Maximizing Student Performance: Assessment in Orchestra by Wendy Barden. For orc...(+)
Maximizing Student
Performance: Assessment
in Orchestra by Wendy
Barden. For orchestra.
Maximizing Student
Performance. Book A,1.
Book. Published by Neil
A. Kjos Music Company
(A Revolutionary Method for Early-Intermediate Musicians (Conductor's Score)). B...(+)
(A Revolutionary Method
for Early-Intermediate
Musicians (Conductor's
Score)). By Bob Phillips,
Peter Boonshaft, and
Robert Sheldon.
Orchestra. For
Conductor's Score.
Method/Instruction;
Score; String Orchestra
Method/Supplement. Sound
Innovations. 208 pages.
Published by Alfred Music
Publishing
Orchestra (Score) SKU: HL.132289 Chopin National Edition Vol. XVe....(+)
Orchestra (Score)
SKU:
HL.132289
Chopin
National Edition Vol.
XVe. Composed by
Frederic Chopin. Edited
by Jan Ekier. PWM.
Classical. Book
[Softcover]. Polskie
Wydawnictwo Muzyczne
#51600012. Published by
Polskie Wydawnictwo
Muzyczne (HL.132289).
ISBN 9788392036524.
UPC: 884088971236.
9.25x12.0x0.277
inches.
The
historical version of the
score is what Chopin
agreed to have published,
for various reasons, but
it is contaminated by
involvement of foreign
editorial input. The
performance full score
00132241 or its 2 piano
reduction 00132132242 are
practical editions that
are considered more
authoritative for
performance. The National
Edition of the Works of
Fryderyk Chopin Published
by PWM Exclusively
Distributed by Hal
Leonard Corporation
Co-Editors Jan Ekier and
Pawel Kaminski The
objective of the National
Edition is to present
Chopin's complete output
in its authentic form,
based on the entire body
of available sources.
Sources were analyzed
with up-to-date
scientific and
musicological
methodology. The National
Edition was based on
sources originated from
the composer, mainly
autographs, copies of
autographs and first
editions with the
composer's corrections,
and pupils' copies with
Chopin's annotations. In
cases when original
sources were lacking, the
closest possible
materials were used.
Collecting the source
materials was a laborious
task which took years of
effort. The
characteristics of
sources, the links and
discrepancies between
them as well as the
reasons for particular
editorial decisions are
discussed in the Source
Commentary in each
volume. The Performance
Commentary appended to
each volume includes: the
realization of ornaments,
comments on pedal
markings (the original
markings sometimes are
inadequate, due to the
difference in sound
between pianos used in
Chopin`s times and modern
pianos), suggestions as
to the harmonic legato (a
performance technique
often used by Chopin and
now forgotten). About the
National Edition Full
Introduction to the
Polish National Edition
of the Works of Fryderyk
Chopin.
(Orchestra) SKU: BA.BA11902 Composed by Ludwig van Beethoven. Edited by J...(+)
(Orchestra)
SKU:
BA.BA11902
Composed
by Ludwig van Beethoven.
Edited by Jonathan Del
Mar. This edition: urtext
edition. Stapled. Score.
Opus 43. Baerenreiter
Verlag #BA11902_00.
Published by Baerenreiter
Verlag (BA.BA11902).
ISBN 9790006573417.
32.5 x 25.5 cm
inches.
Beethoven
composed the ballet music
“Die Geschöpfe
des Prometheusâ€
during 1800–01,
commissioned by the
ballet master Salvatore
Viganò for
performances with his
Viennese company.
Although the ballet was
initially quite
successful, with almost
thirty continuous
performances, it did not
enjoy a sustained
performance tradition.
Its overture, however,
was a different matter:
considered almost a
symphonic movement in
terms of orchestration,
style and structure, it
was often performed on
its own even during
Beethoven’s
lifetime.
In
general, previous
editions of this overture
relied on the first print
as the main source.
However, the authenticity
of this source cannot be
convincingly proven. For
this new edition,
Beethoven specialist
Jonathan Del Mar
incorporates various
manuscript sources,
including a set of parts
from 1803/4 that has
never been considered
before. In this way,
numerous discrepancies
could be
clarified.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra - Intermediate SKU: LO.765762213302 Composed by David Winkler. ...(+)
Orchestra - Intermediate
SKU:
LO.765762213302
Composed by David
Winkler. Allegis.
