55 Classical Masterpieces from 5 Centuries. Edited by Martin Hegel. This edition: Paperback/Soft Cover. Sheet music. Guitar. For a long time, arrangements were rather looked down on by music specialists, but today attitudes have relaxed considerably. The classical concert repertoire is extensive and includes many wonderful pieces; many guitarists are naturally keen to get to kn. Classical. Softcover. 104 pages. Schott Music #ED 23047. Published by Schott Music

130 Easy Concert Pieces from 6 Centuries for Guitar. Composed by Various. Edited by Martin Hegel. Guitar. Softcover. 124 pages. Schott Music #ED22626. Published by Schott Music

By Oscar Herrero. For Guitar (Classical). Solos. Flamenco. Level: Intermediate. Compact Disc. Size 5.5x5. Published by Acordes Concert.

Guitar

SKU: HL.49046946

Book with Online Material. Edited by Bruno Szordikowski, Martin Hegel, and Peter Ansorge. Guitar. Classical. Softcover Media Online. 32 pages. Schott Music #ED21637D. Published by Schott Music (HL.49046946).

ISBN 9783795785055. UPC: 196288087601. 9.0x12.0x0.118 inches.

Whether for lessons or the first little concerts - 'Easy Concert Pieces' for guitar contains easy and well-known solo pieces, carefully selected according to technical and musical demands: Vol. 1 easy, Vol. 2 intermediate. Apart from original guitar pieces by Aguado, Mertz, Diabelli, Carulli, Sor, or Carcassi, this edition also contains easily playable arrangements of classical masterpieces such as Vivaldi's 'Four Seasons', Handel's 'Fireworks Music', Mozart's 'Magic Flute' or Verdi's 'Chorus of Hebrew Slaves'. The arrangements want to provide access to the masterpieces of concert literature and encourage the joy of classical music.All pieces are recorded and are available for download.

Performed by Frank Gambale. Edited by Tim Landers. DVD video. Published by Alfred Publishing.

Guitar

SKU: HL.48188089

Composed by Gaspar Sanz. Leduc. Softcover. Heugel & Cie #HE32082. Published by Heugel & Cie (HL.48188089).

Sanz Robert Concert Instrumental Pj168 2 Pieces Guitar Book.

Guitar

SKU: HL.48188361

Composed by Francesco Da Milano. Leduc. Softcover. Composed 2015. Heugel & Cie #HE32450. Published by Heugel & Cie (HL.48188361).

Milanoda Sanvoisin Concert Instrumental Pj384 Spagna 2 Guitars Parts.

Guitar

SKU: HL.48187994

Lord Chamberlane's Galliard/Greensleaves . Composed by Salvador Bacarisse. Arranged by John Dowland. Leduc. Softcover. Composed 2015. Heugel & Cie #HE31927. Published by Heugel & Cie (HL.48187994).

Dowland Concert Instrumental Pj65 Lord Chamberlane's Galliard 2gtr Bk.

Guitar (Guitar)

SKU: HL.48184017

Composed by Francis Kleynjans. Leduc. Classical. Softcover. Alphonse Leduc #AL26298. Published by Alphonse Leduc (HL.48184017).

Francis Kleynjans: 8 Etudes de Concert (Guitar solo).

Guitar

SKU: HL.48187953

Composed by de Anon.& Sermisy. Leduc. Softcover. Heugel & Cie #HE31874. Published by Heugel & Cie (HL.48187953).

Campion Robert Concert Instrumental Pj20 Suite In B Minor Guitar Book.

CD Sheet Music (Version 2.0) titles allow you to own a music library that rivals the great collections of the world! Version 2.0 improves upon the earlier edition in a number of important ways, including an invaluable searchable table of contents, biographical excerpts, and faster loading. CD Sheet Music (Version 2.0) titles work on PC and Mac systems. Each page of music is viewable and printable using Adobe Acrobat. 1600 pages. Published by Subito Music.

By Scott Tennant. Classical Guitar Method or Supplement. Pumping Nylon Series. Book. 64 pages. Published by Alfred Publishing.

Guitar - Intermediate

SKU: MB.30829

Beethoven, Saddle-stitched. Classics. Book. 116 pages. Mel Bay Publications, Inc #30829. Published by Mel Bay Publications, Inc (MB.30829).

