Concert Band/Harmonie - Grade 2.5

SKU: BT.GOB-000956-140

Composed by Peter Martin. Arranged by Menno Haantjes. Score Only. Gobelin Music Publications #GOB 000956-140. Published by Gobelin Music Publications (BT.GOB-000956-140).

Scottish Dances is based on three Scottish traditionals: Cock of the North, The Bonnie Bank's O'Loch Lomond and Marie's Wedding.

I. Cock of the North's name is used for multiple things or events. For example for a locomotive to a famous, it seems, delicious liqueur, and rallies to snowboard competitions. Furthermore is Cock O' the North a nickname of a famous Duke. (The 4th Duke of Gordon).
In this composition Cock of the North (a Jig) is a traditional Scottish bagpipe tune, regularly played on tattoos by Pipe Bands. Not infrequently the drummers sing the text.

Auntie Mary, had a canary,
Up the leg of her trousers
While she was sleeping Iwas peeping
Up the leg of her trousers.

II. The Bonnie Bank's O'Loch Lomond is about a sad story that took place during an revolt against the British. In 1745 Bonnie Prince Charlie had to retreat. Two of his men were captured. One was convicted and executed, while the other was released. The spirit of the executed soldier would arrive in Scotland via the 'low road' (underworld) before his companion, who had still a long way to go.

You'll take the high road
And I'll take the low road
And I'll be in Scotland afore ye
But me and my true love will never meet again
On the Bonnie Bonnie Banks of Loch Lomond

III. In a Scottish wedding, after the official ceremonies, there is often danced. This is called a ceilidh. For this we use traditional Scottish music such as Marie's Wedding '.
Mid dance we go back to the church, where a lovely song in honor of the couple sounds.
Marie's Wedding has been recorded by Van Morrison (among many others).

Step we gaely, on we go, heel for heel and toe for toe
Arm and arm and on we go, all for Marie's wedding

Scottish Dances is gebaseerd op drie Schotse traditionals: Cock of the North, The Bonnie Bank's O'Loch Lomond en Marie's Wedding.

I. De naam Cock of the North wordt voor meerdere dingen of evenementen gebruikt. Van een beroemdelocomotief tot een, naar het schijnt, een heerlijke likeur, en van rally's tot snowboard wedstrijden. Bovendien was 'Cock O' the North' een bijnaam van een bekende hertog. (the 4th Duke of Gordon)
Het in deze compositiegebruikte Cock of the North (een Jig) is een traditioneel Schotse bagpipe tune (doedelzak liedje) wat regelmatig gespeeld wordt op taptoes door Pipebands. Niet zelden zingen de slagwerkers de tekst mee.

Auntie Mary, had acanary,
Up the leg of her trousers
While she was sleeping I was peeping
Up the leg of her trousers.

II. 'The Bonnie Bank's O'Loch Lomond', gaat over een triest verhaal dat zich afspeelde tijdens een opstand tegende Engelsen. In 1745 moest Bonnie Prince Charlie zich terugtrekken. Twee van zijn mannen werden gevangen genomen. Eén van hen werd veroordeeld en geexecuteerd, terwijl de ander vrijgelaten werd. De geest van de geexecuteerde soldaatzou via de 'low road' (onderwereld) eerder in Schotland aankomen dan zijn kameraad, die nog een lange ruige weg te gaan had.

You'll take the high road
And I'll take the low road
And I'll be in Scotland aforeye
But me and my true love will never meet again
On the Bonnie Bonnie Banks of Loch Lomond

III. Bij een Schotse bruiloft wordt na de officiele plechtigheden vaak gedanst. Dit noemt men een ceilidh. Hiervoor gebruiktmen traditionele Schotse muziek zoals bijv. 'Marie's Wedding'.
Halverwege de dans gaan we nog even terug naar de kerk, waar een lieflijk lied ter ere van het bruidspaar klinkt.
Marie's Wedding is o.a. door Van Morrison opgenomen.

Concert Band/Harmonie - Grade 5

SKU: BT.AMP-047-140

Composed by Philip Sparke. Anglo Music Midway Series. Concert Piece. Score Only. Composed 2002. Anglo Music Press #AMP 047-140. Published by Anglo Music Press (BT.AMP-047-140).