Orchestration, enhanced
CD. Lillenas Publishing
Company #765762213302.
Published by Lillenas
Publishing Company
(LO.765762213302).
UPC:
765762213302.
The
fresh and creative
Allegis Orchestral Series
is designed to give small
to mid-sized churches an
instrumental resource
that fits the needs of
any size group, from
eight players (minimum)
to a full orchestra.
These moderately
difficult hymn
arrangements have been
created in popular styles
that your
instrumentalists and
congregation alike with
love. Three accompaniment
options (piano, live
rhythm section, or
recorded rhythm
tracks).Everything you
need for practice and
performance is included
on the Enhanced CD:
printable instrumental
parts, (incl. opt parts),
plus the rhythm
accompaniment track and
demonstration track.
Minimum Instrumentation:
Part 1 – Fl; Part
2 – Ob (Cl, S
Sax); Part 3 – Cl
(A Sax); Part 4 –
Tpt; Part 5 – Tpt
(A Sax); Part 6 –
Hn (A Sax, Cl); Part 7
– Tbn (Bari TC, T
Sax); Part 8 – Tbn
(Bari TC).
By Georges Bizet (1838-1875). Edited by Robert Didion. For Orchestra (Study Scor...(+)
By Georges Bizet
(1838-1875). Edited by
Robert Didion. For
Orchestra (Study Score).
Study Score. Softcover.
64 pages. Hal Leonard
#ETP1544. Published by
Hal Leonard
Composed by Michael Lawrence. For orchestra. Allegis. Medium. Orchestration, enh...(+)
Composed by Michael
Lawrence. For orchestra.
Allegis. Medium.
Orchestration, enhanced
CD. Lillenas Publishing
Company #765762212909.
Published by Lillenas
Publishing Company
Composed by David Shipps. For orchestra. Allegis. Medium. Orchestration, enhance...(+)
Composed by David Shipps.
For orchestra. Allegis.
Medium. Orchestration,
enhanced CD. Lillenas
Publishing Company
#765762213104. Published
by Lillenas Publishing
Company
Composed by Robert Lowry. Arranged by Tom Payne and Ed Hogan. For orchestra. All...(+)
Composed by Robert Lowry.
Arranged by Tom Payne and
Ed Hogan. For orchestra.
Allegis. Sacred, hymn.
Medium. Score and CD with
printable parts and
accompaniment tracks. 15
pages. Lillenas
Publishing Company
#765762213005. Published
by Lillenas Publishing
Company
Exercises for Intonation, Rhythm, Bowing, and Creativity for Intermediate Str...(+)
Exercises for
Intonation, Rhythm,
Bowing, and Creativity
for Intermediate String
Orchestra (Conductor's
Score). Composed by
Bob Phillips; Kirk Moss;
Matt Turner; Stephen
Benham. This edition:
Teacher's Score.
Method/Instruction;
SmartMusic; String
Orchestra
Method/Supplement. Sound
Innovations for String
Orchestra. Score. 101
pages. Alfred Music
#00-44213. Published by
Alfred Music (AP.44213).
Exercises for Intonation, Rhythm, Bowing, and Creativity for Intermediate Str...(+)
Exercises for
Intonation, Rhythm,
Bowing, and Creativity
for Intermediate String
Orchestra
(Cello/Bass).
Composed by Bob Phillips;
Kirk Moss; Matt Turner;
Stephen Benham. This
edition: Cello/Bass.
Method/Instruction;
SmartMusic; String
Orchestra
Method/Supplement. Sound
Innovations for String
Orchestra. Book. 56
pages. Alfred Music
#00-44212. Published by
Alfred Music (AP.44212).
Exercises for Intonation, Rhythm, Bowing, and Creativity for Intermediate Str...(+)
Exercises for
Intonation, Rhythm,
Bowing, and Creativity
for Intermediate String
Orchestra (Viola).
Composed by Bob Phillips;
Kirk Moss; Matt Turner;
Stephen Benham. This
edition: Viola.
Method/Instruction;
SmartMusic; String
Orchestra
Method/Supplement. Sound
Innovations for String
Orchestra. Book. 56
pages. Alfred Music
#00-44211. Published by
Alfred Music (AP.44211).
