Guitar

SKU: GI.G-3724G

Composed by Bobby Fisher and Ed Gutfreund. This edition: Guitar edition. Sacred. Guitar part. With guitar chord names. 36 pages. GIA Publications #3724G. Published by GIA Publications (GI.G-3724G).

CONTENTS: ONE BREATH (G-3725) • ALL THE EARTH PROCLAIM GOD’S GLORY (G-3726) • GLORY TO GOD (G-3727) • THE WONDER OF YOUR WORK (G-3728) • ALLELUIA FROM “MASS OF AWAKENING” (G-3729) • SERVANT SONG (G-3730) • EUCHARISTIC ACCLAMATIONS FROM “MASS OF AWAKENING” (G-3731) • GLORY, CHILDREN, GLORY (G-3732) • WE WALK WITH HUNGER (G-3733) • IN WINTER SKIES (G-3734) • THE AGE OF EXPECTATION (G-3735) • IT’S A LONG WALK (G-3736).

Guitar

SKU: GI.G-3536G

Composed by Marty Haugen. This edition: Guitar edition. Sacred. Guitar part. With guitar chord names. 48 pages. GIA Publications #3536G. Published by GIA Publications (GI.G-3536G).

CONTENTS: LET JUSTICE ROLL LIKE A RIVER (G-3491) • RETURN TO GOD (G-3537) • THE LONE WILD BIRD (G-3538) • I NEED YOU TO LISTEN (G-3539) • MAKE ME AN INSTRUMENT OF YOUR PEACE (G-3540) • RIDE ON, JESUS, RIDE (G-3541) • HOW LONG, O GOD? (G-3542) • COME TO THE FEAST (G-3543) • WONDROUS LOVE (G-3544) • WORD THAT FORMED CREATION (G-3545) • SONG AT THE EMPTY TOMB (G-3546) • WE ARE GOD’S WORK OF ART (G-3597).

Guitar

SKU: GI.G-3966G

Composed by Gary Daigle, Rory Cooney, and Theresa Donohoo. This edition: Guitar edition. Sacred. Guitar part. With guitar chord names. 36 pages. GIA Publications #3966G. Published by GIA Publications (GI.G-3966G).

Text by Various.

CONTENTS: I AM FOR YOU (G-3967) • ONE IS (G-3968) • PSALM 1:ROOTS IN THE EARTH (G-3969) • IF/SI (G-3970) • PSALM 85:YOUR MERCY LIKE RAIN (G-3971) • BE THOU MY VISION (G-3973) • NOW (G-3974) • PSALM 51:CREATE ME AGAIN (G-3975) • ALL THINGS NEW (G-3976) • COVENANT HYMN (WHEREVER YOU GO) (G-3977) • MISSION SONG (G-3978) • SPIRITS SEEKING LIGHT AND BEAUTY (G-3979) .

Guitar

SKU: GI.G-3966

Composed by Gary Daigle, Rory Cooney, and Theresa Donohoo. Sacred. Collection. With guitar chord names. GIA Publications #3966. Published by GIA Publications (GI.G-3966).

Text by various.

Hear these once and the tunes and lyrics will remain with you for a long time. One Is has become an instant success that unites the living, the unborn, the dead. Covenant Hymn is perfect for weddings and anniversaries. Now bespeaks our need for peace and justice. Four new psalm settings bring ancient words to life. Three inspired liturgical musicians combined their talents once again to create this hit. Rory Cooney wrote all the music and lyrics except for the music of Covenant Hymn which was written by Gary Daigle who also produced the recording. The incredible vocal talent of Theresa Donohoo contributes to wonderfully pleasant listening. CONTENTS: I AM FOR YOU (G-3967) • ONE IS (G-3968) • PSALM 1:ROOTS IN THE EARTH (G-3969) • IF/SI (G-3970) • PSALM 85:YOUR MERCY LIKE RAIN (G-3971) • BE THOU MY VISION (G-3973) • NOW (G-3974) • PSALM 51:CREATE ME AGAIN (G-3975) • ALL THINGS NEW (G-3976) • COVENANT HYMN (WHEREVER YOU GO) (G-3977) • MISSION SONG (G-3978) • SPIRITS SEEKING LIGHT AND BEAUTY (G-3979) .

Composed by Bobby Fisher and Ed Gutfreund. For keyboard. Sacred. Collection. Guitar chord names. Published by GIA Publications

Guitar

SKU: GI.G-4005G

Composed by Bob Moore. This edition: Guitar edition. Sacred. Guitar part. With guitar chord names. 24 pages. GIA Publications #4005G. Published by GIA Publications (GI.G-4005G).