Suite from Hymn of the Highlands draws three expressive musical pictures of the Scottish highlands. The first movement, Ardross Castle, features solo passages for clarinet and bassoon and features a fascinating bagpipe melody. The second movement, Alladale, is a saxophone trio with an accompaniment featuring the percussion section. The final movement, Dundonnell, features two highly contrasting melodies, a wild presto and the bagpipe melody first heard in the first movement.

Suite from Hymn of the Highlands disegna tre espressivi quadri musicali delle highland scozzesi. Il primo movimento, Ardross Castle, si distingue per gli assoli del clarinetto e del fagotto e per una aff ascinante melodia di cornamusa. Il secondo movimento, Alladale, è un trio di sassofoni con un accompagnamento caratterizzato da una sezione di percussioni. Il movimento finale, Dundonnell, propone due melodie molto contrastanti, un presto agitato e la melodia della cornamusa ascoltata nel primo movimento.

Composed by Arpad Balazs. EMB. Classical. Softcover. Editio Musica Budapest #Z14828SET. Published by Editio Musica Budapes

By Alan Lee Silva. Concert Band. For Concert Band. Carl Fischer Concert Performance Series. Grade 3. Score and Set of Parts. Standard notation. Duration 3:36

Concert Band (Score) - Grade 5

SKU: HL.4007404

Elite Series Score. Composed by Philip Sparke. Anglo Music Concert Band. Concert. Hardcover. Duration 540 seconds. Anglo Music Press #AMP 488-010. Published by Anglo Music Press (HL.4007404).

UPC: 196288023685.

Highl and Dawn portrays a sunrise in the Scottish Highlands, where stunning mountain scenery and clear air create a special atmosphere. A faster central section describes the area coming to life as the day begins, using the Scotch 'snaps' which are characteristic of traditional bagpipe music; but the serenity of the opening returns to bring the work to a peaceful close.

SKU: CL.WFR306

Walking Frog Records CD. Walking Frog Records. Play Along. CD. Composed 1999. Walking Frog Records #WFR306. Published by Walking Frog Records (CL.WFR306).

An incredible set utilizing recordings from the 19 volume Gems Of The Concert Band LP record series. These famous recordings were remarkable for the superlative interpretations and masterful performances of Leonard B. Smith and the Detroit Concert Band. Digitally remastered with the clarity of the original performances restored. A top notch band which produced great music... these are fabulous recordings. - Robert Peckham, Windjammers Unlimited Volume 1 - Great Performances Introduction to Act III of Lohengrin; Marche Militaire Francaise; Espana Rhapsody; Shepherd's Hey; Excerpts from Andrea Chenier; Dance of the Tumblers from Snegourotchka; Flight of the Bumblebee; Theme and Variations from Suite No. III; Marche Hongroise Rakoczy; Rhapsodic Dance; Bamboula; Clear Track Polka; Polka and Fugue from Schwanda the Bagpipe Player; Excerpts from Manzoni Requiem Volume 2 - Magnificent Marches Americans We; Chicago Tribune; Mainliner; Music Festival; Official West Point March; Spirit of Independence; The Chimes of Liberty; Valdres; World Events; Barnum and Bailey's Favorite; American Patrol; Jurisprudence; Bombasto; Boston Commandery; March of the Toys; On Jersey Shore; Second Regiment - Connecticut National Guard; The Joker; The March King; Under the Double Eagle; Gate City; Lights Out; American Red Cross March; Entry of the Gladiators; National Emblem March; Volume 3 - Music of the Masters March and Procession of Bacchus fromSylvia; Bacchanale from Samson and Delilah; Italian Polka; Slavonic Dance No. 3; Farandole from L'Arlesienne Suite; Finlandia; Golliwog's Cake Walk; The Kaffir on the Karoo; Fugue a la Gigue; Symphony No. 4 (Finale); Two Norwegian Dances; Hungarian Dance No. 5; Ecossaises; Second Hungarian Rhapsody Volume 4 - Virtuoso Soloists Carnival of Venice; Fantastic Polka; Believe Me; If All Those Endearing Young Charms; Rigoletto: Bella figlia del amore; The Bugler; Through the Air; Bugler's Holiday; Blue Bells of Scotland; Columbian Fantasy; The Bride Elect: An Awkward Complication This; Wood Up Quickstep; The Three Solitaires; The Southern Cross; Bravura Variations; My Heaven of Love; Atlantic Zephyrs; Land of the Free; Sextet: Chi mi frena... Volume 5 - Legendary Overtures Zampa Overture; La Forza del Destino Overture; Light Cavalry Overture; Oberon Overture; Raymond Overture; Ruy Blas Overture; Egmont Overture; Roman Carnival Overture; William Tell Overture.

