Guitar - intermediate to advanced SKU: M7.GHE-901 Catalan Folksongs(+)
Guitar - intermediate to
advanced
SKU:
M7.GHE-901
Catalan
Folksongs. Composed
by Miguel Llobet. Edited
by Stefano Grondona. This
edition: Saddle-wire
stitching. Sheet music.
72 pages. MDS (Music
Distribution Services)
#GHE 901. Published by
MDS (Music Distribution
Services) (M7.GHE-901).
ISBN 9783890449012.
English.
This
edition of the Catalan
folk songs is more
complete and contains
more works than in any
other edition. It is
particularly generously
documented. There is also
an illustrated 12 page
chronology of Llobet's
life with 61 rare
photographs and
documents. As in all our
editions both a detailed
documented critical
commentary and copious
notes are included.
Catalan song also
connects Llobet to the
cultural restlessness of
the epoch in which he was
born and grew up, to the
movement relating to the
birth and definition of a
Catalan cultural
identity, which, when
properly understood, was
to reveal all the more
fully Llobet's
intellectual and above
all his musical stature,
before we came to
consider him a great poet
of the guitar as
well.
Guitar SKU: HL.49010965 Guitar Solo. Composed by Narcisio Yepes. T...(+)
Guitar
SKU:
HL.49010965
Guitar
Solo. Composed by
Narcisio Yepes. This
edition: Saddle
stitching. Sheet music.
Gitarren-Archiv (Guitar
Archive). Classical. 8
pages. Schott Music #GA
605. Published by Schott
Music (HL.49010965).
ISBN 9790001097826.
UPC: 842819106265.
9.0x12.0x0.06
inches.
By Cat Stevens. Easy Guitar. Folk Rock. Guitar/vocal songbook (softcover). With ...(+)
By Cat Stevens. Easy
Guitar. Folk Rock.
Guitar/vocal songbook
(softcover). With
standard notation, vocal
melody, lyrics, chord
names, guitar chord
diagrams and strum and
pick patterns. 48 pages.
Music Sales #AM74741.
Published by Music Sales
Chamber Music Guitar SKU: PR.GHE901 Catalan Folksongs. Composed by...(+)
Chamber Music Guitar
SKU: PR.GHE901
Catalan Folksongs.
Composed by Miguel
Llobet. Edited by Stefano
Grondona. Collection.
Theodore Presser Company
#GHE901. Published by
Theodore Presser Company
(PR.GHE901).
Guitar (GUITAR) SKU: HL.14034682 Composed by John W. Duarte. Music Sales ...(+)
Guitar (GUITAR)
SKU:
HL.14034682
Composed
by John W. Duarte. Music
Sales America. Classical.
Book [Softcover]. 12
pages. Music Sales
#NOV120311. Published by
Music Sales
(HL.14034682).
ISBN
9780853608080. UPC:
884088486440.
8.25x11.75x0.069
inches.
Variations On A Catalan
Folksong (Op.
25) were written by
John W. Duarte
for solo Guitar. They
were based on the Spanish
folk melody Canco Del
Llabre, one of the
most popular Catalan folk
tunes to have survived to
this day.
John
W. Duarte
(1919-2004) was a British
guitarist, composer, and
music journalist. Having
received a degree in
Chemistry, his
fascination with the
endless possibilities of
the Guitar caused him to
abandon science in favour
of music. Despite having
never formally studied
music, he is regarded as
one of the foremost
composers for Guitar of
the 20th century.
Rockschool Classics. Exam
Material. Book with
Online Audio. Composed
2018. Rockschool
#RSK200070. Published by
Rockschool
(BT.RSK200070).
ISBN
9781789360066.
English.
Learn
to play rock and pop with
Rockschool. These
specially written
arrangements develop the
skills and techniques you
need to help you achieve
your musical goals.
Rockschool Classics
Guitar Grade 2 contains
eight of thebiggest rock
tracks from the past five
decades arranged for you
to play in your Grade 2
Exam. You can choose two
pieces from Rockschool
Classics to play in your
Grade Exam or three to
play in your Peformance
Certificate.
