inches.

Flamenco is an art form involving highly dramatic music and dance. The form is strongly associated with the Andalusia region of southern Spain. Its actual origins are less clear, though historians theorize that gypsies brought the predecessors of flamenco to the region as they migrated from India prior to the 15th century. The form took on traits from cultures that the gypsies encountered in Andalusia, including Spanish, Sephardic, Islamic, and Moorish musical traditions. Over the centuries, Spain's ruling classes undertook systematic persecutions of populations who did not agree with their religious ideals, forcing gypsies to take refuge in Andalusia's isolated mountain regions to survive. Not surprisingly, the topics of the gypsies' songs frequently touch on longing, despair, rage, anguish, and hope.

Suenos de Flamenco (Flamenco Dreams) portrays a young gypsy couple who dance the flamenco with great longing, passion, and vigor. The piece was commissioned by Duo Montagnard (Joseph Murphy, saxophone, and Matthew Slotkin, guitar). I made this edition of the piece for flute and guitar in 2020.

-S.G.
Fla menco is an art form involving highly dramatic music and dance. The form is strongly associated with the Andalusia region of southern Spain. Its actual origins are less clear, though historians theorize that gypsies brought the predecessors of flamenco to the region as they migrated from India prior to the 15th century. The form took on traits from cultures that the gypsies encountered in Andalusia, including Spanish, Sephardic, Islamic, and Moorish musical traditions. Over the centuries, Spain's ruling classes undertook systematic persecutions of populations who did not agree with their religious ideals, forcing gypsies to take refuge in Andalusia's isolated mountain regions to survive. Not surprisingly, the topics of the gypsies' songs frequently touch on longing, despair, rage, anguish, and hope. Suenos de Flamenco (Flamenco Dreams) portrays a young gypsy couple who dance the flamenco with great longing, passion, and vigor. The piece was commissioned by Duo Montagnard (Joseph Murphy, saxophone, and Matthew Slotkin, guitar). I made this edition of the piece for flute and guitar in 2020. -S.G.
Flamenco is an art form involving highly dramatic music and dance. The form is strongly associated with the Andalusia region of southern Spain. Its actual origins are less clear, though historians theorize that gypsies brought the predecessors of flamenco to the region as they migrated from India prior to the 15th century. The form took on traits from cultures that the gypsies encountered in Andalusia, including Spanish, Sephardic, Islamic, and Moorish musical traditions. Over the centuries, Spain’s ruling classes undertook systematic persecutions of populations who did not agree with their religious ideals, forcing gypsies to take refuge in Andalusia’ s isolated mountain regions to survive. Not surprisingly, the topics of the gypsies’ songs frequently touch on longing, despair, rage, anguish, and hope.Sueños de Flamenco (Flamenco Dreams) portrays a young gypsy couple who dance the flamenco with great longing, passion, and vigor. The piece was commissioned by Duo Montagnard (Joseph Murphy, saxophone, and Matthew Slotkin, guitar). I made this edition of the piece for flute and guitar in 2020.-S.G.

By Felix Bartholdy Mendelssohn (1809-1847). For flute and guitar. Classical. Score. 16 5 pages. Published by Editions Henry Lemoine

By Yvon Rivoal. For flute and guitar. Rivoal Yvon. Classical. Grade 2. Score. 14 pages. Published by Editions Henry Lemoine

By Yvon Rivoal. For flute and guitar. Rivoal Yvon. Classical. Grade 2. Score. 14 pages. Published by Editions Henry Lemoine

By Alain Verite. For Flute and guitar. Classical. Score. 16 pages. Published by Editions Henry Lemoine