Band Bagpipes, Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Double Bass, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Mark Tree, Oboe, Percussion 1, Percussion 2 and more. - Grade 3.5

SKU: CF.CPS225

Composed by Larry Clark. Concert Band (CPS). Set of Score and Parts. With Standard notation. 12+12+6+12+24+24+6+4+6+6+ 6+6+8+8+8+4+4+6+6+6+8+2+1 +6+2+4+10+32+4 pages. Duration 6 minutes, 9 seconds. Carl Fischer Music #CPS225. Published by Carl Fischer Music (CF.CPS225).

ISBN 9781491152515. UPC: 680160910014.

Tarta n Tapestries is an original piece that sets out to emulate Scottish folk music. Composer Larry Clark has created a concert overture in triple meter to capture the essence of music from Scotland. After a lilting first section,  lush and beautiful moments weave a tapestry of sounds with the lyrical, middle section of the piece. There is an optional part for bagpipes, and an optional ending should you chose to use this instrument as part of the piece. Alert your contest music committee about this strong new piece for advancing groups.
Tartan Tapestries was commissioned by Friends of the Arts for the Saint Andrew's School Band in Boca Raton, Florida. The band program at Saint Andrew’s School is under the direction of Andrea Wolgin. The premiere took place on November 29, 2017.When I was asked by their conductor Ms. Wolgin to write a piece for the Saint Andrew’s School, I asked her what kind of involvement she wanted the students to have in the process. We discussed several options for having the students involved in the process of creating with the type of piece they wanted.  We set up a “Skype” meeting with members of the band to discuss the piece. During this discussion, the consensus of the students was that they wanted a piece depicting the Scottish influence to the school. They also wanted a piece that would challenge all sections of the band and to include bagpipes if possible. I asked that the students be involved in helping to name the piece once it was completed, for which they agreed and were very helpful. Armed with this information, I set out to compose a piece for them, and Tartan Tapestries is the result.The piece begins with a fanfare gesture based upon rhythms and harmonies that appear throughout the piece. I chose the lilting triple feel to the piece, to bring about the Scottish flavor. I wanted the fanfare to be bardic sounding, to depict the strength of the Scottish people and for the piece to have a dynamic opening. The fanfare contains material that alludes to the main theme and with a bit of dissonance and tension that is resolved in the main body of the piece.The main theme is a lilting original melody, but one that I hope with have the essence of Scottish folk songs. The main idea is followed by a more modal and dark sounding secondary theme, first stated in the horns. This material is later used in the development section of the piece. The main theme returns several times, with different and varied orchestrations and harmonic treatments. This is followed by a short transition leading to the more lyrical and slower second section of the piece. A transparent presentation of the lyrical theme, which is based on aspects of the main theme, is presented first by a solo flute. This section is a nod to famous composer Malcom Arnold’s wonderful works for orchestra in its style and orchestration. After a transition or bridge section with a solo euphonium, the piece builds to a dramatic climax of the lyrical theme by the full band. This subsides to a return of the solo flute to end this second section of the piece, followed by a transition back the main theme.The solo bagpipes play a central role in the return of the main theme and take center stage after being heard in the distance earlier in the work. The piece brings back a shortened version of the darker secondary theme, followed by a hint of the fanfare material that builds to one last statement of the main theme by the full band, before leading to a dramatic coda to complete the work.It has been my pleasure to have been given the opportunity to compose this piece for the Saint Andrew’s School Band! I thank Andrea Wolgin for making it happen, and I hope that you enjoy it as much as I have enjoyed bringing the piece to life.–Larry ClarkLakeland, Florida 2017.

Band Bagpipes, Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Double Bass, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Mark Tree, Oboe, Percussion 1, Percussion 2 and more. - Grade 3.5

SKU: CF.CPS225F

Composed by Larry Clark. Concert Band (CPS). Full score. With Standard notation. 32 pages. Carl Fischer Music #CPS225F. Published by Carl Fischer Music (CF.CPS225F).