This is the guitar version. There's a style here for everyone: robust metrical hymns like When the Lord in Glory Comes, the lyrical Joyful Is the Dark, Come to Me O Weary Traveller with a beautiful early American flavor, and the classically influenced Jesus on the Mountain Peak. In addition to Bob's original texts, works by Timothy Dudley-Smith, Brian Wren, and Sylvia Dunstan are also included. CONTENTS: LIVING WATERS (G-3630) • ENTER IN (G-3837) • THE WORD IS IN YOUR HEART (G-3838) • WHEN THE LORD IN GLORY COMES (G-3841) • JOYFUL IS THE DARK (G-3845) • GOD BE IN MY HEAD (G-3854) • PSALM 103: OUR GOD IS RICH IN LOVE (G-3858) • ALL WHO HUNGER (G-3859) • COME TO ME, O WEARY TRAVELER (G-3860) • WE GATHER IN WORSHIP (G-3861) • WE ARE A CHOSEN PEOPLE (G-3875) .

Guitar

SKU: GI.G-4107G

Composed by Gary Daigle, Rory Cooney, and Theresa Donohoo. This edition: Guitar edition. Sacred. Guitar part. With guitar chord names. 32 pages. GIA Publications #4107G. Published by GIA Publications (GI.G-4107G).

This collection is characterized by a variety of styles in the Cooney tradition. Live the Promise was chosen as the theme song for the 1994 LA Religious Education Congress for its upbeat music and bold lyrics. This collection is characterized by a variety of styles in the Cooney tradition. Live the Promise was chosen as the theme song for the 1994 LA Religious Education Congress for its upbeat music and bold lyrics. A great version of Psalm 34 for weddings, Every Morning in Your Eyes, and a Winter Magnificat with text by Sr. Miriam Therese Winter, MMS round out this wonderful collection. (Does not include “Hard Time, Come Again No More,” which is available separately, G-4120) CONTENTS: PSALM 65: YOU (G-4111) • LIVE THE PROMISE (G-4096) • PSALM FOR WEDDINGS: EVERY MORNING IN YOUR EYES (G-4112) • LIVELY LIGHT (G-4113) • MY SOUL GIVE GLORY/HE KING SHALL COME (G-4115) • BUILDING A CITY. (G-4116) • CAROL OF THE STRANGER (G-4118) • LITANY OF DELIVERANCE (G-4119) • HARD TIMES, COME AGAIN NO MORE (G-4120) .

CD Sheet Music (Version 2.0) titles allow you to own a music library that rivals the great collections of the world! Version 2.0 improves upon the earlier edition in a number of important ways, including an invaluable searchable table of contents, biographical excerpts, and faster loading. CD Sheet Music (Version 2.0) titles work on PC and Mac systems. Each page of music is viewable and printable using Adobe Acrobat. 1600 pages. Published by Subito Music.

Guitar

SKU: GI.G-4026G

Composed by Gary Daigle. This edition: Guitar edition. Sacred. Guitar part. With guitar chord names. 24 pages. GIA Publications #4026G. Published by GIA Publications (GI.G-4026G).

CONTENTS: COVENANT HYMN (G-4017) • GOD IS ONE, UNIQUE AND HOLY (G-4018) • PENITENTIAL LITANY (G-4019) • GLORY TO GOD (G-4020) • GOSPEL ACCLAMATION (G-4021) • LORD’S PRAYER (G-4022) • MAY WE BE ONE (G-4024) • HYMN OF THANKSGIVING (G-3475) • ADVENT GATHERING (G-4025) .

Guitar

SKU: GI.G-4026

Composed by Gary Daigle. Sacred. Collection. With guitar chord names. GIA Publications #4026. Published by GIA Publications (GI.G-4026).

Gary comes through with a wonderful collection of music for Sunday Eucharist and other occasions. Utilizing talented musicians, soloists like Theresa Donohoo, text writers like Rory Cooney and Brian Wren, as well as his own musical and writing talents, Gary has produced a real winner! Music in this collection can be applied to many liturgical occasions adn features two gathering rites—one for Advent and one for Lent. CONTENTS: COVENANT HYMN (G-4017) • GOD IS ONE, UNIQUE AND HOLY (G-4018) • PENITENTIAL LITANY (G-4019) • GLORY TO GOD (G-4020) • GOSPEL ACCLAMATION (G-4021) • LORD’S PRAYER (G-4022) • MAY WE BE ONE (G-4024) • HYMN OF THANKSGIVING (G-3475) • ADVENT GATHERING (G-4025) .