Composed by Loreta Fin. Performance Music Ensemble; Single Titles; String ...(+)
Composed by Loreta Fin.
Performance Music
Ensemble;
Single Titles; String
Orchestra. Wilfin String
Orchestra: Young String
Ensemble Series. Score
and
Part(s). Duration 2:15.
Alfred
Music #76-49875.
Published by
Alfred Music
By Marc-Antoine Charpentier. Arranged by Vernon Leidig. Music by Marc-Antoine Ch...(+)
By Marc-Antoine
Charpentier. Arranged by
Vernon Leidig. Music by
Marc-Antoine Charpentier
/ arr. Vernon Leidig. For
Full Orchestra. Full
Orchestra. Full
Orchestra. Level: 2
(grade 2). Conductor
Score and Parts. 1 pages.
Published by Alfred
Publishing.
(Orchestra) SKU: BA.BA11903 Composed by Ludwig van Beethoven. Edited by J...(+)
(Orchestra)
SKU:
BA.BA11903
Composed
by Ludwig van Beethoven.
Edited by Jonathan Del
Mar. This edition: urtext
edition. Stapled. Score.
Opus 84. Baerenreiter
Verlag #BA11903_00.
Published by Baerenreiter
Verlag (BA.BA11903).
ISBN 9790006573783.
32.5 x 25.5 cm
inches.
Beethovenâ
€™s incidental music
op. 84 was written in
1809 for a performance of
Goethe’s drama
“Egmont†at
the Burgtheater in
Vienna. Numerous
composers of the day
tried their hand at
writing music for the
dramatic material of
Goethe’s tragedy,
several in collaboration
with the author himself.
The overture reflects the
themes of the play
through its expressive
music, and over the last
two hundred years it has
become one of the most
popular works by
Beethoven conceived for
the stage.
For
this new edition,
Beethoven specialist
Jonathan Del Mar draws on
various manuscript
sources including a
handwritten set of parts
which has never been
taken into account
before. Thus, numerous
discrepancies such as
missing notes in the
flute part or unclear
bowing could be clarified
for the first
time.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
ISBN
9790006567560. 33 x 24.3
cm inches. Text: Duplat
de Monticourt,
Pierre-Jacques.
Thi
s edition unites all the
purely instrumental parts
of Rameau’s
comdie-ballet “Les
Paladins†for
performance as a suite in
the concert
hall.
In view of
the wealth of the
work’s musical
treasures and the
stylistic innovations
– similar to the
“Boradesâ€
– the rather
frosty reception of the
premiere series in the
spring of 1760 seems
completely
incomprehensible to us
today. It led to this
stage work not being
performed again until
well into the 20th
century. The story that
the comdie-ballet tells
is based on a fable by La
Fontaine, “Le Petit
chien qui secoue de
l’argent et des
pierreries†(i.e.
“The little dog who
shakes silver and
stonesâ€). In
medieval Veneto, the
guardian Anselme
undermines the love
affairs of his ward
Argies. Scenes of tragic
expression are contrasted
with folk-comic ones; and
last but not least, the
sexually ambiguous fairy
Manto may have caused
difficulties for the bold
work at the Paris
Opra.
This
critical edition is based
on the corresponding
volume issued in the
series “Opera omnia
Rameau†(BA
8870-01). Since
“Les
Paladins†remained
unpublished during
Rameau’s lifetime
and was also not included
in the “Œuvres
complètesâ€, this
is the first edition of
the work. It satisfies
both scholarly demand and
the practical needs of
musicians.
The
orchestral parts are
available on
hire.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
For
performance material see
BA 5601-5603.
Composed by Franz
Schubert. Edited by
Arnold Feil and Christa
Landon. This edition:
complete edition, urtext
edition. Linen. New
Schubert Edition (Neue
Ausgabe samtlicher Werke)
Series V, Volume 1.
Complete edition, Score,
anthology. No. 1-3.
Baerenreiter Verlag
#BA05522_00. Published by
Baerenreiter Verlag
(BA.BA05522).
ISBN
9790006472178. 33 x 26 cm
inches.
For
performance material
refer to BA
5601-5603.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
For performance
material see BA 5647.
Composed by Franz
Schubert. Edited by
Werner Aderhold. This
edition: complete
edition, urtext edition.