ISBN 9781491153192. UPC: 680160910694.

Tarta n Tapestries is an original piece that sets out to emulate Scottish folk music. Composer Larry Clark has created a concert overture in triple meter to capture the essence of music from Scotland. After a lilting first section,  lush and beautiful moments weave a tapestry of sounds with the lyrical, middle section of the piece. There is an optional part for bagpipes, and an optional ending should you chose to use this instrument as part of the piece. Alert your contest music committee about this strong new piece for advancing groups.
Tartan Tapestries was commissioned by Friends of the Arts for the Saint Andrew's School Band in Boca Raton, Florida. The band program at Saint Andrew’s School is under the direction of Andrea Wolgin. The premiere took place on November 29, 2017.When I was asked by their conductor Ms. Wolgin to write a piece for the Saint Andrew’s School, I asked her what kind of involvement she wanted the students to have in the process. We discussed several options for having the students involved in the process of creating with the type of piece they wanted.  We set up a “Skype” meeting with members of the band to discuss the piece. During this discussion, the consensus of the students was that they wanted a piece depicting the Scottish influence to the school. They also wanted a piece that would challenge all sections of the band and to include bagpipes if possible. I asked that the students be involved in helping to name the piece once it was completed, for which they agreed and were very helpful. Armed with this information, I set out to compose a piece for them, and Tartan Tapestries is the result.The piece begins with a fanfare gesture based upon rhythms and harmonies that appear throughout the piece. I chose the lilting triple feel to the piece, to bring about the Scottish flavor. I wanted the fanfare to be bardic sounding, to depict the strength of the Scottish people and for the piece to have a dynamic opening. The fanfare contains material that alludes to the main theme and with a bit of dissonance and tension that is resolved in the main body of the piece.The main theme is a lilting original melody, but one that I hope with have the essence of Scottish folk songs. The main idea is followed by a more modal and dark sounding secondary theme, first stated in the horns. This material is later used in the development section of the piece. The main theme returns several times, with different and varied orchestrations and harmonic treatments. This is followed by a short transition leading to the more lyrical and slower second section of the piece. A transparent presentation of the lyrical theme, which is based on aspects of the main theme, is presented first by a solo flute. This section is a nod to famous composer Malcom Arnold’s wonderful works for orchestra in its style and orchestration. After a transition or bridge section with a solo euphonium, the piece builds to a dramatic climax of the lyrical theme by the full band. This subsides to a return of the solo flute to end this second section of the piece, followed by a transition back the main theme.The solo bagpipes play a central role in the return of the main theme and take center stage after being heard in the distance earlier in the work. The piece brings back a shortened version of the darker secondary theme, followed by a hint of the fanfare material that builds to one last statement of the main theme by the full band, before leading to a dramatic coda to complete the work.It has been my pleasure to have been given the opportunity to compose this piece for the Saint Andrew’s School Band! I thank Andrea Wolgin for making it happen, and I hope that you enjoy it as much as I have enjoyed bringing the piece to life.–Larry ClarkLakeland, Florida 2017.

Concert Band/Harmonie/Fanfare Band - Grade 2

SKU: BT.DHP-1135498-015

Composed by Marc Jeanbourquin. De Haske Flexible Series. Original Light Music. Set (Score and Parts). Composed 2013. De Haske Publications #DHP 1135498-015. Published by De Haske Publications (BT.DHP-1135498-015).

9x12 inches. English-German-French-Dut ch.

Welcome to Ireland, the country where the traditional music is as varied as the landscape! Marc Jeanbourquinâ??s Irish Fantasy starts in a carefree and lively fashion from County Galway, then strolls through the moorlands of Kerry in a slower, lyrical movement with room for a solo, and comes to rest in Cork, with high-spirited and up-tempo folk tunes, and an accompaniment reminiscent of the bagpipes.

Ierland heeft - naast een veelvoud aan prachtige landschappen - een rijke muzikale traditie. In dit werk verwerkte de componist beide elementen en steekt van wal met een indruk van het opgewekte County Galway om dan door de venen van Kerry te wandelen, begeleid door een langzame optionele solo voor trombone en trompet. In Cork mag de doedelzak natuurlijk niet ontbreken en breekt een heus dansfeest los met de typische Ierse folkmuziek!