Featur
ing:
Foo
Fighters - Resolve
Bon Jovi - You Give
Love A Bad Name
AC/DC - Highway To
Hell
Red Hot
Chili Peppers -
Californication
Oasis -
Supersonic
Metallica
-EnterSandman
Fleetwood Mac -
Albatross
The
Darkness - I Believe In A
Thing Called Love
Plus:
Band and artist fact
files with recommended
listening
Learn to channel improvisational impulses into great solos with this amazing boo...(+)
Learn to channel
improvisational impulses
into great solos with
this amazing book and CD
by outstanding jazz
performer and educator,
Mark Dziuba. Topics are
thoroughly explained and
organized into three main
categories: instruction
in the harmonic and
melodic structures of
jazz, discussions of
practical application,
and conceptual issues.
Complex subjects are
taught with an engaging
and friendly style, so
topics such as melodic
and rhythmic motifs,
phrasing, development,
guide tones, chromaticism
and functional harmony
are easy and enjoyable to
learn. This is a
must-have book for all
jazz guitarists that will
be used for years to
come.
10 Contemporary Classical
Guitar Solos.
Saddle-stitched,
World. Classical Guitar.
Book
and online audio. Mel Bay
Publications, Inc
#30979M.
Published by Mel Bay
Publications, Inc
Composed by Miguel Llobet. Edited by Stefano Grondona. This edition: Saddle-wi...(+)
Composed by Miguel
Llobet.
Edited by Stefano
Grondona.
This edition: Saddle-wire
stitching. Sheet music.
1048
pages. MDS (Music
Distribution
Services) #GHE 900.
Published
by MDS (Music
Distribution
Services)
Suite No. 1 Guitare Guitare classique [Conducteur] - Avancé Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. ...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4308
Composed by Giorgio
Mirto. Score. Les
Productions d'OZ #DZ
4308. Published by Les
Productions d'OZ
(DZ.DZ-4308).
ISBN
9782898522253.
Foll
owing a recent experience
on the jury of a guitar
competition, I noted with
great pleasure that
Giorgio Mirto, with whom
I had shared the role of
juror, wanted to
celebrate the experience
of the competition -
during from which we
discovered that we had
had a great affinity of
thought - with something
which could endure over
time and not evaporate as
often happens in short
and occasional meetings
between musicians. He did
it as a true composer,
which he is, and
dedicated to me a very
beautifully crafted Suite
to which I allowed myself
to collaborate at least
formally, by suggesting
titles for the four
movements. This is how
Suite n.1 was born, a
piece that does not
strictly respect the
formal rules of the
Baroque era, but
reinterprets and reuses
them in a new key. The
work's obvious late
Baroque inspiration led
me to find titles that
invited the performer to
delve deeper into the
work's aesthetic
inspiration. So I
suggested to Giorgio that
he title the four
movements with something
that linked their content
to four greats of the
18th century. German
masters. The prelude has
thus become from Eisenach
because of its sometimes
improvised Bach-like
atmosphere, the second
movement, vaguely
toccata, speaks an organ
language in the manner of
Buxtehude (who lived in
Lübeck), the slow
movement has a Handelian
quality - and Handel was
born in Halle - and the
last movement, far from
being a true Chaconne,
undoubtedly has the
latter's taste for
variation and ostinato,
typical traits of
Telemann who lived in
Magdeburg. The cities
that appear in the titles
are therefore indelible
to the authors cited.
Furthermore, one should
not think that the style
of the work is in any way
German, given that
Giorgio Mirto expresses
himself in a very joyful
language that synthesizes
modality with minimalism,
all seasoned with a a nod
to Pink's progressive
rock Floyd. or a Mike
Oldfield... The result of
this mixture of ideas,
inspirations and styles
is a work that personally
I never tire of reading
and rereading, for the
freshness that emanates
from it and for the
climate expressive which
rises, nourishing itself
with full efficiency. We
ultimately cannot ignore
that the note B, the one
which marks in a minor
way some of the most
expressive works of the
guitar repertoire, from
the study of Sor which
made generations of
students fall in love
with the guitar, until to
that of Frank Martin's
Four Pieces via La
Catedral di Barrios, is
the modal fulcrum of the
entire Suite: it is true
that the Prelude begins
with a clear chord in E
minor and lingers on an
open ending in A minor ,
but it almost seems that
the initial E serves as a
launching pad for a
continuation of the work
in which the dominant,
that is to say the B, is
the true musical North,
the pole star which
guides us in the other
three movements until the
end of the Chaconne de
Magdebourg. I wish
Giorgio and our Suite
great longevity and a
favorable destiny in the
complex and complex world
of contemporary guitar
composition. And I thank
him again, flattered by
his very kind
dedication.