By Stanley Yates. For Guitar (Classical). solos. Stanley Yates Gtr. Classic. Level: Beginning-Intermediate. Book. Size 8.75x11.75. 88 pages. Published by Mel Bay Publications, Inc.

By John Zaradin. For Guitar. Classical. Sheet Music. 64 pages. Published by Music Sales.

Guitar - Intermediate

SKU: DY.DO-1522

Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. Les Editions Doberman-Yppan #DO 1522. Published by Les Editions Doberman-Yppan (DY.DO-1522).

ISBN 9782897963026.

Fran cis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.
Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux �tats-Unis.
Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.
Parallèle ment, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. � Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.
Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.
Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.
Progressivem ent, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.
Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !
Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.
Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.

Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.
We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.
After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.
In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.
Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.
He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.
Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism.
He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!
Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.
His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.

by William Bay. For all guitars. Complete. All styles. Level: Multiple Levels. Book. Technique. Size 8.75x11.75. 296 pages. Published by Mel Bay Pub., Inc.

Old Time, Wire bound. Vocal. Book and online audio. 248 pages. Mel Bay Publications, Inc #31104M. Published by Mel Bay Publications, Inc

By Mel Bay and William Bay. For Guitar (All). method. Non-Series. All Styles. Level: Beginning. Book CD DVD. Size 8.75x11.75. 88 pages. Published by Mel Bay Publications, Inc.

Guitar - easy

SKU: HL.49019327

58 Easy Pieces for Guitar. Arranged by Martin Hegel. This edition: Saddle stitching. Sheet music with CD. Guitar. Dieses Heft enthalt alles, was man fur den Gitarrenunterricht braucht: 58 leichte originale Gitarrenstucke von Aguado, Mertz, Diabelli, Carulli, Sor oder Carcassi, aber auch leicht spielbare Bearbeitungen der klassischen Musik aus den Bereichen Orchesterm. Softcover with CD. 46 pages. Schott Music #ED21305. Published by Schott Music (HL.49019327).

ISBN 9783795747558. UPC: 841886018204. 9.0x12.0x0.2 inches.

This volume contains everything needed for guitar lessons: 58 easy original guitar pieces by Aguado, Mertz, Diabelli, Carulli, Sor or Carcassi, but also easy-to-play arrangements of classical music from the fields of orchestral music, chamber music or opera. Among them are themes from Vivaldi's Four Seasons, from Handel's Music for the Royal Fireworks, Mozart's Magic Flute, Beethoven's Symphony No. 9 or Verdi's Chorus of the Hebrew Slaves. It is this volume's concern to make classical masterpieces of concert literature accessible to children by means of such rather easy arrangements and make them enjoy classical music. All pieces are recorded on the accompanying CD to make it easier for the pupils to study and master the works.

Felix Schell. For all guitars. All styles, chord rhythm and improvisation. Level: Beginning. Book. Chord book. Size 8.75x11.75. 48 pages. Published by Mel Bay Pub., Inc.

by William Bay and Mike Christiansen. For all guitars. Mastering Guitar. All styles, assorted music styles. Level: Beginning-Intermediate. Book/CD Set. Method. Size 8.75x11.75. 184 pages. Published by Mel Bay Pub., Inc.

Written by Morton Manus, Ron Manus. Instructional book for guitar. 48 pages. Published by Alfred Publishing.

George Van Eps. For all guitars. All styles, jazz. Level: Intermediate-Advanced. Book. Theory and harmony. Size 8.75x11.75. 384 pages. Published by Mel Bay Pub., Inc.

By William Bay. For Guitar (All). Technique. Workout. All. Level: Beginning-Intermediate. Book. Size 8.75x11.75. 40 pages. Published by Mel Bay Publications, Inc.

(Revised and Updated Edition) Compiled by Jerry Willard. Guitar solo book (spiral bound) for classical guitar solo. With standard guitar notation. 256 pages. Published by Music Sales.

Composed by Miguel Llobet. Edited by Stefano Grondona. This edition: Saddle-wire stitching. Sheet music. 1048 pages. MDS (Music Distribution Services) #GHE 900. Published by MDS (Music Distribution Services)

By Frederick Noad. For Guitar. Classical. Sheet Music and Audio CD. 144 pages. Published by Music Sales.

by J. S. Bach arranged by Stanley Yates. For classic guitar. Stanley Yates Gtr. Classic, Baroque. Level: Intermediate. Book. Solos. Size 8.75x11.75. 192 pages. Published by Mel Bay Pub., Inc.

(32 Transcriptions for Guitar). Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Martin Hegel. For Guitar (Guitar). Guitar. Softcover. Schott Music #ED21856. Published by Schott Music

Composed by Various. Guitar Solo. Softcover. 136 pages. Published by Hal Leonard