Willkommen in Irland, dem Land, in dem die traditionelle Musik so vielfältig ist wie seine Landschaften_x001C_! Marc Jeanbourquins Irische Fantasieâ?? beginnt in einem unbeschwerten, lebhaften Stil im County Galway, streift dann die Moorlandschaften von Kerry in einem langsameren, liedhaften Satz, der Raum fu?r ein Solo bietet, und endet in Cork, wo u?bermu?tige, schwungvolle irische Folk-Melodien mit an Dudelsack erinnernden Begleitungen angesagt sind.

Bienvenue en Irlande ! Le pays où la musique traditionnelle est aussi riche et variée que ses paysages. Avec le premier mouvement de Irish Fantasy, Marc Jeanbourquin propose de commencer la visite par le comté de Galway, dans un style léger et dansant. Le voyage se poursuit par le comté de Kerry avec ses landes et ses lagunes, illustré dans le deuxième mouvement par une berceuse lente et cantabile, qui laisse au chef dâ??orchestre la possibilité de mettre en avant un soliste de lâ??ensemble. Mais déj , le périple se termine par le comté de Cork. On retrouve ici des mélodies sautillantes et entraînantes. Bon voyage musical avec Irish Fantasy.

Lâ?? Irlanda vanta una ricca tradizione di musica e canti tradizionali. Con il primo movimento, Marc Jeanbourquin propone di iniziare la visita alla contea di Galway in uno spirito leggero e danzante. Il viaggio prosegue nella contea di Kerry, con le sue lande e lagune, descritte in musica nel secondo movimento da una ninna-nanna lenta e cantabile, che d spazio a un assolo. Il viaggio _x001E_nisce nella contea di Cork dove ritroviamo melodie vivaci e coinvolgenti.

Concert Band/Harmonie/Fanfare Band - Grade 2

SKU: BT.DHP-1135498-215

Composed by Marc Jeanbourquin. De Haske Flexible Series. Original Light Music. Score Only. Composed 2013. 20 pages. De Haske Publications #DHP 1135498-215. Published by De Haske Publications (BT.DHP-1135498-215).

9x12 inches. English-German-French-Dut ch.

Welcome to Ireland, the country where the traditional music is as varied as the landscape! Marc Jeanbourquin’s Irish Fantasy starts in a carefree and lively fashion from County Galway, then strolls through the moorlands of Kerry in a slower, lyrical movement with room for a solo, and comes to rest in Cork, with high-spirited and up-tempo folk tunes, and an accompaniment reminiscent of the bagpipes.

Ierland heeft - naast een veelvoud aan prachtige landschappen - een rijke muzikale traditie. In dit werk verwerkte de componist beide elementen en steekt van wal met een indruk van het opgewekte County Galway om dan door de venen van Kerry te wandelen, begeleid door een langzame optionele solo voor trombone en trompet. In Cork mag de doedelzak natuurlijk niet ontbreken en breekt een heus dansfeest los met de typische Ierse folkmuziek!

Willkommen in Irland, dem Land, in dem die traditionelle Musik so vielfältig ist wie seine Landschaften_x001C_! Marc Jeanbourquins Irische Fantasie“ beginnt in einem unbeschwerten, lebhaften Stil im County Galway, streift dann die Moorlandschaften von Kerry in einem langsameren, liedhaften Satz, der Raum für ein Solo bietet, und endet in Cork, wo übermütige, schwungvolle irische Folk-Melodien mit an Dudelsack erinnernden Begleitungen angesagt sind.

Bienvenue en Irlande ! Le pays où la musique traditionnelle est aussi riche et variée que ses paysages. Avec le premier mouvement de Irish Fantasy, Marc Jeanbourquin propose de commencer la visite par le comté de Galway, dans un style léger et dansant. Le voyage se poursuit par le comté de Kerry avec ses landes et ses lagunes, illustré dans le deuxième mouvement par une berceuse lente et cantabile, qui laisse au chef d’orchestre la possibilité de mettre en avant un soliste de l’ensemble. Mais déj , le périple se termine par le comté de Cork. On retrouve ici des mélodies sautillantes et entraînantes. Bon voyage musical avec Irish Fantasy.