Linen. New Schubert
Edition (Neue Ausgabe
samtlicher Werke) Series
V, Volume 3. Complete
edition, Score. D 759,
No. 7. Baerenreiter
Verlag #BA05542_00.
Published by Baerenreiter
Verlag (BA.BA05542).
ISBN 9790006497058. 33
x 26 cm inches. Key: B
minor.
For
performance material
refer to BA
5601-5603.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Arrangement for
chamber orchestra (arr.
J. Linckelmann).
Composed by Felix
Bartholdy Mendelssohn.
Arranged by Joachim
Linckelmann. Carus
digital: Extra digital
products. Full Score. MWV
A 14. Duration 145
minutes. Carus Verlag
#4012950. Published by
Carus Verlag
(CA.4012950).
ISBN
9790007254650.
German/English.
Men
delssohn's St. Paul with
just seven instead of the
usual 18 wind
instruments? Thanks to
this arrangement for
chamber orchestra, a
performance with smaller
forces is now possible,
and presents an
attractive alternative
for performing
Mendelssohn's first
oratorio - not only in
times of Corona. For it
is often considerations
of space, a limited
budget, or the size of
the chorus which call for
flexibility in
scoring. The
arrangement is based on
the Carus Urtext edition.
By reducing the symphonic
wind and brass in
particular, the volume of
sound is more restrained,
but nevertheless the
symphonic character and a
wide dynamic range are
retained. All the vocal
parts (soloists and
chorus) are identical
with the original
version, so that the
vocal scores, choral
scores, and practice aids
of the existing Carus
edition can still be
used.
Major
oratorio can also be
performed by smaller
choirs Wind and brass
parts of the original
version reduced to just
seven single instruments
vocal scores and
choral scores from the
original version can be
used carus plus: the
work (original version)
is available in carus
music, the Choir Coach,
and in the Carus Choir
Coach (Audio only)
series. . Score
available separately -
see item CA.4012900.
Chamber orchestra (Orchestra) SKU: BA.BA10974 Composed by Franz Joseph Ha...(+)
Chamber orchestra
(Orchestra)
SKU:
BA.BA10974
Composed
by Franz Joseph Haydn.
Edited by Carl-Gabriel
Stellan Mörner. This
edition: urtext edition.
Stapled. Score. Hob.
I:46. Duration 19
minutes. Baerenreiter
Verlag #BA10974_00.
Published by Baerenreiter
Verlag (BA.BA10974).
ISBN 9790006522767. 31
x 24.3 cm inches. Key:
B-flat major. Language:
German/English. Preface:
Andreas
Friesenhagen.
Haydn
’s “Sturm
und Drangâ€
symphonies along with the
London and the Paris
symphonies belong to his
most popular works today.
The “Sturm und
Drang†works
contain not only
masterpieces such as the
already published
“Farewell-Symphony
€ and the
“Maria
Theresia†symphony
but also gems such as the
recently published
“La Passioneâ€
symphony (2013) and now
the Symphony in B major
No. 46.
The
publication of this
symphony represents a
continuation of the
collaboration between
Bärenreiter and the
Henle publishing company
in the areas of large
vocal compositions,
operas and symphonic
works. The Symphony in B
major is based on the
Henle Complete Edition of
the “Works of
Joseph Haydn†and
is published with a full
score and large format
performing material on
sale.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra SKU: BA.BA08833 Composed by Ludwig van Beethoven. Edited by Hel...(+)
Orchestra
SKU:
BA.BA08833
Composed
by Ludwig van Beethoven.
Edited by Helga
Lühning. This edition:
urtext edition. Stapled.
Score. Composed 1806. No.
3. Baerenreiter Verlag
#BA08833_00. Published by
Baerenreiter Verlag
(BA.BA08833).
ISBN
9790006566594. 31 x 24.3
cm inches. Preface:
Luhning, Helga.
Of
the four overtures that
Beethoven composed for
his only opera, the
“Leonore
Overture†No. 3 is
the most popular. The
first reviewer found
fault with it for its
“incessant
dissonances and overblown
fluttering of the
violins†(Wiener
Theater-Zeitung, 1806),
but it soon became famous
as “one of the most
imposing, difficult, yet
richest and strangest of
compositionsâ€
(Allgemeine Musikalische
Zeitung, 1810). This
version of the
“Leonore
Overture†quickly
established itself
independently of the
stage in the concert hall
and has found a lasting
place in the symphonic
repertoire.