ISBN 9781513465753. 8.75x11.75 inches.

This publication presents a lightly modernized, fully corrected, reliable edition of Francisco T?rrega?s more idiomatic transcriptions and arrangements for the classic guitar. T?rrega, who was also an able pianist, chose works by diverse composers such as Ludwig van Beethoven, Fr?d?ric Chopin, and Robert Schumann to arrange for his own guitar performances, greatly expanding the concert guitar repertoire of his time.This publication provides today?s players with a dependable edition of these works that can be seamlessly incorporated into any modern concert program. Written in standard notation only for the intermediate to advanced guitarist, this collection features pieces that were less commonly heard on the guitar and sound remarkably fresh to this day.

Composed by Napoléon Coste. Edited by Jeffrey McFadden. Book; Classical Guitar Folio; Masterworks. Alfred Classical Guitar Masterworks. Masterwork; Romantic. 72 pages. Published by Alfred Music

Composed by Hubert Kappel. Guitar: Classical and Lute, Music Styles & Regions, Classical, Technique, Theory and Reference. Book. 248 pages. Published by Mel Bay Publications, Inc

Book and CD. Composed by Bela Bartok (1881-1945). Boosey & Hawkes Chamber Music. Classical, Hungarian. Softcover with CD. 40 pages. Boosey & Hawkes #M060132421. Published by Boosey & Hawkes

Guitar - Intermediate

SKU: DY.DO-1522

Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. Les Editions Doberman-Yppan #DO 1522. Published by Les Editions Doberman-Yppan (DY.DO-1522).

ISBN 9782897963026.

Fran cis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.
Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux �tats-Unis.
Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.
Parallèle ment, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. � Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.
Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.
Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.
Progressivem ent, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.
Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !
Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.
Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.

Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.
We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.
After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.
In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.
Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.
He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.
Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism.
He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!
Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.
His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.

Guitar (Guitar)

SKU: HL.50586677

Composed by Jan Depreter. Ricordi Germany. Book Only. Hal Leonard #SY2886. Published by Hal Leonard (HL.50586677).

You are an intermediate guitar student or player? Get to know the Belgian Jan Depreter then, a young but much renowned composer and guitar virtuoso, famous for his excellent concertworks. The selection of intermediate pieces presented here will be manageable for many.

De Belg Jan Depreter is een jonge, maar inmiddels gerenommeerde gitaarvirtuoos. Zijn composities zijn uitstekende concertwerken. De stukken in dit boek zijn van middelmatige moeilijkheidsgraad. Daardoor voor vele gitaristen geschiktdus!

Der Belgier Jan Depreter ist ein noch junger, aber schon sehr renommierter Gitarrenvirtuose. Seine Kompositionen sind ausgezeichnete Konzertwerke. Die Stucke in diesem Band sind mittelschwer und somit fur viele Gitarristen zuganglich.

Il belga Jan Depreter (1975) e un chitarrista dalla solida formazione accademica, insignito di numerosi premi. Sebbene abbia anche studiato elementi di composizione, in questo campo puo dirsi ampiamente autodidatta. Ha tuttavia prodotto alcune composizioni per chitarra classica degne di nota, tra cui nel 2009 WIT, per chitarra sola.

Composed by Johann Sebastian Bach (1685-1750). Edited by Didier Coll. Guitar solo. For Guitar solo. The Must-Haves for Guitar. Classical, Educational. Grade 4. Guitar part. 5 pages. Published by FLEX Editions

By Gaspar Sanz (1640-1710). Edited by Didier Coll. Guitar solo. For Guitar solo. The Must-Haves for Guitar. Classical, Educational. Grade 4. Guitar part. 4 pages. Published by FLEX Editions

Score. By Leo Brouwer. Editions Durand. Size 7x9 inches. 38 pages. Published by Durand.

Composed by Nicolo Paganini (1782-1840). Edited by Frederic Zigante. Editions Durand. Softcover. 92 pages. Editions Max Eschig #DF16375. Published by Editions Max Eschig

By Michael Patilla. For solo guitar with CD. Book and CD. Published by Imagine Music

By Agustin Barios Mangore, Agustin Barrios Mangore. Schott. Size 9x12 inches. 61 pages. Published by Schott.