Lâ� �™Irlanda vanta una ricca tradizione di musica e canti tradizionali. Con il primo movimento, Marc Jeanbourquin propone di iniziare la visita alla contea di Galway in uno spirito leggero e danzante. Il viaggio prosegue nella contea di Kerry, con le sue lande e lagune, descritte in musica nel secondo movimento da una ninna-nanna lenta e cantabile, che d spazio a un assolo. Il viaggio _x001E_nisce nella contea di Cork dove ritroviamo melodie vivaci e coinvolgenti.

Concert Band - Grade 2

SKU: AP.50908S

From Schwanda the Bagpiper. Composed by Jaromir Weinberger. Arranged by Douglas E. Wagner. Concert Band; Performance Music Ensemble; Single Titles. Belwin Young Band. Concert Band Classics; Masterwork Arrangement. Score. Duration 2:00. Belwin Music #00-50908S. Published by Belwin Music (AP.50908S).

ISBN 9781470666958. UPC: 038081585567. English.

A true classic of the concert band repertoire, the upper-end transcription of this excerpt from Czech composer Jaromír Weinberger's folk opera Schwanda the Bagpiper has appeared on countless concert programs and contest lists for the past nine decades. At long last, this cheerful work is available in a solid scoring for younger players, expanding its appeal to many more ensembles and audiences. Arranged from the original orchestral score, all parameters of this level have been observed for ease of preparation. (2:00).

Concert Band - Grade 2

SKU: AP.50908

From Schwanda the Bagpiper. Composed by Jaromir Weinberger. Arranged by Douglas E. Wagner. Concert Band; Performance Music Ensemble; Single Titles. Belwin Young Band. Concert Band Classics; Masterwork Arrangement. Score and Part(s). Duration 2:00. Belwin Music #00-50908. Published by Belwin Music (AP.50908).

ISBN 9781470666941. UPC: 038081585550. English.

A true classic of the concert band repertoire, the upper-end transcription of this excerpt from Czech composer Jaromír Weinberger's folk opera Schwanda the Bagpiper has appeared on countless concert programs and contest lists for the past nine decades. At long last, this cheerful work is available in a solid scoring for younger players, expanding its appeal to many more ensembles and audiences. Arranged from the original orchestral score, all parameters of this level have been observed for ease of preparation. (2:00).

Band Concert Band - Grade 2

SKU: CF.YPS149F

Composed by Larry Clark. SWS. Full score. With Standard notation. 24 pages. Duration 4 minutes, 19 seconds. Carl Fischer Music #YPS149F. Published by Carl Fischer Music (CF.YPS149F).

ISBN 9781491141298. UPC: 680160629350. 9 x 12 inches.

The Royal Irish Regiment is an infantry regiment of the British army. This march was therefore meant to be in the style of a classic British style march. The march is set to emulate the passing by of the regiment as it marches in a parade. It starts with a tuneful fife-sounding melody in the flute or piccolo over the sound of bagpipes. The march then developes featuring all of the sections of the band in this colorful regal type march. Use it as a different type of march at your next contest or festival performance.

Score and Parts. By Jaromir Weinberger. Arranged by Glenn Cliffe Bainum. Hal Leonard Concert Band Series. Size 9x12 inches. Published by Associated.

Grade 3

SKU: CL.012-4640-00

Concert Band. Concert Band Series. Audio recording available separately (item CL.WFR395). Score and set of parts. Composed 2018. Duration 3 minutes, 37 seconds. Opus III Wind Orchestra Publications #012-4640-00. Published by Opus III Wind Orchestra Publications (CL.012-4640-00).

It’s virtually impossible to visit Ireland without feeling an instant appreciation for the scenic countryside, the endearing charm of its many citizens, and for the deep-rooted history of the country’s many crowning achievements. Solo trumpet/cornet (cued for euphonium) packaged with a brief, but optional, vocal solo highlights the beginning and ending of this beautiful piece. The middle section is pure Irish charm with a light and lively theme performed over the drones of bagpipes along with the rudimental sounds of drummers drumming. Simply stunning!