The
editor has devoted
herself to the complex
genesis of the various
“Leonore
Overture†versions,
in particular the
question whether the
trumpet call in measures
272–277 and
294–299 should be
played by one or two
instruments. The edition
is based on the Complete
Edition of the
“Works of Ludwig
van Beethovenâ€
issued by the G. Henle
publishing
company.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra (Orchestra) SKU: BA.BA04555-02 Composed by Wolfgang Amadeus Moz...(+)
Orchestra (Orchestra)
SKU: BA.BA04555-02
Composed by Wolfgang
Amadeus Mozart. Edited by
Günter Haußwald and
Wolfgang Plath. This
edition: complete
edition, urtext edition.
Half-leather binding. New
Mozart Edition (NMA)
IV/12/1. Complete
edition, Score,
anthology. K. 63, K. 99
863a), K. 62, K. 100
(62a). Baerenreiter
Verlag #BA04555_02.
Published by Baerenreiter
Verlag (BA.BA04555-02).
ISBN 9790006547159. 34
x 27 cm inches. Preface:
Haußwald, Günter /
Plath,
Wolfgang.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra SKU: BA.BA06861 Sinfonie (1923-1928). Composed by Leos J...(+)
Orchestra
SKU:
BA.BA06861
Sinfonie
(1923-1928). Composed
by Leos Janacek. Arranged
by Leoš Faltus and
Miloš Štedron. This
edition: complete
edition, urtext edition.
Linen. Complete Critical
Edition of the Works of
Leos Janacek H/3.
Complete edition, Score,
Set of parts. Duration 40
minutes. Baerenreiter
Verlag #BA06861_00.
Published by Baerenreiter
Verlag (BA.BA06861).
ISBN 9790260104211.
34.3 x 27 cm
inches.
Leoš
Janácek’s
symphonic fragment Dunaj
(The Danube) dates from
the period of the
composition of
“Katya
Kabanovaâ€. The
composer was not
concerned with a
musical-picturesque
description of a river
landscape, but with the
mythical link between
women’s destinies
and
water.
“Pale
green waves of the
Danube! There are so many
of you, and one followed
by another. You remain
interlocked in a
continuous flow. You
surprise yourselves where
you ended up – on
the Czech shores! Look
back downstream and you
will have an impression
of what you have left
behind in your haste. It
pleases you here. Here I
will rest with my
symphony.†Thus
Leoš Janácek
described the idea behind
the composition project
which occupied him in
1923/24. However, after
further work, it remained
incomplete in 1926. His
“symphonyâ€
entitled Dunaj has
survived as a
continuously-notated,
four-movement bundle of
sketches in score form.
It is one of the works
which occupied him until
his death. The scholarly
reconstruction by the two
Brno composers Miloš
Štedron and Leoš
Faltus closely follows
the original
manuscript.
A
whole conglomeration of
motifs stands behind the
incomplete work. What at
first seems like a
counterpart to
Smetana’s Vltava,
in fact doesn’t
turn out to be a musical
depiction of the Danube.
On the contrary, the
fateful link between the
destiny of women, water
and death permeates the
range of motifs found in
the work. It seems to be
no coincidence that
Janácek, whilst
working on the opera
Katya Kabanova, in which
the Volga, as the river
bringing death plays an
almost mythical role,
planned a Danube
symphony, and that its
content was linked with
the destiny of women: in
the sketches, two poems
were found which may have
provided the stimulus for
several movements of the
symphony. He copied a
poem by Pavla
Kriciková into the
second movement, in which
a girl remarks that
whilst bathing in a pond,
she was observed by a
man. Filled with shame,
the young naked woman
jumps into the water and
drowns. The outer
movements likewise draw
on the poem
“Lola†by the
Czech writer Sonja
Špálová,
published under the
pseudonym Alexander
Insarov. This is about a
prostitute who asks for
her heart’s
desire: she is given a
palace, but then goes on
a long search for it and
is finally no longer
wanted by anyone. She
suffers, feels cold and
just wants a warm fire.
Janácek adds his
remark “she jumps
into the Danube†to
the inconclusive
ending.
To these
tangible literary models
is added Adolf
Veselý’s verbal
account which reports
that the composer wanted
to portray “in the
Danube, the female sex
with all its passions and
driving forcesâ€.