Compiled by Russ Shipton. Fake book for voice and guitar. With vocal melody, lyr...(+)
Compiled by Russ Shipton.
Fake book for voice and
guitar. With vocal
melody, lyrics, chord
names and guitar chord
diagrams. 167 pages.
Published by Music Sales.
Guitar SKU: BT.MUSAM996996 Arranged by Russ Shipton. The Complete Guitar ...(+)
Guitar
SKU:
BT.MUSAM996996
Arranged by Russ Shipton.
The Complete Guitar
Player. Pop & Rock. Book
with CD. Wise
Publications
#MUSAM996996. Published
by Wise Publications
(BT.MUSAM996996).
ISBN
9781849380140.
English.
Th
e Complete Guitar
Player series
has taught hundreds of
thousands how to play and
the accompanying
songbooks have featured
hits by Paul Simon, Elvis
Presley, The Beatles,
John Denver and many
othertopartists.
N
ow these songbooks are
available in super value
omnibus editions like
this one. The songs are
still graded by ease of
playing and everything is
there... standard
notation, Guitar chord
boxes, full lyrics
andevenstrumming
patterns!
Over 180
great songs! Perfect for
all players and
singers!
The bonus
CD contains backing
tracks to 16 of the songs
in the book.
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate
SKU: DY.DO-1522
Composed by Francis
Bebey. Arranged by Ingrid
Riollot. Score. Les
Editions Doberman-Yppan
#DO 1522. Published by
Les Editions
Doberman-Yppan
(DY.DO-1522).
Francis
Bebey was born in Douala
in July 1929, into a
large family where his
father, a pastor,
struggled to feed his
children. But Francis had
the opportunity to go to
school. Admiring his
elder brother, Marcel
Eyidi Bebey, he educated
himself, distinguished
himself, and eventually
received a scholarship to
go and take his
baccalaureate in
France. We approached
the end of the 1950s when
he arrived in La
Rochelle. More than ever,
in this France where
Africans were looked at
with curiosity,
condescension, or
disdain, Francis relied
on his intellectual
resources. A diligent
worker, he obtained his
Baccalaureate, then moved
to Paris where he started
English studies at the
Sorbonne. One day, he
knew what truly attracted
him: he wanted to do
radio. Francis learned
his craft in France and
in the USA. After
working for a few years
as a reporter, he was
hired in 1961 as an
international civil
servant in the UNESCO
Information
Department. In
parallel, Francis had
always been drawn to
musical creation. His
very serious daytime
activity didnâ??t
prevent him from
frequenting jazz clubs in
the evenings. In Paris,
the Jazz, the trendy
music of that time, but
also rumba and salsa
attracted him. He
collected records and
attended numerous
concerts. With his
accomplice Manu Dibango,
Francis took the stage
and played
music. Francis liked
classical music since his
childhood. He grew up
listening to the cantatas
and oratorios of Bach or
Handel that his father
had sung in the temple.
He became passionate
about the guitar,
impressed by the Spanish
and South American
masters, and decided to
learn to strum the
instrument himself. He
started composing guitar
pieces, blending the
various influences that
flow through him with the
traditional African music
he had carried within
since childhood. His
approach captivated the
director of the American
Cultural Center (then
located in the
Saint-Germain
neighborhood of Paris),
who offered him the
opportunity to perform in
front of an audience.