Grade 3

SKU: CL.012-3326-99

Concert Band. Heritage of the March Series. Audio recording available separately (items CL.WFR337, CL.WFR331 & CL.WFR343). String score and parts set. Composed 2004. Duration 4 minutes, 44 seconds. Opus III Wind Orchestra Publications #012-3326-99. Published by Opus III Wind Orchestra Publications (CL.012-3326-99).

For band with optional choir, strings, narrator and audience sing-a-long. This glorious setting of two of America's favorite hymns, Amazing Grace and Battle Hymn of The Republic, is destined to be the work of choice when selecting that special number for your program's grand finale. Playable by band alone, this patriotic arrangement also offers the creative option of adding choir, strings, narrator, bagpiper and even a group sing-a-long. Musically appealing for bands of varied levels, this spectacular production number will offer grateful audiences, young and old alike, a wonderful opportunity to experience the ultimate in listening pleasure. A guaranteed winner!

About Heritage of the March

Full -sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

Grade 3

SKU: CL.012-4640-01

Concert Band. Concert Band Series. Audio recording available separately (item CL.WFR395). Extra full score. Composed 2018. Duration 3 minutes, 37 seconds. Opus III Wind Orchestra Publications #012-4640-01. Published by Opus III Wind Orchestra Publications (CL.012-4640-01).

It’s virtually impossible to visit Ireland without feeling an instant appreciation for the scenic countryside, the endearing charm of its many citizens, and for the deep-rooted history of the country’s many crowning achievements. Solo trumpet/cornet (cued for euphonium) packaged with a brief, but optional, vocal solo highlights the beginning and ending of this beautiful piece. The middle section is pure Irish charm with a light and lively theme performed over the drones of bagpipes along with the rudimental sounds of drummers drumming. Simply stunning!

Concert Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Claves, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Piccolo 1, Piccolo 2 and more. - Grade 3-3.5

SKU: CF.CPS19

Composed by Elliot Del Borgo. FS-SWS 1 Spine. Carl Fischer Concert Performance Series. Classical. Score and Set of Parts. With Standard notation. Carl Fischer Music #CPS19. Published by Carl Fischer Music (CF.CPS19).

ISBN 9780825844645. UPC: 798408044640. 9 X 12 inches. Key: F major.

Highland Echoes, a dramatic new tone poem by a master of contemporary band scoring, is an evocative musical reflection of Scotland and the changing moods of the Scottish Highlands. The skirl of bagpipes, the distinctive Scottish snap rhythm and the drone of the pipes, create a series of distinctive moods, which feature Del Borgo's usual brilliant use of the percussion section and distinctive melodiousness. Duration: 4' 50.

Things That Go Bump in the Night (Grade 1.5 - Score and Parts). By Philip Sparke (1951-). Arranged by Philip Sparke. Anglo Music Concert Band. Grade 1.5. De Haske Publications #AMP207. Published by De Haske Publications

Composed by Larry Clark. Score and part(s). Duration 4 minutes, 19 seconds. Carl Fischer #YPS149. Published by Carl Fischer (CF.YPS149).

(A Heritage in Song). Arranged by Jack Bullock. Concert Band. Concert Band; Score. Belwin Concert Band. Form: Medley. Folk; Multicultural. Grade 3. 40 pages. Published by Belwin Publishing

Concert Band - Grade 1.5

SKU: HL.44006694

Grade 1.5 - Score Only. Composed by Philip Sparke. Anglo Music Concert Band. Concert. Score Only. Composed 2007. 20 pages. Anglo Music Press #AMP207. Published by Anglo Music Press (HL.44006694).

UPC: 884088142049. 9x12 inches. English-German-French-Dut ch.

It is dark and raining. You are on holiday in the Scottish highlands and looking for somewhere to stay for the night when you come across a magnificent Gothic castle. Even though the place looks a bit spooky, you book a room. As you are dropping off to sleep, you are startled by the sudden appearance in your room of a ghostly bagpiper and a loud scream from somewhere down the corridor. You jump out of bed and decide to make a quick exit. All members of your band will love this spooky tale especially as they can add their own ghostly sounds and effects.

(A Heritage in Song). Arranged by Jack Bullock. Concert Band. Concert Band; Part(s); Score; SmartMusic. Belwin Concert Band. Form: Medley. Folk; Multicultural. Grade 3. 236 pages. Published by Belwin Music