The third movement is
said to characterise the
city of Vienna in the
form of a
woman.
It is
evident that in his
composition, Janácek
was not striving for a
simple, natural lyricism.
The River Danube is
masculine in the Slavic
language –
“ten Dunajâ€
– and assumes an
almost mythical
significance in the
national character,
indeed often also a role
bringing death. The four
movements are motivically
conceived. Elements of
sound painting, small
wave-like figures in the
first movement, motoric,
driving movements in the
third are obvious
evocations of water. And
the content and the
literary level are easy
to discover. The
“tremolo of the
four timpaniâ€,
which was amongst
Janácek’s first
inspirations, appears in
the second movement. It
is not difficult to
retrace in it the fate of
the drowning bather. The
oboe enters lamentoso
towards the end of the
movement over timpani
playing tremolo, its
descending figure is
taken over by the flute,
then upper strings and
intensified considerably.
The motif of drowning
– Lola’s
despair – returns
again in the fourth
movement in the clarinet,
before the work ends
abruptly and
dramatically.
One
special effect is the use
of a soprano voice in the
motor-driven third
movement. The singer
vocalises mainly in
parallel with the solo
oboe, but also in
dialogue with other parts
such as the viola
d’amore, which
Janácek used in
several late works as a
sort of “voice of
loveâ€.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Classic Rock for the String Orchestra (Teacher's Score). Arranged by Bob ...(+)
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Book; CD; Play-Along;
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Instrumentation: Part 1
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Orchestra - Intermediate SKU: LO.765762192508 Composed by Billy Payne. Al...(+)
Orchestra - Intermediate
SKU:
LO.765762192508
Composed by Billy Payne.
Allegis. Orchestration,
enhanced CD. Lillenas
Publishing Company
#765762192508. Published
by Lillenas Publishing
Company
(LO.765762192508).
UPC:
765762192508.
The
fresh and creative
Allegis Orchestral Series
is designed to give small
to mid-sized churches an
instrumental resource
that can be played with a
mix of players, but
includes everything the
large church orchestra
needs, as well. These
moderately difficult hymn
arrangements have been
created in popular styles
that your
instrumentalists and
congregation alike with
love. With three
accompaniment options
(piano, live rhythm
section, or recorded
rhythm tracks) this
series fits the needs of
any size group, from
eight players to a full
orchestra. Everything you
need for practice and
performance is included
on the Enhanced CD:
printable instrumental
parts, optional
instrumental parts, capo
guitar parts, and
rhythm/piano
accompaniment, plus the
rhythm accompaniment
track and demonstration
track. Minimum
Instrumentation: Part 1
– Fl; Part 2
– Ob (Cl, S Sax);
Part 3 – Cl (A
Sax); Part 4 –
Tpt; Part 5 – Tpt
(A Sax); Part 6 –
Hn (A Sax, Cl); Part 7
– Tbn (Bari TC, T
Sax).
Orchestra - Intermediate SKU: LO.765762191808 Composed by Ed Hogan. Alleg...(+)
Orchestra - Intermediate
SKU:
LO.765762191808
Composed by Ed Hogan.
Allegis. Orchestration,
enhanced CD. Lillenas
Publishing Company
#765762191808. Published
by Lillenas Publishing
Company
(LO.765762191808).
UPC:
765762191808.
The
fresh and creative
Allegis Orchestral Series
is designed to give small
to mid-sized churches an
instrumental resource
that can be played with a
mix of players, but
includes everything the
large church orchestra
needs, as well. These
moderately difficult hymn
arrangements have been
created in popular styles
that your
instrumentalists and
congregation alike with
love. With three
accompaniment options
(piano, live rhythm
section, or recorded
rhythm tracks) this
series fits the needs of
any size group, from
eight players to a full
orchestra. Everything you
need for practice and
performance is included
on the Enhanced CD:
printable instrumental
parts, optional
instrumental parts, capo
guitar parts, and
rhythm/piano
accompaniment, plus the
rhythm accompaniment
track and demonstration
track. Minimum
Instrumentation: Part 1
– Fl; Part 2
– Ob (Cl, S Sax);
Part 3 – Cl (A
Sax); Part 4 –
Tpt; Part 5 – Tpt
(A Sax); Part 6 –
Hn (A Sax, Cl); Part 7
– Tbn (Bari TC, T
Sax).