Francis gave his first
guitar recital there
(1963) in front of a
mesmerized audience. His
first solo album was
released shortly
thereafter. Gradually,
Francis became recognized
as a musician and
composer. Several albums
of the African guitar
ambassador, as described
by the press, were
released. He also wrote
books, to the point that
his artistic career
became challenging to
reconcile with his career
as a civil servant. In
1974, even though he had
become the General
Manager in charge of
music at UNESCO, he took
the bold leap and
resigned from this
prestigious institution
to dedicated himself to
the three activities that
interested him: music,
literature, and
journalism. He
explored the traditional
musical heritage of the
African continent,
notably through the thumb
piano sanza, and the
polyphonic music of the
Central African pygmies,
or singing in his native
language and composing
humoristic songs in
French! Success
followed. Francis Bebey
traveled the world: from
France to Brazil,
Cameroon to Sweden,
Germany to the Carribean,
or Morocco to Japan...
the list of countries
where he was invited to
perform, gives lectures,
or meets readers is very
long. In addition to
public recognition, he
enjoyed the recognition
of his fellow musicians,
such as guitarist John
Williams or Venezuelan
Antonio Lauro, who
invited him to be a part
of the jury for a
classical guitar
competition in
Caracas. His life was
the journey of an African
pioneer, a man rooted in
his cultural heritage and
carrying a message of
sharing and hope for the
world. His originality
continues to vibrate
around the world since
his passing at the end of
May 2001.
By Jerry Silverman. By Jerry Silverman. For Guitar (Fingerpicking). Methods. Arc...(+)
By Jerry Silverman. By
Jerry Silverman. For
Guitar (Fingerpicking).
Methods. Archive Edition.
Folk. Level: Beginning.
Book. 95 pages. Published
by Mel Bay Publications,
Inc.
Saddle-stitched. Country.
Book. Mel Bay
Publications, Inc #31088.
Published by Mel Bay
Publications, Inc
(MB.31088).
ISBN
9781513473413. 8.75X11.75
inches.
Whether you
already play old-time
music, or you are just
getting started, this is
the book for you.áDan
LevensonÃ?s Master
Collection of Old-Time
Tunesápresents more
than 300 tunes in
standard notation with
suggested chords for you
to explore and enjoy. All
but a few are traditional
or older tunes and are
easily searched online to
discover their pedigree
as well as several
recorded versions of
them.Some might call this
a complete repertoire in
a book in the following
sense: It is a large
though not encyclopedic
collection of old-time
fiddle tunes played in
todayÃ?s
sessions.Learning the
tunes in this book will
give you a solid old-time
repertoire that would
allow you to join in jams
in the many communities
playing old-time music
today.
(Everything You Need to Know About Guitars, Amps, and Effects). By Tobias Hurwit...(+)
(Everything You Need to
Know About Guitars, Amps,
and Effects). By Tobias
Hurwitz, Ethan Fiks, and
Vivian Clement. For
Guitar. Book; CD; Guitar
Reference; Reference
Textbooks. 96 pages.
Published by Alfred Music
Publishing
Guitar SKU: FG.55011-325-1 Composed by Kai Nieminen. Fennica Gehrman #550...(+)
Guitar
SKU:
FG.55011-325-1
Composed by Kai Nieminen.
Fennica Gehrman
#55011-325-1. Published
by Fennica Gehrman
(FG.55011-325-1).
ISBN
9790550113251.
Rifl
essioni sul nome Amedeo
Modigliani (Omaggio a
Oscar Ghiglia) is divided
in two movements that
follow each other
attacca. The first
movement of the piece is
named by the composer
...Il
Pittore...sta...dipingend
o... (...the
painter...is...painting..
.). At the beginning of
the piece we are
introduced to the main
motif of which the notes
are reflected
(Riflessioni) from the
name of Amedeo
Modigliani. A fantasy of
timbre created by the
composer is given a
versatile interpretation
by the possibilities of
the guitar: tone material
based on an octatonic
scale is developed
further through the means
of arpeggios, pizzicatos,
glissandos and
high-pitched flageolets.
The music is searching
for direction in
imitation of a painter
searching for a subject
as the theme Modigliani
is repeated in different
registers. The second
movement is called Gli
ucelli...della ombra...
(Birds...of
twilight...).