Early Version Of 1844 And Late Version Of 1845. Par MENDELSSOHN-BARTHOLDY FELIX. Replaces BA 9050- The orchestral parts are unchanged and continue to be available as BA 9050-65/-74/-75/-79/-82/-85 Mendelssohn' s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première- the 'child prodigy' Joseph Joachim- and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David- now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn' s approval. That the young violinist made a positive impression on the composer is confirmed in the latter' s correspondence following their joint performance. Mendelssohn is full of praise for Léonard' s playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)/ Répertoire / Violon et Orchestre

Office Du Matin. Par VIOTTI GIOVANNI BATTISTA. Détails de la formation instrumentale: 1.2.2.2-1.2.0.0-timp-strings - Durée: 27' - Format: New Edition portrait/ Répertoire / Violon et Orchestre

Par PANUFNIK ANDRZEJ. Détails de la formation instrumentale: strings(8.6.4.4.2) - Durée: 22' -/ Répertoire / Violon et Orchestre

Par SCHWARZ-SCHILLING REINHARD. Détails de la formation instrumentale: 1.1.1.1-2.2.0.0-timp-strings - Durée: 23' - Format: New Edition portrait/ Répertoire / Violon et Orchestre

Par MANICKE DIETRICH. Détails de la formation instrumentale: 2.2.2.2-2.0.0.0-strings - Durée: 5' -/ Répertoire / Violon et Orchestre

Complétant les éditions du Bärenreiter des oeuvres pour violon et piano, basée sur l'Urtext de la ' nouvelle édition Schubert, ' vient de Schubert totalement charme Rondo en la majeur pour violon Solo et cordes. Le Rondo, daté de 1816 est une oeuvre d'un mouvement contenant solo lyrique ainsi que virtuose des passages et peut également être effectuée avec chaînes seul ou avec un plus grand ensemble à cordes. Notre nouvelle édition contient une introduction informative (Ger/Eng) par érudit de Schubert Michael Kube, qui est aussi l'arrangeur de la réduction du piano. -Une nouvelle édition de Schubert peut-être plus charmant des travaux pour violon - comprend idiomatique réduction pour piano - Urtext de la ' nouvelle édition de Schubert ' / Orchestre Et Violon